View allAll Photos Tagged tarman
I'm going to continue with a creepy theme in anticipation of Halloween. As a child, this guy always freaked me out, so when I saw him in a local comic book store...a chill went up my spine. Of course I had to take a shot of him. :-) Photo taken with my cell, toy was still in the package.
The Return of the Living Dead's Tarman
iPhone 5
Maryland
October 2013
1913 postmarked postcard view of the Knox County Courthouse in Vincennes, Indiana. The postcard was sent by Amy to her mother, Lillian Terrell, in Huron, Indiana. The postmark was applied by a clerk on the Cincinnati and St. Louis Railway Post Office (RPO).
The Courthouse Square is bounded on the northwest by Seventh Street, on the northeast by Broadway Street, on the southeast by Sixth Street and on the southwest by Busseron Street. The photographer was on the west corner at the intersection of Busseron and Seventh Streets facing east. The time displayed on the tower clock appears to be 5:40.
From the collection of Thomas Keesling.
The message on the back side of this postcard can be seen here.
www.flickr.com/photos/hoosier_recollections/5972709520/in...
Copyright 2006-2014 by Hoosier Recollections. All rights reserved. This image is part of a creative package that includes the associated text, geodata and/or other information. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
________________
The following additional information has been provided courtesy of David Enyart from his “Data Base of Indiana Court Houses.”
Vincennes is the oldest significant town in Indiana. It was first established by French fur traders as a stop between Detroit and New Orleans, and dates from somewhere between 1680 and 1732; 1702 being a likely date. The ‘Buffalo Trace’ crossed the Wabash River at Vincennes making it a likely location of any early trading post. It is considered founded in 1732 even though there was no significant population until the 1750’s. Although Knox County was formed in 1790 as one of the original counties in the Northwest Territory, courts had been held in Vincennes even earlier when it was part of the County of Illinois, under the commonwealth of Virginia, predating the Northwest Territory.
Vincennes was the original capitol of the Indiana Territorial from 1800 to 1813. The territory included all of the Northwest Territory that is now Indiana, Illinois, Wisconsin, and the Eastern half of Minnesota from 1800 to 1809. The Indiana Territory also included the western half of Michigan 1800-1805 and the eastern half of Michigan 1803-1805 until the Michigan Territory was formed in 1805. The Indiana Territory was reduced to approximately the present size of the state in 1809 when the Illinois Territory was created. For a short time the Louisiana Purchase territory was attached to the Indiana Territory for administrative purposes.
The Territorial Capitol building, that still stands, was not owned by the government, but was actually a rented saloon. It was one of several buildings used by the Territorial Legislature and was never the Governor’s office. That particular building was only used in 1811. (Per Richard Day of the DNR)
The current building was built in 1876 and is the third Knox County Courthouse.
Details: Castle style architecture; Vincennes Historic District
78x120 feet
Cost: $362,000
Architect: Edwin May & Adolf Sheerer
Builder: James K. Frick
Contract: 3/13/1872Cornerstone: 6/24/1873
There also exists a record of a Frank L. Tarman involved with design or construction.
There was no Courthouse in Vincennes from 1790 until 1813. Courts were held at the residence of Antoine Marchal from 1810 to 1813; he was paid $200 for this use.
All Three courthouses appear to have been in different locations.
David has compiled additional information for this and the other 91 Indiana counties. Through David's generosity, all of that information can be found at the Allen County Public Library Genealogy Center. The web address is www.genealogycenter.info/search_incourthousehistories.php.
Time Piece was the latest in a series of durational performances by Liberate Tate. They create unsanctioned live art inside Tate spaces to 'free Tate from BP'.
From International Business Times:
Liberate Tate began staging protests against the BP funding to the Tate in 2010. Group member Glen Tarman said they were stepping up their protest as the sponsorship deal is due to expire in 2016.
"Art museums are places where we make sense of the world. We make meaning from our lives and they contain what we most value. We shouldn't be complicit in climate change just because we appreciate great art," he said.
In January, a freedom of information (FOI) request revealed that the BP support amounts to an average of £224,000 a year.
According to figures provided by Platform, an anti-oil industry campaign group which made the FOI request, the BP funding is a mere 0.3% of the Tate's 2013-14 operating budget, leading some to question why the gallery has continued to accept the funding.
Time Piece was the latest in a series of durational performances by Liberate Tate. They create unsanctioned live art inside Tate spaces to 'free Tate from BP'.
From International Business Times:
Liberate Tate began staging protests against the BP funding to the Tate in 2010. Group member Glen Tarman said they were stepping up their protest as the sponsorship deal is due to expire in 2016.
"Art museums are places where we make sense of the world. We make meaning from our lives and they contain what we most value. We shouldn't be complicit in climate change just because we appreciate great art," he said.
In January, a freedom of information (FOI) request revealed that the BP support amounts to an average of £224,000 a year.
According to figures provided by Platform, an anti-oil industry campaign group which made the FOI request, the BP funding is a mere 0.3% of the Tate's 2013-14 operating budget, leading some to question why the gallery has continued to accept the funding.
A spooky spoof of Leonardo’s Last Supper !
Featuring some of the most famous horror movies icons of all time! Can you recognize them all ?
Drawn with Ms Paint and colored with Photoshop
By Daniele Ratti & Davide Ratti
October 2011
1922 postmarked postcard view of Market Street in New Paris, Indiana. It was a quiet day in New Paris with a horse-drawn wagon in the background at the C. C. C. & St. L. (Cleveland, Cincinnati, Chicago & St. Louis) Railroad crossing. This railroad was commonly known as the Big Four. A single automobile was parked at the street corner. It wasn’t unusual for photographers to park their own buggy or automobile in the photos they were about to shoot. In this case, the photographer was looking west across the Main Street intersection. A group of boys was posing for the photograph at the northwest corner in front of a building that is still standing on that corner today.
The building at the left edge of this scene was on the southwest corner of the intersection. The business name painted on the window is not very clear, but advertised the NEW PARIS BANK. The 1909 Sanborn™ fire insurance map set for New Paris shows a hardware business in a brick building at this location, but the 1917 map set shows a bank in what appears to be the same brick building. The state auditor’s report for 1912¹ listed this bank and indicated it had received a Certificate of Authority in 1911 to operate in Indiana. The report listed Martin H. Fisher as bank president and D. H. Fisher as cashier.
In 1909, the map set showed a large wood frame dwelling adjacent to the hardware store on the corner. However, that dwelling had been replaced by a commercial building before this postcard photograph was taken. Two “1910” plaques on that commercial building identify the year it was completed and the name on the decorative architectural detail at the roofline probably identifies who had it built. That name is incomplete, but appears to include __SHER BR__. Possibly FISHER BROS.? The signs below those two plaques are unclear, but the nearer one may have been advertising De Laval cream separators. ¬The nearest display window advertised HARDWARE and the 1917 Sanborn™ map set shows a hardware business at this location with an (agricultural) implements business next door.
The bank building and the building next door are gone, but the other buildings farther west in this block of Market Street are still standing today. None of these buildings existed when the 1909 map set was published. The only buildings west of the hardware store back then were wood frame structures. The 1917 map set shows all of those buildings replaced by masonry structures. The building east of the alley has a limestone plaque near the top identifying it as the CHAS. S. ROHRER Building with a construction date of 1914. The GARAGE sign in this scene was on the building west of the alley, but the 1917 map set shows a milk station and a farm implements business at that location. The map set also shows a garage business next door to the west in a two-story concrete block building. That building is serving a different purpose today.
The building on the northwest corner where the boys were posing is still there today. It was home to a stationery store and a barbershop according to the 1909 Sanborn™ map set. However, another postcard view of this corner from 1909 shows the building façade with the year 1902 carved in the decorative stonework at the top along with DRUGS and BARBER SHOP. If there was a drugstore on that street corner in 1902, it may have closed or moved before the 1909 map set was prepared. Or, the 1909 map set is in error in reporting a stationery business on that corner.
The 1909 map set also shows the post office at this corner in the stationery store. The other previously mentioned postcard shows a small POST OFFICE sign above the entrance and the map set shows a drugstore at that location. By the time the 1917 map set was being prepared, the post office had moved about half a block north on Main Street. Then, on May 31, 1919, the Postmaster General’s The Postal Bulletin included a notice of a site change for the New Paris Post Office. The change was to become effective May 28, 1919, but no details were provided.
The following were postmasters during this period.
Robert A. Reynolds, appointed July 15, 1907
Grover C. Tarman, appointed July 23, 1914
Eldon L. Baringer, appointed August 15, 1919 (A handwritten note on the appointments sheet appears to read “declined.”)
Arthur F. Saylor, appointed September 22, 1919
1. Auditor of the State of Indiana, Annual Report (Indianapolis, IN: William B. Burford, 1912). Available online at books.google.com/books?id=lfpJAAAAMAAJ&printsec=front....
From a private collection.
Selected close-up sections of this postcard can be seen here, from left to right in the image.
www.flickr.com/photos/hoosier_recollections/5516903444/in...
www.flickr.com/photos/hoosier_recollections/5516313757/in...
www.flickr.com/photos/hoosier_recollections/5516313625/in...
Copyright 2009-2018 Hoosier Recollections. All rights reserved. This creative JPG file package is an original compilation of materials and data. The package is unique, consisting of a wide variety of related and integrated components. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
Time Piece was the latest in a series of durational performances by Liberate Tate. They create unsanctioned live art inside Tate spaces to 'free Tate from BP'.
From International Business Times:
Liberate Tate began staging protests against the BP funding to the Tate in 2010. Group member Glen Tarman said they were stepping up their protest as the sponsorship deal is due to expire in 2016.
"Art museums are places where we make sense of the world. We make meaning from our lives and they contain what we most value. We shouldn't be complicit in climate change just because we appreciate great art," he said.
In January, a freedom of information (FOI) request revealed that the BP support amounts to an average of £224,000 a year.
According to figures provided by Platform, an anti-oil industry campaign group which made the FOI request, the BP funding is a mere 0.3% of the Tate's 2013-14 operating budget, leading some to question why the gallery has continued to accept the funding.
Time Piece was the latest in a series of durational performances by Liberate Tate. They create unsanctioned live art inside Tate spaces to 'free Tate from BP'.
From International Business Times:
Liberate Tate began staging protests against the BP funding to the Tate in 2010. Group member Glen Tarman said they were stepping up their protest as the sponsorship deal is due to expire in 2016.
"Art museums are places where we make sense of the world. We make meaning from our lives and they contain what we most value. We shouldn't be complicit in climate change just because we appreciate great art," he said.
In January, a freedom of information (FOI) request revealed that the BP support amounts to an average of £224,000 a year.
According to figures provided by Platform, an anti-oil industry campaign group which made the FOI request, the BP funding is a mere 0.3% of the Tate's 2013-14 operating budget, leading some to question why the gallery has continued to accept the funding.
From top Left:
Joe Reeves- Cd Player reading off poem along with paper tacked to wall.
Julio Cordova- mini abstract painting on pedestal
Jordan Adams- Print
Luis Galvez- Magic Johnson Painting
Ellyn Dougoud- Cat Drawing
Kyle Sartorelli- Large Drawing
Waldek Dynerman- Small Painting
Max Senesac- Dog Show painting
Sam Foster- Party Painting
Rose Tarman- Photograph
Dane Haman- Photograph
1913 postmarked postcard view of the Knox County Courthouse in Vincennes, Indiana. The postcard was sent by Amy to her mother, Lillian Terrell, in Huron, Indiana. The postmark was applied by a clerk on the Cincinnati and St. Louis Railway Post Office (RPO).
The Courthouse Square is bounded on the northwest by Seventh Street, on the northeast by Broadway Street, on the southeast by Sixth Street and on the southwest by Busseron Street. The photographer was on the west corner at the intersection of Busseron and Seventh Streets facing east. The time displayed on the tower clock appears to be 5:40.
From the collection of Thomas Keesling.
The other side of this postcard can be seen here.
www.flickr.com/photos/hoosier_recollections/5972150683/in...
Copyright 2006-2014 by Hoosier Recollections. All rights reserved. This image is part of a creative package that includes the associated text, geodata and/or other information. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
________________
The following additional information has been provided courtesy of David Enyart from his “Data Base of Indiana Court Houses.”
Vincennes is the oldest significant town in Indiana. It was first established by French fur traders as a stop between Detroit and New Orleans, and dates from somewhere between 1680 and 1732; 1702 being a likely date. The ‘Buffalo Trace’ crossed the Wabash River at Vincennes making it a likely location of any early trading post. It is considered founded in 1732 even though there was no significant population until the 1750’s. Although Knox County was formed in 1790 as one of the original counties in the Northwest Territory, courts had been held in Vincennes even earlier when it was part of the County of Illinois, under the commonwealth of Virginia, predating the Northwest Territory.
Vincennes was the original capitol of the Indiana Territorial from 1800 to 1813. The territory included all of the Northwest Territory that is now Indiana, Illinois, Wisconsin, and the Eastern half of Minnesota from 1800 to 1809. The Indiana Territory also included the western half of Michigan 1800-1805 and the eastern half of Michigan 1803-1805 until the Michigan Territory was formed in 1805. The Indiana Territory was reduced to approximately the present size of the state in 1809 when the Illinois Territory was created. For a short time the Louisiana Purchase territory was attached to the Indiana Territory for administrative purposes.
The Territorial Capitol building, that still stands, was not owned by the government, but was actually a rented saloon. It was one of several buildings used by the Territorial Legislature and was never the Governor’s office. That particular building was only used in 1811. (Per Richard Day of the DNR)
The current building was built in 1876 and is the third Knox County Courthouse.
Details: Castle style architecture; Vincennes Historic District
78x120 feet
Cost: $362,000
Architect: Edwin May & Adolf Sheerer
Builder: James K. Frick
Contract: 3/13/1872Cornerstone: 6/24/1873
There also exists a record of a Frank L. Tarman involved with design or construction.
There was no Courthouse in Vincennes from 1790 until 1813. Courts were held at the residence of Antoine Marchal from 1810 to 1813; he was paid $200 for this use.
All Three courthouses appear to have been in different locations.
David has compiled additional information for this and the other 91 Indiana counties. Through David's generosity, all of that information can be found at the Allen County Public Library Genealogy Center. The web address is www.genealogycenter.info/search_incourthousehistories.php.
1922 postmarked postcard view of Market Street in New Paris, Indiana. It was a quiet day in New Paris with a horse-drawn wagon in the background at the C. C. C. & St. L. (Cleveland, Cincinnati, Chicago & St. Louis) Railroad crossing. This railroad was commonly known as the Big Four. A single automobile was parked at the street corner. It wasn’t unusual for photographers to park their own buggy or automobile in the photos they were about to shoot. In this case, the photographer was looking west across the Main Street intersection. A group of boys was posing for the photograph at the northwest corner in front of a building that is still standing on that corner today.
The building at the left edge of this scene was on the southwest corner of the intersection. The business name painted on the window is not very clear, but advertised the NEW PARIS BANK. The 1909 Sanborn™ fire insurance map set for New Paris shows a hardware business in a brick building at this location, but the 1917 map set shows a bank in what appears to be the same brick building. The state auditor’s report for 1912¹ listed this bank and indicated it had received a Certificate of Authority in 1911 to operate in Indiana. The report listed Martin H. Fisher as bank president and D. H. Fisher as cashier.
In 1909, the map set showed a large wood frame dwelling adjacent to the hardware store on the corner. However, that dwelling had been replaced by a commercial building before this postcard photograph was taken. Two “1910” plaques on that commercial building identify the year it was completed and the name on the decorative architectural detail at the roofline probably identifies who had it built. That name is incomplete, but appears to include __SHER BR__. Possibly FISHER BROS.? The signs below those two plaques are unclear, but the nearer one may have been advertising De Laval cream separators. ¬The nearest display window advertised HARDWARE and the 1917 Sanborn™ map set shows a hardware business at this location with an (agricultural) implements business next door.
The bank building and the building next door are gone, but the other buildings farther west in this block of Market Street are still standing today. None of these buildings existed when the 1909 map set was published. The only buildings west of the hardware store back then were wood frame structures. The 1917 map set shows all of those buildings replaced by masonry structures. The building east of the alley has a limestone plaque near the top identifying it as the CHAS. S. ROHRER Building with a construction date of 1914. The GARAGE sign in this scene was on the building west of the alley, but the 1917 map set shows a milk station and a farm implements business at that location. The map set also shows a garage business next door to the west in a two-story concrete block building. That building is serving a different purpose today.
The building on the northwest corner where the boys were posing is still there today. It was home to a stationery store and a barbershop according to the 1909 Sanborn™ map set. However, another postcard view of this corner from 1909 shows the building façade with the year 1902 carved in the decorative stonework at the top along with DRUGS and BARBER SHOP. If there was a drugstore on that street corner in 1902, it may have closed or moved before the 1909 map set was prepared. Or, the 1909 map set is in error in reporting a stationery business on that corner.
The 1909 map set also shows the post office at this corner in the stationery store. The other previously mentioned postcard shows a small POST OFFICE sign above the entrance and the map set shows a drugstore at that location. By the time the 1917 map set was being prepared, the post office had moved about half a block north on Main Street. Then, on May 31, 1919, the Postmaster General’s The Postal Bulletin included a notice of a site change for the New Paris Post Office. The change was to become effective May 28, 1919, but no details were provided.
The following were postmasters during this period.
Robert A. Reynolds, appointed July 15, 1907
Grover C. Tarman, appointed July 23, 1914
Eldon L. Baringer, appointed August 15, 1919 (A handwritten note on the appointments sheet appears to read “declined.”)
Arthur F. Saylor, appointed September 22, 1919
1. Auditor of the State of Indiana, Annual Report (Indianapolis, IN: William B. Burford, 1912). Available online at books.google.com/books?id=lfpJAAAAMAAJ&printsec=front....
From a private collection.
The full postcard image can be seen here.
www.flickr.com/photos/hoosier_recollections/5516313945/
Copyright 2009-2018 Hoosier Recollections. All rights reserved. This creative JPG file package is an original compilation of materials and data. The package is unique, consisting of a wide variety of related and integrated components. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
Vector skulls - Zombienation series.
Vector illustration from pencil sketch.
Based on the TarMan character from the movie "Return of the Living Dead", one of my favorites movies and zombie influence.
Adobe illustrator and just a simple mouse to draw.
2013
Time Piece was the latest in a series of durational performances by Liberate Tate. They create unsanctioned live art inside Tate spaces to 'free Tate from BP'.
From International Business Times:
Liberate Tate began staging protests against the BP funding to the Tate in 2010. Group member Glen Tarman said they were stepping up their protest as the sponsorship deal is due to expire in 2016.
"Art museums are places where we make sense of the world. We make meaning from our lives and they contain what we most value. We shouldn't be complicit in climate change just because we appreciate great art," he said.
In January, a freedom of information (FOI) request revealed that the BP support amounts to an average of £224,000 a year.
According to figures provided by Platform, an anti-oil industry campaign group which made the FOI request, the BP funding is a mere 0.3% of the Tate's 2013-14 operating budget, leading some to question why the gallery has continued to accept the funding.
1922 postmarked postcard view of Market Street in New Paris, Indiana. It was a quiet day in New Paris with a horse-drawn wagon in the background at the C. C. C. & St. L. (Cleveland, Cincinnati, Chicago & St. Louis) Railroad crossing. This railroad was commonly known as the Big Four. A single automobile was parked at the street corner. It wasn’t unusual for photographers to park their own buggy or automobile in the photos they were about to shoot. In this case, the photographer was looking west across the Main Street intersection. A group of boys was posing for the photograph at the northwest corner in front of a building that is still standing on that corner today.
The building at the left edge of this scene was on the southwest corner of the intersection. The business name painted on the window is not very clear, but advertised the NEW PARIS BANK. The 1909 Sanborn™ fire insurance map set for New Paris shows a hardware business in a brick building at this location, but the 1917 map set shows a bank in what appears to be the same brick building. The state auditor’s report for 1912¹ listed this bank and indicated it had received a Certificate of Authority in 1911 to operate in Indiana. The report listed Martin H. Fisher as bank president and D. H. Fisher as cashier.
In 1909, the map set showed a large wood frame dwelling adjacent to the hardware store on the corner. However, that dwelling had been replaced by a commercial building before this postcard photograph was taken. Two “1910” plaques on that commercial building identify the year it was completed and the name on the decorative architectural detail at the roofline probably identifies who had it built. That name is incomplete, but appears to include __SHER BR__. Possibly FISHER BROS.? The signs below those two plaques are unclear, but the nearer one may have been advertising De Laval cream separators. ¬The nearest display window advertised HARDWARE and the 1917 Sanborn™ map set shows a hardware business at this location with an (agricultural) implements business next door.
The bank building and the building next door are gone, but the other buildings farther west in this block of Market Street are still standing today. None of these buildings existed when the 1909 map set was published. The only buildings west of the hardware store back then were wood frame structures. The 1917 map set shows all of those buildings replaced by masonry structures. The building east of the alley has a limestone plaque near the top identifying it as the CHAS. S. ROHRER Building with a construction date of 1914. The GARAGE sign in this scene was on the building west of the alley, but the 1917 map set shows a milk station and a farm implements business at that location. The map set also shows a garage business next door to the west in a two-story concrete block building. That building is serving a different purpose today.
The building on the northwest corner where the boys were posing is still there today. It was home to a stationery store and a barbershop according to the 1909 Sanborn™ map set. However, another postcard view of this corner from 1909 shows the building façade with the year 1902 carved in the decorative stonework at the top along with DRUGS and BARBER SHOP. If there was a drugstore on that street corner in 1902, it may have closed or moved before the 1909 map set was prepared. Or, the 1909 map set is in error in reporting a stationery business on that corner.
The 1909 map set also shows the post office at this corner in the stationery store. The other previously mentioned postcard shows a small POST OFFICE sign above the entrance and the map set shows a drugstore at that location. By the time the 1917 map set was being prepared, the post office had moved about half a block north on Main Street. Then, on May 31, 1919, the Postmaster General’s The Postal Bulletin included a notice of a site change for the New Paris Post Office. The change was to become effective May 28, 1919, but no details were provided.
The following were postmasters during this period.
Robert A. Reynolds, appointed July 15, 1907
Grover C. Tarman, appointed July 23, 1914
Eldon L. Baringer, appointed August 15, 1919 (A handwritten note on the appointments sheet appears to read “declined.”)
Arthur F. Saylor, appointed September 22, 1919
1. Auditor of the State of Indiana, Annual Report (Indianapolis, IN: William B. Burford, 1912). Available online at books.google.com/books?id=lfpJAAAAMAAJ&printsec=front....
From a private collection.
The full postcard image can be seen here.
www.flickr.com/photos/hoosier_recollections/5516313945/
Copyright 2009-2018 Hoosier Recollections. All rights reserved. This creative JPG file package is an original compilation of materials and data. The package is unique, consisting of a wide variety of related and integrated components. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
Senior offensive lineman Nathan Leopard (79) pulls behind fellow seniors Devan Cutshall (76) and Cody Tarman (69) to open a hole for junior running back Spencer McRea (6) in a first round playoff game at St Clairesville. They played a whale of a game, trailing 14 to 7 at the end of the 3rd quarter, but victory slipped through the Redskins hands as St Clairesville put together their only lengthy drive of the game early in the 4th to go ahead 21 to 7. A classic and disappointing "closer than the final score" game with the Redskins ultimately losing 28 to 7, ending a most exciting season.
Proud parent moment: Nathan had his best game as an offensive tackle keeping his assigned defender out of the way, or better yet - on the ground!
Time Piece was the latest in a series of durational performances by Liberate Tate. They create unsanctioned live art inside Tate spaces to 'free Tate from BP'.
From International Business Times:
Liberate Tate began staging protests against the BP funding to the Tate in 2010. Group member Glen Tarman said they were stepping up their protest as the sponsorship deal is due to expire in 2016.
"Art museums are places where we make sense of the world. We make meaning from our lives and they contain what we most value. We shouldn't be complicit in climate change just because we appreciate great art," he said.
In January, a freedom of information (FOI) request revealed that the BP support amounts to an average of £224,000 a year.
According to figures provided by Platform, an anti-oil industry campaign group which made the FOI request, the BP funding is a mere 0.3% of the Tate's 2013-14 operating budget, leading some to question why the gallery has continued to accept the funding.
Time Piece was the latest in a series of durational performances by Liberate Tate. They create unsanctioned live art inside Tate spaces to 'free Tate from BP'.
From International Business Times:
Liberate Tate began staging protests against the BP funding to the Tate in 2010. Group member Glen Tarman said they were stepping up their protest as the sponsorship deal is due to expire in 2016.
"Art museums are places where we make sense of the world. We make meaning from our lives and they contain what we most value. We shouldn't be complicit in climate change just because we appreciate great art," he said.
In January, a freedom of information (FOI) request revealed that the BP support amounts to an average of £224,000 a year.
According to figures provided by Platform, an anti-oil industry campaign group which made the FOI request, the BP funding is a mere 0.3% of the Tate's 2013-14 operating budget, leading some to question why the gallery has continued to accept the funding.
The Phantom Zone FX booth, who sold lovingly handmade masks and a terrifying recreation of the 'Tar-man' zombie from 1985's "Return of the Living Dead." 💀
Time Piece was the latest in a series of durational performances by Liberate Tate. They create unsanctioned live art inside Tate spaces to 'free Tate from BP'.
From International Business Times:
Liberate Tate began staging protests against the BP funding to the Tate in 2010. Group member Glen Tarman said they were stepping up their protest as the sponsorship deal is due to expire in 2016.
"Art museums are places where we make sense of the world. We make meaning from our lives and they contain what we most value. We shouldn't be complicit in climate change just because we appreciate great art," he said.
In January, a freedom of information (FOI) request revealed that the BP support amounts to an average of £224,000 a year.
According to figures provided by Platform, an anti-oil industry campaign group which made the FOI request, the BP funding is a mere 0.3% of the Tate's 2013-14 operating budget, leading some to question why the gallery has continued to accept the funding.
Time Piece was the latest in a series of durational performances by Liberate Tate. They create unsanctioned live art inside Tate spaces to 'free Tate from BP'.
From International Business Times:
Liberate Tate began staging protests against the BP funding to the Tate in 2010. Group member Glen Tarman said they were stepping up their protest as the sponsorship deal is due to expire in 2016.
"Art museums are places where we make sense of the world. We make meaning from our lives and they contain what we most value. We shouldn't be complicit in climate change just because we appreciate great art," he said.
In January, a freedom of information (FOI) request revealed that the BP support amounts to an average of £224,000 a year.
According to figures provided by Platform, an anti-oil industry campaign group which made the FOI request, the BP funding is a mere 0.3% of the Tate's 2013-14 operating budget, leading some to question why the gallery has continued to accept the funding.
Tarman (Resin Kit)
Sculpted by Monte Ward
Painted by Sadomina (Karin Froschauer)
From the movie Return of the Living Dead
Kriti Arora's Tar Man 6 and Coat and Trousers, from The Empire Strikes Back exhibition of modern Indian art, Saatchi Gallery, London, 19 February 2010
Manatee County’s Palmetto Branch Library is pleased to announce a special program to be held at the library on Thursday, June 5, 2014 starting at 6:00 p.m.
Sharon Tarman, an Emergency Management Officer with the Manatee County Public Safety Department will be on hand to present "Hurricane Preparedness: It can happen here! Tarman will offer an overview of Manatee County's Special Needs program and how it assists people when disaster strikes.
This informative program is free of charge, and no advance registration is required. Seating will be available on a first come, first serve basis.
The Palmetto Branch Library is located at 923 6th Street West, in Palmetto, Florida. For more information, please call the library at 941-722-3333
For general information about the Manatee County Public Library System, visit us on the web at www.mymanatee.org/library.
BERLIN,GERMANY,24.JUN.23 - SPECIAL OLYMPICS - World Summer Games 2023, judo. Image shows Markus Mayer (AUT) and Markus Tarman (AUT). Photo: GEPA pictures/ Gintare Karpaviciute
BERLIN,GERMANY,24.JUN.23 - SPECIAL OLYMPICS - World Summer Games 2023, judo. Image shows Markus Tarman (AUT). Photo: GEPA pictures/ Gintare Karpaviciute
The north end of Irvine High St closed today for a fortnight, for re-surfacing.
Day one, and they have ripped up all the old surface and have started re-laying the tarman around the mini-roundabout.
In my hands! "Run for your life Nick McClusky/The Good and the Bad" #splatterpunkzine #splatterpunk #horror #chapbook #author #NathanRobinsonWrites #jackbantry #Thirsk #Scunthorpe #happy #published #publishing #danhenk #zombies #zombie #apocaliteriture #TWD #undead #tarman #bub shoottheminthehead
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natthewriter: @farawayjoe very good.
natthewriter: #horror
natthewriter: @twd.the.walking.dead_amc