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Something is going wrong when the camera with its impressive algorithms and countless AF options forces itself into the centre and, hence, between photographer and object. Ideally, I would think, we photographers ought to use the camera as if it was not there. Just focussing on the composition and the 'essence' of the object and having the settings run in the background. I am not advocating 'point and shoot', I am saying that a camera should be built in such a way that we can 'forget' about it and focus on taking the picture. I think my older cameras do that. My newer ones are much more sophisticated and what they are increasingly trying to do is take over decisions I could make myself. What is my reaction? Number one, I prefer using my older cameras. And two, when using my sophisticated ones, I turn off a lot of their computer-powered procedures. I wonder what you think.
One of my Teddies proudly presenting this vintage
Voigtländer Compur bellows camera of the 1930/1940s which is still working.
[Dedicated to CRA (ILYWMAHASAM)]
taken Feb 9, 2022 and uploaded for the group CrAzY Tuesday
#VintageTechnology
Gigaset GS290
Æ’/2.0
3.5 mm
1/20 Sec
ISO 731
The biggest security risk in any system is the user.
"Hundreds of Westminster insiders were added to - and then deleted from - a WhatsApp group set up by shadow justice secretary Robert Jenrick to promote his London Marathon run".
In this day and age there should be minimum level of competence with technology to gain access to any position of power or trust, (especially after the U.S "signal app" fiasco).
(As we old techies used to say the problem is "BTKAC" between the keyboard and chair).
The BBC has been told Jenrick is not referring himself to the Information Commissioner's Office (ICO), which investigates data breaches. (What a surprise!).
Minolta X-700 Minolta 50mm 1:3.5 MC Macro Celtic 1:1 Extension Adox HR-50 LegacyPro EcoPro 1:1 05/04/2024
Sunset in the Allgäu and view directed to Germany's highest mountain, Zugspitze, while a regional train passed the scene.
Sitting on the window-sill and enjoying the low afternoon sun. Illuminated and in sharp focus is the "good" eye, the one I use for photography. The other one plays second fiddle. However, none of them was really involved in taking this self-portrait. It was the artificial eye of the camera in connection with a clever algorithm (automatic eye recognition) that kicked in when I pressed the shutter release (via a long cable). This is one of the situations where camera technology enables me to do things with ease that, if done manually, would have been quite difficult to achieve.
Crazy Tuesday - Vintage Technology
A set of heavy metal scales (I borrowed) and imperial weights ranging from 2lb down to 1/4oz !!
Absolutely love the way this turned out. It's inspired by this concept art from Elysium. Something I've wanted to do for quite a while now. Not quite done yet as I need to add to the interior cargo area and make some actual cargo for it, but I wanted to get this photo before the decals aged or something happened to them. This is also the first time I've been able to get a white background to look good in a long time! XD
Katherine Brown talking about her use of the Moodle Lesson tool in teaching.
WCELfest08, University of Waikato, December 11, 2008
Titus van Rijnstraat 11/08/2025 16h23
Street art Frankey gives the city small inconspicuous surprises. Sometimes quite large, sometimes very small. Every week a photo with one of his recent works appears in the supplement to the newspaper Het Parool. A great opportunity to take a closer look at his work. Sometimes you have to search to find it and sometimes it is already gone.
Like the Italian street artist Clet Abraham. Frankey uses traffic signs more often than ever before. There's nothing wrong with that, but the idea is borrowed.
Here on the Titus van Rijnstraat, a kind of service road of the Cornelis Lelylaan.
WILE E. COYOTE
Titus van Rijnstraat, Amsterdam Nieuw-West (NL)
July 2025 (Het Parool 19/07/2025)
Streetart Frankey
Streetart Frankey (pseudonym of Frank de Ruwe) is a Dutch artist who wants to positively influence the street scene with relatively small and often inconspicuous works of art.
He grew up in Nijmegen, father was an inventor at Philips Netherlands. He studied at Delft University of Technology (Industrial design). In daily life director of and working for design collective Natwerk. In Amsterdam, many of his works in the street art category can be found on buildings, streets and bridges, often in addition to existing building elements. He himself about his work;
"I want to push boundaries. Art has no boundaries, that's why I like it so much."
In 2019, a special page has been dedicated to his art in Het Parool for a number of years; first he took care of that section himself, later he had to leave that work to others because of busy work. A little later his work Eberhard van der Laan appeared above the entrance of Paradiso.
One of the works that inspired him is the Boomzagertje in the Leidsebosje, a work by an as yet unknown artist.
[ Wikipedia ]
I was visiting a small museum (not a store) of movie & television vintage props & related equipment, etc. This NBC Studios fresnel light (from the 1950’s & 60’s & probably later) was, most likely. used on the Johnny Carson "Tonight" Show & a few others, from that time period. The multi-faceted & ringed fresnel lens in this light is widely used in movies & television as an accurate & adjustable light source. Much larger fresnel lenses were also used in lighthouses & could be seen for very great distances.