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“Mothers Cry for Justice”: New York Stands Against Police Brutality, Murder, and Militarized Repression: 22nd National Day of Protest to Stop Police Brutality, Repression and the Criminalization of a Generation: Rally and March: Brooklyn Borough Hall, 209 Joralemon Street and Barclays Center, 620 Atlantic Avenue, Brooklyn, New York, N.Y., Sunday, October 22, 2017.
Visuals and illustrators that influence my work (clockwise, #WhyIDidntReport, Jesse Zhang, Olivia Waller, Axel Scheffler, Raymond Briggs, Harriet Hadley) that communicate important messages on harassment, self-love and acceptance.
2nd Shutter flash is always fun, this shot utilizing it well, giving some life to music.
Thunderbolt, Totterdown, Bristol UK
Fotografije studenata NOVE akademije umetnosti:
Dušan Popovic, Violeta Tešic, Vesna Jovanovic, Mina Stefanovic, Ljiljanja Božovic,
Ana Ðuric,Milica Gvozdenovic, Denis Jeremic, Andela Jovetic, Milana Pavkovic,
Stefan Petrovic, Jelena Randjelovic , Dušan Šljivic, Vida Brdanin i Marko Spasojevic
Mentor: Branka Nedimovic
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Created with fd's Flickr Toys.
Tail shot juxtaposed with one of its still-NWA Airlink liveried bretheren taxying in to the adjacent gate. Notice the red end cap on the fintip- bit of a left over from the CRJ's NWA Airlink days, I suppose!
Friends, relatives, and supporters of Holly Tucker express outrage over her arrest by New Haven Police and the recent escalation of police harassment, violence and brutality against New Haven African American and Latino residents: Public Safety Committee Public Hearing, Alder Chamber, New Haven City Hall, 165 Church Street, New Haven, Connecticut, Tuesday, September 20, 2016.
Public Safety Committee members at the meeting: Hill Alder Dave Reyes Jr. (5-D), Wooster Square Alder Aaron Greenberg (8-D), Fair Haven Heights Alder Barbara Constantinople (11-D) and Quinnipiac Meadows Alder Gerald M. Antunes (12-D).
A visual outcome to a brief set on Brownes Hospital in Broad Street, Stamford. The initial brief led me to this piece after a lot of research and development stages. It is inspired by protest artwork with the theme of feminism in the 1950's.
The apron, and cover of the iron and ironing board are all made from paper that I printed and the black flower on the waist band is made from a mans pinstripe suit.
Caren Garfen was an inspiration for this piece and I was fortunate enough to meet her at a textiles exhibition that I attended and was kind enough to comment on my work: "Well done to you....the work has been constructed with real care and attention. I particularly like the fact that you have used printing onto paper as part of the process and then added a different medium in the form of suit material"
Tienda: Wm miramontes
plaza: Vdm
asesora: Gonzalez martinez alejandra
promotora: Luna cruz liliana guadalupe
rdv: Hernandez ramirez roberto
fecha: 13-02-2012
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An annual exhibition by Gaston County Art Guild, hosted at Gaston College Rauch Gallery. (Installation view)
8088, 2 360k 5.25" drives, more "portable" than most machines of its day, mainly because the flip-up top, which looks like it should have a screen on it, is just empty plastic. A model with an 80x16 LCD was available. One nice feature is the terminal software in ROM that can be run if there is no boot disk in the drive.
O transepto da Igreja de Nossa Senhora de Nazaré em Portugal é um espaço de profunda expressão artística e religiosa. Sua narrativa visual é tecida através de elementos que contam a história da devoção mariana. Aspectos arquitetônicos, como a abóbada em cúpula, são proeminentes, com sua forma circular se erguendo em direção ao céu e intrincados padrões em relevo dourados que criam uma textura rica e um brilho celestial. As linhas curvas da cúpula e dos arcos laterais guiam o olhar para cima, evocando uma sensação de elevação espiritual.
Abaixo da cúpula, as paredes do transepto são revestidas por azulejos azuis e brancos, um elemento visual marcante que narra cenas da vida da Virgem Maria e milagres a ela atribuídos. A cor azul predominante nos azulejos, tradicionalmente associada ao manto de Maria e ao céu, confere uma atmosfera de serenidade e devoção. As formas representadas nos painéis de azulejo, com figuras humanas e paisagens, são estilizadas e detalhadas, típicas da azulejaria portuguesa. A textura dos azulejos, embora lisa ao toque, possui um brilho que interage com a luz, criando reflexos sutis.
A luz natural que penetra através dos vitrais, como o que se vê no centro da imagem com suas cores vibrantes, adiciona uma dimensão dinâmica ao espaço. As cores dos vitrais, em tons de vermelho, azul, amarelo e verde, projetam manchas de luz coloridas sobre o piso e as paredes, transformando a percepção do ambiente ao longo do dia. O espaço é amplo e imponente, projetado para acolher os fiéis e as atividades religiosas, como missas e romarias.
O tema central do transepto é a fé e a devoção a Nossa Senhora de Nazaré. A forma arquitetônica em cruz latina, comum em igrejas cristãs, simboliza a crucificação de Cristo, unindo o terreno ao divino. O conteúdo artístico e arquitetônico do transepto reforça a importância da Virgem Maria na fé católica, apresentando-a como intercessora e protetora. A função do transepto é proporcionar um espaço para a congregação dos fiéis, para a realização dos ritos e para a contemplação das representações sacras.
Culturalmente, o transepto reflete a rica tradição artística e religiosa de Portugal, onde a azulejaria e a arquitetura barroca e manuelina desempenham um papel significativo. A religiosidade é manifestada na grandiosidade da construção e na riqueza dos detalhes, que convidam à reflexão e à oração. É um local onde a história da fé se encontra com a arte, criando um ambiente de profunda espiritualidade e veneração.