View allAll Photos Tagged thin
At the time of the photo this stand was about 100 years old. It was thinned once, to 6x6 spacing, in 1950. Notice the large amount of dead wood, both standing and on the ground.
If interested, compare this photo with others thinned to 4x4 and 7x7 spacing on the same schedule. They're in the CFC student thinnings set.
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Artist: John Paul Van Domelen
Thin end grain green wood turned bowl. It ~ 1/16 inch thick at the top with most of the wall thickness at 1/8 inch thick. Turning a bowl end grain whilst wet keeps the distortion to a minimum (it stays more round).
Thin and thick marker of a rough SketchUp model, with a graphite pencil blasted over it, took about 30 minutes, one of about 10 produced. The house due for short list on Granddesigns and will commence next year, 2012.
Our affair began around the age of 8...It started one day when I woke up in the middle of the night hungry. Find out what WINE pairs with this perfect late night snack below:
Danger Thin Ice Keep Off warning sign, posted on a small pond in one of the local parks. Other parks area parks had no warnings posted that I saw.
In 40 years of living in northwest Louisiana I saw the lake freeze over once. That was after an all time record for the most days in a row of the temperature not getting above 32°F for the high. It stayed at or below freezing for either five or seven days. The ice was thin, it would crack and pop before I even got my full weight on it, over six feet tall and 200 pounds. I stayed close to shore and my friend wouldn't even step on it, but there were people walking out to an island in the middle while others were ice skating in the swimming area of a park.
Here in Ohio frozen lakes, streams and even rivers is not unusual.
I liked the thinness of the crust, but it didn't taste like much and didn't have resistance when you bit it. Hmmwell.
Thin Lizzy + Clutch + Triggerfinger @ The Civic Hall, Wolverhampton.
Photograph by Rob Stanlyey for Midlands Rocks
© 2012 Rob Stanley
Thin Lizzy + Clutch + Triggerfinger @ The Civic Hall, Wolverhampton.
Photograph by Rob Stanlyey for Midlands Rocks
© 2012 Rob Stanley
Artista: Thin Lizzy
Fotografo: Emanuela Giurano
Data: 2 febbraio 2011
Venue: Live Club
Città : Trezzo D'Adda (MI)
Thin Lizzy performing at the O2 Academy, Bournemouth 29.11.12
Full set:
www.facebook.com/media/set/?set=a.10151175001278507.46140...
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Vintage postcard. Photo: Republic Pictures.
Throughout his 65-year career, American actor Don Ameche (1908-1993) worked in cinema, television, theatre and radio. He was the dapper, moustached leading man in classic Hollywood films of the 1930s and 1940s. In 1986, he won an Oscar for his role as a rejuvenated oldster in Cocoon (1986).
Don Ameche was born Dominic Felix Amici in Kenosha, Wisconsin in 1908. His father, Felice Amici, was a bartender from the Italian village of Montemonaco in the Marche, and his mother was Barbara Etta Hertel. Ameche was the second-oldest of eight children. His brother Jim Ameche (1915-1986) also became an actor and radio presenter. Ameche attended Marquette University, Loras College, and the University of Wisconsin–Madison. While studying law at the University of Wisconsin, Don performed in student theatre. When a lead actor for a stock company production of 'Excess Baggage' fell out, a friend persuaded him to stand in. After that, he forewent his law career and became a full-time theatrical actor. He got a juvenile lead in 'Jerry For Short' in New York. A tour in Vaudeville with Texas Guinan followed until she dropped him from the act, dismissing him as "too stiff". Ameche moved in 1930 to Chicago, where "he began appearing as an actor in radio productions, which brought him his first popularity. He made his screen debut in a feature short, Beauty at the World's Fair (1933). Following this, Ameche moved to Hollywood where he screen-tested with MGM in 1935, but the studio did not want to give him a contract. The following year, 20th-Century Fox producer Darryl Zanuck brought him to Hollywood. AllMovie: "Ameche, with his trim figure, pencil-thin moustache, and rich baritone voice was neither a conventionally handsome leading man nor the dashing hero type. Instead, he embodied a wholesomeness and bland honesty that made him the ideal co-lead and foil for the more complex heroes." He had his breakthrough in the musical Alexander's Ragtime Band (Henry King, 1938) with Tyrone Power and Alice Faye. Ameche appeared in several film biographies, including the title role in The Story of Alexander Graham Bell (Irving Cummings, 1939). The film was a tremendous success. Calling the telephone an 'ameche' became popular American slang in the 1940s. Also in 1939, he played a taxi driver who disguises himself as a baron in the Screwball Comedy Midnight (Mitchell Leisen, 1939) alongside Claudette Colbert. Ameche was Alice Faye's leading man in Hollywood Cavalcade (Irving Cummings, 1939). He then played another real-life figure, Stephen Foster, in Swanee River (Sidney Lanfield, 1939). He did a third biopic, Lillian Russell (Irving Cummings, 1940) with Faye, and was top-billed in a war film, Four Sons (Archie Mayo, 1940).
Don Ameche's favourite role was the bon vivant Henry Van Cleve in Ernst Lubitsch's melancholy comedy Heaven Can Wait (Ernst Lubitsch, 1943) with Gene Tierney. The film tells the story of a man who has to prove he belongs in Hell by telling his life story. Brendon Hanley reviews at AllMovie: "Heaven is typical of the "Lubitsch Touch": it's a perfect blend of sophistication, romance, wit and bittersweet sentiment. The benevolent story reveals Don Ameche's life to be as average as any man's, but Lubitsch's genuine tenderness elevates the tale to the majestic. Ameche and Gene Tierney deliver mature, convincing performances, appropriate to the subject matter." Ameche also appeared in several musicals, such as Down Argentine Way (Irving Cummings, 1940) and Moon Over Miami (Walter Lang, 1941), both alongside Betty Grable. In 1940, he was voted the 21st most popular star in Hollywood. At the same time, he continued to appear on popular radio shows such as The Bickersons opposite Frances Langford and The Charlie McCarthy Show. After his studio contract with 20th Century Fox ended in the late 1940s, the quality of his film work quickly declined. Ameche concentrated on the then-new medium of television. In 1950 Ameche became the star of Holiday Hotel, on ABC-TV. He also acted in theatre. In 1955, he appeared for the first time in a Broadway production, in the world premiere of Cole Porter's musical 'Silk Stockings'. He played the male lead alongside Hildegard Knef. On TV, he hosted NBC's International Showtime from 1961 to 1965. He began appearing infrequently in low-budget films during the 1960s and 1970s but made only five films from 1949 to 1983.
Over 70 years old, Don Ameche made a comeback as a film actor in the 1980s. Director John Landis wanted him to replace the ailing Ray Milland who was cast as the villainous millionaire Mortimer Duke opposite Dan Aykroyd and Eddie Murphy in the comedy Trading Places (John Landis, 1983), also with Ralph Bellamy. Ameche had not acted in a film for 13 years. When Landis was erroneously told Ameche was dead, a receptionist told him that Ameche was alive as she had seen him on his walks in Santa Monica. Landis found Ameche listed in the phone book. The success of this film and his role revitalised his film career and he acted consistently until only a month before his death. In 1985, he received an Oscar for Best Supporting Actor for his performance as a retirement home Casanova in Cocoon (Ron Howard, 1985), starring Steve Guttenberg. Further appearances in film comedies include roles in Harry and the Hendersons (William Dear, 1987), Coming to America (John Landis, 1988) starring Eddie Murphy, and Cocoon: The Return (Daniel Petrie, 1988). He earned good reviews for his role opposite Joe Mantegna in Things Change (David Mamet, 1988). Ameche played an impish shoemaker chosen to take the fall for a mob hit. Michael Hastings at AllMovie: "Ameche's performance is equal parts Marcello Mastroianni and Charles Chaplin: alternately profound and quizzical, he never plays the role merely for slapstick laughs.." He made his last brief but memorable performance in Corrina, Corrina (Jessie Nelson, 1994) starring Whoopi Goldberg, shortly before he died. Ameche had been married to Honore Prendergast since 1932 she died in 1986. They had six children. Don Ameche died of prostate cancer in 1993 at his son Don Jr.'s home in Scottsdale, Arizona. His body was cremated and his ashes buried alongside his wife Honore Prendergast-Ameche in Resurrection Catholic Cemetery, known as St. Philomena's Cemetery, in Asbury, Dubuque County, Iowa. Don Ameche was inducted into the Radio Hall of Fame in 1992.
Sources: Brendon Hanley (AllMovie), Michael Hastings (AllMovie), AllMovie, Wikipedia (German, Dutch, French and English) and IMDb.
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