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Multi National 2013 New Years Reception
(U.S. Army Europe photo by Visual Information Specialist Dee Crawford/Released)
Programa:
Divendres 14 de novembre
a les 19.30 h al Centre d'Art Torre Muntadas /UNZIP
Una idea feta realitat
Alguns aspectes pràctics a tenir en compte a l'hora de definir el plantejament de realització d'un projecte artístic.
Xerrada a càrrec de Blai Mesa
Sociòleg, investigador i fotògraf de formació. Com a activista cultural ha format part en diverses associacions i projectes vinculats a les arts visuals des de l’any 1997 (Künts & Revolution, Inout Produccions, AAVC). Actualment és membre del Patronat d'Hangar i president de l'Associació Cultural Laboratori Visual. Des del 2002 exerceix professionalment de gestor cultural i comissari principalment en el camp de les arts visuals. Ha estat director del Centre d'Art Lo Pati entre el 2011- 2013.
Gelatin silver print
Over the course of his life, Warhol took thousands of photographs, creating a visual record of what he was looking at adn with whom he spent time. This photograph is of a sculpture made by Marisol of the writer W.S.Burroughs--part of a series of carved wood portraits she made in the 1980s in homage to older artists and writers whom she considered crucial to her artistic development. All of the figures in the scenes appear seated, echoing Marisol's portrait of Warhol made 20 yrs earlier.
Visited January 10, 2014.
Identidade visual, sinalização e website responsivo produzidos para o Ilha Norte Apart Hotel, localizado na praia de Canasvieiras. Projeto desenvolvido em parceria com o designer Rafael Carvalho.
Visuals is what we use to represents designs and things in our memories. With this design I was trying to represent the curl of straight using type tool on Phontoshop
DICTEE ELA AVEC CECILIA HORNUS Jean-Claude SATTA (association ELA) - Representante du Groupe scolaire - Cecilia HORNUS repondent aux questions des enfants - Dictee ELA - Ensemble scolaire Ste Jeanne Elisabeth
The Art of Investment: William Stone Images & Beyond
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Please do qoute the unique reference below.
WS-37-11574505-222578308-1410925-622024221125
Diciplina: Linguagem Visual III
Profs: Alex Heilmair e Fabio Espíndola
Propósito do trabalho: Criar uma composição na qual as informações deveriam ser organizadas de uma maneira clara e objetiva.
Usar a font Myrand Pro corpo 11pt.
Sem sinais gráficos e formas geométricas, somente a tipográfia
dwinell.bookerauction.com
Commercial Sign Manufacturing Equipment, Shop Tools, Vehicles
9 AM ~ Tuesday, May 4, 2010
In this project i was trying to communicate the historical event of the election of Margaret thatcher, The first female prime minister of the UK.
Criação, Direção de Arte e Redação
Objetivo: Comunicar aos médicos que existe uma vasta quantidade de estudos clínicos apontando o produto como um remédio potente, ao contrário do que era comunicado pela concorrência.
A estratégia foi abordar assuntos polêmicos da crendice popular junto aos médicos para evidenciar a falta de embasamento dos argumentos da concorrência.
DZIA (Belgium) is an internationally acclaimed street artist whose distinctive visual language, known as Wild Lines, has secured him a prominent place within contemporary urban art. His large-scale murals and studio works have been presented from China to India, from Africa to the northernmost point of Europe, earning him recognition and respect across continents.
At the core of DZIA’s practice is a profound engagement with the natural world. His work is dominated by animal imagery—foxes, birds, insects, and other species—that function as totems and mirrors of human instinct.
Executed in dense networks of nervous strokes, his Wild Lines produce a dual effect: at close range they appear as chaotic abstractions, while from a distance they resolve into strikingly dynamic figures. This unique approach has become a hallmark of his oeuvre, widely recognized within both public space and institutional contexts.
“The wall dictates, I follow.”
DZIA’s career reflects an international trajectory, with murals commissioned worldwide as well as exhibitions, studio works, and limited editions that circulate through galleries and collections. His artist’s publications and fanzines further expand his practice, balancing the ephemeral nature of street art with more enduring formats.
“Painting in public space is a dialogue with the city.”
Through his art, DZIA positions animals not merely as subjects, but as symbols of resilience, vulnerability, and interconnection within fragile ecosystems. His practice underscores the urgent relevance of wildlife in a rapidly changing environment, bridging ecological awareness with artistic expression.
Gorenjkina noviteta se igra z nasprotji: kornetek je mehkejši, topljiv, sladek in po okusu podoben sredici Bajadere, le da ima nougat močnejši okus, medtem ko je vrh iz temne grenkaste čoklade al dente.
taken from the sketchbook titled ' My Family'.
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
For Further Details: Dr Maureen O'Neill and Claire Sambrook
maureen.oneill@port.ac.uk | claire.sambrook@port.ac.uk
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens