vespa 60's
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Every day, I wake up more aware now than ever, of just how many blessings I have in my life. Celebrate life, live every moment. This life is ephemeral and you only have one turn at it.
To my Blue Phoenix, who reminds me every day, that love is the most powerful of energies.
You make the world a better place, my Blue Phoenix. ISFLY ♥♥.
Leica M-P & Summilux-M 35mm
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
Leica M-P & Elmarit-M 28mm
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
from "The Eastern Glow"
1-day exhibition
@ Flossify Gallery
18-11-18
Saori Yuki - Yoake no scat (Melody for a new dawn)
Leica M-P & Summilux-M 35mm
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
Leica M-P & Summilux-M 35mm
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
Leica M-P & Elmarit-M 28mm
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
Lothian Gemini 3 passes Princes Street whilst carrying a 26 service for Seton Sands
Vehicle Details
Operator: Lothian
Fleet Details: 466
Registration: SF17 VNA
Vehicle Type: Volvo B5TL, Wright Gemini 3
Leica M-P & Elmarit-M 28mm
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
House Presenhuber, Vnà. The holiday house in located in the middle of the village of Vnà in the Lower Engadine. The particular challenge of the project was to bridge the divide between the old-world charm of the village and the modern flair embodied in a holiday house for an internationally successful art gallery owner. The aim was to develop a formal language which had a certain proximity to traditional Engadine architecture and yet remained immediately recognisable as contemporary without being conservatively romanticised. In urban planning terms, the building closed a permanent gap in the village structure whilst the dimensions correspond to those of the adjacent houses. Over time the village was periodically hit by fires, meaning that the original timber structures disappeared and were replaced by the stone houses that give the settlement its indigenous character today. The use of concrete as the main building material pays justice to this stone appearance. Only the inner walls and ceilings of the living and bedrooms are lined in plywood panelling to give the rooms a warmth and comfort and as an approximation of the traditional sheltered feeling of a mountain dwelling. The solidness of the of ground storey is likewise a common regional feature. The archaic is also reflected in the construction with the use of gas concrete, allowing the walls to be erected homogenously without layering. The resulting massiveness of the walls has a great similarity with traditional means of building and enabled the typical corbels of the window reveals. The windows are arranged according to interior criteria, giving the façade an informal appearance typical of old Engadine houses. The depth of the reveals create an attractive play of shadows and roots the building firmly in the region.
Finally, the traditional and modernist elements of the sculptural volume blend into a unified whole. The interplay between simplicity, rural straightforwardness and contemporary comfort and architectural sophistication lend the house a very specific character, which pays respect to the village without being obsequious.
Leica M-P & Elmarit-M 28mm
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
House Presenhuber, Vnà. The holiday house in located in the middle of the village of Vnà in the Lower Engadine. The particular challenge of the project was to bridge the divide between the old-world charm of the village and the modern flair embodied in a holiday house for an internationally successful art gallery owner. The aim was to develop a formal language which had a certain proximity to traditional Engadine architecture and yet remained immediately recognisable as contemporary without being conservatively romanticised. In urban planning terms, the building closed a permanent gap in the village structure whilst the dimensions correspond to those of the adjacent houses. Over time the village was periodically hit by fires, meaning that the original timber structures disappeared and were replaced by the stone houses that give the settlement its indigenous character today. The use of concrete as the main building material pays justice to this stone appearance. Only the inner walls and ceilings of the living and bedrooms are lined in plywood panelling to give the rooms a warmth and comfort and as an approximation of the traditional sheltered feeling of a mountain dwelling. The solidness of the of ground storey is likewise a common regional feature. The archaic is also reflected in the construction with the use of gas concrete, allowing the walls to be erected homogenously without layering. The resulting massiveness of the walls has a great similarity with traditional means of building and enabled the typical corbels of the window reveals. The windows are arranged according to interior criteria, giving the façade an informal appearance typical of old Engadine houses. The depth of the reveals create an attractive play of shadows and roots the building firmly in the region.
Finally, the traditional and modernist elements of the sculptural volume blend into a unified whole. The interplay between simplicity, rural straightforwardness and contemporary comfort and architectural sophistication lend the house a very specific character, which pays respect to the village without being obsequious.
CP 4005
Comboio Alfa Pendular nº 132; Braga -> Lisboa Santa Apolónia
Vila Nova de Anços, 27-12-2011 – 15:03
"O fotógrafo quanto faz uma foto ; usa os olhos, a alma, o coração e a emoção.
E no final o dedo. Para ver e entender a mesma, use tudo, menos o dedo"
Adilson Santos
* Todas as fotos da sequencia estão abertas, pois já foram publicadas anteriormente e todas são do MAC - Museu de Arte Contemporânea de Niterói - Rio de Janeiro
Foto: Fotografo no Museu de Arte Contemporânea de Niterói - Rio de Janeiro - Brasil
Video: ♫ Tribute/Agnus Dei ♫ - Michael W. Smith
Conforme a Lei 9.610/98, é proibida a reprodução total ou parcial ou divulgação comercial ou não sem a autorização prévia e expressa do autor (artigo 29). ® Todos os direitos reservados.
According to Law 9.610/98, it is prohibited the partial or total commercial reproduction without the previous written authorization of the author (article 29). ® All rights are reserved.
Leica M-P & Elmarit-M 28mm
Please don't use this image on websites, blogs or other media without my written permission.
© Toni_V. All rights reserved.
House Presenhuber, Vnà. The holiday house in located in the middle of the village of Vnà in the Lower Engadine. The particular challenge of the project was to bridge the divide between the old-world charm of the village and the modern flair embodied in a holiday house for an internationally successful art gallery owner. The aim was to develop a formal language which had a certain proximity to traditional Engadine architecture and yet remained immediately recognisable as contemporary without being conservatively romanticised. In urban planning terms, the building closed a permanent gap in the village structure whilst the dimensions correspond to those of the adjacent houses. Over time the village was periodically hit by fires, meaning that the original timber structures disappeared and were replaced by the stone houses that give the settlement its indigenous character today. The use of concrete as the main building material pays justice to this stone appearance. Only the inner walls and ceilings of the living and bedrooms are lined in plywood panelling to give the rooms a warmth and comfort and as an approximation of the traditional sheltered feeling of a mountain dwelling. The solidness of the of ground storey is likewise a common regional feature. The archaic is also reflected in the construction with the use of gas concrete, allowing the walls to be erected homogenously without layering. The resulting massiveness of the walls has a great similarity with traditional means of building and enabled the typical corbels of the window reveals. The windows are arranged according to interior criteria, giving the façade an informal appearance typical of old Engadine houses. The depth of the reveals create an attractive play of shadows and roots the building firmly in the region.
Finally, the traditional and modernist elements of the sculptural volume blend into a unified whole. The interplay between simplicity, rural straightforwardness and contemporary comfort and architectural sophistication lend the house a very specific character, which pays respect to the village without being obsequious.
This image is © KM Edinburgh. It would be an offence for you to remove the copyright mark, or post the image elsewhere without my written permission.
Ramosch lies at approx. 1236 m above sea level on the left side of the Inn valley at the end of Val Sinestra. Vnà, Seraplana and Raschvella belonged to Ramosch. Griosch and the upper part of the Fimba Valley (Rhaeto-Romanic Val Fenga) in the otherwise Austrian Paznaun Valley also belonged to Ramosch.
Together with Tschlin, Ramosch forms the muicipality of Valsot.
This image is © KM Edinburgh. It would be an offence for you to remove the copyright mark, or post the image elsewhere without my permission.
This image is © KM Edinburgh. It would be an offence for you to remove the copyright mark, or post the image elsewhere without my written permission.
President Ho Chi Minh and Chairman Mao Zedong in Beijing in 1960. (Photo: VNA).
War Remnants Museum
Ho Chi Minh City
This image is © KM Edinburgh. It would be an offence for you to remove the copyright mark, or post the image elsewhere without my written permission.
B-HMD Boeing B747-2L5M Cathay Pacific Cargo
Silver Bullet taxiying out for departure.
Built in 1980 for Libyan Arab but never taken up. To Varig as PP-VNA.
@ CATHAY PACIFIC BOEING 747-200(F) (CX/CPA) B-HMD
Aircraft Type Built as B747-200M Converted B747-200(F)
• Manufacturer Serial Number : msn 22105 / 435
• Production Site Everett (PAE)
@ Airframe Status
• ntu : 5A-DIJ > 747-200M > Libyan Airlines
• 1981 : PP-VNA > 747-200M > Varig
• 1996 : VR-HMD > 747-200(F) > Air Hong Kong
• 2004 : B-HMD > 747-200(F) > Cathay Pacific
• 2009 : CX B747-200F B-HMD was retired in Victorville, California, US in March 2009.
• 2019 : After 10 years of retirement the aircraft had a fictional registration of LN-WTJK and fictional Norskfreight livery applied to it. The aircraft was used in Tenet, a 2020 science fiction action-thriller film written and directed by Christopher Nolan, who produced it with Emma Thomas.
In the film the aircraft is purposefully crashed into a building.
Age 43.9 Years
Still stored at VCV
Stagecoach 26231 (YW19 VNA) currently unbranded, descends Madeira Walk, Ramsgate with a 'Loop' service.
6th August 2019
=REPOST=
As you can see from the light and the crude separation in the middle, this is actually a quick montage of two separate photos. I made it look like the statues are facing each other, which gives a whole new dimension to their facial expressions.
PS: You can also check out my most "interesting" photo's on: www.flickriver.com/photos/lambertwm/popular-interesting/
PP-VNA - Boeing 747-2L5M - VARIG
at Frankfurt Rhein/Main Airport (FRA)
c/n 22.105 - built in 1980 for Libyan Arab Airlines (Aircraft painted as 5A-DIJ but NTU) -
to VARIG 1981 - 1994 -
conv. to freighter in 1996 - operated by Cathay Pacific/Air Hong Kong -
wfu KVCV 3/18/09 - stored
scanned from Kodachrome-slide