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Colourful ceiling of a knitted Tipi on the Landesgartenschau in Kamp-Lintfort. The patches have been crafted by women from the area as well as from twin towns abroad and then assembled. Project by the artist Ute Lennartz-Lembeck.
I noticed warm air coming out of a "chimney" of the beaver lodge. Reminds me of a tipi, built by native people, with an opening at the top to let the smoke out.
Credits: bluemoodstyle.blogspot.com/2022/09/blog-post_76.html
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→ ⲊⲢⲞⲚⲊⲞⲄ: GOOSE - Tipi pallet set GOOSE
✿20 Single ✿8 Cuddle ✿10 Couple Adult ✿Tipi ✿Bench ✿Table ✿Pillow ✿Pallet ✿9 Colors
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✿ Tableau Vivant \\ Sommer HAIR
✿ LELUTKA HEAD
✿ EBODY REBORN
✿ - sixx - Jelly Bracelets (reborn)
✿ 8. ChicChica Margarita
OUTFIT
✿ Rodex: Pikix Top Male/Female BlueSky
✿ Rodex: Pikix Short Male/Female BlueSky
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Looking up inside The Four Directions Tipi - Air Fire Water & Earth at our local college campus.
Colour pencil slider for the Sliders Sunday group.
Dieser Aufbau hat mich an die Grundform eines Tipis der nordamerikanischen Indianer erinnert, wenn auch nicht unbedingt in diesem Aufbau.
Gesehen in den Wäldern bei Hilden.
Das Tipi, das die Meisten nur von den Ureinwohner Amerikas her kennen, gab es in einer primitiveren Form ebenfalls bei uns in Europa während der Altsteinzeit. Dieses Tipi ähnliche Feuerzelt wurde «Lavvu» genannt. Dabei handelte es sich aber um ein viel kleineres, kegelförmiges Zelt. Die Hülle bestand aus dicken Fellen und Lederhäuten. Die Tipis der Ureinwohner Nordamerikas wurden bei uns erst mit den Entdeckungsreisen der Spanier bekannt, als diese in die nordamerikanische Steppe vordrangen.
12/52 (Childhood Memories)
I grew up in the marvellous times of rollerskates & Kettcars. There were no PCs, smartphones, play-stations and only three channels on the TV. So we spent most of the time outside, building "brigand camps" in the bushes. I remember my mother say: "Come home, when it gets dark!"
Sound: Ring Ring by ABBA
Due to pesky high cloud the sunrise this morning was lacking..
Found this Tipi and figured my torch may make for an interesting photo.
First Peoples Buffalo Jump State Park is one of the largest buffalo jump sites in the country, or maybe the world. The buffalo jump is the bluff in the background.
The Tipis were moving in today at the Stampede grounds, representing the 5 Tribes of Treaty 7. This is one of the sights I love seeing at Stampede time.
Medicine Hat - Alberta
Ein Wahrzeichen der Stadt ist das Samis-Tipi, ein Tribut an die First Nations in Kanada. Die 65 m hohe Stahlkonstruktion wurde für die Olympischen Winterspiele 1988 in Calgary angefertigt und 1991 nach Medicine Hat gebracht.
After Toroweap, we headed to Coyote Buttes South, brother to the famous Wave in the north section. We drove our own rig in, so we could camp near the trailhead and explore well into the evening. This is a late afternoon shot of some of the formations in the area.
The trip was a great experience. First, I think it's less frequently visited than the north; it has the same number of permits per day, but I'm guessing many of them aren't used. Secondly, there are at least 3 access points, of which we went to the most remote. We were the only ones in the area that afternoon, and often our tracks were first to break the ground after a rainstorm several days prior had reset everything. It really felt like a wilderness experience.
Excerpt from torontobiennial.org/work/jeffrey-gibson-at-small-arms-ins...:
Jeffrey’s artworks make reference to various aesthetic and material histories rooted in Indigenous cultures of the Americas and in modern and contemporary subcultures. He is known for creating visually rich paintings and sculptures that mix material, saturated colour, pattern, image, and text to celebrate and amplify the voices of individuals and communities both past and present. This way of working, particularly with technically-demanding handwork, is seen through related work by Jeffrey included in the 2022 Biennial. In All You Took, I Gladly Gave (2013), SPEAK TO ME IN YOUR WAY SO I CAN HEAR YOU (2015), and ALL FOR ONE, ONE FOR ALL (2015), a wide range of found and repurposed objects—found tipi poles, driftwood, wool, canvas—collide with embellishments that reference Indigenous cultural production, from glass beadwork and nylon fringe to metal jingles and ceramics inspired by Mississippian head pots. ALL FOR ONE ONE FOR ALL, with its riotous assemblages of colour, textures and shapes, was the artist’s first work to explore the pre-Columbian ceramic heads but was also the genesis for his transformational garment pieces—the artist has shared that it was the first time he began to think about garment as sculpture.