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The formal gardens round the back of Doddington Hall in Lincolnshire. A busy afternoon of visitors on this early September afternoon.
Framed by warm wooden trim and a staircase that gently invites upward, this photo captures the approach to the museum bookstore at The Phillips Collection in Washington, D.C. The setting is a harmonious blend of modern lighting, sleek white walls, and colorful artworks that draw the viewer's eye toward the open, welcoming space beyond.
The image highlights one of the most dynamic transitional areas within the museum, where a traditional gallery atmosphere meets a more casual, interactive environment. The space ahead bursts with vibrant hues—bright yellow walls, deep violet tones, and vertical artworks that echo modernist optimism and energy. Visitors are seen browsing the store’s curated selection of books, prints, and objects, adding a human element that contrasts the formality of the staircase in the foreground.
Wooden treads with visible grain give the stairs a grounded, organic feel, complemented by minimal steel railings and clean architectural lines. The symmetry of the composition guides the viewer’s gaze forward, centering the threshold as both a literal and figurative passage between contemplation and conversation.
This bookstore serves as more than just a commercial nook. It’s part of The Phillips Collection’s broader mission to connect people with modern and contemporary art in intimate, meaningful ways. Visitors often linger here, inspired by the art they’ve just encountered or making thoughtful selections to take a piece of the experience home.
The lighting design deserves special mention. Subtle recessed spotlights from above gently illuminate the artwork and merchandise without overpowering the scene. It’s a space designed for browsing and reflection, where art appreciation seamlessly extends into cultural consumption. There’s an inviting rhythm to the scene—light, color, wood, and movement—all orchestrated to make the visitor feel welcomed and engaged.
To the right, a circular abstract work hangs prominently on the white wall, perhaps a nod to the museum’s rich holdings in geometric abstraction and color field painting. The staircase, while architecturally simple, plays a starring role in the composition. It provides not only physical elevation but a narrative one—symbolizing a rise from observation to engagement, from passive viewer to active participant.
The Phillips Collection is known for weaving art into the fabric of everyday life, and this scene exemplifies that ethos. Here, the boundaries between gallery and gathering place dissolve. The image celebrates not just the art itself but the architecture, atmosphere, and social energy that surround it.
For photographers, designers, and museumgoers alike, this space showcases how thoughtful design can enhance the art-viewing experience—creating moments of pause, interaction, and inspiration at every step.
Two visitors stand in quiet contemplation before Robert Delaunay’s The Eiffel Tower and the Champ de Mars Gardens at the Hirshhorn Museum in Washington, D.C. Painted in Delaunay’s signature Orphist style, the piece bursts with vibrant greens, yellows, and earthy browns, capturing the dynamism and energy of early 20th-century Paris. Delaunay’s fascination with light and movement is evident in the sweeping curves and intersecting lines that echo the rhythmic pulse of the city and its iconic monument.
One visitor gestures animatedly toward the painting, perhaps highlighting Delaunay’s pioneering use of color theory to express the Eiffel Tower’s dynamic presence against the lush gardens below. The other visitor listens, umbrella in hand, fully engaged in this shared moment of artistic discovery. Their shadows stretch across the minimalist, polished gallery floor, grounding the scene in a human connection to art that transcends time and place.
The painting itself—a geometric tapestry of intersecting planes and bold shapes—epitomizes Delaunay’s revolutionary approach to abstraction, where color and form dance together to evoke the essence of modern life. Through this lens, the Eiffel Tower is not just an architectural marvel but a symbol of human ingenuity and the spirit of innovation that defined Paris in the early 1900s.
As a highlight of the Hirshhorn’s modern collection, Delaunay’s masterpiece invites visitors to reflect on the interplay of structure, color, and imagination. It serves as a testament to the museum’s dedication to fostering conversations around art’s ability to capture and transform our perceptions of the world.
Today I was a bit confused by this building. Everything on the outside indicates that it is a distillery but I have never seen any sign of industrial activity until today when I saw some construction underway. However, when I managed to get a view of the inside of the building it was only an empty shell.
The second issue was that I was convinced that the company was named the the Dublin Whiskey Company when I photographed the building a year ago. When I got home I checked my photographs and sure enough I was correct.
I then discovered the following: “Quintessential Brands has announced the acquisition of the Dublin Whiskey Company as part of a €10 million investment that will see it build a new Dublin whiskey distillery and visitor experience for its established portfolio of Irish whiskey brands including The Dubliner and The Dublin Liberties.”
I am beginning to believe that what are claimed to be distilleries are in fact ‘visitor experience’ sites and that the product is produced elsewhere at some unknown location.
Today I was a bit confused by this building. Everything on the outside indicates that it is a distillery but I have never seen any sign of industrial activity until today when I saw some construction underway. However, when I managed to get a view of the inside of the building it was only an empty shell.
The second issue was that I was convinced that the company was named the the Dublin Whiskey Company when I photographed the building a year ago. When I got home I checked my photographs and sure enough I was correct.
I then discovered the following: “Quintessential Brands has announced the acquisition of the Dublin Whiskey Company as part of a €10 million investment that will see it build a new Dublin whiskey distillery and visitor experience for its established portfolio of Irish whiskey brands including The Dubliner and The Dublin Liberties.”
I am beginning to believe that what are claimed to be distilleries are in fact ‘visitor experience’ sites and that the product is produced elsewhere at some unknown location.
The Hannover Zoo, officially known as Erlebnis-Zoo Hannover, had been one of Germany's most distinguished zoological parks. Established in 1865, it was renowned for its immersive and innovative design, offering visitors a unique experience that transcended the typical zoo visit.
The zoo had been divided into various themed worlds, each meticulously crafted to replicate the natural habitats of its inhabitants. One of the most popular sections was the "Yukon Bay," which had transported visitors to the rugged wilderness of the Canadian North. Here, polar bears, wolves, and seals could have been observed in environments that closely mirrored their natural surroundings. The design of this section included a realistic harbour scene, complete with a sunken ship and underwater viewing areas, allowing for an unparalleled view of marine life.
Another highlight had been the "Zambezi" section, which recreated the landscapes of Africa. This area featured a boat ride that took visitors through savannahs and alongside animals such as giraffes, zebras, and rhinoceroses, providing a sense of adventure and proximity to wildlife that was rare in traditional zoos.
The "Meyer's Farm" section had offered a nostalgic journey through rural Lower Saxony, showcasing native animals in a setting reminiscent of a traditional German farm. This area had been particularly popular with families, as it allowed children to interact with farm animals and learn about rural life in a hands-on manner.
Hannover Zoo had also placed a strong emphasis on conservation and education. It had participated in numerous breeding programmes for endangered species and had been actively involved in global conservation efforts. Educational programmes and interactive exhibits had been designed to raise awareness about the importance of wildlife preservation and to inspire a deeper connection with the natural world.
The zoo’s commitment to creating a respectful and engaging environment for both animals and visitors had earned it numerous awards and a reputation as one of Europe’s leading zoological institutions. A visit to the Hannover Zoo had not merely been about observing animals but about embarking on a journey through diverse ecosystems, learning about conservation, and experiencing the wonders of nature in a thoughtfully designed setting.
Today I was a bit confused by this building. Everything on the outside indicates that it is a distillery but I have never seen any sign of industrial activity until today when I saw some construction underway. However, when I managed to get a view of the inside of the building it was only an empty shell.
The second issue was that I was convinced that the company was named the the Dublin Whiskey Company when I photographed the building a year ago. When I got home I checked my photographs and sure enough I was correct.
I then discovered the following: “Quintessential Brands has announced the acquisition of the Dublin Whiskey Company as part of a €10 million investment that will see it build a new Dublin whiskey distillery and visitor experience for its established portfolio of Irish whiskey brands including The Dubliner and The Dublin Liberties.”
I am beginning to believe that what are claimed to be distilleries are in fact ‘visitor experience’ sites and that the product is produced elsewhere at some unknown location.
This is the West Wing at the Virginia Museum of Fine Arts located at 200 N Arthur Ashe Blvd, Richmond, VA.
This section of the Museum opened in 1985; it was designed by Hardy Holzman Pfeiffer Associates and features some beautiful late Brutalist architecture.
The West Wing was sponsored significantly in part by Sydney and Frances Lewis, who owned BEST Products. Hardy Holzman Pfeiffer Associates also designed the iconic headquarters building for BEST Products, located in neighboring Henrico County.
This is the West Wing at the Virginia Museum of Fine Arts located at 200 N Arthur Ashe Blvd, Richmond, VA.
This section of the Museum opened in 1985; it was designed by Hardy Holzman Pfeiffer Associates and features some beautiful late Brutalist architecture.
The West Wing was sponsored significantly in part by Sydney and Frances Lewis, who owned BEST Products. Hardy Holzman Pfeiffer Associates also designed the iconic headquarters building for BEST Products, located in neighboring Henrico County.
You can find a large number of full-resolution photos under a Creative Commons license on my official website: nenadstojkovicart.com/albums
Part of the 'Experiments in Engagement' presentation at a conference at the Science Museum's Dana Centre
This is the West Wing at the Virginia Museum of Fine Arts located at 200 N Arthur Ashe Blvd, Richmond, VA.
This section of the Museum opened in 1985; it was designed by Hardy Holzman Pfeiffer Associates and features some beautiful late Brutalist architecture.
The West Wing was sponsored significantly in part by Sydney and Frances Lewis, who owned BEST Products. Hardy Holzman Pfeiffer Associates also designed the iconic headquarters building for BEST Products, located in neighboring Henrico County.
Ideum AV exhibits staff work on our projection mapping pottery project and an immersive video wall. The Usability Lab at Ideum is a place where we prototype, test, and refine exhibits prior to installation. Learn more at: www.ideum.com
Nestled in the heart of Boston, Troquet on South is a culinary gem that offers an exquisite dining experience, blending historical charm with modern elegance. The restaurant is renowned for its sophisticated ambiance, which is a harmonious blend of Boston's rich architectural heritage and contemporary design elements. The interior boasts high ceilings, exposed brick walls, and large windows that flood the space with natural light, creating a warm and inviting atmosphere. The historical significance of the building adds a unique character to the dining experience, making it a perfect spot for both casual and special occasions.
One of the standout dishes at Troquet is the braised veal cheeks, a testament to the chef's dedication to using high-quality ingredients and innovative cooking techniques. The veal cheeks are slow-cooked to perfection, resulting in a tender and flavorful meat that melts in your mouth. The dish is artfully plated with vibrant green asparagus and broad beans, adding a fresh and seasonal touch. The rich, glossy sauce and light foam enhance the flavors, creating a harmonious balance that delights the palate.
Troquet on South is not just about the food; it's about the entire experience. The attentive service, extensive wine list, and thoughtfully curated menu make it a destination for food lovers and connoisseurs. Whether you're a local or a visitor, dining at Troquet offers a glimpse into Boston's culinary scene, where history and modernity coexist beautifully. The braised veal cheeks are a must-try, embodying the essence of Troquet's commitment to excellence and innovation in the culinary arts.
If you're on the lookout for some leisurely, but good healthy exercise, the Great Wall at Badaling will provide it. The Wall follows the contours of the hills and mountains of the area, at sometimes climbing steep gradients which necessitate stairs and handrails. I'm fairly sure the handrails are a modern addition...