View allAll Photos Tagged trillionaire
"And did those feet in ancient time
Walk upon Englands mountains green:
And was the holy Lamb of God,
On Englands pleasant pastures seen!
And did the Countenance Divine,
Shine forth upon our clouded hills?
And was Jerusalem builded here,
Among these dark Satanic Mills?
Bring me my Bow of burning gold:
Bring me my arrows of desire:
Bring me my Spear: O clouds unfold!
Bring me my Chariot of fire!
I will not cease from Mental Fight,
Nor shall my sword sleep in my hand:
Till we have built Jerusalem,
In Englands green & pleasant Land."
I said yesterday these photos are not meant to be pretty (certainly not in the Flickr sense, and that is reflected in the decline in view numbers). Frankly, I would have no interest in photography if I was just collecting travel snaps and memories, I'd much rather just take in the atmosphere of being there. Photography needs to make us think. That's why so much of my work is linked to words. Images are powerful, but in the end we need words to make sense of our world.
Perhaps no writer in the English language blends word and image more potently than William Blake (1757-1827). He was both a remarkable artist and a very strange man. No phrase came to represent the critique of rapid industrialisation at the start of the 19th century than "dark Satanic mills". This was a line from his poem "Jerusalem". He first wrote it in 1804, and it was finally published in 1808.
Blake saw himself as a prophetic figure. He loathed traditional establishment religion, but he was transfixed with the language of the Bible, especially that of the ancient Hebrew prophets who spoke against injustice. Blake was also an individualist, believing that true community is formed when small groups of people relate to each other in righteous ways.
Blake despised the arrival of industrialisation. This was made possible by the invention of the steam engine by Thomas Newcomen as early as 1712. But it is most popularly attributed to the improvements to the technology made by James Watt in 1764. What Blake was seeing was how industrialisation was making lots of money for the mill owners, but dislocating society. People were moving from their rural lives to the growing cities (especially in the north of England), and living in conditions much worse than those they enjoyed on the land. Disease spread rapidly in the dirty conditions of the crowded new cities. Coal miners were working in the most dangerous conditions imaginable.
As a craftsman (Blake was an engraver and printer), he saw more quickly than most how it would become more difficult for individual crafts to compete with mass production of goods. William Morris (1834-1896) picked up this theme in the second half of the 19th century, but by then it was all too late.
Industrialisation came late to colonies like Van Diemen's Land. Large scale heavy industry did not really feature much in the economy of Tasmania until the 20th century. One can argue it was not only a necessary "evil", but even more so with the world's growing population. You cannot sustain 8 billion people living off the land.
Ironically, all that preaching we hear about sustainable technologies for the future, will of necessity require dirty industrial process like the one we see in this smelter. It's just the modern day trillionaire prophets of Baal (look it up) who suggest otherwise. Most people don't realise that all those Lithium Ion batteries that will power the future cannot exist without the mining of the rare lithium oxide ore. And then what about all those solar reflectors that are supposed to capture the energy from the sun? They have a lifespan of around 10-15 years (like those massive wind turbines). And we already see cases around the world of these plants being abandoned because it is not economically viable to replace them (or dispose of the massive waste). In fact the energy required for the large scale production of these things almost certainly cancels out the benefits of moving on from coal.
"Michael Moore Presents: Planet of the Humans | Full Documentary | Directed by Jeff Gibbs"
When you enlarge this photo all the elements in my title will begin to make sense. This used to be a thriving petrol (gas) station in Invermay. A few weeks ago fuel costs went up 20 cents a litre to more than $2. (That's over $8 a gallon). Supply problems we are told, and they have to phase out fossil fuels. But funny how the corporations always make record profits no matter what. Yet people are finding it difficult to pay their bills. The well-off end of town acts as if nothing is happening, but the middle class is shrinking as ordinary cost of living pressures are driving up the rates of depression (in both senses).
And the jobs are going too. You see if you look closely at this photograph you'll see that this is a completely automated (unmanned) station. Pay with your credit card in the machine. Should we expect a discount since no employee works here? Dreaming! Just like the supermarkets are charging higher and higher prices with fewer actual checkouts. You are expected to use the self-checkout. But groceries still go up.
Just how will our societies deal with the structured unemployment that is surely coming through artificial intelligence and robot technology? It's time we asked these tough questions, but I don't expect the politicians will understand given their taxpayer funded high salaries and that they are part of the "system". I don't care if they call themselves "socialists". Chardonnay socialists more like it!
Economists are talking about the rise of the new Feudalism. The middle class is fast disappearing and the transfer of wealth is all one way these days, as billionaires become trillionaires. Did you notice the latest bank profit statements? Record profits whilst people struggle to pay a mortgage on the higher interest rates (that's if they are lucky enough to actually have a house).
When will people start asking the hard questions about our so-called democratic societies? Do ordinary people even matter anymore, or are we all considered superfluous to the needs of the wealthy and powerful elites? Is the 2020s going to be a repeat of the 1920s?
Oliver Anthony - Rich Men North Of Richmond www.youtube.com/watch?v=sqSA-SY5Hro
Medical Sciences tell us that 80 million germs are exchanged in each lip lock! What the heck.......may each of use be a trillionaire today!
Happy Kiss Day!
BLACK CANARY # 4
Guest artist Pia Guerra (Y: THE LAST MAN) joins the series! Dinah is on the hunt for her kidnapped guitarist, Ditto, and when she finds the person responsible, you better believe she’ll make them pay! Also: Uncover the secret of the band’s former singer, and how she plans to exact revenge on them for kicking her out!
PREZ # 4
The American Sentry program creates a PR nightmare for President Beth Ross, while a hinky experiment in artificial intelligence produces a killer robot with a taste for musicals. Plus, an eccentric trillionaire forces senators to live with the consequences of their own laws.
Southern Cross # 5
Alien artifacts and murder as The Cross veers off course.
Donald: "Wheee, I'$e Da Man Now!
Donald donned the garb, now, he da man!!"
WATCH OUT: Y'all know about the de rigueur second part of this physical pantomime--where he projects his pelvis forward and says '"HERE TAKE THIS!!!"
Wow, the rigged electoral system worked, for him!!
Pssst, by the time he leaves(?) he will be the first trillionaire in the world.
| Facebook Page | Website | 500px |
In the new millennium, everything seems possible because of the fast-growing technology world. Nowadays, it’s all about social media and techie inventions. It’s amazing how humans are growing as a race. Apparently, there’s a company whose goal involves sending a bunch of tourists up into space to gaze at our lovely planet Earth. Hopefully I’m going to be the first one buying that ticket when it’s launched (..in my dreams lol). Things like the Internet and cell phones have become an extraordinary new phenomenon. Perhaps Mark Zuckerburg will be the world’s first trillionaire for his creation of Facebook. And remember the days when “to Google” wasn’t a verb? It’s amazing once you stop and think about what these mere, normal citizens have managed to accomplish.
People are constantly coming up with new, innovative ways to operate in this world more efficiently. However, I often wonder if it’s really more “efficient” this way? What about the scarce fossil fuels that are depleting? And whilst communication is made easier, will technology black out our emotions so badly that we eventually turn almost robotic in our reactions? Or are we just going to blow each other up (which hopefully won’t happen)?
My question is: are we doing more harm than good? I wish I could answer that, but I’m like a technological imbecile lol. I guess only time will tell.
Used a Nikon D3100.
The trillionaire and his mistress....
These photos will be explained, and landmarks given, in Part II of the very short fiction, "Like a Thief In the Night," at Around the Grid.
Many thanks to the owners of Metroplex 17 region, which provided much inspiration for this piece, and for the longer story the blog articles are derived from.
Cruise ships are mothballed off the South Coast awaiting the governments post vaccine freedom certificate which should make Gates and others into trillionaires
with vaccine's having total control over the movements of 7 billion of us. Why ?
(WIP pic, more picures and better renders to come)
Name: P.C.S. York
Affiliation: Phoenix Command Group, (vigilante frontier mercenary group dedicated to protecting the innocent, preventing crime, and exposing corruption. Formerly Kolter Mining security division. Formally United Earth Federation (working title) Federal Defense Navy (working title)
Class Name: Monarch class
Type: Fast Battleship
Commissioned: Circa mid 2500’s, pre recent major conflict
Specifications:
Length: 1,221 meters (122.1 studs, 38.5 inches, 97.7 cm model)
Width: 429 meters (42.9 studs, 12.5 inches, 34.3 cm model)
Height: 305 meters (30.5 studs, 9.7 inches, 24.4 cm model)
Crew: 2,700 standard complement + up to 2,000 Star Quest marine detachment and embarked craft pilots and flight crew
Armament: 6 triple-mounted heavy railgun turrets, 8 triple-mounted rapid fire medium particle cannon turrets, 24 dual-mounted medium railgun turrets, 174 quad-mounted 80mm anti-fighter flak railgun turrets
Defensive systems:
Hull: Heavy advanced steel alloy hull with carbon nanotube/buckypaper composite layers as spall lining.
Armor plating: titanium alloy, tungsten, carbon nanotube composite armor layers against kinetic, kinetic spalling, particle, laser, and plasma fire. Composite hull provides excellent survivability at low mass due to the advanced composite design.
Bulkheads: Extensive titanium bulkhead support network.
Structural integrity field: High power system designed for extreme acceleration.
Shielding: Internally housed advanced, high power, rapid regeneration adaptive particle field repulsing shielding system capable of surviving extreme punishment.
Powerplant: 2 primary matter-antimatter reactors with extensive fuel reserves, 2 secondary, and 1 tertiary fusion reactors with extensive fuel reserves. Multiple massive power capacitors. Extensive heatinks.
Propulsion: 3 primary 8 secondary, and 8 tertiary fusion engines for sub-lightspeed travel, 1 internal FTL core capable of high speed, long range travel, 192 reaction control thrusters, and 48 reaction control wheels for below light speed maneuvering.
Computer systems: Multiple supercomputer cores with onboard Virtual Intelligence system, along with extensive redundant backup and antiviral systems.
Comms and Sensors: Local and FTL comms arrays. Radar, LIDAR, infrared, multi-spectral, and additional other local area sensors systems, along with extensive FTL sensors.
High power artificial singularity for both artificial gravity generation and inertial dampening, allowing for 1G gravity under all but the most extreme conditions.
Background: Faced with an aging and inadequate fighting fleet, Earth humanity constructed the Monarch class in the ramp-up to the most recent Great War. These vessels served as advanced, fast battleships well suited to carrier escort duties, rapid border response, or direct ship-to-ship combat against enemy battleships and cruisers.
After the war, the York was purchased by eccentric multi trillionaire David Courtland, and the vessel found new purpose in defending civilians in war-torn areas from pirates.
IRL info. This digital SHIP was made in Bricklink’s Studio software from August 1st to August 11th, 2021. I did not originally plan to attempt to include it in SHIPtember, but it met the requirements for early month. Note that it uses all real piece colors that are available for sale on Bricklink. It is 100% connected, and should be reasonably stable in real life. Although it would require a display stand of some kind. The current pictures are WIP placeholders to show completed status of the build itself. Better renders will hopefully follow before whatever October picture deadline is decided on. Please do not use these early pictures in the poster if time remains, as I hope to provide better ones. Thank you for reading.)
The story of Queen Veronica is not as long as some of the stroys I have done but is still has a long way to go and and links to another story which links the the Stroy of Latex queen Sliverleaf and Latex sorceress Shimmerrah both from the Multiverse 0018. here is a link to The full Story of Veronica book 1
Chapter 1 The shiny spoiled brat.
Chapter 2 The Cave of wishes
Chapter 3 Latex-lair
Chapter 4 The latex queen
Chapter 5 = Shiny sorcereress
Chapter 6 = The fairest of them all
Chapter 6 = The fairest of them all
Now aged 16 teen and having so much wealth knowing her sassy behavior could get her what she wanted. even so queen and could make up her mind if she wanted to go to shiny-high or not, she went back now and then, but did no work in class. All she did was to work on her make-up and poilsh her latex outfit. She spent alot of her time in class day-dreaming about what she could get next.
It’s was now the summer holidays for Shiny-high, and close to her 5th wish. However, Veronica harbors no intention of returning to school after the 12-week summer holidays, asserting that her rules supersede all others and that she is entitled to whatever she desires, believing herself superior to everyone else. Despite her self-perception, some still consider Moni and Sato to be the most attractive girls at Shiny-high. Veronica's primary ambition is to achieve unparalleled popularity, not only through her increasing wealth and power but also through her beauty. She resents the notion that others might be considered more attractive than her. For her summer break, instead of joining other "shiny latex girls" from Shiny-high, Veronica plans to visit her magical Cave of Wishes with the goal of surpassing everyone.
Two days into her summer holidays and 243 days from her last wish she went into her cave. For her 5th wish thinking about Moni and Sato who are still seen as the hottest girls in shiny-high. She said to her cave "I wish to become the most sexiest, most beautiful most prettyest, hottest girl in all the world, that all will get a crush on me." So the cave did as she asked.
She was loving her sexiness and she found it easier to get her way from all, with her psychic powers she could see just how much they loved her. But being such a greedy selfish girl she would dominate all to worship her saying "Is this all I get, I'm a queen so I demand more." But she was getting more then she had ever had. She was beyond rich not being a millionaire but not a trillionaire. She was the top model on almost every magazine and news paper. She was world famous and was on TV adverts from things like hair and make-up adverts, and had been in a music video for a song called "my crush is too much". Her cave of wishes was filled with gold as her maids worked hard on getting all the gold out to make her palace bigger but the added rooms were to be made of pure gold. When the maids took the gold out, the cave of wishes replaced it with more gold. Her instashine social media page had gone from 15 million fans to 67 million with all saying how pretty, cute, sexy and hot she was in the comments. She loves all the worship wish more greedy plans and wishes ahead.
More about Veronica
Name: Veronica Salt
Multiverse: 0019
Planet: Variclex
Height : 5,4
Age: 16
Hair colour: Brownish blonde
Eye colour: blue-Purple
School: Shiny high
Best friend in school: A succubus girl named Sasha
Favourite colours: red, black, and gold
Sexually: autosexual
Personality: Happy, narcissistic, self centered, selfish, greedy, mean, dominant, gold digger, spoiled brat
Favourite fashion: Sexy shiny latex clothing,
Favourite clothing, short-skirts, skin-tight catsuits, corsets, and high-heel boots.
hobbies: modeling, dancing, and shopping
Wish in life: to be super famous all over the world
Lives: in a big mansion with her mum and maids
Obsessions: shiny things,
Online: Have over 67 million fans on her social media page.
Her dads job: mayor of the biggest city over seas
Her mom’s job: Stacey Salt owner of a big gold and diamond jewellery company.
The story of Queen Veronica is not as long as some of the stroys I have done but is still has a long way to go and and links to another story which links the the Stroy of Latex queen Sliverleaf and Latex sorceress Shimmerrah both from the Multiverse 0018. here is a link to The full Story of Veronica book 1
Chapter 1 The shiny spoiled brat.
Chapter 2 The Cave of wishes
Chapter 3 Latex-lair
Chapter 4 The latex queen
Chapter 5 = Shiny sorcereress
Chapter 6 = The fairest of them all
Chapter 6 = The fairest of them all
Now aged 16 teen and having so much wealth knowing her sassy behavior could get her what she wanted. even so queen and could make up her mind if she wanted to go to shiny-high or not, she went back now and then, but did no work in class. All she did was to work on her make-up and poilsh her latex outfit. She spent alot of her time in class day-dreaming about what she could get next.
It’s was now the summer holidays for Shiny-high, and close to her 5th wish. However, Veronica harbors no intention of returning to school after the 12-week summer holidays, asserting that her rules supersede all others and that she is entitled to whatever she desires, believing herself superior to everyone else. Despite her self-perception, some still consider Moni and Sato to be the most attractive girls at Shiny-high. Veronica's primary ambition is to achieve unparalleled popularity, not only through her increasing wealth and power but also through her beauty. She resents the notion that others might be considered more attractive than her. For her summer break, instead of joining other "shiny latex girls" from Shiny-high, Veronica plans to visit her magical Cave of Wishes with the goal of surpassing everyone.
Two days into her summer holidays and 243 days from her last wish she went into her cave. For her 5th wish thinking about Moni and Sato who are still seen as the hottest girls in shiny-high. She said to her cave "I wish to become the most sexiest, most beautiful most prettyest, hottest girl in all the world, that all will get a crush on me." So the cave did as she asked.
She was loving her sexiness and she found it easier to get her way from all, with her psychic powers she could see just how much they loved her. But being such a greedy selfish girl she would dominate all to worship her saying "Is this all I get, I'm a queen so I demand more." But she was getting more then she had ever had. She was beyond rich not being a millionaire but not a trillionaire. She was the top model on almost every magazine and news paper. She was world famous and was on TV adverts from things like hair and make-up adverts, and had been in a music video for a song called "my crush is too much". Her cave of wishes was filled with gold as her maids worked hard on getting all the gold out to make her palace bigger but the added rooms were to be made of pure gold. When the maids took the gold out, the cave of wishes replaced it with more gold. Her instashine social media page had gone from 15 million fans to 67 million with all saying how pretty, cute, sexy and hot she was in the comments. She loves all the worship wish more greedy plans and wishes ahead.
More about Veronica
Name: Veronica Salt
Multiverse: 0019
Planet: Variclex
Height : 5,4
Age: 16
Hair colour: Brownish blonde
Eye colour: blue-Purple
School: Shiny high
Best friend in school: A succubus girl named Sasha
Favourite colours: red, black, and gold
Sexually: autosexual
Personality: Happy, narcissistic, self centered, selfish, greedy, mean, dominant, gold digger, spoiled brat
Favourite fashion: Sexy shiny latex clothing,
Favourite clothing, short-skirts, skin-tight catsuits, corsets, and high-heel boots.
hobbies: modeling, dancing, and shopping
Wish in life: to be super famous all over the world
Lives: in a big mansion with her mum and maids
Obsessions: shiny things,
Online: Have over 67 million fans on her social media page.
Her dads job: mayor of the biggest city over seas
Her mom’s job: Stacey Salt owner of a big gold and diamond jewellery company.
The 'Saint existed for twenty years as a diplomatic courier, moving information and people between the Core Worlds with limited excitement or incident.
Whilst in the process of turning a scrapyard on Triton into a smelting complex, the industrial magnate Charles Sebastian Forbes discovered the wreck of the 'Saint and commissioned the shipsmiths of Saturn to rescue and refurbish it into his own personal launch. As his businesses expanded into the lawless Galactic Rim, the sturdy Ivory Saint kept the trillionaire and his entourage safe and sound.
Manufacturer: SolSpaceWorks
Model: Model-38 Courier-Craft
Crew: 2 pilots [8 passengers]
Armament: 2 micro-missile launchers (1 forward firing, 1 aft-firing)
Defenses: Duranium Armour Plate, Positronic Shielding.
(WIP pic, more picures and better renders to come)
Name: P.C.S. York
Affiliation: Phoenix Command Group, (vigilante frontier mercenary group dedicated to protecting the innocent, preventing crime, and exposing corruption. Formerly Kolter Mining security division. Formally United Earth Federation (working title) Federal Defense Navy (working title)
Class Name: Monarch class
Type: Fast Battleship
Commissioned: Circa mid 2500’s, pre recent major conflict
Specifications:
Length: 1,221 meters (122.1 studs, 38.5 inches, 97.7 cm model)
Width: 429 meters (42.9 studs, 12.5 inches, 34.3 cm model)
Height: 305 meters (30.5 studs, 9.7 inches, 24.4 cm model)
Crew: 2,700 standard complement + up to 2,000 Star Quest marine detachment and embarked craft pilots and flight crew
Armament: 6 triple-mounted heavy railgun turrets, 8 triple-mounted rapid fire medium particle cannon turrets, 24 dual-mounted medium railgun turrets, 174 quad-mounted 80mm anti-fighter flak railgun turrets
Defensive systems:
Hull: Heavy advanced steel alloy hull with carbon nanotube/buckypaper composite layers as spall lining.
Armor plating: titanium alloy, tungsten, carbon nanotube composite armor layers against kinetic, kinetic spalling, particle, laser, and plasma fire. Composite hull provides excellent survivability at low mass due to the advanced composite design.
Bulkheads: Extensive titanium bulkhead support network.
Structural integrity field: High power system designed for extreme acceleration.
Shielding: Internally housed advanced, high power, rapid regeneration adaptive particle field repulsing shielding system capable of surviving extreme punishment.
Powerplant: 2 primary matter-antimatter reactors with extensive fuel reserves, 2 secondary, and 1 tertiary fusion reactors with extensive fuel reserves. Multiple massive power capacitors. Extensive heatinks.
Propulsion: 3 primary 8 secondary, and 8 tertiary fusion engines for sub-lightspeed travel, 1 internal FTL core capable of high speed, long range travel, 192 reaction control thrusters, and 48 reaction control wheels for below light speed maneuvering.
Computer systems: Multiple supercomputer cores with onboard Virtual Intelligence system, along with extensive redundant backup and antiviral systems.
Comms and Sensors: Local and FTL comms arrays. Radar, LIDAR, infrared, multi-spectral, and additional other local area sensors systems, along with extensive FTL sensors.
High power artificial singularity for both artificial gravity generation and inertial dampening, allowing for 1G gravity under all but the most extreme conditions.
Background: Faced with an aging and inadequate fighting fleet, Earth humanity constructed the Monarch class in the ramp-up to the most recent Great War. These vessels served as advanced, fast battleships well suited to carrier escort duties, rapid border response, or direct ship-to-ship combat against enemy battleships and cruisers.
After the war, the York was purchased by eccentric multi trillionaire David Courtland, and the vessel found new purpose in defending civilians in war-torn areas from pirates.
IRL info. This digital SHIP was made in Bricklink’s Studio software from August 1st to August 11th, 2021. I did not originally plan to attempt to include it in SHIPtember, but it met the requirements for early month. Note that it uses all real piece colors that are available for sale on Bricklink. It is 100% connected, and should be reasonably stable in real life. Although it would require a display stand of some kind. The current pictures are WIP placeholders to show completed status of the build itself. Better renders will hopefully follow before whatever October picture deadline is decided on. Please do not use these early pictures in the poster if time remains, as I hope to provide better ones. Thank you for reading.)
The story of Queen Veronica is not as long as some of the stroys I have done but is still has a long way to go and and links to another story which links the the Stroy of Latex queen Sliverleaf and Latex sorceress Shimmerrah both from the Multiverse 0018. here is a link to The full Story of Veronica
Chapter 1 The shiny spoiled brat.
Chapter 2 The Cave of wishes
Chapter 3 Latex-lair
Chapter 4 The latex queen
Chapter 5 = Shiny sorcereress
Chapter 6 = The fairest of them all
Chapter 1 The shiny spoiled brat.
Veronica went a school called shiny high. She’s is super rich girl who always gets everything she wants no matter what it is. She gets spoiled every day and showered with endless gifts. She has so much latex in her mansion that all the other girls in her school are very jealous. She's a very naughty girl who's mean to the other girls and always gets away with it, Sasha another naughty girl who is made to look like a good girl compared to Veronica. But Moni is still known from being the cutest girl in shiny high. With Veronica being the naughtiest. Veronica was born into wealth with her mother Stacey Salt being the owner of a big gold and diamond jewellery company, and her father is a mayor of the biggest city over-seas call ultacash city. Living in a big mansion with her mum and maids to give her everthing the wanted. Even so being only 15 she was already a model who loved to model in latex outfits, but her latex was not only in her modelling as she wore nothing but latex in everyday life and to school. Her school was called shiny-high, a high-school for latex girls as within the world of Variclex latex was a fashion worn by many girls and women of all ages and races.
Chapter 2 The Cave of wishes
From a young age many in her school called her Princess Veronica as she was so rich and spoiled, even so she was not a real princess and she was treated like one being highly pampered. One day on a shiny-high school trip in Hunglix city being the teacher’s pet she asked to go into the palace to see prince Casper. Veronica ruled the school as none could tell her off fearing being sued from her parents. She knew her pretty sassiness always got her, her own way and knew all boys were week to her. Having millions of fan on her social media page with many all telling her that shes the hottest and that they got a crush on her. She wanted to try and dominate prince Casper who was aged 17. So her teacher took the shiny latex girls of her class into Hunglix palace. Prince Casper seeing her catwalking up the red carpet came to great her. Casper was crushed by this shiny latex girl and kneel down before her. He said he'd do anything she says. He said not thinking as his lust for her blinded him said I will give you one thing of anything you want to show my love for you. Veronica giggled. He give her a sheet to sign saying its on paper anyone that you want. She took the pen grinning and sign her name. She then asked for his throne and a gold crown. The prince did as she asked. He was shocked to what she had asked for but was captivated by her beauty. Princess Casper was meant to be the guardian of this magical cave. His role was to ensure that no one misused its powers. But now she was the princess and he was uncrown by her orders to have all his land, she got the cave of wishes to.
Rules of the cave of wishes
1) Has to be descendant from the prince Caster, or to be given the cave if the prince pass on the crown and throne to another.
2) The more you take for yourself the less everyone else has.
3) One more than one wish per day, but its can be a long wish as you need to explain in detail then wish for it. but the time for each wish will time by 3 for the time till your next wish
The rest of her class had to bow to her most whom were unhappy to do so and then the teacher took them as Princess Veronica orderd. She made Casper show her the cave. Casper said “the cave is an living entity of great power which holds the order of all things. It’s only meant to be used in need” She said “whatever, its mine now” She walked it alone and it was made of white crystal but it turned to gold the show the greed of the new comer. A being made of shiny gold talked to her saying “You get one wish per day” Her 1st wish “I wish to be forever spoiled and showered with gifts every day.” This wish led to people feeling compelled to buy her gifts and fulfil her requests. For instance, she approached a lottery winner after her wish who had won $26,000,000 and, dressed in a cute latex outfit, persuaded him to give her all the money. That night she went out to show off in a few night-club about her city as Prince Casper had no power over his land and his father King Ali was away over sea. Veronica knew Casper would be in bad trouble for give away the throne and cave, but Veronica not cared.
Chapter 3 Latex-lair
Next day she went back to the cave to make another wish. But the cave said from when you make a wish it will be 3 more days from the last wish. So she came back in 2 days time and made her 2nd wish. “I wish to have the hottest latex outfits” This wish manifested in her acquiring a vast collection of highly desirable latex clothing all made for a perfect fit and with the highest shine. This enhance her stunning beauty making it even harder to say no to her. She came back to the cave 3 days later still wanting more. But the cave said each wish time is times buy 3 to each wish meaning its now 9 days from her last wish. That made her unhappy so she stormed out in a bad mood. She came back 6 days later and asked the cave for her 3rd wish. “I wish to have my entire palace including all furniture and decor, made of the most shiniest latex.” This wish transformed her living environment into a latex-themed domain. She walked out of the cave of wishes into a shiny latex lair, She walked on a hot-pink latex carpet and sat on a hot-pink and black latex throne making all bow to her. “What more could can have?” she said to herself with Carper in worship at her feet. “My princess” said Casper “The cave has rules on how much you take. The more you take in greed the less the world will slowly have.” But Veronica not cared. Saying “more for me then” Many notce that the grass within Hunglix was going and and stromy weather was being more common as blots of lighting was seen on the day of her last wish.
Chapter 4 The latex queen
2 days before her next wish she heard that King Ali was coming back to take back his throne as being king he had higher power over prince's and princess's of his land. This news made Veronica very worried as she loved having full control over her school, city and all the land. King Ali knew what Casper had done given the throne to a narcissistic greedy dominant latex brat. King Ali would had come sooner but he was in Adderline city upon the planet Pinkkawwie spending time with queen Cyberiee. But word had it he was on his way in a light-star ship moving as half the speed of light. The planet Variclex was not as sic-fi but the light-star ship was sent by queen Cyberiee as she knew the cave of wishes was a powerful place that had to be looked after to make sure it not ended up within the wrong hands. On the 27th day after her last wish was the day of her next wish. In her princess life so far she had layed in her latex bed for as long as she wanted but today she had done her make-up early and rushed out of her shiny latex clad room. “Princess?” said a royal knight seeing her rushing down the hall. “The kings ship has just landed” Hearing this she rushed into the cave of wishes. She heard the king and his men outside as she went into the cave and made her 4th wish “I wish to be crowned queen and rule all the land so none can tell me want I cannot do or have.” She knew this would solidifying her status and making her virtually unstoppable within her domain. Her crown transformed into a shiny gold queens crown, and outside the cave the crown upon king Ali’s head disappeared. Within the cave Veronica giggled with power and greed. She cat-walked out the cave and down her shiny latex royal hall towards king Ali. “What did you wish for?” said King Ali knowing. “What you think, now bow to your new queen and ruler.” She said with a giggle. All bows down to her as she sat on the throne and was put on TV for all to see and know who their new queen was. She sent Ali away as she was no longer a king or even part of the royal family as he was to her not needed. She kept prince Casper as her knew alot about the cave of wishes, but he had no power over it as all the power had been given to the latex queen Veronica.
The time to her next wish she knew would be long so she had planning for what she could wish for. All her knights love her but not wanted to give her any ideas which where to greedy as she would wish for them and she already had too much for a girl her age. 3 weeks after being made queen she went to another land called Lixin ruled by King Atlas She knew he had a crush on her as his love for her was talked about by many, His wish when last on TV was to at lest once to look upon the beauty of the latex queen Veronica. So as she had taken a throne from one prince with a crush why not try it again. She entered into the royal hall to where sat King Atlas who looked at her with wide eyes. King Atlas was aged 19 and was the youngest kings of all the royal lands. He bowed to her and she took the crown from his head. “My crown?” said King Atlas still on the floor. “It’s mine now” She said walking to his throne and siting upon it. “But my queen you have a throne and you rule a land.” Said King Atlas, She giggles saying one throne is not enough for a hottie like me is it?” “No my Queen.” Said king Atlas weakly still bowing. She got up from the throne and walked on out, I want it all, and make this new throne of mine latex to, say red and black latex?” She walked on out giggling. Atlas was uncrown like was prince Casper and King Ali.
Chapter 5 = Shiny sorcereress
81 days after her 4th wish She was thinking on just taken over all the world but in the 81 days in waiting she had taken 6 thrones and lands, as her other wishes had made her more of a spoiled brat. She knew after this wish would be 243 days to wait which would after her 16th birthday. So she needed something so make her unstoppable, she could have as much as she wants alway. She went into the cave and made her 5th wish saying “I wish to be a powerful sorcereress with all kinds of powers.” When this wish was done she had all kinds of powers such as Flight Manipulation, Psychic, telekinesis, and transmutation magic. With her transmutation magic she increased the size of her breasts to give her body a more sexier look.
Within her long wait for the next wish She had lots of fun with her new powers and over time she got more powerful as she could open up portals and go anywhere in the world she wanted. But as she was a naughty queen she would take anything the wanted from who ever she wanted. She would read the minds of people and know new things and what there where week to. She would sit fully dressed in a dominant latex outfit upon her latex throne in a dominant pose controll things with her mind.
Within this time came her 16th birthday where she had lots of new latex outfits from all kinds such as mini-skirts, tops, dress, some long some short, stockings, leggings, corsets, blouses, jackets, coats, caps and lots of foot wear such as high heel boots some adore-ankel boots, knee-high boots, over-knee boots and thigh high boots. Many give her gold and gems such as and blue diamonds which are the most expensive selling at 3-4 million per carat. These gems came in jewelry to show her wealth as she was now the richest queen in all the world. Many cames from all over the world the see her and spoil her with gift.
Chapter 6 = The fairest of them all
Now aged 16 teen and having so much wealth knowing her sassy behavior could get her what she wanted. even so queen and could make up her mind if she wanted to go to shiny-high or not, she went back now and then, but did no work in class. All she did was to work on her make-up and poilsh her latex outfit. She spent alot of her time in class day-dreaming about what she could get next.
It’s was now the summer holidays for Shiny-high, and close to her 5th wish. However, Veronica harbors no intention of returning to school after the 12-week summer holidays, asserting that her rules supersede all others and that she is entitled to whatever she desires, believing herself superior to everyone else. Despite her self-perception, some still consider Moni and Sato to be the most attractive girls at Shiny-high. Veronica's primary ambition is to achieve unparalleled popularity, not only through her increasing wealth and power but also through her beauty. She resents the notion that others might be considered more attractive than her. For her summer break, instead of joining other "shiny latex girls" from Shiny-high, Veronica plans to visit her magical Cave of Wishes with the goal of surpassing everyone.
Two days into her summer holidays and 243 days from her last wish she went into her cave. For her 5th wish thinking about Moni and Sato who are still seen as the hottest girls in shiny-high. She said to her cave "I wish to become the most sexiest, most beautiful most prettyest, hottest girl in all the world, that all will get a crush on me." So the cave did as she asked.
She was loving her sexiness and she found it easier to get her way from all, with her psychic powers she could see just how much they loved her. But being such a greedy selfish girl she would dominate all to worship her saying "Is this all I get, I'm a queen so I demand more." But she was getting more then she had ever had. She was beyond rich not being a millionaire but not a trillionaire. She was the top model on almost every magazine and news paper. She was world famous and was on TV adverts from things like hair and make-up adverts, and had been in a music video for a song called "my crush is too much". Her cave of wishes was filled with gold as her maids worked hard on getting all the gold out to make her palace bigger but the added rooms were to be made of pure gold. When the maids took the gold out, the cave of wishes replaced it with more gold. Her instashine social media page had gone from 15 million fans to 67 million with all saying how pretty, cute, sexy and hot she was in the comments. She loves all the worship wish more greedy plans and wishes ahead.
More about Veronica
Name: Veronica Salt
Multiverse: 0019
Planet: Variclex
Lives: Hunglix city
Height : 5,4
Age: 16
Hair colour: Brownish blonde
Eye colour: blue-Purple
School: Shiny high
Best friend in school: A succubus girl named Sasha
Favourite colours: red, black, and gold
Sexually: autosexual
Personality: Happy, narcissistic, self centered, selfish, greedy, mean, dominant, gold digger, spoiled brat
Favourite fashion: Sexy shiny latex clothing,
Favourite clothing, short-skirts, skin-tight catsuits, corsets, and high-heel boots.
hobbies: modeling, dancing, and shopping
Wish in life: to be super famous all over the world
Lives: in a big mansion with her mum and maids
Obsessions: shiny things,
Online: Have over 67 million fans on her social media page.
Her dads job: mayor of the biggest city over seas
Her mom’s job: Stacey Salt owner of a big gold and diamond jewellery company.
Little Johnny, son of Ant and Rennie. What a well brought up, confident, grounded and well-rounded little gentleman he is. If Ant and Ren could bottle their parenting skills and sell it to the world they'd not only be trillionaires but also make this Planet a nicer place.
A wonderful day with great friends ... and the things I saw and shared with them.
Here is my rendition of Kingdom Tower, assuming the owner of Kingdom Holding becomes a trillionaire.
Ricky Post, the trillionaire heir to the Post Pharmaceutical fortune, arrives at Dock 137 of North Central Positronicss shipyard to inspect the progress construction crews have made on the newest ship in his company's fleet. On the day of the inspection, crews have positioned the engine block behind the frame, and are waiting on delivery of the coupling housing before the two assemblies can be married. Pictured in the foreground is Ricky's personal sport luxury yacht, "Ain't' Miss-Behavin' ."
(WIP pic, more pictures and better renders to come, please use improved render for poster if time permits Thank you.)
Name: P.C.S. York
Affiliation: Phoenix Command Group, (vigilante frontier mercenary group dedicated to protecting the innocent, preventing crime, and exposing corruption. Formerly Kolter Mining security division. Formally United Earth Federation (working title) Federal Defense Navy (working title)
Class Name: Monarch class
Type: Fast Battleship
Commissioned: Circa mid 2500’s, pre recent major conflict
Specifications:
Length: 1,221 meters (122.1 studs, 38.5 inches, 97.7 cm model)
Width: 429 meters (42.9 studs, 12.5 inches, 34.3 cm model)
Height: 305 meters (30.5 studs, 9.7 inches, 24.4 cm model)
Crew: 2,700 standard complement + up to 2,000 Star Quest marine detachment and embarked craft pilots and flight crew
Armament: 6 triple-mounted heavy railgun turrets, 8 triple-mounted rapid fire medium particle cannon turrets, 24 dual-mounted medium railgun turrets, 174 quad-mounted 80mm anti-fighter flak railgun turrets
Defensive systems:
Hull: Heavy advanced steel alloy hull with carbon nanotube/buckypaper composite layers as spall lining.
Armor plating: titanium alloy, tungsten, carbon nanotube composite armor layers against kinetic, kinetic spalling, particle, laser, and plasma fire. Composite hull provides excellent survivability at low mass due to the advanced composite design.
Bulkheads: Extensive titanium bulkhead support network.
Structural integrity field: High power system designed for extreme acceleration.
Shielding: Internally housed advanced, high power, rapid regeneration adaptive particle field repulsing shielding system capable of surviving extreme punishment.
Powerplant: 2 primary matter-antimatter reactors with extensive fuel reserves, 2 secondary, and 1 tertiary fusion reactors with extensive fuel reserves. Multiple massive power capacitors. Extensive heatinks.
Propulsion: 3 primary 8 secondary, and 8 tertiary fusion engines for sub-lightspeed travel, 1 internal FTL core capable of high speed, long range travel, 192 reaction control thrusters, and 48 reaction control wheels for below light speed maneuvering.
Computer systems: Multiple supercomputer cores with onboard Virtual Intelligence system, along with extensive redundant backup and antiviral systems.
Comms and Sensors: Local and FTL comms arrays. Radar, LIDAR, infrared, multi-spectral, and additional other local area sensors systems, along with extensive FTL sensors.
High power artificial singularity for both artificial gravity generation and inertial dampening, allowing for 1G gravity under all but the most extreme conditions.
Background: Faced with an aging and inadequate fighting fleet, Earth humanity constructed the Monarch class in the ramp-up to the most recent Great War. These vessels served as advanced, fast battleships well suited to carrier escort duties, rapid border response, or direct ship-to-ship combat against enemy battleships and cruisers.
After the war, the York was purchased by eccentric multi trillionaire David Courtland, and the vessel found new purpose in defending civilians in war-torn areas from pirates.
IRL info. This digital SHIP was made in Bricklink’s Studio software from August 1st to August 11th, 2021. I did not originally plan to attempt to include it in SHIPtember, but it met the requirements for early month. Note that it uses all real piece colors that are available for sale on Bricklink. It is 100% connected, and should be reasonably stable in real life. Although it would require a display stand of some kind. The current pictures are WIP placeholders to show completed status of the build itself. Better renders will hopefully follow before whatever October picture deadline is decided on. Please do not use these early pictures in the poster if time remains, as I hope to provide better ones. Thank you for reading.)
(WIP pic, more picures and better renders to come)
Name: P.C.S. York
Affiliation: Phoenix Command Group, (vigilante frontier mercenary group dedicated to protecting the innocent, preventing crime, and exposing corruption. Formerly Kolter Mining security division. Formally United Earth Federation (working title) Federal Defense Navy (working title)
Class Name: Monarch class
Type: Fast Battleship
Commissioned: Circa mid 2500’s, pre recent major conflict
Specifications:
Length: 1,221 meters (122.1 studs, 38.5 inches, 97.7 cm model)
Width: 429 meters (42.9 studs, 12.5 inches, 34.3 cm model)
Height: 305 meters (30.5 studs, 9.7 inches, 24.4 cm model)
Crew: 2,700 standard complement + up to 2,000 Star Quest marine detachment and embarked craft pilots and flight crew
Armament: 6 triple-mounted heavy railgun turrets, 8 triple-mounted rapid fire medium particle cannon turrets, 24 dual-mounted medium railgun turrets, 174 quad-mounted 80mm anti-fighter flak railgun turrets
Defensive systems:
Hull: Heavy advanced steel alloy hull with carbon nanotube/buckypaper composite layers as spall lining.
Armor plating: titanium alloy, tungsten, carbon nanotube composite armor layers against kinetic, kinetic spalling, particle, laser, and plasma fire. Composite hull provides excellent survivability at low mass due to the advanced composite design.
Bulkheads: Extensive titanium bulkhead support network.
Structural integrity field: High power system designed for extreme acceleration.
Shielding: Internally housed advanced, high power, rapid regeneration adaptive particle field repulsing shielding system capable of surviving extreme punishment.
Powerplant: 2 primary matter-antimatter reactors with extensive fuel reserves, 2 secondary, and 1 tertiary fusion reactors with extensive fuel reserves. Multiple massive power capacitors. Extensive heatinks.
Propulsion: 3 primary 8 secondary, and 8 tertiary fusion engines for sub-lightspeed travel, 1 internal FTL core capable of high speed, long range travel, 192 reaction control thrusters, and 48 reaction control wheels for below light speed maneuvering.
Computer systems: Multiple supercomputer cores with onboard Virtual Intelligence system, along with extensive redundant backup and antiviral systems.
Comms and Sensors: Local and FTL comms arrays. Radar, LIDAR, infrared, multi-spectral, and additional other local area sensors systems, along with extensive FTL sensors.
High power artificial singularity for both artificial gravity generation and inertial dampening, allowing for 1G gravity under all but the most extreme conditions.
Background: Faced with an aging and inadequate fighting fleet, Earth humanity constructed the Monarch class in the ramp-up to the most recent Great War. These vessels served as advanced, fast battleships well suited to carrier escort duties, rapid border response, or direct ship-to-ship combat against enemy battleships and cruisers.
After the war, the York was purchased by eccentric multi trillionaire David Courtland, and the vessel found new purpose in defending civilians in war-torn areas from pirates.
IRL info. This digital SHIP was made in Bricklink’s Studio software from August 1st to August 11th, 2021. I did not originally plan to attempt to include it in SHIPtember, but it met the requirements for early month. Note that it uses all real piece colors that are available for sale on Bricklink. It is 100% connected, and should be reasonably stable in real life. Although it would require a display stand of some kind. The current pictures are WIP placeholders to show completed status of the build itself. Better renders will hopefully follow before whatever October picture deadline is decided on. Please do not use these early pictures in the poster if time remains, as I hope to provide better ones. Thank you for reading.)
The 'Saint existed for twenty years as a diplomatic courier, moving information and people between the Core Worlds with limited excitement or incident.
Whilst in the process of turning a scrapyard on Triton into a smelting complex, the industrial magnate Charles Sebastian Forbes discovered the wreck of the 'Saint and commissioned the shipsmiths of Saturn to rescue and refurbish it into his own personal launch. As his businesses expanded into the lawless Galactic Rim, the sturdy Ivory Saint kept the trillionaire and his entourage safe and sound.
Manufacturer: SolSpaceWorks
Model: Model-38 Courier-Craft
Crew: 2 pilots [8 passengers]
Armament: 2 micro-missile launchers (1 forward firing, 1 aft-firing)
Defenses: Duranium Armour Plate, Positronic Shielding.
(WIP pic, more picures and better renders to come)
Name: P.C.S. York
Affiliation: Phoenix Command Group, (vigilante frontier mercenary group dedicated to protecting the innocent, preventing crime, and exposing corruption. Formerly Kolter Mining security division. Formally United Earth Federation (working title) Federal Defense Navy (working title)
Class Name: Monarch class
Type: Fast Battleship
Commissioned: Circa mid 2500’s, pre recent major conflict
Specifications:
Length: 1,221 meters (122.1 studs, 38.5 inches, 97.7 cm model)
Width: 429 meters (42.9 studs, 12.5 inches, 34.3 cm model)
Height: 305 meters (30.5 studs, 9.7 inches, 24.4 cm model)
Crew: 2,700 standard complement + up to 2,000 Star Quest marine detachment and embarked craft pilots and flight crew
Armament: 6 triple-mounted heavy railgun turrets, 8 triple-mounted rapid fire medium particle cannon turrets, 24 dual-mounted medium railgun turrets, 174 quad-mounted 80mm anti-fighter flak railgun turrets
Defensive systems:
Hull: Heavy advanced steel alloy hull with carbon nanotube/buckypaper composite layers as spall lining.
Armor plating: titanium alloy, tungsten, carbon nanotube composite armor layers against kinetic, kinetic spalling, particle, laser, and plasma fire. Composite hull provides excellent survivability at low mass due to the advanced composite design.
Bulkheads: Extensive titanium bulkhead support network.
Structural integrity field: High power system designed for extreme acceleration.
Shielding: Internally housed advanced, high power, rapid regeneration adaptive particle field repulsing shielding system capable of surviving extreme punishment.
Powerplant: 2 primary matter-antimatter reactors with extensive fuel reserves, 2 secondary, and 1 tertiary fusion reactors with extensive fuel reserves. Multiple massive power capacitors. Extensive heatinks.
Propulsion: 3 primary 8 secondary, and 8 tertiary fusion engines for sub-lightspeed travel, 1 internal FTL core capable of high speed, long range travel, 192 reaction control thrusters, and 48 reaction control wheels for below light speed maneuvering.
Computer systems: Multiple supercomputer cores with onboard Virtual Intelligence system, along with extensive redundant backup and antiviral systems.
Comms and Sensors: Local and FTL comms arrays. Radar, LIDAR, infrared, multi-spectral, and additional other local area sensors systems, along with extensive FTL sensors.
High power artificial singularity for both artificial gravity generation and inertial dampening, allowing for 1G gravity under all but the most extreme conditions.
Background: Faced with an aging and inadequate fighting fleet, Earth humanity constructed the Monarch class in the ramp-up to the most recent Great War. These vessels served as advanced, fast battleships well suited to carrier escort duties, rapid border response, or direct ship-to-ship combat against enemy battleships and cruisers.
After the war, the York was purchased by eccentric multi trillionaire David Courtland, and the vessel found new purpose in defending civilians in war-torn areas from pirates.
IRL info. This digital SHIP was made in Bricklink’s Studio software from August 1st to August 11th, 2021. I did not originally plan to attempt to include it in SHIPtember, but it met the requirements for early month. Note that it uses all real piece colors that are available for sale on Bricklink. It is 100% connected, and should be reasonably stable in real life. Although it would require a display stand of some kind. The current pictures are WIP placeholders to show completed status of the build itself. Better renders will hopefully follow before whatever October picture deadline is decided on. Please do not use these early pictures in the poster if time remains, as I hope to provide better ones. Thank you for reading.)
The 'Saint existed for twenty years as a diplomatic courier, moving information and people between the Core Worlds with limited excitement or incident.
Whilst in the process of turning a scrapyard on Triton into a smelting complex, the industrial magnate Charles Sebastian Forbes discovered the wreck of the 'Saint and commissioned the shipsmiths of Saturn to rescue and refurbish it into his own personal launch. As his businesses expanded into the lawless Galactic Rim, the sturdy Ivory Saint kept the trillionaire and his entourage safe and sound.
Manufacturer: SolSpaceWorks
Model: Model-38 Courier-Craft
Crew: 2 pilots [8 passengers]
Armament: 2 micro-missile launchers (1 forward firing, 1 aft-firing)
Defenses: Duranium Armour Plate, Positronic Shielding.
(WIP pic, more picures and better renders to come)
Name: P.C.S. York
Affiliation: Phoenix Command Group, (vigilante frontier mercenary group dedicated to protecting the innocent, preventing crime, and exposing corruption. Formerly Kolter Mining security division. Formally United Earth Federation (working title) Federal Defense Navy (working title)
Class Name: Monarch class
Type: Fast Battleship
Commissioned: Circa mid 2500’s, pre recent major conflict
Specifications:
Length: 1,221 meters (122.1 studs, 38.5 inches, 97.7 cm model)
Width: 429 meters (42.9 studs, 12.5 inches, 34.3 cm model)
Height: 305 meters (30.5 studs, 9.7 inches, 24.4 cm model)
Crew: 2,700 standard complement + up to 2,000 Star Quest marine detachment and embarked craft pilots and flight crew
Armament: 6 triple-mounted heavy railgun turrets, 8 triple-mounted rapid fire medium particle cannon turrets, 24 dual-mounted medium railgun turrets, 174 quad-mounted 80mm anti-fighter flak railgun turrets
Defensive systems:
Hull: Heavy advanced steel alloy hull with carbon nanotube/buckypaper composite layers as spall lining.
Armor plating: titanium alloy, tungsten, carbon nanotube composite armor layers against kinetic, kinetic spalling, particle, laser, and plasma fire. Composite hull provides excellent survivability at low mass due to the advanced composite design.
Bulkheads: Extensive titanium bulkhead support network.
Structural integrity field: High power system designed for extreme acceleration.
Shielding: Internally housed advanced, high power, rapid regeneration adaptive particle field repulsing shielding system capable of surviving extreme punishment.
Powerplant: 2 primary matter-antimatter reactors with extensive fuel reserves, 2 secondary, and 1 tertiary fusion reactors with extensive fuel reserves. Multiple massive power capacitors. Extensive heatinks.
Propulsion: 3 primary 8 secondary, and 8 tertiary fusion engines for sub-lightspeed travel, 1 internal FTL core capable of high speed, long range travel, 192 reaction control thrusters, and 48 reaction control wheels for below light speed maneuvering.
Computer systems: Multiple supercomputer cores with onboard Virtual Intelligence system, along with extensive redundant backup and antiviral systems.
Comms and Sensors: Local and FTL comms arrays. Radar, LIDAR, infrared, multi-spectral, and additional other local area sensors systems, along with extensive FTL sensors.
High power artificial singularity for both artificial gravity generation and inertial dampening, allowing for 1G gravity under all but the most extreme conditions.
Background: Faced with an aging and inadequate fighting fleet, Earth humanity constructed the Monarch class in the ramp-up to the most recent Great War. These vessels served as advanced, fast battleships well suited to carrier escort duties, rapid border response, or direct ship-to-ship combat against enemy battleships and cruisers.
After the war, the York was purchased by eccentric multi trillionaire David Courtland, and the vessel found new purpose in defending civilians in war-torn areas from pirates.
IRL info. This digital SHIP was made in Bricklink’s Studio software from August 1st to August 11th, 2021. I did not originally plan to attempt to include it in SHIPtember, but it met the requirements for early month. Note that it uses all real piece colors that are available for sale on Bricklink. It is 100% connected, and should be reasonably stable in real life. Although it would require a display stand of some kind. The current pictures are WIP placeholders to show completed status of the build itself. Better renders will hopefully follow before whatever October picture deadline is decided on. Please do not use these early pictures in the poster if time remains, as I hope to provide better ones. Thank you for reading.)
(WIP pic, more picures and better renders to come)
Name: P.C.S. York
Affiliation: Phoenix Command Group, (vigilante frontier mercenary group dedicated to protecting the innocent, preventing crime, and exposing corruption. Formerly Kolter Mining security division. Formally United Earth Federation (working title) Federal Defense Navy (working title)
Class Name: Monarch class
Type: Fast Battleship
Commissioned: Circa mid 2500’s, pre recent major conflict
Specifications:
Length: 1,221 meters (122.1 studs, 38.5 inches, 97.7 cm model)
Width: 429 meters (42.9 studs, 12.5 inches, 34.3 cm model)
Height: 305 meters (30.5 studs, 9.7 inches, 24.4 cm model)
Crew: 2,700 standard complement + up to 2,000 Star Quest marine detachment and embarked craft pilots and flight crew
Armament: 6 triple-mounted heavy railgun turrets, 8 triple-mounted rapid fire medium particle cannon turrets, 24 dual-mounted medium railgun turrets, 174 quad-mounted 80mm anti-fighter flak railgun turrets
Defensive systems:
Hull: Heavy advanced steel alloy hull with carbon nanotube/buckypaper composite layers as spall lining.
Armor plating: titanium alloy, tungsten, carbon nanotube composite armor layers against kinetic, kinetic spalling, particle, laser, and plasma fire. Composite hull provides excellent survivability at low mass due to the advanced composite design.
Bulkheads: Extensive titanium bulkhead support network.
Structural integrity field: High power system designed for extreme acceleration.
Shielding: Internally housed advanced, high power, rapid regeneration adaptive particle field repulsing shielding system capable of surviving extreme punishment.
Powerplant: 2 primary matter-antimatter reactors with extensive fuel reserves, 2 secondary, and 1 tertiary fusion reactors with extensive fuel reserves. Multiple massive power capacitors. Extensive heatinks.
Propulsion: 3 primary 8 secondary, and 8 tertiary fusion engines for sub-lightspeed travel, 1 internal FTL core capable of high speed, long range travel, 192 reaction control thrusters, and 48 reaction control wheels for below light speed maneuvering.
Computer systems: Multiple supercomputer cores with onboard Virtual Intelligence system, along with extensive redundant backup and antiviral systems.
Comms and Sensors: Local and FTL comms arrays. Radar, LIDAR, infrared, multi-spectral, and additional other local area sensors systems, along with extensive FTL sensors.
High power artificial singularity for both artificial gravity generation and inertial dampening, allowing for 1G gravity under all but the most extreme conditions.
Background: Faced with an aging and inadequate fighting fleet, Earth humanity constructed the Monarch class in the ramp-up to the most recent Great War. These vessels served as advanced, fast battleships well suited to carrier escort duties, rapid border response, or direct ship-to-ship combat against enemy battleships and cruisers.
After the war, the York was purchased by eccentric multi trillionaire David Courtland, and the vessel found new purpose in defending civilians in war-torn areas from pirates.
IRL info. This digital SHIP was made in Bricklink’s Studio software from August 1st to August 11th, 2021. I did not originally plan to attempt to include it in SHIPtember, but it met the requirements for early month. Note that it uses all real piece colors that are available for sale on Bricklink. It is 100% connected, and should be reasonably stable in real life. Although it would require a display stand of some kind. The current pictures are WIP placeholders to show completed status of the build itself. Better renders will hopefully follow before whatever October picture deadline is decided on. Please do not use these early pictures in the poster if time remains, as I hope to provide better ones. Thank you for reading.)
Dis for da hood, Dis for da ghetto
Dis for all dem niggas gettin dat money
Dat cash money, Dat 100 million dollar money
We got money
We da best
Ridin big, gettin mine
Two microwaves flip a brick at a time
Bandana on da handle ready for da whip
When I wear da whitest soft watch it disappear
I disappear in da middle of da night
When I reappear bet da boss look so bright
Fo life, dough boy, More strikes, O boy
We ridin low, Gettin high
80 round drum let ya know da time
When you see da Maybachs nigga know its mine
Ridin on da 2 4's runnin ahead of my time
Watch runnin from kind, Anotha one on my mind
Phone bill 4 grand get ya ho in da line
In da hood ho niggas act funny
Only real niggas really get to touch cash money
I smell a lot of 100 million dollars, 100 million dollars, 100 million dollars
And I came from da ghetto (ghetto), and I came from da ghetto (ghetto)
If ya ghetto, throw ya hood up, If ya ghetto, throw ya hood up
If ya ghetto, throw ya hood up, If ya ghetto, throw ya hood up
If ya ghetto
Everyday a new whip hommie, So you know I gets my shine on
Flip after we flip hommie, So you know I gets my grind on
Birdman daddy, Pullin up in dat brand new Cadi
Got money, livin lavish, Got bitches, shippin baggage
Move dem thangs, Get dem thangs, Switch dat lane
Get dat chains, Flip dem thangs, Get yo money hommie do yo thang
See I got em like 10 times, spend money got em like 10 times
Flip dat got em like 10 times, Got money lik 10 more times nigga
I smell a lot of 100 million dollars, 100 million dollars, 100 million dollars
And I came from da ghetto (ghetto), and I came from da ghetto (ghetto)
If ya ghetto, throw ya hood up, If ya ghetto, throw ya hood up
If ya ghetto, throw ya hood up, If ya ghetto, throw ya hood up
If ya ghetto
I'm from da ghetto, da bottoms, da hood, da slums
There's money out here, we just tryin to get some
Cool like Dre nigga, A like K
When ya talk about me you better watch what ya say
Don't ever keep dem thangs where ya lay
Cuz dem pussy ass niggas show da folks where ya stay
Ya thought he was ya dawg, said he was a G
Sounds like anotha code feeling to me
Niggas move sloppy and I really don't like it
Fuck around and get everybody inedited
Saw dis shit commin, you woulda thought I was a psychic
Fuck around go dead broke tryin to fight it
I, I, I all nighted, I every dayed it
And when it comes to my dues, I over payed it
Rated hood bitch, Bitch I'm hood bitch
I aint a asshole, but I'm on some hood shit
I wish I would switch, I don't know how
Blood gang sworm like a red ant pile
Mean mug, like I can't smile
Like my grill big, Coast me a 100 thou
I smell a lot of 100 million dollars, 100 million dollars, 100 million dollars
And I came from da ghetto (ghetto), and I came from da ghetto (ghetto)
If ya ghetto, throw ya hood up, If ya ghetto, throw ya hood up
If ya ghetto, throw ya hood up, If ya ghetto, throw ya hood up
If ya ghetto
Cash Money Millionaires, Cash Money Billionaires, Cash Money Trillionaires
We rich, We aint neva gone stop, Neva
We got money nigga
The 'Saint existed for twenty years as a diplomatic courier, moving information and people between the Core Worlds with limited excitement or incident.
Whilst in the process of turning a scrapyard on Triton into a smelting complex, the industrial magnate Charles Sebastian Forbes discovered the wreck of the 'Saint and commissioned the shipsmiths of Saturn to rescue and refurbish it into his own personal launch. As his businesses expanded into the lawless Galactic Rim, the sturdy Ivory Saint kept the trillionaire and his entourage safe and sound.
Manufacturer: SolSpaceWorks
Model: Model-38 Courier-Craft
Crew: 2 pilots [8 passengers]
Armament: 2 micro-missile launchers (1 forward firing, 1 aft-firing)
Defenses: Duranium Armour Plate, Positronic Shielding.
Terry Southern - The Magic Christian
Penguin Books 3081, 1969
Cover design by Bob Gill showing Ringo Starr and Peter Sellers
AN AMERICAN DREAM
Featuring 'Grand Guy' Guy Grand,
Trillionaire Trickster, and his two
maiden aunts
Pansy Antics of
World Heavyweight Champ
Titled Passengers Flee Terrible
Trickship of Captain Klaus
Free Offer!
$100,000 in Vat of Boiling Cow-Dung
Raw Egg Sensation
as Mad Dentist Strikes
Pig-mask Marauder in $500
Hot Dog Mystery
(WIP pic, more picures and better renders to come)
Name: P.C.S. York
Affiliation: Phoenix Command Group, (vigilante frontier mercenary group dedicated to protecting the innocent, preventing crime, and exposing corruption. Formerly Kolter Mining security division. Formally United Earth Federation (working title) Federal Defense Navy (working title)
Class Name: Monarch class
Type: Fast Battleship
Commissioned: Circa mid 2500’s, pre recent major conflict
Specifications:
Length: 1,221 meters (122.1 studs, 38.5 inches, 97.7 cm model)
Width: 429 meters (42.9 studs, 12.5 inches, 34.3 cm model)
Height: 305 meters (30.5 studs, 9.7 inches, 24.4 cm model)
Crew: 2,700 standard complement + up to 2,000 Star Quest marine detachment and embarked craft pilots and flight crew
Armament: 6 triple-mounted heavy railgun turrets, 8 triple-mounted rapid fire medium particle cannon turrets, 24 dual-mounted medium railgun turrets, 174 quad-mounted 80mm anti-fighter flak railgun turrets
Defensive systems:
Hull: Heavy advanced steel alloy hull with carbon nanotube/buckypaper composite layers as spall lining.
Armor plating: titanium alloy, tungsten, carbon nanotube composite armor layers against kinetic, kinetic spalling, particle, laser, and plasma fire. Composite hull provides excellent survivability at low mass due to the advanced composite design.
Bulkheads: Extensive titanium bulkhead support network.
Structural integrity field: High power system designed for extreme acceleration.
Shielding: Internally housed advanced, high power, rapid regeneration adaptive particle field repulsing shielding system capable of surviving extreme punishment.
Powerplant: 2 primary matter-antimatter reactors with extensive fuel reserves, 2 secondary, and 1 tertiary fusion reactors with extensive fuel reserves. Multiple massive power capacitors. Extensive heatinks.
Propulsion: 3 primary 8 secondary, and 8 tertiary fusion engines for sub-lightspeed travel, 1 internal FTL core capable of high speed, long range travel, 192 reaction control thrusters, and 48 reaction control wheels for below light speed maneuvering.
Computer systems: Multiple supercomputer cores with onboard Virtual Intelligence system, along with extensive redundant backup and antiviral systems.
Comms and Sensors: Local and FTL comms arrays. Radar, LIDAR, infrared, multi-spectral, and additional other local area sensors systems, along with extensive FTL sensors.
High power artificial singularity for both artificial gravity generation and inertial dampening, allowing for 1G gravity under all but the most extreme conditions.
Background: Faced with an aging and inadequate fighting fleet, Earth humanity constructed the Monarch class in the ramp-up to the most recent Great War. These vessels served as advanced, fast battleships well suited to carrier escort duties, rapid border response, or direct ship-to-ship combat against enemy battleships and cruisers.
After the war, the York was purchased by eccentric multi trillionaire David Courtland, and the vessel found new purpose in defending civilians in war-torn areas from pirates.
IRL info. This digital SHIP was made in Bricklink’s Studio software from August 1st to August 11th, 2021. I did not originally plan to attempt to include it in SHIPtember, but it met the requirements for early month. Note that it uses all real piece colors that are available for sale on Bricklink. It is 100% connected, and should be reasonably stable in real life. Although it would require a display stand of some kind. The current pictures are WIP placeholders to show completed status of the build itself. Better renders will hopefully follow before whatever October picture deadline is decided on. Please do not use these early pictures in the poster if time remains, as I hope to provide better ones. Thank you for reading.)
from JANUARY of 2017 -- THE RISE OF THE AUTOKAR & one world gas station cowboys, cartoon by scott richard (2017)
***********
before i re-present this essay from january of 2017 i'd like to say that people have more in common than they think and this is what infuriates them.
but the whole GM thing is a wakeup call for EVERYONE who has been burying their head in the sand over the future of the CONTROL of the AUTONOMOUS car A.K.A.
AUTOKAR
next year GM is launching a city wide program of autonomous vehicles in San Francisco!!! yeehaw!!! this year their program called MAVEN is in full swing and teaching them many algorithmic points of wisdom about the lives of city people and how they use cars.
but this means NOBODY will be wanting to make new cars once the SHEER SUCCESS of traffic-reduction is UNDERSTOOD. you can have LITERALLY 100% more vehicles using the same streets and ZERO traffic and quick transits.
it's irresistible. it just needs A VEHICLE TYPE/TYPES and hybrid or new fuel sourcing. imagine if there was hidden tech for a totally different type of VEHICLE that didn't run on any of the current ENERGETIC ideas that we know. that would be startling. it would cripple worldwide markets. hence the secrecy and CAR LOAN incentives.
but city people should be thoughtful.
autokar is INEVITABLE, especially in population-dense areas.
therefore, it will appeal to the urban people and scare the crp out of the suburban and rural people.
so now that it's finally found its way backwardly into the news, when you read this essay you can see why the largest gas reserve in the world is so desirable for nations like putin's and now the INVISIBLE BACKERS of our ILLEGALLY ascended dumptruck FAKE president.
smartfully so, these men want ALL the contracts on the vehicles and the GAS that the vehicles use.
whatta great BILLIONAIRE wanna-be-trillionaire strategy.
and based on how much this buffoon has facefkt the united states and its FAKE americanisms and loan-takers, etc.... he just might succeed.
now this almost two year old essay:
PRESS PLAY
party like a russia
robbie williams
*******
let's take a wild guess.
trump is giving putin the go-ahead on a pipeline in exchange for a massive GAS tax cut?
seriously, after four decades of keeping the soviets from getting to it?
after the u.s. has been paying rogue foreign government operatives for decades to keep that territory untransited by a pipeline that will give gorging powers to russia?
you can hear all of this in the report that the U.S. government put out regarding 9/11 if you don't already know this. it was released over ten years ago, silly. what the fk have you been doing?
anyway, the report spells out how it was bin laden's PAID BY U.S. DOLLARS job to keep any development of said pipeline project from ever happening so that russia would never access that huge gas reserve in the caspian region.
i'm sure you've heard about the region.
here:
www.stratfor.com/video/strategic-importance-caspian-sea
and the republican-backed corporations have been pushing for this in secret collusion for two decades, advancing their agendas every 8 years when they are GIVEN the election by the electoral "college". [the democrats hide it completely and are less proud of their worldwide disasters of foreign policy. i feel obliged to include this because the u.s. is o BIPOLAR with its idiotic bipartisanship that if i don't, the whole shrieking right will discount the essay... since when did freedom come in two parties?!? whatta an american embarrassment. high school prom election time. a popularity contest at the expense of LIFE & LIBERTY as they pursue SELF-INTERESTED HAPPINESS].
so basically if some group of business interest took over the electoral college about four decades ago, what then?
but now that's out the window.
who cares?
voter fraud is BIG BUSINESS worldwide now, cuties.
so i had to ask myself, who is going to PROFIT from this?
who stands to profit from cutting deals and creating sanctions on this natural gas pivot point?
which one of TRUMP'S affiliates stands to best make this their FKING OYSTER?!?!?!
come on, we ALL saw with our own fking eyes how cheney used the bushes. and how halliburton and exxon and others MADE BILLIONS OF DOLLARS off fake accidents and fake wars while simultaneously creating untold militants in a media-manufactured usurpation/occupation of a "war theater" country.
so back to the BIG QUESTION -- who is going to use trump?
and i know you're going like, how the fk would he know?
but trust me when i say, "oh, that's easy -- AUTO CAR!"
that's who.
auto car is poised to replace ALL free cars.
free cars drive where the driver wants them to at least 98% of the time. and you can buy your gas where from whomever (or so it seems, lol)
BUT auto car will get ALL of its gas from the same place.
and putin and trump want to be YOUR GAS STATION>
trump is cashing us in on the unarrived revolution and freedom loss that AUTO-CAR will apply.
here comes the ONE WORLD GAS STATION cowboys.
stand them down now.
we are PAYING FOR THIS.
you can't keep pretending your DOLLARS aren't votes.
dear madonna, could you cut a new dance single hit called PUTIN AND TRUMP WANT TO BE YOUR GAS STATION
The story of Queen Veronica is not as long as some of the stroys I have done but is still has a long way to go and and links to another story which links the the Stroy of Latex queen Sliverleaf and Latex sorceress Shimmerrah both from the Multiverse 0018. here is a link to The full Story of Veronica book 1
Chapter 1 The shiny spoiled brat.
Chapter 2 The Cave of wishes
Chapter 3 Latex-lair
Chapter 4 The latex queen
Chapter 5 = Shiny sorcereress
Chapter 6 = The fairest of them all
Chapter 6 = The fairest of them all
Now aged 16 teen and having so much wealth knowing her sassy behavior could get her what she wanted. even so queen and could make up her mind if she wanted to go to shiny-high or not, she went back now and then, but did no work in class. All she did was to work on her make-up and poilsh her latex outfit. She spent alot of her time in class day-dreaming about what she could get next.
It’s was now the summer holidays for Shiny-high, and close to her 5th wish. However, Veronica harbors no intention of returning to school after the 12-week summer holidays, asserting that her rules supersede all others and that she is entitled to whatever she desires, believing herself superior to everyone else. Despite her self-perception, some still consider Moni and Sato to be the most attractive girls at Shiny-high. Veronica's primary ambition is to achieve unparalleled popularity, not only through her increasing wealth and power but also through her beauty. She resents the notion that others might be considered more attractive than her. For her summer break, instead of joining other "shiny latex girls" from Shiny-high, Veronica plans to visit her magical Cave of Wishes with the goal of surpassing everyone.
Two days into her summer holidays and 243 days from her last wish she went into her cave. For her 5th wish thinking about Moni and Sato who are still seen as the hottest girls in shiny-high. She said to her cave "I wish to become the most sexiest, most beautiful most prettyest, hottest girl in all the world, that all will get a crush on me." So the cave did as she asked.
She was loving her sexiness and she found it easier to get her way from all, with her psychic powers she could see just how much they loved her. But being such a greedy selfish girl she would dominate all to worship her saying "Is this all I get, I'm a queen so I demand more." But she was getting more then she had ever had. She was beyond rich not being a millionaire but not a trillionaire. She was the top model on almost every magazine and news paper. She was world famous and was on TV adverts from things like hair and make-up adverts, and had been in a music video for a song called "my crush is too much". Her cave of wishes was filled with gold as her maids worked hard on getting all the gold out to make her palace bigger but the added rooms were to be made of pure gold. When the maids took the gold out, the cave of wishes replaced it with more gold. Her instashine social media page had gone from 15 million fans to 67 million with all saying how pretty, cute, sexy and hot she was in the comments. She loves all the worship wish more greedy plans and wishes ahead.
More about Veronica
Name: Veronica Salt
Multiverse: 0019
Planet: Variclex
Height : 5,4
Age: 16
Hair colour: Brownish blonde
Eye colour: blue-Purple
School: Shiny high
Best friend in school: A succubus girl named Sasha
Favourite colours: red, black, and gold
Sexually: autosexual
Personality: Happy, narcissistic, self centered, selfish, greedy, mean, dominant, gold digger, spoiled brat
Favourite fashion: Sexy shiny latex clothing,
Favourite clothing, short-skirts, skin-tight catsuits, corsets, and high-heel boots.
hobbies: modeling, dancing, and shopping
Wish in life: to be super famous all over the world
Lives: in a big mansion with her mum and maids
Obsessions: shiny things,
Online: Have over 67 million fans on her social media page.
Her dads job: mayor of the biggest city over seas
Her mom’s job: Stacey Salt owner of a big gold and diamond jewellery company.
Shruti studies Fashion at NIFT. She previously did Engineering.
She loves Cars, Formula 1, Fashion, and will do anything for Lewis Hamilton. She also loves Cats and whiskey.
As our technology accelerates at a speed that is incomprehensibile, our sources of energy might well become airborne through personalized wave lengths. We have yet to reach this era, but it will be here soon. That's right, once this system is perfected it will become the new monitor of our energy expenditures. With government authorization, each approved taxpayer will be assigned a coded personal wave lenth, perhaps a number that will become the individual's government mark, an ID that will make tracking carbon footprints so much more simple. Few rebels will be able to get around this new innovation. I am thinking about its development; others are working on such a system in labs throughout the world. Who will be the one that takes this one to Brussels? Perhaps a roundtable discussion is in order, a private think tank. Once we perfect this, keeping it out of the hands and tentacles of world governments will be necessary. Who will become the first energy trillionaire?
The exhibition "Dialogue: James Bridle and Jonas Staal", Nome Gallery, Berlin.
James Bridle’s exhibition Signs of Life takes its name from Werner Herzog’s film Lebenszeichen (1968), in which three German soldiers patroling a Greek island are driven mad on encountering a vast field of spinning windmills. Bridle’s new work Windmill 03 (for Walter Segal) recreates a traditional Greek windmill from the original location of the film using surplus material from DIY architecture projects Aegina Battery comprises an electricity generator powered by seventy-two Greek lemons dramatizing the power, abilities, and knowledges embodied in the natural world. Five solar panels are engraved with images and named for five species of Radiolarian: microscopic sea creatures who construct elaborate mineral skeletons from silica. Recent optical research has shown that certain forms of engraving can increase the efficiency of solar photovoltaic panels, by trapping certain frequencies of light which would otherwise be reflected. In these works, Bridle invokes the potential of collaboration with the more-than-human world to seek regenerative solutions to the problems that we face, and the possibilities of collective education and agency.
Comrades in Deep Future centers on three works by Jonas Staal that address the notion of the non-human comrade. As Jodi Dean has written, comradeship is “characterized by equality and belonging, by a love and respect between equals so great that it can’t be contained in human relations but spans to include insects and galaxies (bees and stars) and objects themselves.” The Court for Intergenerational Climate Crimes (CICC, 2021-ongoing) is a collaboration between Staal and Radha D’Souza, which consists of a large-scale installation in the form of a tribunal that prosecutes intergenerational climate crimes. Interplanetary Species Society (ISS, 2019) is an alternative biosphere constructed in a former underground nuclear facility in Stockholm. While the spacefaring trillionaire class aims to colonize Mars, ISS instead turns underground: intra-planetary. Part of the alternative biosphere are the Neo-Constructivist Ammonites (2019), which build on the heritage of the Soviet constructivist and productivist artists who argued that in a revolutionary situation, objects become comrades too. Obscur Unions, for Laure Prouvost (2020) takes the form of four drawings printed as flags, which are part of an ongoing collaboration between Staal and artist Laure Prouvost. Their shared works take the form of sites of assembly conceptualized by Staal in which anthropomorphic entities such as plants, arms, branches, tongues, toxins, breasts, and signs created by Prouvost gather as political subjects. Across Staal’s three projects, extinct plants, neo-constructivist ammonites, and insurgent octopi appear as part of an insurgent popular front of earth workers. Human, non-human, more-than-human, and other-than-human alike. United in a struggle for deep futures and a biosphere for all.
28 April – 17 June 2022
#TheFirstTrillionaire by #SapnaJha
The novel, ‘The First Trillionaire’ is about a young protagonist who has led an uneventful life, but she herself is quite remarkable. The novel progresses in a fast pace, with myriad characters thrown in, and their connection with the main protagonist becomes clearer as one delves deeper into the story.
Official web : sapnajha.com/
Amazon: www.amazon.in/First-Trillionaire-Sapna-Jha/dp/9384439959
the slums are worth trillions, but unfortunately lives are not valued even in the thousands of rupees! kick the people out, for the land is previous is the cry of the modenisers, the cry of the slumdwellers is not even heard!
The exhibition "Dialogue: James Bridle and Jonas Staal", Nome Gallery, Berlin.
James Bridle’s exhibition Signs of Life takes its name from Werner Herzog’s film Lebenszeichen (1968), in which three German soldiers patroling a Greek island are driven mad on encountering a vast field of spinning windmills. Bridle’s new work Windmill 03 (for Walter Segal) recreates a traditional Greek windmill from the original location of the film using surplus material from DIY architecture projects Aegina Battery comprises an electricity generator powered by seventy-two Greek lemons dramatizing the power, abilities, and knowledges embodied in the natural world. Five solar panels are engraved with images and named for five species of Radiolarian: microscopic sea creatures who construct elaborate mineral skeletons from silica. Recent optical research has shown that certain forms of engraving can increase the efficiency of solar photovoltaic panels, by trapping certain frequencies of light which would otherwise be reflected. In these works, Bridle invokes the potential of collaboration with the more-than-human world to seek regenerative solutions to the problems that we face, and the possibilities of collective education and agency.
Comrades in Deep Future centers on three works by Jonas Staal that address the notion of the non-human comrade. As Jodi Dean has written, comradeship is “characterized by equality and belonging, by a love and respect between equals so great that it can’t be contained in human relations but spans to include insects and galaxies (bees and stars) and objects themselves.” The Court for Intergenerational Climate Crimes (CICC, 2021-ongoing) is a collaboration between Staal and Radha D’Souza, which consists of a large-scale installation in the form of a tribunal that prosecutes intergenerational climate crimes. Interplanetary Species Society (ISS, 2019) is an alternative biosphere constructed in a former underground nuclear facility in Stockholm. While the spacefaring trillionaire class aims to colonize Mars, ISS instead turns underground: intra-planetary. Part of the alternative biosphere are the Neo-Constructivist Ammonites (2019), which build on the heritage of the Soviet constructivist and productivist artists who argued that in a revolutionary situation, objects become comrades too. Obscur Unions, for Laure Prouvost (2020) takes the form of four drawings printed as flags, which are part of an ongoing collaboration between Staal and artist Laure Prouvost. Their shared works take the form of sites of assembly conceptualized by Staal in which anthropomorphic entities such as plants, arms, branches, tongues, toxins, breasts, and signs created by Prouvost gather as political subjects. Across Staal’s three projects, extinct plants, neo-constructivist ammonites, and insurgent octopi appear as part of an insurgent popular front of earth workers. Human, non-human, more-than-human, and other-than-human alike. United in a struggle for deep futures and a biosphere for all.
28 April – 17 June 2022
The exhibition "Dialogue: James Bridle and Jonas Staal", Nome Gallery, Berlin.
James Bridle’s exhibition Signs of Life takes its name from Werner Herzog’s film Lebenszeichen (1968), in which three German soldiers patroling a Greek island are driven mad on encountering a vast field of spinning windmills. Bridle’s new work Windmill 03 (for Walter Segal) recreates a traditional Greek windmill from the original location of the film using surplus material from DIY architecture projects Aegina Battery comprises an electricity generator powered by seventy-two Greek lemons dramatizing the power, abilities, and knowledges embodied in the natural world. Five solar panels are engraved with images and named for five species of Radiolarian: microscopic sea creatures who construct elaborate mineral skeletons from silica. Recent optical research has shown that certain forms of engraving can increase the efficiency of solar photovoltaic panels, by trapping certain frequencies of light which would otherwise be reflected. In these works, Bridle invokes the potential of collaboration with the more-than-human world to seek regenerative solutions to the problems that we face, and the possibilities of collective education and agency.
Comrades in Deep Future centers on three works by Jonas Staal that address the notion of the non-human comrade. As Jodi Dean has written, comradeship is “characterized by equality and belonging, by a love and respect between equals so great that it can’t be contained in human relations but spans to include insects and galaxies (bees and stars) and objects themselves.” The Court for Intergenerational Climate Crimes (CICC, 2021-ongoing) is a collaboration between Staal and Radha D’Souza, which consists of a large-scale installation in the form of a tribunal that prosecutes intergenerational climate crimes. Interplanetary Species Society (ISS, 2019) is an alternative biosphere constructed in a former underground nuclear facility in Stockholm. While the spacefaring trillionaire class aims to colonize Mars, ISS instead turns underground: intra-planetary. Part of the alternative biosphere are the Neo-Constructivist Ammonites (2019), which build on the heritage of the Soviet constructivist and productivist artists who argued that in a revolutionary situation, objects become comrades too. Obscur Unions, for Laure Prouvost (2020) takes the form of four drawings printed as flags, which are part of an ongoing collaboration between Staal and artist Laure Prouvost. Their shared works take the form of sites of assembly conceptualized by Staal in which anthropomorphic entities such as plants, arms, branches, tongues, toxins, breasts, and signs created by Prouvost gather as political subjects. Across Staal’s three projects, extinct plants, neo-constructivist ammonites, and insurgent octopi appear as part of an insurgent popular front of earth workers. Human, non-human, more-than-human, and other-than-human alike. United in a struggle for deep futures and a biosphere for all.
28 April – 17 June 2022
The exhibition "Dialogue: James Bridle and Jonas Staal", Nome Gallery, Berlin.
James Bridle’s exhibition Signs of Life takes its name from Werner Herzog’s film Lebenszeichen (1968), in which three German soldiers patroling a Greek island are driven mad on encountering a vast field of spinning windmills. Bridle’s new work Windmill 03 (for Walter Segal) recreates a traditional Greek windmill from the original location of the film using surplus material from DIY architecture projects Aegina Battery comprises an electricity generator powered by seventy-two Greek lemons dramatizing the power, abilities, and knowledges embodied in the natural world. Five solar panels are engraved with images and named for five species of Radiolarian: microscopic sea creatures who construct elaborate mineral skeletons from silica. Recent optical research has shown that certain forms of engraving can increase the efficiency of solar photovoltaic panels, by trapping certain frequencies of light which would otherwise be reflected. In these works, Bridle invokes the potential of collaboration with the more-than-human world to seek regenerative solutions to the problems that we face, and the possibilities of collective education and agency.
Comrades in Deep Future centers on three works by Jonas Staal that address the notion of the non-human comrade. As Jodi Dean has written, comradeship is “characterized by equality and belonging, by a love and respect between equals so great that it can’t be contained in human relations but spans to include insects and galaxies (bees and stars) and objects themselves.” The Court for Intergenerational Climate Crimes (CICC, 2021-ongoing) is a collaboration between Staal and Radha D’Souza, which consists of a large-scale installation in the form of a tribunal that prosecutes intergenerational climate crimes. Interplanetary Species Society (ISS, 2019) is an alternative biosphere constructed in a former underground nuclear facility in Stockholm. While the spacefaring trillionaire class aims to colonize Mars, ISS instead turns underground: intra-planetary. Part of the alternative biosphere are the Neo-Constructivist Ammonites (2019), which build on the heritage of the Soviet constructivist and productivist artists who argued that in a revolutionary situation, objects become comrades too. Obscur Unions, for Laure Prouvost (2020) takes the form of four drawings printed as flags, which are part of an ongoing collaboration between Staal and artist Laure Prouvost. Their shared works take the form of sites of assembly conceptualized by Staal in which anthropomorphic entities such as plants, arms, branches, tongues, toxins, breasts, and signs created by Prouvost gather as political subjects. Across Staal’s three projects, extinct plants, neo-constructivist ammonites, and insurgent octopi appear as part of an insurgent popular front of earth workers. Human, non-human, more-than-human, and other-than-human alike. United in a struggle for deep futures and a biosphere for all.
28 April – 17 June 2022
The exhibition "Dialogue: James Bridle and Jonas Staal", Nome Gallery, Berlin.
James Bridle’s exhibition Signs of Life takes its name from Werner Herzog’s film Lebenszeichen (1968), in which three German soldiers patroling a Greek island are driven mad on encountering a vast field of spinning windmills. Bridle’s new work Windmill 03 (for Walter Segal) recreates a traditional Greek windmill from the original location of the film using surplus material from DIY architecture projects Aegina Battery comprises an electricity generator powered by seventy-two Greek lemons dramatizing the power, abilities, and knowledges embodied in the natural world. Five solar panels are engraved with images and named for five species of Radiolarian: microscopic sea creatures who construct elaborate mineral skeletons from silica. Recent optical research has shown that certain forms of engraving can increase the efficiency of solar photovoltaic panels, by trapping certain frequencies of light which would otherwise be reflected. In these works, Bridle invokes the potential of collaboration with the more-than-human world to seek regenerative solutions to the problems that we face, and the possibilities of collective education and agency.
Comrades in Deep Future centers on three works by Jonas Staal that address the notion of the non-human comrade. As Jodi Dean has written, comradeship is “characterized by equality and belonging, by a love and respect between equals so great that it can’t be contained in human relations but spans to include insects and galaxies (bees and stars) and objects themselves.” The Court for Intergenerational Climate Crimes (CICC, 2021-ongoing) is a collaboration between Staal and Radha D’Souza, which consists of a large-scale installation in the form of a tribunal that prosecutes intergenerational climate crimes. Interplanetary Species Society (ISS, 2019) is an alternative biosphere constructed in a former underground nuclear facility in Stockholm. While the spacefaring trillionaire class aims to colonize Mars, ISS instead turns underground: intra-planetary. Part of the alternative biosphere are the Neo-Constructivist Ammonites (2019), which build on the heritage of the Soviet constructivist and productivist artists who argued that in a revolutionary situation, objects become comrades too. Obscur Unions, for Laure Prouvost (2020) takes the form of four drawings printed as flags, which are part of an ongoing collaboration between Staal and artist Laure Prouvost. Their shared works take the form of sites of assembly conceptualized by Staal in which anthropomorphic entities such as plants, arms, branches, tongues, toxins, breasts, and signs created by Prouvost gather as political subjects. Across Staal’s three projects, extinct plants, neo-constructivist ammonites, and insurgent octopi appear as part of an insurgent popular front of earth workers. Human, non-human, more-than-human, and other-than-human alike. United in a struggle for deep futures and a biosphere for all.
28 April – 17 June 2022
The exhibition "Dialogue: James Bridle and Jonas Staal", Nome Gallery, Berlin.
James Bridle’s exhibition Signs of Life takes its name from Werner Herzog’s film Lebenszeichen (1968), in which three German soldiers patroling a Greek island are driven mad on encountering a vast field of spinning windmills. Bridle’s new work Windmill 03 (for Walter Segal) recreates a traditional Greek windmill from the original location of the film using surplus material from DIY architecture projects Aegina Battery comprises an electricity generator powered by seventy-two Greek lemons dramatizing the power, abilities, and knowledges embodied in the natural world. Five solar panels are engraved with images and named for five species of Radiolarian: microscopic sea creatures who construct elaborate mineral skeletons from silica. Recent optical research has shown that certain forms of engraving can increase the efficiency of solar photovoltaic panels, by trapping certain frequencies of light which would otherwise be reflected. In these works, Bridle invokes the potential of collaboration with the more-than-human world to seek regenerative solutions to the problems that we face, and the possibilities of collective education and agency.
Comrades in Deep Future centers on three works by Jonas Staal that address the notion of the non-human comrade. As Jodi Dean has written, comradeship is “characterized by equality and belonging, by a love and respect between equals so great that it can’t be contained in human relations but spans to include insects and galaxies (bees and stars) and objects themselves.” The Court for Intergenerational Climate Crimes (CICC, 2021-ongoing) is a collaboration between Staal and Radha D’Souza, which consists of a large-scale installation in the form of a tribunal that prosecutes intergenerational climate crimes. Interplanetary Species Society (ISS, 2019) is an alternative biosphere constructed in a former underground nuclear facility in Stockholm. While the spacefaring trillionaire class aims to colonize Mars, ISS instead turns underground: intra-planetary. Part of the alternative biosphere are the Neo-Constructivist Ammonites (2019), which build on the heritage of the Soviet constructivist and productivist artists who argued that in a revolutionary situation, objects become comrades too. Obscur Unions, for Laure Prouvost (2020) takes the form of four drawings printed as flags, which are part of an ongoing collaboration between Staal and artist Laure Prouvost. Their shared works take the form of sites of assembly conceptualized by Staal in which anthropomorphic entities such as plants, arms, branches, tongues, toxins, breasts, and signs created by Prouvost gather as political subjects. Across Staal’s three projects, extinct plants, neo-constructivist ammonites, and insurgent octopi appear as part of an insurgent popular front of earth workers. Human, non-human, more-than-human, and other-than-human alike. United in a struggle for deep futures and a biosphere for all.
28 April – 17 June 2022
#TheFirstTrillionaire by #SapnaJha
The novel, ‘The First Trillionaire’ is about a young protagonist who has led an uneventful life, but she herself is quite remarkable. The novel progresses in a fast pace, with myriad characters thrown in, and their connection with the main protagonist becomes clearer as one delves deeper into the story.
Official web : sapnajha.com/
Amazon: www.amazon.in/First-Trillionaire-Sapna-Jha/dp/9384439959
The exhibition "Dialogue: James Bridle and Jonas Staal", Nome Gallery, Berlin.
James Bridle’s exhibition Signs of Life takes its name from Werner Herzog’s film Lebenszeichen (1968), in which three German soldiers patroling a Greek island are driven mad on encountering a vast field of spinning windmills. Bridle’s new work Windmill 03 (for Walter Segal) recreates a traditional Greek windmill from the original location of the film using surplus material from DIY architecture projects Aegina Battery comprises an electricity generator powered by seventy-two Greek lemons dramatizing the power, abilities, and knowledges embodied in the natural world. Five solar panels are engraved with images and named for five species of Radiolarian: microscopic sea creatures who construct elaborate mineral skeletons from silica. Recent optical research has shown that certain forms of engraving can increase the efficiency of solar photovoltaic panels, by trapping certain frequencies of light which would otherwise be reflected. In these works, Bridle invokes the potential of collaboration with the more-than-human world to seek regenerative solutions to the problems that we face, and the possibilities of collective education and agency.
Comrades in Deep Future centers on three works by Jonas Staal that address the notion of the non-human comrade. As Jodi Dean has written, comradeship is “characterized by equality and belonging, by a love and respect between equals so great that it can’t be contained in human relations but spans to include insects and galaxies (bees and stars) and objects themselves.” The Court for Intergenerational Climate Crimes (CICC, 2021-ongoing) is a collaboration between Staal and Radha D’Souza, which consists of a large-scale installation in the form of a tribunal that prosecutes intergenerational climate crimes. Interplanetary Species Society (ISS, 2019) is an alternative biosphere constructed in a former underground nuclear facility in Stockholm. While the spacefaring trillionaire class aims to colonize Mars, ISS instead turns underground: intra-planetary. Part of the alternative biosphere are the Neo-Constructivist Ammonites (2019), which build on the heritage of the Soviet constructivist and productivist artists who argued that in a revolutionary situation, objects become comrades too. Obscur Unions, for Laure Prouvost (2020) takes the form of four drawings printed as flags, which are part of an ongoing collaboration between Staal and artist Laure Prouvost. Their shared works take the form of sites of assembly conceptualized by Staal in which anthropomorphic entities such as plants, arms, branches, tongues, toxins, breasts, and signs created by Prouvost gather as political subjects. Across Staal’s three projects, extinct plants, neo-constructivist ammonites, and insurgent octopi appear as part of an insurgent popular front of earth workers. Human, non-human, more-than-human, and other-than-human alike. United in a struggle for deep futures and a biosphere for all.
28 April – 17 June 2022
The exhibition "Dialogue: James Bridle and Jonas Staal", Nome Gallery, Berlin.
James Bridle’s exhibition Signs of Life takes its name from Werner Herzog’s film Lebenszeichen (1968), in which three German soldiers patroling a Greek island are driven mad on encountering a vast field of spinning windmills. Bridle’s new work Windmill 03 (for Walter Segal) recreates a traditional Greek windmill from the original location of the film using surplus material from DIY architecture projects Aegina Battery comprises an electricity generator powered by seventy-two Greek lemons dramatizing the power, abilities, and knowledges embodied in the natural world. Five solar panels are engraved with images and named for five species of Radiolarian: microscopic sea creatures who construct elaborate mineral skeletons from silica. Recent optical research has shown that certain forms of engraving can increase the efficiency of solar photovoltaic panels, by trapping certain frequencies of light which would otherwise be reflected. In these works, Bridle invokes the potential of collaboration with the more-than-human world to seek regenerative solutions to the problems that we face, and the possibilities of collective education and agency.
Comrades in Deep Future centers on three works by Jonas Staal that address the notion of the non-human comrade. As Jodi Dean has written, comradeship is “characterized by equality and belonging, by a love and respect between equals so great that it can’t be contained in human relations but spans to include insects and galaxies (bees and stars) and objects themselves.” The Court for Intergenerational Climate Crimes (CICC, 2021-ongoing) is a collaboration between Staal and Radha D’Souza, which consists of a large-scale installation in the form of a tribunal that prosecutes intergenerational climate crimes. Interplanetary Species Society (ISS, 2019) is an alternative biosphere constructed in a former underground nuclear facility in Stockholm. While the spacefaring trillionaire class aims to colonize Mars, ISS instead turns underground: intra-planetary. Part of the alternative biosphere are the Neo-Constructivist Ammonites (2019), which build on the heritage of the Soviet constructivist and productivist artists who argued that in a revolutionary situation, objects become comrades too. Obscur Unions, for Laure Prouvost (2020) takes the form of four drawings printed as flags, which are part of an ongoing collaboration between Staal and artist Laure Prouvost. Their shared works take the form of sites of assembly conceptualized by Staal in which anthropomorphic entities such as plants, arms, branches, tongues, toxins, breasts, and signs created by Prouvost gather as political subjects. Across Staal’s three projects, extinct plants, neo-constructivist ammonites, and insurgent octopi appear as part of an insurgent popular front of earth workers. Human, non-human, more-than-human, and other-than-human alike. United in a struggle for deep futures and a biosphere for all.
28 April – 17 June 2022