Tessar CZJ
View allAll Photos Tagged tessar
I carefully walk through the forest, along the tiger path, near which I sometimes see cleanly licked bones of ungulates. I know there are four tigers here. Large female and three young tigers. I'm a little tense - I'm walking alone.
To be honest, I don't want to meet a tiger. I'm looking for a deer and I'm walking with a working video camera and two analog cameras in my bag at the ready.
This is the third time I am stepping over or bypassing the hidden tiger traps - loops. It's hard to be focused on the smooth movement of the video camera if you're looking for invisible traps and deer at the same time.. Three tiger catchers are here for half a year, checking them daily, and waiting. Tigers are very smart. The season ends..
I don't think the tiger hunters will be happy to find me caught by the leg.. Why did I even go this way..?
more about tigers www.flickr.com/photos/zoombablog/52235473248/in/album-721...
Fomapan 100 film
FED-2 rangefinder film camera,
Industar 5cm f3.5 (tessar type) folding lens,
Epson V600 scanned
continuation of the conversation about the camera in the journey of previous posts. Budget is $100 maximum for a companion on my upcoming not an easy trip - a $50 camera and a $50 lens.
on the coast of the Sea of Japan, behind the scenes of filming-expedition to the Far East, Primorie.
here
www.flickr.com/photos/zoombablog/albums/72177720300759409
- end of the test and remonts, and test and remonts again of cameras and control test of film and lenses, the boring ends, and the most interesting is just beginning.
There comes a point when you can't wait to jump into the saddle
ilfordDelta400pro
Praktica LTL Film Camera (DDR),
ZEBRA Carl Zeiss Jena Pancolar 50mm f/1.8 lens (DDR)
Epson V600 scanned
Carl Zeiss Jena Tessar 2.8/50 Red T.
Macro. This busy bee was found in the botanical garden of the University of Hohenheim nearby the City of Stuttgart in Germany. Natural light. Late afternoon shot.
Sony A7II (ILCE-7M2) with e-mount adapted 12-bladed vintage lens Carl Zeiss Jena Tessar 2.8/50, red T coating - built in the years of round about 1952-1955 - in German called "Adlerauge". Sony full-frame in body image stabilization ON. Uncompressed raw. ISO 100. f/5.6. 1/80sec. Focussing helicoid M42/NEX for macro usage. Manual mode. No tripod. Handheld.
If you are interested in an image with this camera/lens combination ... here it is --> Sony A7II - Carl Zeiss Jena Tessar 2.8/50 - Red T - 12 Blades.
Camera: Rolleiflex Automat 3.5 B (1955)
Lens: Carl Zeiss Tessar 3.5/75mm
Film: Rollei Superpan 200
Developer: Moersch eco 1:2:50, 6 Min 22 °C
Location: Lago di Piano, Lombardia, Italia
Jede größere Reise, die ich unternehme, erlebe ich mindestens drei Mal: Einmal in Realität, einmal, wenn ich meine Farbfilme entwickle, einscanne und bearbeite, und ein drittes Mal wenn ich dasselbe mit meinen Schwarzweiß-Filmen tue. Und dann gibt es meistens noch ein viertes Mal, wenn ich viele Jahre später mir meine Reisetagebücher noch einmal zu Gemüte führe.
Every major journey i make i experience at least three times: The first time in reality, a second time when i develop, scan and process my color negatives and a third time when i do the same with my black and white films. Often there is a fourth time as well when i dive into my travel diaries many years later.
Ryerson Woods, Lake County Forest Preserves: taken with a circa 1956 Rolleiflex K4B (75mm f3.5 Tessar with yellow filter); HP5+ in D76 (1:1).
A pair of Levi's as seen a through a relatively young piece of East German glass.
(Macro Mondays weekly theme: Buttons)
This photo was taken with the old Carl Zeiss Jena Tessar 50mm at f11 free hand without tripod. This lens was built in 1950-1954 period.
Camera: Rollei 35
Lens: Tessar f/3.5 40 mm
Film: Fuji Acros II 100, rated @ ISO 100
Exposure: 1/30 sec and f/3.5, hand-held
Film developed and scanned by Foto Brell, Bonn
Edited under Adobe Lightroom
Photographically, the result was initially unsatisfactory, as the fine detail in the bark is missing. The camera was loaded with a film unsuitable for the scene and lighting conditions: too high in contrast and too low in sensitivity for the harsh backlight in the dark forest. Leaning against a tree allowed for an exposure of 1/30 second with the aperture wide open. However, the shape of the tree trunks against the illuminated background was brought out, which was what I was actually after.
This photograph is copyrighted and may not be used anywhere, including blogs, without my express permission.
CONTAX ARIA D, Carl Zeiss Tessar T* 45mm F2.8 MMJ, 1/180, f/22, 2026/07/27 15:21, FUJIFILM 400, 現像：格安フィルム現像店 フラッシュ
CONTAX ARIA DとCarl Zeiss Tessar T* 45mm F2.8 MMJと仙崎湾の石灰のベルトコンベアーの積み出し口
晴天の海だがシャッタースピードはさほど速くはない。
海と白い雲と穏やかな仙崎湾内波と写り込んだ空と雲の色が興味深い。美祢市の山から延々運ばれてきた石灰の船への積み出し口だ。以前は底に赤い杭があるところまでだったが、数年前に左側の部分が追加された。できてまだ1、2年程度だろう。センザキッチンの駐車場の端っこあたりから撮っている。右にも岸壁があり海保などの建物もある。左はセンザキッチンの駐車場と建物と突堤に巡視船おおみが停泊していることが多い。仙崎湾内はめったに波が高くなることがない、と書こうと思ったが天気が悪くなると僕がこのあたりに来ていないだけな気もする。
●
曇り後雨。膝の痛みの経過観察で数ヶ月ぶりに整形外科のある病院へ車で行った。特に語ることもなくすぐに終わった。また3ヶ月後に行くことにした。午後からフィットネスクラブの水中運動へ車で行った。ヘロヘロになった後、長門市中央交流プラザ近くの踏切に行き、SIGMA BF、 45mm F2.8 DG シルバーContemporaryで周辺の風景や踏切を通過するディーゼルカーなどを撮った。
Sandy Hill, Ottawa, Ontario, CANADA
Urban Still Life
Rolleiflex K2 622 (old standard) (c.1933) Zeiss Tessar 75mm f/3,5
Rolleiflex Yellow filter
Kodak TMAX 400 (EI 1600), XTOL (1:1) 20C, semi-stand development
1st minute continuous agitation
18 minutes stand-development with 1 agitation half-way.
CanoScan 9000F
Carl Zeiss Jena Tessar 50mm F2.8 at F2.8 + Raynox DCR-150
(got it for 15€ because it's stuck wide open but it's perfect for BOKEH :p )
Thanks for all comments/fav !
my Facebook Page : www.facebook.com/AlexandreDPhotographies