View allAll Photos Tagged trace
Enfin la première neige de l'hiver est arrivée en ce vendredi soir 15 janvier 2016. Comme à chaque fois, la magie opère. Un nouveau décor apparaît. Et l'homme ou ses machines dessinent des nouvelles traces sur la neige.
Ixworth is anothe rmarker on my travels up and down the A143, where the only small stetch of almost dual carriageway is and so enables the higher horsepowered cars to get past slower moving vehicles. My Corsa just about gets up the slight hill.
Other than from the roundabout at the bottom of the hill, on a clear day the smoke from the sugar beet factory in Bury can be seen, the road passes the village by.
But on Sunday I called in, drove to the pretty high street, found a place to park near to the entrance to the churchyard, and to my surprise found it open.
Ixworh is a fine village, and deserves more investigation, but I was here to look at and snap the church.
Inside it is bright and airy, a fine Suffolk church, nice toles, nice arts and crafts windows, and some nooks and crannies I can't explain.
From Simon (below), I was pleased to find the link to Nonsuch Palace, a building I am rather fascinated with, doubly so that now no trace of it exists.
------------------------------------------
Ixworth is one of those small towns, or large villages, that Suffolk seems to do so well. Especially since the bypass took the A1088 Stowmarket to Thetford road away from the village high street, it has the pleasant air of a relatively self-sufficient place, with a shop, a post-office, a decent pub, and that pre-requisite of modern rural civilisation, a ladies' hairdresser. There's a super little water mill on the road to Pakenham. Ixworth is not to be confused with Ixworth Thorpe, a tiny hamlet a mile or two to the north, with a stunning little thatched church; or, indeed, with Ickworth, home of the Marquis of Bristol, some ten miles to the south-west.
In my opinion, any decent large village or small town should also have a second-hand bookshop. Ixworth doesn't, but St Mary has gone some way to solving this, as we shall see.
The church is immediately beside the High Street, but concealed from it by a row of shops and houses, so that you might easily drive past without noticing. A short driveway leads into a small churchyard, out of which rises a pretty big church, apparently all built on the eve of the Reformation.
This is pretty much the case, since the late 15th and early 16th century replaced everything except the porch and the chancel; there are even dates for the completion of the tower. That other great age of faith, the late 19th century, replaced the chancel. All pieces of the ensemble are pretty typical of their ages.
Look west of the church, and you can see the site of the former Ixworth Priory. Most of this has now gone, but the vaulted undercroft has been retained as part of the current house on the site. There are more ruins visible from the High Street further west.
You step into the feel of a thoroughly urban church, as at Yoxford. This is partly a result of the rather mediocre 1855 restoration, with its sombre benches, but is also to do with the size of St Mary, and its serious east window. With the aisles, the nave feels as wide as it is long. Towards the west, the space beneath the tower has been converted into a meeting room, all finished rather well in the early 1980s manner. I was glad that I had Mortlock with me, because he told me about something rather fascinating I'd find inside the meeting room, if I had been able to get in (it was locked). Several of the dedicatory tiles that were set in the buttresses of the newly-finished tower in the 16th century have been reset here.
One of them is to a local man called Thome Vyal. I could just make it out through the glass door. Mortlock tells us that his will was proved in 1472, and he gave four pounds to the steeple. The interesting thing about it is that we know Vyal was a carpenter, so he probably worked in this church, where no woodwork of the period survives; but perhaps also at nearby Ixworth Thorpe, where much does. Additionally, many of the churches round about here are famous for their bench ends. Even more fascinating is the fact that the font here clearly includes carpentry tools among the symbols on the shields. Perhaps this suggests that Ixworth was once a centre of excellence for woodcarving, and one wonders what we might have found here before the Victorian restoration.
Beside the meeting room is one of the reasons I like this church so much, and by default, Ixworth itself. It is the biggest second-hand book stall you'll find in any Suffolk church. How delightful, to pick out the treasures, and then pay a donation! In the back of the car, we had several boxes of children's books on their way to a charity shop, and we were happy to drop them off here instead. I hope the parish makes some money out of them.
The sombreness of the nave is barely enlightened by the clerestory, and isn't helped by several heavy memorials around the north doorway. But the lady chapel at the end of the north aisle is rather sweet. In medieval times, it was the chapel of the guild of St James, says Mortlock. In any case, there is plenty of evidence of the busy life of the parish, so the gloom doesn't weigh you down too much.
The base of the roodscreen survives, and you step up through it into the 19th century chancel. Now, this is really serious - the great east window positively frowns on you. Up in the sanctuary, the Victorians reset the perky tomb of Richard Coddington. Brasses of Coddington and his wife are set within a semi-circular relief, and the tomb chest beneath glows with heraldry. You can see an image of it by clicking the fourth picture on the left. Once again, Mortlock was invaluable, because there is a rather good story behind it.
Coddington was not from Suffolk at all, and could never have expected to end up buried here. However, when the monasteries were supressed in the 1530s, Henry VIII offered the estate and lands of Ixworth Priory to Coddington in exchange for the village he owned near Ewell in Surrey. This was good business for Coddington, but unfortunate for the villagers of the little settlement of Cuddington, because Henry had their houses and church erased from the map. In their place, he built the massive pile of Nonesuch Palace, the largest, grandest and most highly decorated single construction in England during the course of the 16th century. It was furnished with all the great riches that continental Europe had to offer. It was surrounded by amazing parklands, woodlands and rides. I suppose that it is good to know that the irreplaceable treasures of the English medieval church weren't all frittered away on pointless and fruitless sieges of French coastal towns.
Nonesuch Palace no longer exists; when the English royal family could no longer keep itself in the manner to which it had become accustomed, the house was demolished for building materials. This seems to have taken a considerable time; destruction began in the 1680s, but at least one of the towers was still standing in the early 18th century. Oliver Cromwell himself had overseen the selling off of the contents during the Commonwealth, and his parliament had ordered the cutting down of most of the trees for shipbuilding. Hardly a memory survives today.
But Richard Coddington lies here, probably still feeling quietly pleased with himself.
Please don't use my images on websites, blogs or other media without my explicit permission - rr.restifo@gmail.com. © All rights reserved.
----------------------------------------
Da/from www.facebook.com/iononmilasciofregare/info/?tab=page_info:
IO NON MI LASCIO FREGARE
#iononmilasciofregare
Questo appello nasce dalla volontà di ricordare cosa è successo il 19 novembre 2015 a Verona...un appello che abbiamo scritto a più mani in maniera ANONIMA e che vuole essere una "chiamata alle armi" per amici artisti di buona volontà.
IN BREVE
Presso il Museo Civico di Castelvecchio sono state trafugate 17 opere di grandissimo valore: Tintoretto, Mantegna, Rubens solo per citare alcuni autori, in pratica un piccolo museo per intero (le foto delle opere rubate le trovate nel nostro album a questo indirizzo: www.facebook.com/media/set/?set=a.1064799210228843.107374....)
L’operazione è durata quasi un’ora e mezza ed è stata condotta con molta tranquillità. Un vero scandalo! Poche le parole spese dai media in seguito all’accaduto, le Istituzioni hanno messo in scena il solito scaricabarili e la raccolta firme on-line ha avuto poco seguito.
Ma un pezzettino di quelle straordinarie opere è anche MIO, è ANCHE VOSTRO! Io rivoglio il nostro pezzettino di MANTEGNA, TINTORETTO, BELLINI, etc! Non so se ve ne siete accorti ma si stanno rubando il passato e soprattutto IL FUTURO!
Io non ci sto, noi non ci stiamo! Portiamo un segnale fuori, per le strade e in rete per tenere viva l’attenzione su questo caso letteralmente scomparso, senza lasciare traccia.
Ci rivolgiamo quindi agli amici artisti: quello che sappiamo fare è dipingere, non perdiamo tempo, facciamolo. L'idea che ci è venuta è di adottare ognuno di noi una delle 17 opere e di realizzare un murale (ma anche un poster o una qualsiasi installazione urbana) reinterpretando a modo nostro il lavoro originale. Sfrutteremo l'interesse dei media per l'arte urbana per poter denunciare ad alta voce insieme questo incredibile furto!
Vi chiediamo di farlo liberamente, ognuno con i propri mezzi, ognuno con le proprie capacità,
Siete invitati a partecipare tutti e di farlo in maniera ANONIMA senza firmare le opere che lascerete nelle nostre città, per far parlare direttamente i vari TINTORETTO, MANTEGNA, PISANIELLO ETC, coinvolgendo chi volete (le realtà che oggi hanno a disposizione spazi non mancano, quindi destinatarie di questo messaggio e di certo non abbiamo niente da insegnarvi su come si può fare arte per strada...).
Quando avete fatto mandateci le foto a questo indirizzo:
iononmilasciofregare@gmail.com
o postatele su questa pagina
www.facebook.com/iononmilasciofregare/
sarà nostra cura farle girare il più possibile perchè #iononmifacciofregare
Ecco la lista dei nostri 17 capolavori da adottare:
1 Antonio Pisano detto Pisanello, Madonna col bambino
2 Jacopo Bellini, San Girolamo penitente
3 Andrea Mantegna, Sacra Famiglia
4 Giovanni Francesco Caroto, Ritratto di giovane con disegno infantile
5 Giovanni Francesco Caroto, Ritratto di giovane monaco benedettino
6 Jacopo Tintoretto, Madonna allattante
7 Jacopo Tintoretto, Trasporto dell’arca dell’alleanza
8 Jacopo Tintoretto, Banchetto di Baltassar
9 Jacopo Tintoretto, Sansone
10 Jacopo Tintoretto, Giudizio di Salomone
11 Cerchia di Jacopo Tintoretto, Ritratto maschile
12 Domenico Tintoretto, Ritratto di Marco Pasqualigo
13 Bottega di Domenico Tintoretto, Ritratto di ammiraglio veneziano
14 Peter Paul Rubens, Dama delle licnidi
15 Hans de Jode, Paesaggio
16 Hans de Jode, Porto di mare
17 Giovanni Benini, Ritratto di Girolamo Pompei
-----------------------------------------
(eng)
I WON'T GET SCREWED OVER
# Iononmilasciofregare
This call arises from the desire to remember what happened on Nov. 19, 2015 in Verona, a call that we have written many hands in an ANONYMOUS way and that wants to be a "call of duty" for artist friends and people of good will.
THE FACT
17 works of great value were stolen from the Museum of Castelvecchio: Tintoretto, Mantegna, Rubens just to mention a few painters, basically a real small museum (photos of stolen works can be found in our album to this address: https: //www.facebook.com/media/set/....)
The operation lasted nearly an hour and a half and it was carried out with extreme calm. A real scandal! A few words spoken by the media after the incident, the institutions have staged the usual buck and the online sensibilization campaign has had little success.
A part of those extraordinary works is also MINE, is also YOURS! I want back our piece of MANTEGNA, TINTORETTO, BELLINI, etc! I do not know if you are aware of that but they are stealing our past and our FUTURE!
I do not accept it, do you? Let's transmit a signal on the streets and in the internet to keep attention focused on this case that risks to disappear without a trace.
We appeal to artist friends: what we do is painting, do not waste time, let's do it. The idea is to take each of us one of the 17 works and create a mural (or a poster or any urban installation) reinterpreting our own way the original work. Let's exploit the media interest in street art to denounce loud together this incredible theft!
We ask you to do it freely, each with their own means, each with their own abilities,
You are all invited to attend and do it in an ANONYMOUS way, without signing the works that you will leave in our cities, to speak directly to TINTORETTO, MANTEGNA, PISANELLO, etc, involving those who want to participate.
Once you did it, please send photos to this address:
iononmilasciofregare@gmail.com
or post them on this page
www.facebook.com/iononmilasciofregare/
We will spread them as much as possible, because:
I WON'T GET SCREWED OVER
Verbier is a ski resort in the Swiss Alps, in the canton of Valais. It is part of the "Four Valleys" ski area, which includes the ski resorts of Verbier, Nendaz, Veysonnaz, La Tzoumaz, and Thyon. Verbier is recognized as one of the premiere "off-piste" resorts worldwide. Many top skiers have settled in the resort in order to take advantage of the steep slopes, varied conditions and vibrant nightlife. Verbier is also a popular holiday destination for celebrities, including Sarah Ferguson, Diana Ross, James Blunt and The Crown Prince Couple of Denmark: Frederik and Mary.
Verbier is located in the Val de Bagnes, in the Valais region of Switzerland. The resort lies on a south orientated terrace at around 1,500 metres facing the Grand Combin massif.
Verbier only has one access road, which starts in the town of Le Châble.
The Grand Combin is a mountain in the western Pennine Alps in Switzerland. With its 4,314 metres (14,154 ft) high summit it is one of the highest peaks in the Alps and the second most prominent of its range.
The Grand Combin is also a large glaciated massif consisting of several summits, among which three are above 4000 metres.
Thousands of DC Area residents and tourists gathered along Constitution Avenue in Washington, DC on Monday, May 27th, 2013 to watch the Annual National Memorial Day Parade.
As I went for a walk in the woods today, I started to notice the traces we humans leave behind in nature. Combined this is a little documentation of the traces I found.
The lighting in this photo are all solely artificial; from the toy vehicles themselves and a torch light which shines the front of the race car. What I like about this photo is how the viewer is able to see the “velocity” or movement of the vehicles, but yet is also able to see the vehicle itself. Another thing I like about this is how the race car is slanted, yet its lights make a geometric straight line. The burst of light from its headlights (which diffuses towards the end) and its backlights are a nice touch too. Not forgetting the other vehicle who has red and blue lights that combine to create the purple effect. There is a great contrast between the subjects and the background. I used a shutter speed of 6 seconds for this photo
© Saira Bhatti
“Art is the child of nature in whom we trace the features of the mothers face” ~Henry Wadsworth Longfellow
Taking a short break on the trail at a small village. The andeans were busy doing their daily chores. The younger kids were soaking sun and this sweet little doll kept staring at us.She spoke no words but kept smiling and very well-composed. It seemed that they are used to seeing foreign faces in their area on daily basis. #Peru #Inca #Andean #Portrait
i got a tattoo when i was in tallin last week. i think i wanted it to be more stupid than it became. nonsensedesign. im tired of having so much meaning in everything. always. it seems impossible today to excuse something that doesn't have a rational normative explanation.
Still part of our exciting snow...this wsa taken from our bedroom window as Trace was having fun in the snow. He'd run, jump, then sit over and over for a long time.
f3.7
ISO 1000
Another "mag-style" shot. Trace, I know you like these type of shots ;) And Calvin, I've gotten calls from some of my girlfriends telling me you look like Takeshi Kaneshiro :P (don't perasan too much yah! :D)
Gears : 350d + EF 85mm f1.8 + 430EX
of the massacre of Tutsi schoolchildren and villagers on a bathroom wall. Shangi mission school, Rwanda, 1994.
photo from "A Photographer's Life" by Annie Leibovitz
of birds in the snow. Do you know which bird was walking around here? The snow is gone again and the fog is back :(
Greater Manchester Police and partner agencies have taken part in a planned warrant across two properties in Bury and Oldham as part of Operation Dynamo.
As well as a range of GMP officers, there were also partnership agencies in attendance including, the stolen vehicle unit, the Environment Agency and Trading Standards.
Various vehicle parts were seized, together with £2,000 in cash and a further two suspected stolen vehicles were found at a second address.
To find out more about Greater Manchester Police please visit our website. www.gmp.police.uk
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
Helping Trade while Keeping Sri Lanka Secure: the IAEA’s Tool for Radiation Alarm and Commodity Evaluation (TRACE) Colombo, Sri Lanka, 15-19 May 2017
The IAEA’s Tool for Radiation Alarm and Commodity Evaluation (TRACE), an app for smart phones, was developed as part of a coordinated research project that involved experts from the IAEA and more than 20 countries, using information on commodities and isotopes collected by radiation portal monitors. It is based on the radiation signatures of the different cargo commodities. Being able to distinguish between the commodities this way helps customs officers like Mr Perera. “With TRACE, we get instant confirmation of the material, enabling customs officers to make quicker decisions with more confidence, ultimately contributing to increased trade facilitation, which is our goal,” he said.
Captions: Danielle Dahlstrom, IAEA Nuclear Security Outreach Officer, Department of Nuclear Safety and Security
Photo Credit: Dean Calma, Office of Public Information and Communication
You can follow me also on Getty | 500 px | Deviant Art
Verbier is a ski resort in the Swiss Alps, in the canton of Valais. It is part of the "Four Valleys" ski area, which includes the ski resorts of Verbier, Nendaz, Veysonnaz, La Tzoumaz, and Thyon. Verbier is recognized as one of the premiere "off-piste" resorts worldwide. Many top skiers have settled in the resort in order to take advantage of the steep slopes, varied conditions and vibrant nightlife. Verbier is also a popular holiday destination for celebrities, including Sarah Ferguson, Diana Ross, James Blunt and The Crown Prince Couple of Denmark: Frederik and Mary.
Verbier is located in the Val de Bagnes, in the Valais region of Switzerland. The resort lies on a south orientated terrace at around 1,500 metres facing the Grand Combin massif.
Verbier only has one access road, which starts in the town of Le Châble.
The Grand Combin is a mountain in the western Pennine Alps in Switzerland. With its 4,314 metres (14,154 ft) high summit it is one of the highest peaks in the Alps and the second most prominent of its range.
The Grand Combin is also a large glaciated massif consisting of several summits, among which three are above 4000 metres.
Speed Graphics Pacemaker
Schneider-Kreuznach G-Claron 9/150
15 sec/f32
Adox CHS 100 4x5"
Kodak HC110 (H), 11 min/20°
The old, rusty rollerblades of my older sisters, lying in a wooden box from my shed, untouched for decades.
Mount Sibayak
Elevation : 2,212 metres (7,257 feet)
Coordinates : 3°12′0″N 98°31′0″E
Location : North Sumatra
Geology Type : Stratovolcano
Last eruption : 1881
Piles of these stones had been arranged by the adventurers who had come to this place. Then they set up their tent in the middle of the pile of stones. But it just an uncommon habit.
--
Tumpukan batu-batu ini disusun oleh para petualang yang pernah datang ke tempat ini. Lalu mereka mendirikan kemah mereka di tengah-tengahnya. Namun hal ini hanyalah sebuah kebiasaan yang tidak lazim dilakukan.
All rights reserved. Copyright © Sayid Budi Herfiansyah. This image are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my written explicit permission.
Trace (a thickening of the soap) has been reached.. now we're ready to cook.
Instructions for making Crock Pot Handmade Soap
Handmade Soap Recipes and tutorials:
Handmade Soap Recipes and Tutorials - on MommaMuse.com
Technique mixte sur papier
30 x 30 cm
Sandrine Merrien
Peinture et collage à l'Atelier du Dépli
sandrinealatelier.blogspot.com
Watching full movie at : camreporting.com/american-movie-trace-2015/
Thank you for watching . Love you all !
Welcome to the northwestern-most point in the lower 48 states! Posey Island is a wild and remote one-acre island in the beautiful Salish Sea. The mountains of Canada and the spectacular Cascade and Olympic mountain ranges provide scenic backdrops to this special area. Recreational activities include hiking, camping, boating, sea kayaking, watching wildlife, and viewing wildflowers along the beaches, wooded areas, and at overlooks. The BLM cooperatively manages the area with Washington State Parks.
Know Before You Go:
-Posey Island is open YEAR ROUND.
-Limited mooring buoys and campsites in Active Cove are offered on a first-come, first-served basis. Posey Island is only accessible by watercraft.
-Washington State Park fees apply
-Posey Island is very primitive and there is no fresh water available on site.
-On October 7, 2014, San Juan County became the first County in the U.S. designated as a voluntary “Leave No Trace” Area.
Directions:
Posey Island is located a quarter mile north of Pearl Island, near Roche Harbor, San Juan Island.
Contact:
San Juan Islands National Monument
37 Washburn Place
Lopez Island, WA 98261
360-468-3754
BLM_OR_SP_Mail@blm.gov