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Transformation transformacja transformation transformace Transformation transzformáció преобразование transformación trasformazione 2012
www.flickr.com/photos/arjuna/sets/72157628371178639/with/...
A friend is acting in a play that takes place on Henry Street. To help her visualize it, I took a walk there and grabbed these pics.
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
Debates in civil society orbit around million dollar economies when our western nations now measure GDPs in the trillions of dollars. How can the average person visualize oil company profits and the wealth of individuals in billions of dollars? Somehow we need a new perspective on money matters where a million dollars invested in a pot hole, health care, education or housing is measured in relation to a National Worth in Canada of several trillions of dollars. Once the equivalent quantity of a million dollar diamonds to compose a cube that equals a trillion dollars, they become tiny dots that no longer sparkle on your computer screen.
One of the services that I offer is remote information visualization. In the case above, I did a web conference with a client and we discussed how to present their value proposition to potential funders. I drew the ideas we touched on in our conversation as we spoke on a virtual whiteboard that we could all see. They used these visualizations as the foundation to create visuals that they could incorporate in their pitch to VCs.
These are sketches-not finished visuals. The point of these is to make sense and provide insight, not to look polished. That can come later.
I removed identifying information about the client I did this for from the visuals for the purpose of posting this publicly.
This is a scatter plot of vehicle schedule deviation plotted against time of day. Time of day is plotted on the horizontal axis with gray tick marks every hour. The slightly bolder gray line is noon. Schedule deviation is plotted on the Y axis, with three ticks, from top to bottom: five minutes late, on time, and five minutes early. There's a dense area right after noon - this doesn't represent any feature of King County Metro's schedules - it's just a region where I got two day's worth of readings. On average vehicles are about a minute late. They're rarely more than two minutes early, but it's not terribly uncommon for a vehicle to be up to twenty minutes late.
An idea, however big, is smaller than the guy who visualized it.. Some people can see the world through a shoe hole..
Wondering if the engineer who conceived golden gate bridge.. ever thought that it'd be such an iconic landmark..
Data visualizations for earthquakes that killed more than 1K people, 1902-2008.
Source:
(1) spreadsheets.google.com/ccc?key=0AgdO92JOXxAOdFpmY2IzS0JC...
iSGTW story | Image courtesy of David Borland, Mats Rynge, John McGee and Ray Idaszak, RENCI.
Jobs begin in the MATCHING site at the far left in the image. The color-coded jobs are then sent to OSG compute sites, where they are stacked. Yellow chips on the stack are queued jobs and green ones are running. Completed jobs are sent to the DONE site at the far right. The color bar for ranking OSG sites is visible in the upper right of the image.
exhibition opening
Filodrammatica Gallery, Korzo 28/1, Rijeka
10 November, 2022
ON VIEW UNTIL 29 NOVEMBER, 2022
Visualizing the fragmentary nature of our digital lives, the "All-Aligned" project ask: what is a society in which we, as users of digital systems, identify ourselves with automatically generated symbols, a society whose identities are driven by algorithms? What does the standard repertoire of national symbols, such as the flag, motto, coat of arms and anthem, represent today, at the time of the proliferation of digital capital, the accelerated doubling of memetic fronts and the general inflation of meaning?
The core of the project is a custom made random flag generator for infinite identity building, a software system based on applied artificial intelligence (AI), named Fractal Nations.
Ideas and concepts (pirate, Balkan, libertarian, ecological, dark, etc.) are being mapped onto graphic elements (colors, layouts, symbols, new shapes, etc.). By generating flags, the system also generates an infinite number of micro-identities, which multiply in a fractal manner, dividing themselves ad infinitum.
The exhibition shows various visual outputs from the described software system, primarily flags, which are displayed as real, physical, cloth or silk flags, as prints on the gallery wall, and as part of an interactive site, exhibited in the gallery, which allows visitors to generate their personal, individual – truly individualistic – symbolic identity on the spot (and for that exact moment in time, because the very next moment their own flag would look different).
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UROŠ KRČADINAC (b. 1984) is a Belgrade-based digital artist, technologist, writer, and educator. His transmedia practice involves computer programming, writing, designing, animating, and mapmaking. His research was published by IEEE scientific journals, his artworks presented at re:publica, Emily Car University, SASA Academy Gallery, Serbian Museum of Science and Technology, and many more. He received his PhD in Informatics from the University of Belgrade. Currently, he works as an Assistant Professor of Digital Art and Computing at the Faculty of Media and Communications in Belgrade.
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Photos by: Tanja Kanazir / Drugo more
11.13.12
Thank you. Thank you very much. (You get it, right? If not, try saying it out loud.)
I am really happy about this project 365. I know I seem to start all my intros that way, but it's true. I think I can complete it.
These are some peas from lunch. Aren't you hungry now?
P.S. This is my most tagged image yet!
The goal of this project was to visualize anger. Even though we usually connect this emotion with very intensevisuals, I decided to take a more subtle, poetic approach. After a month of thorough research,which included reading about the signs and phases of anger, as well as thereasons which cause it, I formed a clear idea of my direction.
Original project at: www.behance.net/gallery/Visualizing-Anger/371697
Hi i'm Dhananjay Sharma, Utilize my high and low polygon mesh modeling skills to create Architectural visualization, characters, environments, and props.
If I were to make a 3D chart that mapped out the alphabetical distribution of my CD library, this is what it would look like.
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height represents the length of teh body, each hair is a word. Answers are red lines.
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height represents the length of teh body, each hair is a word. Answers are red lines.