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Portfolio+Blog: www.rjbradbury.com

About RJ Bradbury: www.rjbradbury.com/aboutrjbradbury/

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[ The Gear Bit ]

 

Stills Cameras – Canon 5D Mark II’s, Fuji X100.

Stills Lenses – (All Canon EF ) 35mm F1.4L II , 50mm F1.8 II , 85mm F1.8 USM , 100mm F2.8L IS , 24-105 F4L IS , 70-200 F2.8L IS.

Lights – Pixapro Storm II 600, Pixapro Li-ION Speedlites, Pixapro Hybrid 360 II , Lencarta Elite Pro 2 600 , Lencarta Smart Flash 200ws V1

 

Video Camera – Canon EOS M3

Lens – Canon EOS-M 15-45 F3.5-6.3 IS

Audio Setup - Zoom H1 Recorder and Sony Lapel Mic ECM-CS3

Video Lighting - Pixapro LECO 500 & LED 308D ( www.essentialphoto.co.uk/ )

 

Software & Post Production - Adobe Premier, Adobe Audition, Adobe Lightroom

 

Thank You

 

RJ Bradbury Photography

 

Analyzing on my computer, the first thing I do is import the analysis template blocks, and tell the computer to identify the spots.

A very (very) preliminary set of data from my microarray analyses of January, 2013.

The analysis software GenePix 6.0, at the end of a full scan of a slide, zoomed in on the first of three triplicate microarrays on the slide.

   

Exhibition Review - Lisha Bai, Ryan Lauderdale, Hannah Levy, Michael Jones McKean, Wyatt Niehaus, Kate Steciw and Chris Wiley: 'Dense Mesh' Carroll / Fletcher, London till 25th May 2016.

   

What more a conduit but a promise of a connection,

for a harvest of life in glitched consonants;

what else is a thing suspended in action,

but an ordered world in still dissonance.

- Drenched Co.

  

Comment: "'Dense Mesh' is a brilliantly conceived show with some extraordinary young American artists bringing into question philosophies which privilege the human being over things. For such a project, Flusser is an apt choice. He does not speak of a yearning for a return back to a humanist past but suggests we accept our modern apparatuses and learn from and through them to a new measure of freedom. The artists in this show attempt in their own way to break into and subvert their programming to expand the agency of things and to give primacy to creative movements through processes, flows and transformations. And, by so doing, they bring back life to a world of things and free them from servitude. I loved loved Ryan Lauderdale's constructions!" - FaSa

  

See www.carrollfletcher.com/exhibitions/53/overview/

See also www.soaked.space/2016/05/exhibition-review-lisha-bai-ryan...

See also www.woundsthatbind.com/2016/05/exhibition-review-lisha-ba...

  

Caption: Image above: Installation view 'Dense Mesh' Carroll / Fletcher, London 2016

Image courtesy of the artists and Carroll / Fletcher, London. Curated by Joshua Citarella.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

  

#cutsoverart #drenchedco #soakedspace #Lisha Bai #RyanLauderdale #HannahLevy #MichaelJonesMcKean #WyattNiehaus #KateSteciw #ChrisWiley #CarrollFletcher #CarrollFletchergallery #JoshuaCitarella #DenseMesh #vilemflusser #londonart #artlondon #artinlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #sculpture #mediatheory #rhizome #materialculture #technicalimage #speculativerealism #anthropocentrism

 

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An Assignment I had to do for college to photograph objects under UV light, this is common everyday object under UV.