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As I went for a walk in the woods today, I started to notice the traces we humans leave behind in nature. Combined this is a little documentation of the traces I found.
Diane was given the assignment to cover Trace Adkins at The Paramount in Huntington, NY. With opening act Brian Ripps. Click this link to see her photographs and read her review
shutter16.com/trace-adkins-brings-that-down-home-country-...
SEE THE FULL GALLERY HERE
www.flickr.com/photos/shutter16mag/sets/72157681854735736
©Diane Woodcheke
dwoodcheke@gmail.com
Live Traced in Adobe Illustrator using a max. palette of 20 colors. For comparison, the full Color image here.
park step trace, 2009
The work is a continuation of the investigation of social space I began in black play white play, 2008. park step trace is an exploration of how we experience space, perceive space and negotiate space, and also provokes social prejudices.
The work is essentially a telephone booth like structure made out of plexi, erected on the steps in Fort Greene Park. Through a performance drawing, the movements of park goers is captured. The work is inherently contradictory, at first intending to capture the perception of how the park is used, but by intervening in the space, those very paths are disrupted.
Its all traced out and ready to be cut out, though I am not ready to cut it. Not today. I have to many waves of vertigo and my headache is not receding. The pressure system is getting worse here.
O well, another day then.
I really got lucky with this session. He was a doll baby! Loving all of his sweet images. Too many to choose!
From our Campground we took a cab to the Buffalo Trace Distillery and had a nice guide named Freddie. He was 3rd Generation working at the Distillery. It was just us and Freddie on the Historical Tour. One of the best tours we have been on. A must if you are in the area!
Penn State quarterback Trace McSorley during Ohio State's 27-26 win over Penn State on Sept. 29, 2018.
Photo: Derrick Webb
Hollister, California
In the San Francisco Bay area there are three major faults, from west to east the San Andreas, the Hayward, and the Calaveras; all are part of the San Andreas fault system. All of these are "right-lateral strike-slip faults," which means that the motion is predominantly horizontal, with the land on the west side of the fault moving north.
South of the Bay Area the Hayward and Calaveras merge into the San Andreas. Hollister is located just north of where this happens, right on top of the southern end of the Calaveras fault.
What makes Hollister particularly interesting is that from San Juan Bautista to just north of Parkfield the faults in the San Andreas system are not "stuck": instead of moving only during major earthquakes, they continuously "creep." As a result of this creep, Hollister is being slowly ripped in two, for the most part along a remarkably narrow zone running right through the middle of town.
The rate of creep is inconsistent, and has been measured at between 6 and 15mm per year at various times throughout the 20th century. Underground pipes, road paving, curbing, and foundations all show signs of being gradually shifted apart. Notice how the distortion always bends structures to the right- no matter from which side of the fault the photo was taken. Also notice that the motion is horizontal: the ground is remaining level as it moves. Together, these two observations define right-lateral strike-slip motion.