Pictograms and Public Space Typography
View allAll Photos Tagged visual_standards
One of the 10 McDonald's restaurant in the area of Nancy. Eight of them feature a McDrive and2 instore restaurants. Laxou is located West of the city of Nancy along the former Route Nationale N4 (now the D400) and exits of autoroutes A31 and A33.
This restaurant is one of the first generation McDonald's restaurants featuring a Drive-Thru ('side-by-side') and has been remodelled to meet the new European visual standards.
McDonald's Laxou
31 Rue de La Sapinière
Angle RN 4
54520 LAXOU
Tél: +33 (0)3 83 96 53 71
Featuring: Drive-Thru - Ronald Land (PlayPlace)
Store#: 2500 0119
Opening: 1990/1992 (estimation)
The very rectilinear lines of former Bolton, then SELNEC. Leyland Atlantean PDR1/1 ABN217C, at Wilson's, Carnwath in about 1976. East Lancs (motto - "no design so ugly we won't build it" *) constructed the brutalist body.
*Lest I be had for libel, I should add that this is an example of hyperbole. Several East Lancs designs were visually pleasing, my favourite being the Spryte on a Dart. We have some good looking Myllenium DAFs in the Wirral too. But in fairness not every body they built achieved such high visual standards,
Quick Paris Lescot 07/08/2016 18h31
One of the few Quick restaurants remodelled according the latest visual standards of Quick before the acquisition by Burger King. New logo and interior at this Quick right accross « La Canopée » and Forum des Halles. A small restaurant with a dining room in the basement.
As we speak (October 2016) the first Quick restaurants have already been transformed into Burger King. In Paris alone 2 (Quick Opéra and Quick Porte de Clichy are rebranded to Burger King) and more are following very soon. In Paris there are now (Octtober 2016) 12 Quick restaurants open, in June 2010 there were still 27 Quick restaurants in operation. Burger King has now (October 2016) 71 restaurants open in France from which 7 are located within the city limits in Paris. Soon Burger King will outnumber Quick, Quick Gare de l'Est is now under transformation to the Home of the Whopper.
The succes story of Quick is ending. The Géant will be replaced by the Whopper in both France and Belgium. Burger King will very soon enter the Belgium market and be the market leader in Belgium and the second largest quick service restaurant chain in France after a stormy comeback in France in 2012. But the succes of Burger King without Quick was not possible both in France and in Belgium in the near future. [ Perry Tak ]
Quick Paris Lescot
2 rue Pierre Lescot
75001 PARIS
Téléphone : +33 01 42 36 53 31
Open 09h30 - 23h00
One of the 10 McDonald's restaurant in the area of Nancy. Eight of them feature a McDrive and2 instore restaurants. Laxou is located West of the city of Nancy along the former Route Nationale N4 (now the D400) and exits of autoroutes A31 and A33.
This restaurant is one of the first generation McDonald's restaurants featuring a Drive-Thru ('side-by-side') and has been remodelled to meet the new European visual standards.
McDonald's Laxou
31 Rue de La Sapinière
Angle RN 4
54520 LAXOU
Tél: +33 (0)3 83 96 53 71
Featuring: Drive-Thru - Ronald Land (PlayPlace)
Store#: 2500 0119
Opening: 1990/1992 (estimation)
In the Avignon area there are 8 McDonald's restaurants from which one instore location in the center of Avignon (Rue de la République) and in Le Pontet there are 3 restaurants (Le Pontet RN7 and Le Pontet Real Panier).
This restaurant used to be an early 1990's 2-floor restaurant with mansard roof with red tiles but has undergone the transformation to the new European McDonald's visual standards. It is one of the two McDonald's restaurant of the 8 in and around Avignon featuring a McCafé.
It is located in the commercial area of the Centre Commercial Avignon Nord and along the voie express Avignon - Carpentras (D225) and at the exit 25 of the autoroute A7 (Autoroute du Soleil).
McDonald's Avignon Le Pontet
ZI St Tronquet
Route de Carpentras
84130 LE PONTET
Tél: +33 (0)4 90 32 40 50
Website: www.mcdonalds-avignon.com
Featuring: Drive-Thru - McCafé - Ronald Land
Store#: 0152
Year of opening: (estimated) early 1990's
I visited McDonald's Capelle a/d IJssel Hoofdweg before in 2007 and found it hard to take a decent photo of it. But at the other side of the road (Capelseweg that it) there is a mall (Woonmall Alexandrium) with a parking deck on the roof which happened to be an excellent location for a shot of this restaurant.
Since my last visit this store has been totally refurbished meeting the new visual standards of the European corporate identity of McDonald's and this restaurant has a dual order point in their Drive-Thru and above all; it has implemented the MFY ( "Made For You" system). And in weekends this restaurant is open around the clock (still quite unique in the Netherlands).
McDonald's Capelle a/d IJssel Hoofdweg
Hoofdweg 1
2908 LB CAPELLE A/D IJSSEL
Tel: +31 (0)10 458 94 00
Featuring: Drive-Thru - Playzone - 24h (fri+sat)
Store number: 1161
Date of opening: 11/12/1996
The exterior of McDonald's in Purmerend gets a facelift to meet the new visual standards of McDonald's.
McDonald's Purmerend (2006)
McDonald's Purmerend
Verzetslaan 2
1447 XX PURMEREND
Featuring: Drive-Thru - PlayZone
Store# 1088 (NL)
Date of opening: 10/12/1992
Helping Set the Stage for Snowboarding’s Best
February 24th, 2020
VAIL, CO
Harsh winter conditions. Global broadcast coverage. Thousands of spectators. Multiple venues. High-flying acrobatics and speed. The Burton U.S. Open Snowboarding Championships delivers a host of unique branding challenges that get bigger every year as the scope and popularity of the world’s largest snowboarding competition continues to grow.
At the U.S. Open, meeting the high-visual standards of the event’s capstone sponsors and worldwide viewing audience just isn’t enough. Branding and advertising solutions have to be functional, too. In six years supporting our friends at Burton, Britten has produced hundreds of sponsor banners and flags, thousands of feet of branded mesh fencing to protect spectators and competitors, specially fabricated metal signage stands for mounting on snowbanks, mesh wraps for the 25’ vertical height meters to show just how much air competitors get over the halfpipe, and more.
Putting Britten’s reputation as a dependable branding problem solver to annual test, the U.S. Open constantly pushes the boundaries of what can be accomplished when wicked creativity combines with metal and print. Helping set the world stage for snowboarding top athletes in both slope-style and halfpipe is an honor the Britten team looks forward to every year.
britteninc.com/portfolio/helping-set-the-stage-for-snowbo...
Back in March we did a skyscraper visualization for #ZAS #architects #Rosemont #Hotel and #serviced #apartments #project. Results came in and they got the job! :-) Say hello to new member of #dubai #skyline!
#3dsmax #vray #architecture #interior #design #render #archviz #aplusstudio #instarender #instalike #instagood #instarch #thepolybox #render_contest #visual_standards #cgartistlab #cgarchitect #archdaily #archilovers #architectureporn #architecturelovers
We are a young studio with a small group of highly creative graphic designers and animators with a high level of experience and training.
Our fundamental goal is to transfer your vision for your branding from the drawing board or even just an idea to the mass market. Whether it is a high impact graphic, or high quality animation, we are here to help you reach your goal.
This rough draft animation demonstrates our prelim engineering sequence which we use to touch base with our clients on their vision for the final product.
Stay tuned for the release of the final video!
Let’s us join your team on your next marketing project!
Back in March we did a skyscraper visualization for #ZAS #architects #Rosemont #Hotel and #serviced #apartments #project. Results came in and they got the job! :-) Say hello to new member of #dubai #skyline!
#3dsmax #vray #architecture #interior #design #render #archviz #aplusstudio #instarender #instalike #instagood #instarch #thepolybox #render_contest #visual_standards #cgartistlab #cgarchitect #archdaily #archilovers #architectureporn #architecturelovers
"The Simple Things In Life Are Beautiful" Now available online at
alt.storenvy.com/products/3575017-the-simple-things-in-li...
$5.00
Page Count: 24
Dimensions (cm): 13.97 x
17.78 cm (in): 5.5 x 7.0 in.
Print Process: Black Ink
Binding: Saddle Stich Staple Bound
Edition size: /100
Biographic Info:
"In some of the most highly photographed areas of the city Shawn Whisenant sets himself apart from the camera-toting masses, capturing images with an intimacy and humor truly born of his environment and community. Traversing downtown San Francisco with Whisenant it is difficult to get far without encountering one of his regular portrait subjects- Slim, Spaceman, Camera girl- or without discovering a scene that falls into one of his visual databases. The repetitive subjects and compositional features of Whisenant’s photography make for a visual standard of city life, a catalog of factors against which his more spectacular imagery shines as bright as those moments do in real life, in the midst of monotony and ugliness. Whisenant’s constant exploration of the urban space frames the city as it is; as familiar and unknown, as playground and as place of confinement, and as lovely as it is hard."
Scentone card “Raspberry” and a vial of raspberry aroma concentrate.
A professional olfactory‐training tool used in coffee master classes: you open the vial, inhale the pure aroma, and match it against the visual standard. This sharpens your “nose,” teaching you to pick out fruit and berry notes in the cup. Without this skill, up to 80% of the subtle aromatic connections go unnoticed.
Back in March we did a skyscraper visualization for #ZAS #architects #Rosemont #Hotel and #serviced #apartments #project. Results came in and they got the job! :-) Say hello to new member of #dubai #skyline!
#3dsmax #vray #architecture #interior #design #render #archviz #aplusstudio #instarender #instalike #instagood #instarch #thepolybox #render_contest #visual_standards #cgartistlab #cgarchitect #archdaily #archilovers #architectureporn #architecturelovers
We did a "Behind The Scenes" tour of NCL Jewel which took us to 5 areas of the ship. The kitchen is always of interest to see. One concept utilized by companies who embark on a Lean Enterprise journey is the use of "Visual Standards". This technique is widely used in the ship's kitchen to standardize how meals are presented. We cruised aboard NCL Jewel in December 2010.
helping set the stage for the world's best snowboarders
Harsh winter conditions. Global broadcast coverage. Thousands of spectators. Multiple venues. High-flying acrobatics and speed. The Burton U.S. Open Snowboarding Championships delivers a host of unique branding challenges that get bigger every year as the scope and popularity of the world's largest snowboarding competition continues to grow.
At the U.S. Open, meeting the high-visual standards of the event's capstone sponsors and worldwide viewing audience just isn't enough. Branding and advertising solutions have to be functional, too. In six years supporting our friends at Burton, Britten has produced hundreds of sponsor banners and flags, thousands of feet of branded mesh fencing to protect spectators and competitors, specially fabricated metal signage stands for mounting on snowbanks, mesh wraps for the 25' vertical height meters to show just how much air competitors get over the halfpipe, and more.
Putting Britten's reputation as a dependable branding problem solver to annual test, the U.S. Open constantly pushes the boundaries of what can be accomplished when wicked creativity combines with metal and print. Helping set the world stage for snowboarding top athletes in both slope-style and halfpipe is an honor the Britten team looks forward to every year.
britteninc.com/portfolio/helping-set-the-stage-for-snowbo...
Virtual Image presents part two of our most recent animation. For part one, click
www.facebook.com/virtualimageandanimation/videos/39742750...
100% of the elements of this animation are modeled and prepared by us for the needs of this series
.
Get in touch
if you’d like more information about us or our models. We are at your disposal.
Our animation office offers not only animations but also virtual reality. See
or
write us
cliff@virtual3dstudio.com
We did a "Behind The Scenes" tour of NCL Jewel which took us to 5 areas of the ship. The kitchen is always of interest to see. One concept utilized by companies who embark on a Lean Enterprise journey is the use of "Visual Standards". This technique is widely used in the ship's kitchen to standardize how meals are presented. We cruised aboard NCL Jewel in December 2010.
We did a "Behind The Scenes" tour of NCL Jewel which took us to 5 areas of the ship. The kitchen is always of interest to see. One concept utilized by companies who embark on a Lean Enterprise journey is the use of "Visual Standards". This technique is widely used in the ship's kitchen to standardize how meals are presented. We cruised aboard NCL Jewel in December 2010.
Cruised for 12 days aboard NCL Gem in December 2014. We sailed r/t New York City. Six ports of call in the Caribbean. This was our second NCL cruise as plantinum so we got to experience some speciality restaurans and the free "behind the scenes" tour. For this cruise we had an inside cabin, lower cost whenever possible.
As platinum members, we got a free behind the scenes tour. I'm always amazed at the use of "visual standards" for everything they prepare. Even on the wall in the bake shop.
Cruised for 12 days aboard NCL Gem in December 2014. We sailed r/t New York City. Six ports of call in the Caribbean. This was our second NCL cruise as plantinum so we got to experience some speciality restaurans and the free "behind the scenes" tour. For this cruise we had an inside cabin, lower cost whenever possible.
As platinum members, we got a free behind the scenes tour. I'm always amazed at the use of "visual standards" for everything they prepare. Even on the wall in the bake shop.
Cruised for 12 days aboard NCL Gem in December 2014. We sailed r/t New York City. Six ports of call in the Caribbean. This was our second NCL cruise as plantinum so we got to experience some speciality restaurans and the free "behind the scenes" tour. For this cruise we had an inside cabin, lower cost whenever possible.
As platinum members, we got a free behind the scenes tour. I'm always amazed at the use of "visual standards" for everything they prepare. Even on the wall in the bake shop.
Cruised for 12 days aboard NCL Gem in December 2014. We sailed r/t New York City. Six ports of call in the Caribbean. This was our second NCL cruise as plantinum so we got to experience some speciality restaurans and the free "behind the scenes" tour. For this cruise we had an inside cabin, lower cost whenever possible.
As platinum members, we got a free behind the scenes tour. I'm always amazed at the use of "visual standards" for everything they prepare. Even on the wall in the bake shop.
old buildings up Laborcita Canyon Road just a couple of miles from La Luz
nmsua.edu/tiopete/la-luz-pottery-factory/
got this info from the news article
While the grip of Great Depression extended across the United States, La Luz Pottery, a dream in the making of wealthy East Coast entrepreneur Roland Hazard III, was employing a large but unknown number of people.
Those employees produced red Mexican style "barrel" shaped roofing tiles, earth-toned floor tiles, and a unique line of decorative ceramic vessels, large ornamental urns and vases that set a visual standard across the American Southwest.
Donated to the Tularosa Basin Historical Society in 2012 for preservation and public interpretation, the often mythical complex of buildings on the rural road are now taking their rightful place in the cultural landscape of the entire state.
Today, I finally broke down and calibrated my monitor and I'm seeing a huge difference. This photo is a re-do of the picture in the comment stream and, at least on my machine and my wife's laptop, I can see a huge difference. Before calibration, everything seemed to be coming off of my camera way too bright so I was darkening everything in Photoshop to compensate. Now, those shots look way darker than they did before calibration. What do you guys think?
I've received a couple of questions regarding monitor calibration so I'm adding the text of my email response here. Hopefully, this will provide enough information to clarify what I did to effect this change. I can't give you a full technical explanation of what happens when a monitor is calibrated but there are a few places on the web where you can get some more detailed explanations. However, I can tell you a bit about why I wanted to calibrate and how I did it.
First of all, I do almost all of my work on a laptop computer. However, that computer is normally sitting in a docking station through which all of its connections are made (network, mouse, keyboard, external hard drives, etc...) including connecting it to an LCD monitor. When I happen to take the laptop out of the docking station and use its builtin screen, my pictures would look different than when I would view/manipulate them using my external monitor. This was a concern for me because I didn't know which display (if either of them) was showing me the right representation of a particular picture. When I would look at some of the work that I had done on my laptop with another computer I would, once again, see a difference. Especially in the darkness of the photo and the saturation of its color. As a result, I decided that it was time to look into calibrating. On top of all of that, I decided that I wanted to make some prints of my work to frame and give as gifts for Christmas this year. However, when I would have the prints made, the color always seemed a bit off and, in some cases, way off. Ultimately, I decided that all of this had to be resolved.
What I ended up doing to resolve this was to purchase a colorimeter manufactured by a company called Datacolor (www.colorvision.com). The package consists of a piece of hardware that can be connected through your computer's USB port that they call a puck and some software that controls it. The puck is simply an electronic eyeball that you place on your monitor screen so that the software that comes with it can "see" what you see. The software itself is simply a wizard that runs you through the calibration procedure. It will ask you make some adjustments to the monitor manually and then it will run through an entire color palette so that it can create a profile for your monitor. Most of the process is automatic and the whole thing takes about 30 minutes to complete. The result is that you end up with a monitor that is now calibrated to a visual standard.
If you look at the redtail hawk and turkey vulture pictures that I have most recently posted, you will see that the biggest difference it makes is in regards to brightness. If we just focus on the turkey vulture shot, both of these pictures were created from the same raw file from my camera and then processed into the final pictures that were uploaded to Flickr. When I did the first one, I was using my un-calibrated monitor and I produced an image that looked great on my monitor but looked way too dark on everyone else's. After calibrating, I performed the exact same tasks on the original raw file and produced another picture that looked the same to my eye as the original one did when I created it. However, when the two are compared side-by-side the first picture looks far too dark and lacking in detail on my now properly calibrated monitor.
The long and the short of it is that I was pretty sure that I was not seeing color and brightness properly and this exercise proved that to be the truth. I have now calibrated all of the monitors for all of my computers (believe it or not, I own 5 of them right now) so that they all see color the same way. This does not affect how you see what I produce but it does affect what I create and it means that I'm seeing the color on my monitor the way that other calibrated monitors will see it.
So what did all of this cost me? I ended up buying the Syder 2 Suite package through an internet reseller for a grand total of $89.00 plus shipping. This came with the hardware and software for calibrating my monitor and some software for creating a color profile for my printers (something I haven't worked with just yet). I found it through pricegrabber.com and you might still be able to get it there for the same price as I did. I figured that with all of the money I've got tied up in camera and computer equipment, 89 bucks was a small price to pay to be sure that I was seeing the right colors and intensity on my monitor.
Hope this helps. If you have any further questions, don't hesitate to ask.
helping set the stage for the world's best snowboarders
Harsh winter conditions. Global broadcast coverage. Thousands of spectators. Multiple venues. High-flying acrobatics and speed. The Burton U.S. Open Snowboarding Championships delivers a host of unique branding challenges that get bigger every year as the scope and popularity of the world's largest snowboarding competition continues to grow.
At the U.S. Open, meeting the high-visual standards of the event's capstone sponsors and worldwide viewing audience just isn't enough. Branding and advertising solutions have to be functional, too. In six years supporting our friends at Burton, Britten has produced hundreds of sponsor banners and flags, thousands of feet of branded mesh fencing to protect spectators and competitors, specially fabricated metal signage stands for mounting on snowbanks, mesh wraps for the 25' vertical height meters to show just how much air competitors get over the halfpipe, and more.
Putting Britten's reputation as a dependable branding problem solver to annual test, the U.S. Open constantly pushes the boundaries of what can be accomplished when wicked creativity combines with metal and print. Helping set the world stage for snowboarding top athletes in both slope-style and halfpipe is an honor the Britten team looks forward to every year.
britteninc.com/portfolio/helping-set-the-stage-for-snowbo...
Helping Set the Stage for Snowboarding’s Best
February 24th, 2020
VAIL, CO
Harsh winter conditions. Global broadcast coverage. Thousands of spectators. Multiple venues. High-flying acrobatics and speed. The Burton U.S. Open Snowboarding Championships delivers a host of unique branding challenges that get bigger every year as the scope and popularity of the world’s largest snowboarding competition continues to grow.
At the U.S. Open, meeting the high-visual standards of the event’s capstone sponsors and worldwide viewing audience just isn’t enough. Branding and advertising solutions have to be functional, too. In six years supporting our friends at Burton, Britten has produced hundreds of sponsor banners and flags, thousands of feet of branded mesh fencing to protect spectators and competitors, specially fabricated metal signage stands for mounting on snowbanks, mesh wraps for the 25’ vertical height meters to show just how much air competitors get over the halfpipe, and more.
Putting Britten’s reputation as a dependable branding problem solver to annual test, the U.S. Open constantly pushes the boundaries of what can be accomplished when wicked creativity combines with metal and print. Helping set the world stage for snowboarding top athletes in both slope-style and halfpipe is an honor the Britten team looks forward to every year.
britteninc.com/portfolio/helping-set-the-stage-for-snowbo...
Helping Set the Stage for Snowboarding’s Best
VAIL, CO
Harsh winter conditions. Global broadcast coverage. Thousands of spectators. Multiple venues. High-flying acrobatics and speed. The Burton U.S. Open Snowboarding Championships delivers a host of unique branding challenges that get bigger every year as the scope and popularity of the world’s largest snowboarding competition continues to grow.
At the U.S. Open, meeting the high-visual standards of the event’s capstone sponsors and worldwide viewing audience just isn’t enough. Branding and advertising solutions have to be functional, too. In six years supporting our friends at Burton, Britten has produced hundreds of sponsor banners and flags, thousands of feet of branded mesh fencing to protect spectators and competitors, specially fabricated metal signage stands for mounting on snowbanks, mesh wraps for the 25’ vertical height meters to show just how much air competitors get over the halfpipe, and more.
Putting Britten’s reputation as a dependable branding problem solver to annual test, the U.S. Open constantly pushes the boundaries of what can be accomplished when wicked creativity combines with metal and print. Helping set the world stage for snowboarding top athletes in both slope-style and halfpipe is an honor the Britten team looks forward to every year.
britteninc.com/portfolio/helping-set-the-stage-for-snowbo...
Throughout the site, content is organized to be easy to scan, engaging to read, and visually interesting. This is achieved through an in-depth content strategy, consistent syntax, and visual standards for image treatment. From pages with pricing information to case studies, the ThoughtFarmer brand remains in tact, and compelling, to visitors.
View full case study here.
Helping Set the Stage for Snowboarding’s Best
February 24th, 2020
VAIL, CO
Harsh winter conditions. Global broadcast coverage. Thousands of spectators. Multiple venues. High-flying acrobatics and speed. The Burton U.S. Open Snowboarding Championships delivers a host of unique branding challenges that get bigger every year as the scope and popularity of the world’s largest snowboarding competition continues to grow.
At the U.S. Open, meeting the high-visual standards of the event’s capstone sponsors and worldwide viewing audience just isn’t enough. Branding and advertising solutions have to be functional, too. In six years supporting our friends at Burton, Britten has produced hundreds of sponsor banners and flags, thousands of feet of branded mesh fencing to protect spectators and competitors, specially fabricated metal signage stands for mounting on snowbanks, mesh wraps for the 25’ vertical height meters to show just how much air competitors get over the halfpipe, and more.
Putting Britten’s reputation as a dependable branding problem solver to annual test, the U.S. Open constantly pushes the boundaries of what can be accomplished when wicked creativity combines with metal and print. Helping set the world stage for snowboarding top athletes in both slope-style and halfpipe is an honor the Britten team looks forward to every year.
britteninc.com/portfolio/helping-set-the-stage-for-snowbo...
Our annual "Get Away From The Cold" cruise for 2017 was aboard NCL Getaway to the Western Caribbean.
My Platinum standing with NCL gets me a behind the scenes tour.
Love the way they utilize "visual standards" in the kitchen.
This image was taken with a Rokinon 4/3 9.3mm Fisheye Lens
helping set the stage for the world's best snowboarders
Harsh winter conditions. Global broadcast coverage. Thousands of spectators. Multiple venues. High-flying acrobatics and speed. The Burton U.S. Open Snowboarding Championships delivers a host of unique branding challenges that get bigger every year as the scope and popularity of the world's largest snowboarding competition continues to grow.
At the U.S. Open, meeting the high-visual standards of the event's capstone sponsors and worldwide viewing audience just isn't enough. Branding and advertising solutions have to be functional, too. In six years supporting our friends at Burton, Britten has produced hundreds of sponsor banners and flags, thousands of feet of branded mesh fencing to protect spectators and competitors, specially fabricated metal signage stands for mounting on snowbanks, mesh wraps for the 25' vertical height meters to show just how much air competitors get over the halfpipe, and more.
Putting Britten's reputation as a dependable branding problem solver to annual test, the U.S. Open constantly pushes the boundaries of what can be accomplished when wicked creativity combines with metal and print. Helping set the world stage for snowboarding top athletes in both slope-style and halfpipe is an honor the Britten team looks forward to every year.
britteninc.com/portfolio/helping-set-the-stage-for-snowbo...
Helping Set the Stage for Snowboarding’s Best
VAIL, CO
Harsh winter conditions. Global broadcast coverage. Thousands of spectators. Multiple venues. High-flying acrobatics and speed. The Burton U.S. Open Snowboarding Championships delivers a host of unique branding challenges that get bigger every year as the scope and popularity of the world’s largest snowboarding competition continues to grow.
At the U.S. Open, meeting the high-visual standards of the event’s capstone sponsors and worldwide viewing audience just isn’t enough. Branding and advertising solutions have to be functional, too. In six years supporting our friends at Burton, Britten has produced hundreds of sponsor banners and flags, thousands of feet of branded mesh fencing to protect spectators and competitors, specially fabricated metal signage stands for mounting on snowbanks, mesh wraps for the 25’ vertical height meters to show just how much air competitors get over the halfpipe, and more.
Putting Britten’s reputation as a dependable branding problem solver to annual test, the U.S. Open constantly pushes the boundaries of what can be accomplished when wicked creativity combines with metal and print. Helping set the world stage for snowboarding top athletes in both slope-style and halfpipe is an honor the Britten team looks forward to every year.
britteninc.com/portfolio/helping-set-the-stage-for-snowbo...
U.S. Army Garrison Fort Hamilton Department of Public Works removed an old legacy building sign and replaced it with a new sign that aligns with the standard signage on post, on March 12.
DPW workers and contractors installed the new sign for the garrison's Installation Support Office, a popular and busy office on the garrison. The updated signage replaces the old sign, bringing it in line with the unified visual standards across Fort Hamilton.
The Installation Support Office serves as a crucial point for various administrative and support services, making it a frequent destination for soldiers, families, and civilian employees stationed at or visiting Fort Hamilton. The updated signage aims to improve the overall experience for those utilizing the office's resources.
The project aligns with the garrison's commitment to maintaining a visually appealing and cohesive identity across the installation, ensuring a consistent and welcoming environment for all who visit or work at Fort Hamilton, as “The Face of America’s Army in New York City”. (U.S. Army photo by Mark Getman- Fort Hamilton Garrison Public Affairs)
Helping Set the Stage for Snowboarding’s Best
VAIL, CO
Harsh winter conditions. Global broadcast coverage. Thousands of spectators. Multiple venues. High-flying acrobatics and speed. The Burton U.S. Open Snowboarding Championships delivers a host of unique branding challenges that get bigger every year as the scope and popularity of the world’s largest snowboarding competition continues to grow.
At the U.S. Open, meeting the high-visual standards of the event’s capstone sponsors and worldwide viewing audience just isn’t enough. Branding and advertising solutions have to be functional, too. In six years supporting our friends at Burton, Britten has produced hundreds of sponsor banners and flags, thousands of feet of branded mesh fencing to protect spectators and competitors, specially fabricated metal signage stands for mounting on snowbanks, mesh wraps for the 25’ vertical height meters to show just how much air competitors get over the halfpipe, and more.
Putting Britten’s reputation as a dependable branding problem solver to annual test, the U.S. Open constantly pushes the boundaries of what can be accomplished when wicked creativity combines with metal and print. Helping set the world stage for snowboarding top athletes in both slope-style and halfpipe is an honor the Britten team looks forward to every year.
britteninc.com/portfolio/helping-set-the-stage-for-snowbo...
helping set the stage for the world's best snowboarders
Harsh winter conditions. Global broadcast coverage. Thousands of spectators. Multiple venues. High-flying acrobatics and speed. The Burton U.S. Open Snowboarding Championships delivers a host of unique branding challenges that get bigger every year as the scope and popularity of the world's largest snowboarding competition continues to grow.
At the U.S. Open, meeting the high-visual standards of the event's capstone sponsors and worldwide viewing audience just isn't enough. Branding and advertising solutions have to be functional, too. In six years supporting our friends at Burton, Britten has produced hundreds of sponsor banners and flags, thousands of feet of branded mesh fencing to protect spectators and competitors, specially fabricated metal signage stands for mounting on snowbanks, mesh wraps for the 25' vertical height meters to show just how much air competitors get over the halfpipe, and more.
Putting Britten's reputation as a dependable branding problem solver to annual test, the U.S. Open constantly pushes the boundaries of what can be accomplished when wicked creativity combines with metal and print. Helping set the world stage for snowboarding top athletes in both slope-style and halfpipe is an honor the Britten team looks forward to every year.
britteninc.com/portfolio/helping-set-the-stage-for-snowbo...
Helping Set the Stage for Snowboarding’s Best
VAIL, CO
Harsh winter conditions. Global broadcast coverage. Thousands of spectators. Multiple venues. High-flying acrobatics and speed. The Burton U.S. Open Snowboarding Championships delivers a host of unique branding challenges that get bigger every year as the scope and popularity of the world’s largest snowboarding competition continues to grow.
At the U.S. Open, meeting the high-visual standards of the event’s capstone sponsors and worldwide viewing audience just isn’t enough. Branding and advertising solutions have to be functional, too. In six years supporting our friends at Burton, Britten has produced hundreds of sponsor banners and flags, thousands of feet of branded mesh fencing to protect spectators and competitors, specially fabricated metal signage stands for mounting on snowbanks, mesh wraps for the 25’ vertical height meters to show just how much air competitors get over the halfpipe, and more.
Putting Britten’s reputation as a dependable branding problem solver to annual test, the U.S. Open constantly pushes the boundaries of what can be accomplished when wicked creativity combines with metal and print. Helping set the world stage for snowboarding top athletes in both slope-style and halfpipe is an honor the Britten team looks forward to every year.
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Eye Foundation is the Best Lasik Treatment and Bladeless Lasik Treatment in Coimbatore. The Eye Foundation Is One of the Best Eye Hospitals in Coimbatore Offering Various Kinds of Eye Surgery and Treatment. A normal person or an Emmetrope sees well because rays from the outside world fall exactly on the light sensitive retina allowing them to see sharp and clear images of the world. In people with refractive error (or poor vision, such as nearsightedness or farsightedness), the light rays do not get focused on to the retina and blurred images are formed. In the year 2002, we went ahead and introduced Zyoptix treatment, an advanced software for further improving the visual standards. In the year 2004, we have installed the very new Chiron Z 100 Lasik machine with unique, unbelievable modifications.