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I was in London todayworking in Camberwell. No need for a lock anywhere, I simply take the Brompton with me where ever I go.
We organized that the artists from Emergency Room could daily exhibit their burning art on time .
Here we operated a penetration after the aggreement of the artist Jacques Charlier and curateur Enrico Lunghi: Artist get ready to exhibit about todaywork the 04/06 about the 04/06 /2009 : Most of the artist were from Emergency Room
.http://www.emergencyrooms.org/biennalist.html
Emergency Artists involved in the Penetration format at Venice Biennale 2009 :
Rosaria Iazzetta/Sebastiano Delva / Kristian von Hornselth / 2/4our / Marta Orlando / Kim Dessault / Christian Costa / Jussi Kivi / Åsmund Boye Kneverland / Valentina Maggi
Instead of "making worlds " topic of the Biennale we were looking at the one we have allready
and expressed on it s emergencies the same day .
with some of the sharper artists from emergency room .
We exhibited about emergencies of today
today before it is too late .
For that purpose Biennalist opened some spaces in the Biennale national pavillons .
with the invitation and welcome from their artists and curators
( artist Daniel Medina for Venezuela pavillon /curator María Luz Cárdenas / artist Jussi Kivi for the finnish pavillon / artist Jacques Charlier and curator Enrico Lunghi for the belgium boat )
www.emergencyrooms.org/biennalist.html
the format PENETRATION has been activated at the Venice Biennale since 2007
www.emergencyrooms.org/penetration.html
In 2011 The Biennale Curator Bice Curiger is testing the "PENETRATION FORMAT" at Venice Biennale and adapt the name to "parapavilion " ( or "para pavilions ")
( the small difference with the original format is that she want to keep the role of the inbeetween person ,not sure if artists are left alone in the negotiations , without her beeing controling
here the orginal format www.emergencyrooms.org/penetration.html
from intervieuw by Coline Milliard, ARTINFO UK Curator Bice Curiger says :
You've asked four artists (Monika Sosnowska, Franz West, Song Dong, and Oscar Tuazon) to create "parapavilions," which will host other artists' works. How did this idea come about?
In Venice, the big curated shows tend to be compilations of works displayed one after the other — particularly in the long space of the Arsenale. I was trying to find a way for artworks to be more closely intertwined, and this seems to be an interesting solution. With the "parapavilions," the questions of identity and nationality are getting a bit mixed up. Oscar Tuazon is creating a pavilion that will showcase the work of Asier Mendizabal. They are communicating a lot about it, but since Oscar is still changing the space it might be that, at some point, Asier will say, "I cannot work in the space like this." The parapavilions are about the negotiation between two artists, and that's very different from just me saying this goes here and that goes there.
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