View allAll Photos Tagged visualidentity
From the Marin side, the Golden Gate Bridge reveals a quieter kind of authority. The south tower lines up cleanly, frame within frame, its geometry doing the work without theatrics. Traffic moves steadily across the deck, suspended between headlands, while the bay opens wide to the west in muted blues and silvers. This is the bridge as infrastructure first—precise, legible, and confident in its own proportions.
The catwalk and trusswork below introduce a second rhythm, all diagonals and riveted steel, grounding the span in craft and labor. Hills rise tight against the roadway, reminding you how abruptly the city gives way to landscape here. On clear days like this, the scene feels almost understated, as if the bridge is content to let light, distance, and repetition carry the image.
San Franciscans know this angle well. It’s less postcard, more proof-of-concept: a working crossing that happens to be monumental. The Golden Gate Bridge earns its place not through drama, but through consistency—showing up, day after day, as a piece of city-scale design that still feels right, decades on, no matter how often you return to it.
TIN CAN is a Dutch production company that focuses on the development and production of formats in the field of television, branding, online and events.
As shown in the movie, the entire identity consists of two basic elements that constitute the logo; namely a basic typography and four basic lines. Each line refers to one of the four disciplines of their profession. These lines are the main 'format' for the entire identity and are adaptable to different types of content and applications.
Check out my website www.cooee.nl for more work.
Julian Freeman personal Training logo designed by me.. please follow me or order me if you need any logo for utube, or any businesses and brands.
* Dates are only included as an example in the design.
* The design made has false text to complete the information.
Check me out on Linktree!
linktr.ee/krnxilla
O tutorial flopez (2.0) é um compacto das aulas de conteúdo em Programação Visual apresentadas as turmas de DSG_1003 e Tipografia II do curso de Design da Puc Rio. Aborda os temas: identidade visual, tipografia, diagramação, naming e vetor. O material tem finalidade estritamente acadêmica e seu intuito é reforçar de forma remota os principais pontos do conteúdo teórico das aulas. Contém 184 páginas, mais de 250 imagens, links, referências bibliográficas e diversas ferramentas teóricas de grande utilidade. Bom proveito
confere aqui: issuu.com/fabiolopez/docs/tutorial_flopez
download free: bom proveito!
abr. 11 / jan.12
70x100cm
The designer took the image when he personally participated Taiwan’s March 30th Student Protest. He saw the people speaking themselves out on the road of democracy. Every word was priceless, like gold, so precious, so valuable. This image uses metallic materials to present the textures of voices. Between action and settlement, voices were scattered throughout the image. It conceptually seems like the voices congregate and spread to every single corner, but united at one place from all places. Talks, because of democracy and freedom, make the rights people fight for more glorious. Chromatically, the black-and-white background makes the importance of the voice stands out. The dialogue between the peaceful and rational crowd in the image and the vibrant passion within their hearts creates a strong contrast.
Logo designed by ElectricSun for CM Hair Design.
To read the post about this on the ElectricSun website, click here.
* Dates are only included as an example in the design.
* The design made has false text to complete the information.
Check me out on Linktree!
linktr.ee/krnxilla
Late-afternoon light slides across a stepped tower in San Francisco’s Financial District, turning mass and repetition into the subject. From this compressed vantage point, the building reads as pure geometry—stacked volumes, disciplined window grids, and a rhythm that feels deliberate rather than decorative. The warm stone surface absorbs the sun instead of reflecting it, glowing softly against a cool, coastal-blue sky.
This is downtown San Francisco at its most architectural. Stripped of street-level context, the tower becomes an abstract study in proportion and setback, echoing the era when Financial District buildings were designed to express confidence through form rather than spectacle. A handful of illuminated windows quietly puncture the grid, subtle signs of daily work continuing inside the frame.
Images like this reward patience. The longer you look, the more the structure reveals itself—not as a single landmark competing for attention, but as part of a broader urban language shaped by light, restraint, and repetition. It’s a view that feels distinctly local: pragmatic, orderly, and momentarily beautiful when the sun hits just right.
Au Tak Shing 区德诚 (China / Hongkong)
Bi Xuefeng 毕学峰 (China / Shenzhen)
Chen Pingbo 陈平波 (China / Shenzhen)
Chen Junliang 陈俊良 (China / Taiwan)
Deng Yuanjian 邓远健 (China / Shenzhen)
He Fang 何方 (China / Wuhan)
Hong Wei 洪卫 (China / Zhongshan)
Jiang Hua 蒋华 (China / Beijing)
Kan Tai-Keung 靳埭强 (China / Hongkong)
Lau Siu Hong 刘小康 (China / Hongkong)
Lee Bob 李浩强 (China / Macao)
Li Zhongyang 李中杨 (China / Beijing)
Lin Pang-soong 林磐聳 (China / Taiwan)
Liu Yongqing 刘永清 (China / Shenzhen)
Tommy Li 李永铨 (China / Hongkong)
Wu Muchang 吳穆昌 (China / Taiwan)
Xu Li 许力 (China / Beijing)
Yang Zhen 杨振 (China / Shenzhen)
Ye Youtian 叶佑天 (China / Wuhan)
You Minglong 游明龙 (China / Taiwan)
Zhang Dali 张达利 (China / Shenzhen)
Zhang Dalu 张大鲁 (China / Suzhou)
First, let me express my admiration of the design and quality of this paint job. The downward slanting backdrop and headline give a feeling of motion that is fitting for a step van. The orange and black with red accent create strong contrast that you can't miss. When I first saw it I thought that Entourage was doing some tour on the Penn campus and turned to look for Vince and Turtle.
Secondly, what the hell is this? What happened to Coup de Taco? (see their earlier paint job here: www.flickr.com/photos/ezraw/4298284505/in/set-72057594077...). I hope it was a financial crisis, because that's about the only way I could forgive such an affront to my (and hopefully the public's) esthetic expectations for food trucks and the relationship they have with the neighborhoods in which they do business.
If you look through my step van set (www.flickr.com/photos/ezraw/sets/72057594077391068/with/4...) what you might notice is that the lunch truck step van is an expression of identity for this unusual category of small business. The emphasis in nearly all non-delivery fleet step vans is on individuality, often shown using typography or color. Even those who choose not to paint their vans have customized them in ways that are unique.
The step van food truck is the rare business that comes with two huge signs out front that can be painted however the owner likes. I don't even think zoning has any say. Most owners take advantage of this to create a visual identity. A food truck "brand." Since all step vans are nearly the same size and shape, there's really no other way to do this. For example, see Rami, right next door serving middle eastern food (www.flickr.com/photos/ezraw/4298271579/in/set-72057594077...) or Suzi with the chef's face drawn on the side (www.flickr.com/photos/ezraw/3168385047/in/set-72057594077...) or bright pink Denise's (www.flickr.com/photos/ezraw/3086759419/in/set-72057594077...) or the recently famous cupcake lady running Philadelphia Buttercream ( www.flickr.com/photos/ezraw/4508902913/in/set-72057594077... ).
To change identities so suddenly and dramatically is to invite confusion and possibly alienate customers by removing a familiar signpost of their daily routine. No to mention, and possibly most importantly, how could anyone possibly know what the Entourage truck sells? Only if you look carefully can you see the Coup de Taco logo is hiding out in the bottom left.
Third. It's boring. You could put this on a billboard and I wouldn't look twice.
There's almost no difference between the experience I have with a truck like this and a portable sign board truck like this: www.flickr.com/photos/jag9889/3457265350/. Both are totally unrelated to what's happening inside and insult the neighborhood around it. At least the sign board truck moves along. Coup de Taco seems to say, "I care so little about my relationship with the neighborhood that I'm willing to risk it for money."
At least the sign truck and billboard declare their commercial intent up front. "Look at me, i'm an advertisement," they say. "See me for what I am." But this lunch truck fooled us. It said, "I'm a taco van, I'll park here every day, and we can have a relationship. I'll be a part of the neighborhood and you can eat here too." But then we wake up one morning to hear, "Oh no, wait, sorry, I'm also an advertisement for an HBO show. But I'm not leaving either. Sorry you had a some romantic notion about me respecting you. Just keep looking at Ari and buying tacos and we'll get along fine."
So, should we boycott Coup de Taco for this slap in the face of visual step van vernacular? For me, it's a moot point as I don't work near it, and it's usually not open when I pass by, so I've never eaten there. Also, as a partner in a small business myself, I wouldn't want to damage the income of the owner, who certainly seems like a nice guy (his blog: coupdetaco.wordpress.com/). But I certainly would understand if someone did. That said, part of the appeal and identity of Philadelphia for me is the crazy melange of signs and storefronts all over town. I would never want to squelch that fire, nor the choice of each business person to do what he or she wants with their exterior, but I sure would hate it if we all ended up with signs like these on food trucks all over town.
Can't wait until this is gone and we see the old Coup de Taco back soon.
PS, I got a close look last night, and this is a vinyl vehicle wrap, which is actually pretty cool and nearly invisible unless you look very closely. Would be interesting to see vans put these on and change up designs every year.