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IL 28 — ANALISI GRAFICA
Se le api non volano
di Sara Deganello, Francesco Franchi e Roberta Giaconi
Illustrazioni di Francesco Muzzi
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Da anni continuano a diminuire. Vari i motivi (ipotetici, finora): parassiti, pesticidi, cambiamenti climatici. Eppure, dall’impollinazione (di cui sono vettori) dipende il 76 per cento della produzione alimentare europea. Il parlamento di Bruxelles ha votato una risoluzione per tutelarne la salute. E arriveranno un po’ di fondi in più
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[ENG] Honey bees extinction and EU proposal and measures to stimulate and develop beekeeping throughout Europe
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IL - Intelligence in lifetyle on facebook:
#photography #botanical #horses #nature #flowers #birds #discardedmagazine
#project #photographer #photography #analog #digital #analogphotography #filmphotography #digitalphotography #landscapephotography #projectphotography #magazine #editorial #editorialphotography #photooftheday #film #visualdesign #art #monikameinhart
I hope my Flickr friends and contacts will not find this boring.
I have more cherry blossoms in B&W.
I am big fan of B&W pictures. I love shooting cherry blossoms in B&W.
I forgot who said this.
Bad photographers cannot see tones and cannot see composition (visual design).
Good photographers see the tones and see the composition (design).
Great photographers create the tones and create the composition (design). Not by Photoshop!
Photography is about tones and composition. B&W is the most superior tones in my opinion.
Have a great week coming everyone!
Daily Re-Mix Challenge 08/22/17. Added an old fashion city background and added fx to give overall photo an old fashion feel.
A vibrant display featuring celebratory text and artistic imagery acknowledges reaching 3900 followers.
#freestyle #abstractart #digitalart #modernart #design #contemporaryart #COLOR #accessories #unicità #creatività #raffreefly_vendita_opere #design #interiodesign #visualart #visualdesign #visualeffects #visualartist #wallpaper #cartadaparatiartistica #cartedaparati #arteinformado #thotaclub #eartesia #ecletticamente_arte #style #styleart #legadegliartisti #fantasyart
IL 16
di Francesco Franchi e Daniele Lorenzetti
Illustrazioni di Laura Cattaneo
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Paese che vai, camion che trovi. Dai “musoni” americani ai lunghissimi australiani, passando per gli asiatici metallizzati che stanno colonizzando l’Africa: facciamo un giro sui bisonti della strada, i colossi del trasporto mondiale che fanno viaggiare (ancora) la maggior parte delle nostre merci
#photography #botanical #horses #nature #flowers #birds #discardedmagazine
#project #photographer #photography #analog #digital #analogphotography #filmphotography #digitalphotography #landscapephotography #projectphotography #magazine #editorial #editorialphotography #photooftheday #film #visualdesign #art #monikameinhart
IL 16
di Francesco Franchi e Alessandro Giberti
Illustrazioni di Davide Mottes
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Impariamo a considerare le distese d’acqua della Terra come i più grandi serbatoi esistenti di energia pulita: sfruttandone le caratteristiche fisiche (onde, correnti, maree, salinità, diverse temperature) si può produrre un mare di elettricita
Inside the Transamerica Pyramid’s ground-level galleries, a familiar object becomes architectural. A stack of Eames fiberglass side chairs—red, yellow, blue, black, and ivory—rises like a small modernist tower, each shell hovering just above the next. Stripped of their everyday function, the chairs read as planes, curves, and edges, held in tension by the thin geometry of their metal bases.
The composition is deliberately calm. Light falls evenly across the fiberglass, revealing decades of wear without sentimentality. Color is present, but disciplined: primary hues anchored by steel and white, contained within the quiet palette of glass, concrete, and the filtered green of Redwood Park outside. Nothing competes for attention. The stack is the idea.
This is midcentury design understood the San Francisco way—not as nostalgia, but as systems thinking. Repetition, modularity, and restraint are doing the work here, the same values embedded in the Pyramid’s concrete structure just beyond the frame. The chairs echo the building: light on their feet, precise in their alignment, human-scaled but intellectually rigorous.
At thumbnail size, the image resolves into a simple silhouette punctuated by color. Up close, texture takes over—the subtle translucence of fiberglass, the scuffed edges, the rhythm of legs touching down in perfect sequence. It’s a reminder that some of the city’s most compelling architecture lives indoors, quietly arranged, waiting for someone to slow down and look long enough to see the order beneath the color.