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Scott Reinhard
Three circles: Hey
Lettering enamel, glass, plexiglas, ephemera
2009
These paintings are part of my on-going study
of hand-painted lettering and signage.
The work draws influence from the traditional
folk song, The Wayfaring Stranger.
(a verse)
I’m just a poor wayfaring stranger,
trav’ling through this world of woe.
There’s no sickness, toil nor danger,
in that bright world to which I go.
I’m going there to meet my father
I’m going there no more to roam;
I am just going over Jordan
I am just going over home.
I have no idea how I got on this list, but I'm excited to see it. I'm living proof -- you gotta get the open.
We're opening up our little studio and featuring our Spring and Summer styles at wholesale prices
just for New Orleans!
When: Saturday May 16
Where: 1120 Toledano,
(simple blue shotgun house behind big fisherman, across from Breauxmart, near the bulldog)
New Orleans, LA 70118
Time: 11am to 5pm
******We've been on tour Chicago, New York, Houston, San Diego, Dallas, Atlanta, Philadelphia, Boston, LA,
San Francisco. It's so good to be home for a few weeks!! Come and Visit and bring your friends....................
Tiffany Tuttle , an amazing young quilter visited us to share her quilts and passion. You can find her blog here.
Cocoknits and Habu Textiles Trunk Show, March 25 + 26, 2011 at Loop
Blogged at www.loopknits.com/?p=2910
David Schalliol
Moving Out (Detroit)
Archival inkjet prints on Kodak Endura Lustre paper
2009
Visual representations of abandonment and dereliction have become the dominant symbols of Detroit, Michigan. These images draw our attention to the aesthetics of abandonment through the presentation of decaying structures, but they rarely address the processes leading to dereliction. When the processes do happen to be addressed – as by an introductory essay or through interwoven material – an assumption of the macro causes of abandonment typically imbues the image with a meaning that is disconnected from the reality of the documented place. After all, while (the typically assumed) limited resources certainly cause dereliction, it is also caused by other processes, such as municipal efforts to redevelop a community through building clearance.
I directly address the problems inherent in such representation by creating a linear visual narrative of what happens to a house when a family abandons it for another home. In this representation, photographs of five distinct Detroit buildings are used as stand-ins for the stages of dereliction of an individual building. The use of multiple buildings, rather than time series photographs of a single case, calls attention to the act of narrative construction. Without the same building to connect the images, the viewer must evaluate the relationship between the buildings in order to assess the piece. In so doing, I hope the viewer contemplates the presented dereliction narrative but also contemplates the process of narrative construction and the specific circumstances of each subject building.
Geometric yarn applique in space dye yarn. button closure contrast lining one main compartment with one pocket under flap, brown nylon webbing strap
Primeiro dia de desfile do Cidade Jardim Fashion, evento que marca a comemoração de um ano do shopping. .
Desfile das 20h30.
Crédito Obrigatório: Fotos Luciana Prezia *** Local Caption *** Primeiro dia de desfile do Cidade Jardim Fashion, evento que marca a comemoração de um ano do shopping. .
Desfile das 20h30.
Crédito Obrigatório: Fotos Luciana Prezia