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Some random tools at my friends grandfathers house

Northern Tool & Equipment (15,295 square feet)

3609 Plank Road, Spotsylvania Crossing, Fredericksburg, VA

 

This location opened in February 2014; it was originally a Peoples Drug, which opened in 1987. It became a CVS Pharmacy in 1994 and Fashion Bug in summer 1998, which closed in 2013.

The Learning Studio hosted a workshop organized by Michael Swaine and Amy Franceschini, in which 12 local artists were invited to make tools that expand our natural perceptual limitations.

Looking up the MIllers River at Athol, MA with the the Starrett Tool plant in the background of all the trees at their peak.

 

Photographed on Kodak Ektar 100 film using a NIkon F4 with a Nikkor 28-85mm lens.

Hand-tooled pattern on faux leather with leather-string button closure. Lining is beige cotton. (Photographed before button closure applied)

Elsecar Heritage Railway, Elsecar, near Barnsley, UK. Young Soldiers from the Army Foundation College at Harrogate invade the railway to help with track and fencing on the extension and Hemingfield site.

Tools used by John Dee in his calling forth of the spirit Enoch in the reign of the first Queen Elizabeth.

 

Please flip to the next image for a warning about the territory upon which I tread here...

Disc cutters doming block and punches

Tools of a wood worker in a boat repair shop in Nova Scotia Canada.

An unusual but effective way to showcase tools at RHS Hampton

Nicholas Mosse Pottery , Bennettsbridge, Kilkenny, Ireland

Traditional Woodworking Tools

 

By Tony Cragg

 

Tony Cragg (born 1949, UK) is one of the world’s foremost sculptors, constantly pushing to find new relations between people and the material world. In the 1980s, Cragg began to make sculptures suggestive of architecture...

These totemic piles of found objects and machined parts suggest an industrial counterpoint to the history of man-made achievements, while his other work nearby, Tools, made from sandstone, conveys the opposite, being hand wrought versions of mechanical aids, such as screwdrivers and mallets. Cragg sees no difference between the natural and the artificial, preferring to acknowledge the bridges between the two, the synthetic here acquiring figurative qualities in some of the bust-like tools, while his stacked turrets of spacers, washers and engine spares travel back through time to suggest archaeological accretions and geological strata.

[everythingatonce.com]

 

Part of Everything at Once

 

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

 

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

 

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

Revolution Sports Konstructive Cycles Berlin presents new bikes and accessories for cycling enthusiasts. Our high end bikes and bike wear are manufactured in Europe by the best craftsmen. Dream Bikes are our mission. #RideNow

 

More:

www.konstructive.de

dream-bikes.com

revolutionsports.eu

 

Contact: email@revolutionsports.eu

 

Revolution Sports Konstructive Cycles Berlin präsentiert neue Bikemodelle und diverse Zubehörlösungen für Radsport-Enthusiasten. Unsere Bikes und Funktionsbekleidung wird ausschließlich in Europa gefertigt. Wir arbeiten mit den besten Handwerkern ihrer Zunft zusammen, um das Fahrerlebnis und die Freude am Bike-Sport zu maximieren. Traumbikes sind unsere Mission. #RideNow

 

Mehr:

www.konstructive.de

dream-bikes.com

revolutionsports.eu

 

Kontakt: email@revolutionsports.eu

I made this to hold tools and follow me around the shop. Ended up looking very IKEA like.

All these handles were custom made to fit the tools. The tang on the draw knife had to be welded before fitting the new handle, which was turned from a broken spade haft. Apart from the mortice chisel that used wood from an old pallet, the rest were fashioned from 'Green' wood found locally near Manchester, England.

My Leatherman tool collection (partial)

I had a pair of Craftsment duck bill pliers that happen to fit in the slots of my old suntour freewheel just perfectly. Add a block of wood to hole the pliers open tightly against the outside walls of the freewheel, anadjustable wrence and a pipe for leverage and you have one hillbilly freewheel removal tool.

YEA MY TOOL BOX !..I keep it in my "station" at the Tattoo Shop it securely hold the tools of my trade..The outside is a mish-mash of magnets & magnetic photo holders...helmit stickers ,bumper stickers n decals of all sorts and a couple oddz n endz.....O.K. so it a fridge to most (yes ,it works but I do not plug it in)

 

~my flickr friend "Patchworkgandalf" (& Her trusty side-kick "Pasta")...invited me to join a flickr pool called "Addiced To Fridges" so heres my submission , not your avarage fridge...errr ahhh *tool box*~

if you use this under creative common please link to www.knighthoodstudio.com

I needed a tool box for unusually long items. Voila.

Close up of the two strips and diffuser strip before I put black electrical tape over

www.nycewheels.com/tern-tool-kit.html

 

We just took the first Tern tool out of the box and it's pretty neat. They have some great design elements here: tooks stick in place securely when not in use, everything very compact and well made, quality materials used so it wont break. All in all, a very nice multi tool.

 

Check out our video for more: www.youtube.com/watch?v=WdyHWzw98TM

I've taken, rather enthusiastically, to using a hatchet and sledgehammer when opening up my butternut squash.

 

A year ago, just after getting back from an extended stay abroad, I was making supper for the family under severe jet lag. I attempted to open up a butternut squash with a serrated knife, and managed to open up my thumb to the bone, instead. It took months to heal, and has left a rather prominent scar. So I keep the knives away from my thumbs and split the squash like firewood, using the wedge-and-mallet technique, instead.

I used the patch tool to get rid of the electricity cable, thing. I also changed the curves and levels as I wanted the picture to look as though it was from a sunset rather than a sunrise.

The Learning Studio hosted a workshop organized by Michael Swaine and Amy Franceschini, in which 12 local artists were invited to make tools that expand our natural perceptual limitations.

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