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IL 28 — ANALISI GRAFICA
Se le api non volano
di Sara Deganello, Francesco Franchi e Roberta Giaconi
Illustrazioni di Francesco Muzzi
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Da anni continuano a diminuire. Vari i motivi (ipotetici, finora): parassiti, pesticidi, cambiamenti climatici. Eppure, dall’impollinazione (di cui sono vettori) dipende il 76 per cento della produzione alimentare europea. Il parlamento di Bruxelles ha votato una risoluzione per tutelarne la salute. E arriveranno un po’ di fondi in più
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[ENG] Honey bees extinction and EU proposal and measures to stimulate and develop beekeeping throughout Europe
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IL - Intelligence in lifetyle on facebook:
#photography #botanical #horses #nature #flowers #birds #discardedmagazine
#project #photographer #photography #analog #digital #analogphotography #filmphotography #digitalphotography #landscapephotography #projectphotography #magazine #editorial #editorialphotography #photooftheday #film #visualdesign #art #monikameinhart
I hope my Flickr friends and contacts will not find this boring.
I have more cherry blossoms in B&W.
I am big fan of B&W pictures. I love shooting cherry blossoms in B&W.
I forgot who said this.
Bad photographers cannot see tones and cannot see composition (visual design).
Good photographers see the tones and see the composition (design).
Great photographers create the tones and create the composition (design). Not by Photoshop!
Photography is about tones and composition. B&W is the most superior tones in my opinion.
Have a great week coming everyone!
Daily Re-Mix Challenge 08/22/17. Added an old fashion city background and added fx to give overall photo an old fashion feel.
A vibrant display featuring celebratory text and artistic imagery acknowledges reaching 3900 followers.
#freestyle #abstractart #digitalart #modernart #design #contemporaryart #COLOR #accessories #unicità #creatività #raffreefly_vendita_opere #design #interiodesign #visualart #visualdesign #visualeffects #visualartist #wallpaper #cartadaparatiartistica #cartedaparati #arteinformado #thotaclub #eartesia #ecletticamente_arte #style #styleart #legadegliartisti #fantasyart
IL 16
di Francesco Franchi e Daniele Lorenzetti
Illustrazioni di Laura Cattaneo
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Paese che vai, camion che trovi. Dai “musoni” americani ai lunghissimi australiani, passando per gli asiatici metallizzati che stanno colonizzando l’Africa: facciamo un giro sui bisonti della strada, i colossi del trasporto mondiale che fanno viaggiare (ancora) la maggior parte delle nostre merci
#photography #botanical #horses #nature #flowers #birds #discardedmagazine
#project #photographer #photography #analog #digital #analogphotography #filmphotography #digitalphotography #landscapephotography #projectphotography #magazine #editorial #editorialphotography #photooftheday #film #visualdesign #art #monikameinhart
IL 16
di Francesco Franchi e Alessandro Giberti
Illustrazioni di Davide Mottes
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Impariamo a considerare le distese d’acqua della Terra come i più grandi serbatoi esistenti di energia pulita: sfruttandone le caratteristiche fisiche (onde, correnti, maree, salinità, diverse temperature) si può produrre un mare di elettricita
Bold color, playful geometry, and the rhythmic pulse of light define this unforgettable space—the locker room at Sea Ranch’s Moonraker Athletic Center, designed by architect Charles Moore and his firm Moore Lyndon Turnbull Whitaker (MLTW) in the early 1970s. While The Sea Ranch is most often celebrated for its restrained, wood-clad houses that harmonize with the Northern California landscape, this interior offers a joyful counterpoint: an exuberant burst of color and composition that captures the postmodern imagination at its most spirited.
Moore, whose architectural philosophy combined intellectual rigor with childlike wonder, envisioned The Sea Ranch not as a fixed aesthetic but as a living community where design could range from serene to celebratory. Here, in this small yet iconic locker room, his belief in the emotional power of architecture comes vividly to life. The red, blue, black, and white murals—painted in bold geometric patterns—transform a utilitarian passageway into a sensory experience. Walls, ceilings, and stair risers become a dynamic canvas of circles, stripes, and diagonals that shift with one’s movement through space.
The artwork, executed in collaboration with graphic designer Barbara Stauffacher Solomon, represents one of the earliest examples of what would become known as Supergraphics—a movement that redefined how color and scale could activate architecture. Solomon’s designs, using oversized, high-contrast forms, were a radical departure from the natural tones of Sea Ranch’s exteriors. Yet inside, her work perfectly complements Moore’s architectural rhythm, turning the simple act of moving through a locker room into a theatrical encounter with form and light.
This stairway embodies the dialogue between architecture and art that made The Sea Ranch so influential. The sharp yellow line marking the edge of the step, the bold red curve slicing through a white wall, the clean black handrail—all converge to express the precision and playfulness that Moore and Solomon championed. Even the sunlight itself participates, casting shadows that animate the geometry in real time.
Seen today, the space feels remarkably contemporary—its saturated hues and graphic clarity anticipating decades of modern design trends. Yet its power lies in its humanity. Charles Moore once said that architecture should “make room for joy,” and this interior does exactly that. It’s both functional and poetic, modest in scale yet monumental in impact. The locker room at Sea Ranch remains a testament to collaboration, creativity, and the enduring belief that good design can make the everyday sublime.