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Spanish tiles. Bright geometric floral pattern. Watercolor drawing. Decorate your kitchen, children's room, bedroom. For wallpaper, upholstery, home textiles, gift wrapping. www.spoonflower.com/fabric/7121506-spanish-tiles-watercol...
These gorgeous rings feature a segment of an original Moyou pattern that I have personally designed laser cut into beautiful beech ply sourced from a sustainable plantation. This medium provides me with the perfect opportunity to transfer my textile designs into jewellery.
Hot! Hot! Hot! What a great color combination and effect this shibori chiffon and nuno felt wrap around skirt make! This skirt would make anyone melt and want to wear it! Have fun wearing it out on the dance floor! Super job with all the work you have done on this piece!
Kim Erdmann displayed the miniature paper dresses that she created with paper made from plants she collected in the prairie.
Photo by Angela Richardson
Keeping the wrap tight is important! The idea behind shibori is to resist the dye with the string and so tension plays an import roll in creating a shibori dyed fabric.
I am exploring imagery of modern airplane travel. Banned items such as scissors, nail clippers, snow globes and lighters are a part of this design. I envision this textile design is for a Japanese furoshiki wrapping cloth.
Last month, Michael and I had the opportunity to visit a fascinating vintage clothing exhibit at the Metropolitan Museum of Art in New York City.
Entitled, “Death Becomes Her: A Century of Mourning Attire”, it featured an historical progression of mourning attire spanning the years 1840 to 1916. Worn mainly by new widows, other family members, children, sisters, grandmothers, and even men might also dress in black.
These finely constructed, exquisite and expensive garments reflected the current styles of their era; however, with little or no color. I wandered the beautiful yet, somber vignettes studying the artistry ever mindful that a real person had worn the apparel in mourning for a lost loved one.
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I enjoyed felting with this great group of women! They were all fun to be with and we all had a good time working together in small teams to get a big job done!
On the left is Rosi, Margaret, Elke, Mari, Katja, and me... Julie
This scarf is incorporating the wool yarn used in dyeing the piece. It will make a harmonizing color scheme since it all came out of the same vat. She is letting olive oil soap suds fall on the wool before agitating the wool to begin the nuno felt process. This prevents your hands from sticking to the wet wool and it helps your hands glide smoothly and lightly over the surface without disturbing the design.
Last month, Michael and I had the opportunity to visit a fascinating vintage clothing exhibit at the Metropolitan Museum of Art in New York City.
Entitled, “Death Becomes Her: A Century of Mourning Attire”, it featured an historical progression of mourning attire spanning the years 1840 to 1916. Worn mainly by new widows, other family members, children, sisters, grandmothers, and even men might also dress in black.
These finely constructed, exquisite and expensive garments reflected the current styles of their era; however, with little or no color. I wandered the beautiful yet, somber vignettes studying the artistry ever mindful that a real person had worn the apparel in mourning for a lost loved one.
Exhibition catalog: Vision in Textiles, from tradition to textile art / design of tomorrow, 2005.
A serie of five room dividers woven in complex gauze and with the use of a fan reed /yoroke. The materials are monofilament, polyester and coated polyurethane.
One of the room dividers have been awarded with a bronze medal by the Arts and Crafts Award of 1879.
Photographer: Ole Akhøj.
Last month, Michael and I had the opportunity to visit a fascinating vintage clothing exhibit at the Metropolitan Museum of Art in New York City.
Entitled, “Death Becomes Her: A Century of Mourning Attire”, it featured an historical progression of mourning attire spanning the years 1840 to 1916. Worn mainly by new widows, other family members, children, sisters, grandmothers, and even men might also dress in black.
These finely constructed, exquisite and expensive garments reflected the current styles of their era; however, with little or no color. I wandered the beautiful yet, somber vignettes studying the artistry ever mindful that a real person had worn the apparel in mourning for a lost loved one.
Photomontage. Traded to muddledmind.
Materials: Background (Japanese textile design on paper); plastic bird; geisha from Dover.
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Newspaper: Karup avis, 2007.
An interview with Karina Nielsen Rios after she was awarded a 3 year working grant from the Danish Art Foundation.
Photographer: Knud Gaarn-Larsen.
This fabric is a lovely natural 62% Hemp/38% Cotton blend and is printed with environmentally friendly, solvent free ink.
The layered look of transparent shibori chiffon against opaque shibori silk pongee gives an exciting playful effect. The nuno felt brings it together nicely and allows the option of wearing this wrap around from 2 different sides! Love the dangling cords which move up into the waist and melt into the band! Great job on a very creative and flowing nuno felt skirt!
This will be a big surprise because she recycled and cut up one of her old silk scarves from years ago and wants to experiment with it!
It is always exciting to see the old forgotten silk paintings get a new shibori face lift!