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🐻 : "Of course, there's no doubt, my CrAzY ViolonCello 🎻 is made of WOOD"
[Dedicated to CRA (ILYWMAHASAM)]
taken April 08, 2022 and uploaded for the group
#MadeOfWood
ƒ/4.0
4.5 mm
1/30 Sec
ISO 400
Cité de la Musique - Paris XIX - "Ce n'est pas un ange qui, les ailes repliées sur son dos, passe devant la porte des Enfers, mais un simple violoncelliste !" (;-)
"It is not an angel who, wings folded on his back, passes in front of the red gate of the Inferno, but a simple violoncellist !" (;-) - A Night city walk.
Copyright © 2022 by jlsfly
Don't use and don't link this image on websites, blogs or other media without my explicit permission.
A portrait of a young beautiful lady who plays cello in the street against the colorful background of graffiti-painted wall. Candid street photo.
A boy plays his cello during the National Day Parade of the Republic of China in Taipei, also known as Double Ten Parade in Taipei.
Gianluca Giganti ed Emilio Mottola propongono le Suite n. 1 in sol maggiore BWV 1007 e n. 5 in do minore BWV 1011 per violoncello solo di Johann Sebastian Bach nell’originale rivisitazione per due violoncelli di Francesco Fiore.
Fiore ha scritto una seconda parte violoncellistica per le sei suite per violoncello che si incastra perfettamente con le partiture originali e ne esplicita la struttura e l’andamento armonico. Il risultato è affascinante: musica che si conosce da sempre e che allo stesso tempo sorprende come al primo ascolto.
Ismael Barambio in memoriam Concert (Miraflores). May 2018
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A person who plays the cello is called a cellist or violoncellist. The word "cello" is short for "violoncello", which comes from the Italian language.
His arm and her body were contorting swiftly and in unison...
The audience was hypnotized in the night...
Washington Square Park
New York
Taken with a 3Gs iPhone using VintB&W, processed with Camera+ app and CameraBag app
Il soffio dell'Otre from Bari, Italy
Olympus EM-5 with adapted Pentax-M 3.5/135mm
ISO 1600, f/3.5, 1/125 sec
daily sketches 351. Ian Maksin.
Ян Максин.
#365sketches #sketching #drawing #ink
#portrait #musician #cellist #violoncello #violoncellist #cello #music #play #IanMaksin #artwork #concert #graphics #рисуйкаждыйдень #рисунок #графика #тушь #наброски #портрет #зарисовки #музыкант #виолончель #виолончелист #музыка #концерт #instaart
Kees Van Dongen（1877 - 1968）
Oil on canvas
Van Dongen painted several works in the Moulin de la Galette, a former windmill turned into a popular club whose owner granted free entry to artists. Van Dongen's distinctive application of thick bright dabs of paint conveys the energy and dizzy atmosphere of this celebrated Parisian nightspot. To the right we see the curving neck of a cello with a vase of flowers nearby. it is likely that this was once part of a larger composition that the artist cut into separate pieces in the 1950s.
On loan from the Fridart Foundation
The Courtauld Gallery, London
11,33 am iso 1250 1/40 f 2,8 Ev 0
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meglio visto su sfondo nero (Clicca sull'immagine)
best seen on black background (click on image)
foto a mano libera.
Freehand picture.
Manifestazione L'ORA DELLA MUSICA 16-02-2014 www.istitutoperi.com/
Auditorium G. Masini " A. Peri" Istituto Superiore di Studi Musicali di Reggio Emilia e Castelnuovo ne Monti Italy
FRANCESCO MASTROMATTEO Direttore Artistico - violoncello e musicologo
Definito dal Dallas Morning News “virtuosic and passionate musician”, il violoncellista italiano Francesco Mastromatteo, è risultato vincitore del Butler Scholarship Award per frequentare il corso di Dottorato in Esecuzione violoncellistica, presso la Butler School of Music della University of Texas at Austin dall’agosto 2009 sotto la guida del prof. Bion Tsang.
Direttore artistico dell’Associazione Amici della Musica “Giovanni Paisiello” di Lucera (FG) e direttore artistico della rassegna di musica da camera “Spring of Harmony” presso la S. Andrew’s Presbyterian Church di Dallas, Francesco ha vinto il primo Premio all’International Rotary Competition di Teramo, al Concorso Internazionale violoncellistico “G. Turci” di Ravenna, e al Concorso “A.CA.DA. E.NDAS” di Genova. Primo violoncello dell’Orchestra Sinfonica Umberto Giordano della Provincia di Foggia nella stagione 2003/ 2004 e della Meadows Symphony Orchestra a Dallas dall’estate dello stesso anno. Francesco si è esibito come solista con entrambe le suddette orchestre, con il Meadows Wind Ensemble, l’Orchestra da camera “Suoni del Sud” e l’Orchestra Sinfonica Città di Pescara. Inoltre ha spesso eseguito le suites per violoncello solo di J.S. Bach, sia negli USA che in Italia, debuttando con tale repertorio nel 2009, presso il prestigioso Ravenna Festival.
Francesco Mastromatteo svolge un’intensa attività cameristica in formazioni dal duo al quintetto con pianoforte e collaborando con artisti quali: Laura De Fusco, Benedetto Lupo, Andres Diaz, con il 1° violino dell’Orchestra Filarmonica della Scala, Francesco Manara e, negli U.S.A. con il Daniel Piano Trio e il Felix Piano Trio. La sua lunga esperienza in duo con il pianista Tommaso Cogato, li ha portati a vincere il 1° premio del Concorso Internazionale di Musica da camera “Città di Padova” 2003. Francesco ha anche collaborato in duo con Antonio Pompa Baldi, registrando la sonata op. 36 di Edward Grieg per la Centaur Records negli Stati Uniti.
Gli ampi interessi musicali del giovane violoncellista italiano, vanno dalla prassi esecutiva barocca alla musica contemporanea. Francesco ha infatti collaborato con l’Ensemble barocco Concerto Italiano diretto da Rinaldo Alessandrini e con la Camerata Anxanum. Sul versante contemporaneo, Francesco ha eseguito le prime mondiali delle sonate per violoncello e pianoforte di Thomas Schwan (2008) e Thomas Sleeper (2009) e inoltre di Taberah per violoncello solo di Robert Franck (2008). La sonata per violoncello di Schwan e Taberah, sono state scritte e dedicate a lui.
Mastromatteo ha conseguito l’Artist Certificate e il Master in Performance presso la Southern Methodist University studiando prevalentemente sotto l’eccellente guida di Andres Diaz, e parallelamente con Nathaniel Rosen, Chris Adkins e Timothy Eddy. A seguito del suo brillante percorso di studi americano, Francesco ha ricevuto il Meadows Symphony Award nel 2007 ed è stato invitato a far parte nella Phi Kappa Lambda College Honor Society for Musical Excellence nel 2008. Nello stesso anno è stato altresì insignito dall’Associazione ACS ANTEAS, del premio “Personaggio dell’Anno in Capitanata”, con la motivazione “illustre talento e orgoglio della nostra terra”.
I suoi studi italiani lo hanno visto formarsi a lungo sotto la guida di Mike Shirvani, e quindi di Luigi Piovano presso l’Accademia Pescarese, David Geringas presso la Scuola di Musica di Fiesole e Rocco Filippini presso l’Accademia Walter Stauffer di Cremona. Ha fatto parte dell’Orchestra Giovanile dell’Accademia Nazionale di Santa Cecilia – Roma. La sua prima docente è stata la zia Anna Maria Mastromatteo, docente di violoncello presso il Conservatorio di Santa Cecilia – Roma.
Infine, seguendo una innata passione per tutti gli aspetti del mondo artistico, Francesco ha conseguito (110/lode) la laurea in Lettere presso l’Universita’ di Bari, pubblicando la sua tesi su Umberto Giordano per la Bastogi Editrice, con il sostegno della Fondazione Siniscalco-Ceci della Banca del Monte. Francesco ha tenuto guide all’ascolto, conferenze-concerto e presentazioni musicologiche per istituzioni quali Fondazione “Umberto Giordano”, Associazione Amici della Musica “G. Paisiello” di Lucera (FG), Università degli Studi di Foggia, “Accademia dei Cameristi di Bari”, “I Solisti Dauni” e Southern Methodist University of Dallas – U.S.A.
Ha rappresentato The University of Texas at Austin al “CREATIVE DIALOGUE” :
Convegno di Musica contemporanea per Violoncello Solo, tenuto a Santa Fè in New Mexico nel giugno 2010, su organizzazione della Sibelius Academy of Helsinky e del celebre violoncellista Anssi Karttunen.
MARIA SAVERIA MASTROMATTEO - violino
E' attualmente membro dell’Orchestra del Teatro Petruzzelli di Bari e collabora anche in qualità di concertino dei primi e dei secondi violini con l’orchestra del teatro Regio di Parma. Consulente artistico dell’Associazione Amici della Musica “G. Paisiello” di Lucera (Fg) dal 2003, ha guidato l’attività dell’ensemble residente della stessa quale primo violino.
Vincitrice del 1° premio al Concorso Internazionale “Lecce Città del Barocco” e del Concorso Nazionale “ACADA-ENDAS” di Genova, si è frequentemente esibita come solista con la “Cameristica di Foggia” e con l’Ensemble “G. Paisiello”. Svolge un’intensa attività cameristica in duo con pianoforte e in vari ensemble esibendosi in prestigiose stagioni concertistiche quali Ravenna Festival, i Concerti del Lunedì dell’Accademia dei Cameristi di Bari, l’Ora della Musica di Reggio Emilia, stagione da camera dell’Orchestra dell’Universià Statale di Milano, SpaziTeatr89, stagione dei Solisti del Teatro Regio di Parma, Musica in Corte di Crema. Dal 2006 è componente del quartetto Melica con il quale ha registrato un cd interamente dedicato ad Astor Piazzolla.
Maria Saveria, ammessa nel 2001 all’Accademia del Teatro alla Scala con borsa di studio riservata ai migliori allievi, è stata dal 2004 al 2009 componente dell’Orchestra Giovanile “L. Cherubini” diretta dal M° Riccardo Muti, che l’ha confermata al termine del primo ciclo artistico, selezionandola anche quale concertino dei primi violini. Con l’Orchestra “L. Cherubini”, ha svolto intensa attività concertistica in Italia, Spagna, Svizzera, Belgio, Malta, Russia, Francia, presso templi della musica quali il Musikverein di Vienna, Palazzo dei Congressi di Lugano, Opera Royal de Wallonie di Liegi, teatro dell’Operà di Parigi, Teatro Mariinsky di San Pietroburgo. Con la stessa orchestra ha partecipato a prestigiosi festivals, quali Ravenna Festival, Festival Perelada, Ravello Festival, Festival “G. Cantelli” (Brescia), Bologna Festival, Festival “I Grandi Appuntamenti” (Arezzo), Festival di Salisburgo.
Ha collaborato, quale vincitrice di audizioni, con l’Orchestra del Teatro Lirico di Cagliari, la Filarmonica “A. Toscanini” di Parma, l’Orchestra Sinfonica Abruzzese, “I Solisti Aquilani”, l’Orchestra dell’Università degli Studi di Milano e l’Orchestra del Teatro Carlo Felice di Genova sotto la direzione di artisti quali: C. Abbado, L. Maazel, E. Imbal, Y. Temirkanov, D. Renzetti, R. Barschay, W. Spivakov, C.P. Flor. E’ stata violino di spalla” per produzioni dell’Orchestra della Fondazione “U. Giordano” della Provincia di Foggia e dell’Orchestra dell’Istituto Musicale “A. Peri” di Reggio Emilia.
Nel settembre 2010 è risultata vincitrice di audizione presso l’Orchestra del Teatro alla Scala di Milano.
Diplomatasi nel 2001 col massimo dei voti e la lode presso il Conservatorio di Musica “F. Morlacchi” di Perugia, ha seguito corsi di perfezionamento tenuti da Francesco Manara e Ilya Grubert. Ha conseguito nel 2010 il diploma di II livello in discipline musicali – violino - presso l’Istituto Superiore di Studi Musicali Pareggiato “A. Peri” di Reggio Emilia, con il massimo dei voti e la lode: in sede di esame all’unanimità la Commissione le ha assegnato il Premio Astorre Ferrari quale “uno dei più prestigiosi talenti dell’Istituzione di Alta Cultura emiliana” con conseguente esibizione da solista con l’Orchestra “I solisti Italiani”.
THE TIME OF MUSIC Festival 16/02/2014 www.istitutoperi.com/
Auditorium G. Masini "A. Peri" Istituto Superiore di Studi Musicali di Reggio Emilia, Castelnuovo ne Monti, Italy
FRANCESCO MASTROMATTEO Artistic Director-cello and musicologist
Defined by the Dallas Morning News "virtuosic and passionate musician", the Italian cellist Francesco Mahadev, is the winner of the Butler Scholarship Award to attend the PhD program running, violoncello at the Butler School of Music of the University of Texas at Austin since August 2009 under the leadership of prof. Bion Tsang.
Artistic Director of Amici della Musica "Giovanni Paisiello in Lucera (FG) and artistic director of the Chamber Music Festival" Spring of Harmony "at St. Andrew's Presbyterian Church in Dallas, Francis won the first prize at the International Competition of Teramo, Rotary to top international competition" g. Turci "of Ravenna, and the contest" A.CA.DA. E. NDAS "of Genoa. Principal cellist of Umberto Giordano's Symphony Orchestra of the province of Foggia in the 2003/2004 season and the Meadows Symphony Orchestra in Dallas since the summer of the same year. Francis has performed as a soloist with both the above orchestras, with Meadows Wind Ensemble, Chamber Orchestra "Sounds of the South" and the Symphonic Orchestra city of Pescara. He also often performed the suites for solo cello of J.S. Bach, both in the USA and Italy, debuting with this repertoire in 2009, at the Ravenna Festival.
B. mahadev plays an intense Chamber activity in formations from duo to Quintet with piano and collaborating with artists such as: Laura De Fusco, Benedetto Lupo, Andres Diaz, with the 1° violin of the Orchestra Filarmonica della Scala, Francesco Manara, and in the U.S.A with Daniel Piano Trio and the Felix Piano Trio. His long experience as a duo with pianist Thomas Cogato, led them to winning the 1° Prize International contest of Chamber Music "city of Padua" 2003. Francis has also collaborated in duos with Antonio Baldi, Pump the sonata op. 36 by Edward Grieg for Centaur Records in the United States.
The wide musical interests of young Italian cellist, range from baroque performance practices to contemporary music. Francis has collaborated with the Italian Baroque Ensemble Concert directed by Rinaldo Alessandrini and Anxanum Comrade. On the contemporary side, Francis performed the world premieres of sonatas for cello and piano by Thomas Schwan (2008) and Thomas Sleeper (2009) and also of Taberah for cello solo by Robert Frank (2008). The cello sonata of Schwan and Taberah, were written and dedicated to him.
Mahadev earned the Artist Certificate and Master's degree in Performance at the Southern Methodist University where he studied mainly under the excellent leadership of Andres Diaz, and parallel with Nathaniel Rosen, Chris Adkins and Timothy Eddy. As A result of his brilliant studies American, Francis received the Meadows Symphony Award in 2007 and was invited to join the Phi Kappa Lambda College Honor Society for Musical Excellence in 2008. In the same year he was also awarded by the ACS ANTEAS, Character of the year "award in Capitanata", with the reasoning "distinguished talent and pride of our country".
His Italian studies have seen forming long under the guidance of Mike Shirvani, and then Louis Piovano at the Accademia Pescarese, David Geringas at the Scuola di Musica di Fiesole and Rocco Filippini at the Walter Stauffer Academy of Cremona. He was part of the Youth Orchestra dell'Accademia Nazionale di Santa Cecilia, Rome. His first teacher was his aunt Anna Maria Mahadev, Professor of cello at the Conservatory of Santa Cecilia, Rome.
Finally, following an innate passion for all aspects of the artistic world, Francis graduated (110/honors) degree in literature at the University of Bari, publishing his thesis on Umberto Giordano for the Bastogi Editrice, with the support of Fondazione Seneschal-Castillo of Banca del Monte. Francesco held listening guides, lecture-concert and musicological presentations to institutions such as the Foundation "Umberto Giordano" Amici della Musica "g. Paisiello" di Lucera (FG), Università degli Studi di Foggia, "Accademia dei Cameristi di Bari", "I Solisti Dauni" and Southern Methodist University of Dallas – U.S.A.
He represented The University of Texas at Austin to "CREATIVE DIALOGUE":
Conference of contemporary music for Solo Cello, held in Santa Fe in New Mexico in June 2010, on the Organization of the Sibelius Academy of Helsinki and of the famous cellist Anssi Karttunen.
MARIA SAVERIA MASTROMATTEO-violin
It is currently a member of the Orchestra of the Teatro Petruzzelli of Bari and collaborates as concertino of the first and second violins with orchestra del teatro Regio di Parma. Artistic consultant of the Association Amici della Musica "g. Paisiello" di Lucera (Fg) since 2003, has guided the activities of the resident ensemble of the same as first violin.
Winner of the 1° prize at the international competition "Lecce Baroque city" and of the national contest "ACADA-ENDAS" of Genoa, it is frequently performed as a soloist with the "Foggia" and chamber music with the Ensemble "g. Paisiello. Plays an intense Chamber activity in duo with piano and in various ensembles performing in prestigious concert seasons which Ravenna Festival, concerts on Monday of the Accademia dei Cameristi di Bari, Reggio Emilia's music, Chamber Orchestra season of Milan State University, SpaziTeatr89, season the soloists of Teatro Regio di Parma, music in the Court of cream. Since 2006 he is a member of the Quartet Melica, with whom he recorded a cd dedicated to Astor Piazzolla.
Maria Saveria, admitted in 2001 at the Accademia del Teatro alla Scala with scholarship reserved for the best students, was from 2004 to 2009 the Orchestra Giovanile component "l. Cherubini" conducted by Maestro Riccardo Muti, who confirmed after the first cycle, by selecting it as sub-leader of the first violins. With the Orchestra "l. Cherubini", played intense concert activity in Italy, Spain, Switzerland, Belgium, Malta, Russia, France, at temples of music such as the Musikverein in Vienna, Palazzo dei Congressi in Lugano, Opera Royal de Wallonie of Liège, Paris Opera Theatre, Mariinsky Theatre of St. Petersburg. With the same orchestra has participated in prestigious festivals, such as Ravenna Festival, Festival Perelada, Ravello Festival, Festival "g. Cantelli" (Brescia), Bologna Festival, Festival "major events" (Arezzo), Salzburg Festival.
He has collaborated as winner of auditions, with the Orchestra of the Teatro Lirico di Cagliari, the Philharmonic "a. Toscanini" of Parma, Orchestra Sinfonica Abruzzese, "I Solisti Aquilani" Orchestra Dell ' Università degli Studi di Milano and the Orchestra of the Teatro Carlo Felice in Genoa under the direction of artists such as: c. Abbado, l. Maazel, e. Packaged, y. Temirkanov, d. Renzetti, r. Barschay, w. Spivakov, C.P. Flor. It was shoulder "for violin Orchestra productions of" u. Giordano "of the province of Foggia and the Orchestra of the Musical Institute" a. Peri "of Reggio Emilia.
In September 2010 is won by hearing at the Orchestra del Teatro alla Scala di Milano.
In 2001 graduate with honors and praise at the Conservatorio di Musica "f. Morlacchi in Perugia, he attended masterclasses given by Francesco Manara and Ilya Grubert. He earned in 2010 the diploma of II degree in musical disciplines – violin-at the Istituto Superiore di Studi Musicali Drew "a. Peri" of Reggio Emilia, with full marks and honours: in examining the Commission unanimously awarded the prize Astorre Ferrari as "one of the most prestigious talent of institution of higher learning emiliana" resulting in performance by soloist with Orchestra "I solisti Italiani".
I started at 8 years old playing this beautiful instrument.
Scan from a very old photo, taken by my dad (appr. 1972)
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Violoncellist CARLOS CASTILLO performing at WMATA Metro Center exhibit on 13th near G Street, NW, Washington DC on Sunday afternoon, 12 October 2014 by Elvert Barnes Photography
Watch my video clip at www.youtube.com/watch?v=vb6DmH-XcHE&index=1&list=...
Follow Violoncellist CARLOS CASTILLO at www.facebook.com/CarlosCastilloVioloncello
BUSKERS / STREET MUSICIAN Series
COLUMBUS DAY WEEKEND 2014 Project
Selective Previous Residents include:
1829 visit by by Felix Mendelssohn
Composer see:
1828 – 1831 George and Georgina (neé Thomson) Hogarth + daughter Catherine Hogarth (later Mrs Charles Dickens)George Hogarth (photo) studied law and music at the University of Edinburgh, and, in 1810, became a solicitor (WS). His main area of law was with trusts and estates, and one of his clients was Walter Scott, who sought Hogarth’s advice following his financial failure in the mid-1820s. However, Hogarth’s passion was music and literature. He was a violoncellist and a composer, and contributed to a wide range of periodicals. In 1815, he was involved in organising the first Edinburgh Music Festival and the second, in 1819, consisted of six concerts attended by over 8.526 people. A fourth festival took place in 1831, and included three concerts by the famous violinist, Paganini.
In 1814, George married Georgina Thomson. He probably met her through her father, George Thomson who was an amateur musician. In the 1790s, Thomson had commissioned Beethoven, Haydn and other German composers to compose piano accompaniments for Scottish songs. In one of his letters to his daughter, Thomson wrote: ‘let Mr Hogarth know that I have got the music he wanted, and two or three pretty things for the Piano Forte, Violin and Violoncello, which I hope we shall enjoy together in a short time. No concerts of 100 performers are to be compared to our own little domestic parties!’ In 1815, the Hogarth’s first child, Catherine, was born and by the time the Hogarths moved to Albany Street, they had eight children, aged from one to fourteen. the year they moved here, George was approached by James Ballantyne [who later lived opposite at Number 18] asking for permission to marry Hogarth’s sister, Christian. Hogarth insisted on proof that James was debt-free before agreeing to his sister’s marriage, and being assured Ballantyne was solvent, agreed. A couple of years later Hogarth, his brother-in-law James and Walter Scott jointly bought the Edinburgh Weekly Journal.
Hogarth was the music critic for The Harmonicon in the 1820s and well-connected with European musicians, so in 1829, the twenty year old German composer, Felix Mendelssohn stayed with the Hogarths for a few nights during his visit to Scotland. It was at this time that he started composing Scottish Symphony. For more on Mendelssohn's visit see Music.
All seemed well at Number 19, but unfortunately Hogarth’s legal practice was in trouble – what he later called his ‘evil days.’ Soon his financial position worsened to such an extent that he was unable to pay his bills. Writing to the publisher William Blackwood at the end of August 1830,, Hogarth refers to this financial crisis and offers to replay a debt of £30 by ‘some service in a literary way’- quite a change from four years earlier when Hogarth had been able to lend Blackwood £300. Hogarth’s financial situation made it problematic for him to continue to succeed in Edinburgh’s competitive legal marketplace, and anyway he was interested in a change of career. Hogarth had heard that the post of Editor of the London Courier was vacant and that there was interest in his applying for the position. So he wrote to Sir Walter Scott, who himself was struggling to pay off debts, seeking a recommendation. However, his application for the post was unsuccessful, but six months later, he successfully applied to be the Editor of the Exeter newspaper, The Western Luminary. So he and his large family moved Exeter.
1897 – 1942 George Keppie PatersonDr George Keppie Paterson moved here from Number 22,. The house, with stables and coach-house, cost him £1,300. After studying at Edinburgh university with honours in 1882, Paterson undertook further studies in Berlin and Vienna. In 1891, he became a member of the Royal College of Physicians of Edinburgh and in 1895 a Fellow. For ten years he was assistant to Sir Alexander Young Simpson, the holder of the chair of midwifery and diseases of women in Edinburgh University. Paterson was one of the oldest members of the British Medical Association, his membership extending over 58 years. In 1903, he became Honorary Secretary of the old Edinburgh North-East Division, an appointment he held until 1911, and, later, Chairman,of the new Edinburgh and Leith Division. For more than half a century he was associated with the Livingstone Dispensary in the Cowgate (photo 1931), of which he was consulting obstetrician and physician for maternity welfare at the time of his death.
One of Dr Paterson's greatest interests was medical missions. He travelled extensively in North Africa, Egypt, Palestine, and the West Indies. He joined the Edinburgh Medical Missionary-Society in 1890, and was for several years its Hon. Treasurer and Vice-President. He also served as was Vice-President of the Edinburgh Obstetrical Society for a time. He had a keen interest in music, including running a choir in his dispensary.
He died here in 1942. [info
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.. I love Gautier Capuçon and his music, and this is my great violoncellist.. in small size :))
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© camomillaphotobook | do not use without permission.
©2011, FUSINA Dominik
Publishing date : 19/07/2011
Location : Gleizé (Beaujolais - France)
Don't use or publish that photo without my permission.
Thank you for your favs (F) en comments ;)
Frédéric Lodéon | Violoncelliste, Chef d'orchestre et Animateur de Radio
Ce soir, Frédéric Lodéon était l'invité de Festival en Beaujolais. Nous avons eu l'honneur d'assister à une conférence sur le compositeur et pianiste hongrois Franz Liszt.
Puis, nous avons eu droit - lors d'un "after" - à quelques anecdotes croustillantes sur sa vie mais aussi à celles de personnalités dont il a croisé le parcours, ou l'inverse.
Il a accepté de poser avec l'envie irrésistible de simuler la gestuelle du chef d'orchestre et du grand musicien qui subsistent tous deux en lui.
Voici un seul portrait extraite de cette série.
dominikfoto's photos on Flickriver
D3s
Lens : 50mm/f1.4 NIKON
Settings : f2.2 - 1/160e - ISO 800 - 50mm
Natural light
No tripod.
Violoncellist CARLOS CASTILLO performing at WMATA Metro Center exhibit on 13th near G Street, NW, Washington DC on Sunday afternoon, 12 October 2014 by Elvert Barnes Photography
Watch my video clip at www.youtube.com/watch?v=vb6DmH-XcHE&index=1&list=...
Follow Violoncellist CARLOS CASTILLO at www.facebook.com/CarlosCastilloVioloncello
BUSKERS / STREET MUSICIAN Series
COLUMBUS DAY WEEKEND 2014 Project
©2011, FUSINA Dominik
Publishing date : 19/07/2011
Location : Gleizé (Beaujolais - France)
Don't use or publish that photo without my permission.
Thank you for your favs (F) en comments ;)
Frédéric Lodéon | Violoncelliste, Chef d'orchestre et Animateur de Radio
Ce soir, Frédéric Lodéon était l'invité de Festival en Beaujolais. Nous avons eu l'honneur d'assister à une conférence sur le compositeur et pianiste hongrois Franz Liszt.
Puis, nous avons eu droit - lors d'un "after" - à quelques anecdotes croustillantes sur sa vie mais aussi à celles de personnalités dont il a croisé le parcours, ou l'inverse.
Il a accepté de poser avec l'envie irrésistible de simuler la gestuelle du chef d'orchestre et du grand musicien qui subsistent tous deux en lui. C'est pourquoi j'ai décidé de vous reproduire par ce montage l'intégralité de ce shooting...
dominikfoto's photos on Flickriver
D3s
Lens : 50mm/f1.4 NIKON
Settings : f2.2 - 1/160e - ISO 800 - 50mm
Natural light
No tripod.