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by Elisabeth Condon
American artist Elisabeth Condon currently lives and works in New York City, New York and Tampa, Florida, where she held a tenure professorship at the University of South Florida from 2003 to 2014. She is known for her multilayerd works on canvas and paper, which combine her appreciation of nature and decor, similar to the artists from the 1970s Pattern & Decoration Movement in the United States. Tempest combines various printmaking techniques, colour, vintage patterns, and observations of nature, such as the pigeons roaming the streets of New York City, to convey a multi-layered perspective of our world. The layering and dynamism of the pattern, along with the light and saturated dark tones evoke a sense of depth and movement, deeply connected to the everchanging natural environment. This highly textured and multi-layered work, the result of combined and varied printing techniques, evoke a sense of density and opulence while pointing to the history of ancient scroll paintings, the Color Field movement of the 1960s and global concern for climate change.
[John and Mable Ringling Museum of Art]
Taken in the John and Mable Ringling Museum of Art, Ringling estate.
The estate holds the John and Mable Ringling Museum of Art, Ca' d'Zan (Ringing's winter residence), and the Circus Museum.
Ca' d'Zan was designed by Dwight James Baum, and built 1924-26; the John and Mable Ringling Museum of Art was designed by John H. Phillips and built 1925-27, with the museum opening permanently in 1932.
Noel Proctor as Gonzalo, Dedra Joiner as Alonsa, Christina Wilson as Antonia, and Zac Cupp as Sebastian.
Tempest at Jammin' Java in Vienna, VA on May 9th, 2023.
Please note that all photos are copyrighted and may not be copied or reproduced without permission.
Rehearsal for the d'Overbroeck's College drama production of the Tempest -- performances on 1 & 2 July 2010
Kate Tempest play at the Hare and Hounds in Birmingham, 16 November 2014.
| Band | Promoter | Venue | Publication | Event photos |
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The organ and Tempest family box pew screen made of 14c oak with entrance to the nave and also to the chancel. The south lady chapel was set up by Roger Tempest and parishioners in 1442 as a charity worth 40 shillings after he and his nephew Sir John Tempest signed a charter for the appropriation of the church.