talkbox photos on Flickr

Peter Frampton played for well over an hour & a half at the Grand Ole Opry House in Nashville, Tennessee and played every song that I wanted and expected to hear! He really rocked Nashville & the Opry House as well as any show I've seen there...

This photo was taken during "Show Me the Way" while he was playing his 'talk box'. This is the instrument that works with his guitar to make it sound as if it's "talking". I've never seen this played in person ever and was amazingly impressed...very cool part of the show!

Technical Information (or Nerdy Stuff):

Camera - Nikon D7200 (handheld)

Lens – Nikkor 18-300mm Zoom

ISO – 1600

Aperture – f/5.6

Exposure – 1/250 second

Focal Length – 300mm

The original RAW file was processed with Adobe Camera Raw and final adjustments were made with Photoshop CS6.

"For I know the plans I have for you,” declares the LORD, “plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

B-Made TalkBox @ Flourish by Ben Lev

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B-Made Talkbox Available now @ Flourish Event

From: August 7nd - August 31th

B-Made at FLOURISH Event by Venus Ronwood

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B-Made TalkBox

Decorated - Empty

FLOURISH Event - 7th - 30th montly

Whisper Tubes by Zack Huggins

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The Devision Bell by Michael Studt

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Pink Floyd / The Devision Bell

Trackliste:

- "Cluster One" - 5:56

- "What Do You Want from Me" - 4:22

- "Poles Apart"- 7:03

- "Marooned" - 5:30

- "A Great Day for Freedom"- 4:16

- "Wearing the Inside Out" - 6:49

- "Take It Back" - 6:12

- "Coming Back to Life" - 6:19

- "Keep Talking" - 6:11

- "Lost for Words" - 5:15

- "High Hopes"- 8:31

David Gilmour – lead vocals, acoustic, electric, classical & steel guitars, bass guitar, keyboards, programming, backing vocals, talkbox, production, mixing

Nick Mason – drums, percussion, church bell

Richard Wright – piano, organ and synthesizers, lead vocals, backing vocals

Jon Carin – piano, keyboards, programming, arrangements

Guy Pratt – bass guitar

Gary Wallis – percussion, programming

Tim Renwick – additional guitars

Dick Parry – tenor saxophone

Bob Ezrin – percussion, keyboards, production

Sam Brown – backing vocals

Durga McBroom – backing vocals

Carol Kenyon – backing vocals

Jackie Sheridan – backing vocals

Rebecca Leigh-White – backing vocals

Stephen Hawking – vocal samples

Recorded at Britannia Row, Astoria, Abbey Road, and Metropolis in London, The Creek

Cover: Storm Thorgerson

Label: EMI 1994

ex CD-Collection MTP

en.wikipedia.org/wiki/The_Division_Bell

Hello electro girl..! by MRfrukta

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Sholo Truth by .Ana Bello.

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Call me... by Highmuk M.

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Music:Above The Law- Black Superman...

youtu.be/QT8q9SMYjlw

[Intro]

"You heard about what's going on in here?"

"Heard a lotta bullshit cocked, I know that much."

"This isn't bullshit, my friend."

"Do you know something?"

"Don't listen."

"What do you know?"

"Maybe I do and maybe I don't. What I say is that they ain't got no business negotiating. We gonna be going back in they're with a bullet for everybody in the yard."

"Is that right?"

"We do it now, we do it later, later it can be new use. Am I right Al?"

"Well, wait, wait, wait minute Frank. We gotta a lotta angry guys in. They're black muslims, Panther's, Young Lord. Besides you average anti-social."

"So we gotta go in right, clean their clocks."

[Talkbox]

'94 revolution

[Verse 1: KM.G]

I hit the loose juice and pulls up in the deuce

He gives me the scoop about the fake ass troops

And how niggas out there wanna play

I take another hit of the way and then I blast away

(How far, playa?)

Far enough to go off the edge

I push another nigga off the ledge

So I stumble as I slide to the Chevy

Yeah, my eyes kinda teary and gun kinda heavy

I'm a walking dead man is what they call me when I'm comin'

Got the big S on my chest, so I'm kinda gunnin'

High powered on my way to the West Side

To check upon on some chickens

It's a hell of a drive, so drive on

As I hit my dodo stick to the breaking dawn

Crime fighting's what I do and niggas in my crew

Don't take lightly to you bustas and so we say, "Fuck you"

Then buck you, tuck you in for the night

As you think about the paper at the funeral site

So when I'm hangin' with the clique, and we in demand

I feel good that the city of angels call me black superman

[Hook (x2)]

Now everybody sing

Black superman

Now everybody know

Black superman

[Interlude]

*phone rings*

[Hutch's answerphone:] "Yo this Hutch, I ain't in right now

But uh, leave a message at the beep

You know I'm out flossin' and tossin', dippin' and trippin'

You know what I'm sayin'?"

[KM.G:] "Aye Hutch man uh, they just leavin' yo mama's house, um, I don't know what they got but, um man, they lookin' for us, man

Call me over at Peach's house."

*hangs up phone*

[Verse 2: Hutch AKA Cold 187um]

Now it was once said by an ol' loc G

Always tryna come up, yeah, and that's a G

Uh, cause when I bomb it's like a curse

Cause see, once in a lifetime everybody did some dirt

I guess it got to me the same

So at the age of 15, I entered the dope game

I had my game locked up tight

In the day I went to school, but I clocked all night

And when I went to class I always felt asleep

But I was out like a motherfucker, if somebody beeped

My teacher said, "Boy, can't it wait?"

I said, "No, I got to put some mo' icing on my cake."

I think I saved about 50 G's

I bought a truck, a house, and a Coupé on D's

Mom is trippin but she really don't know

All I'm thinkin' is she ain't on the county no mo'

Before my mama fucked with the county again

I'd rather take the risk of doin' 5 to 10

I'm not takin' a chance, I'm straight makin' a chance

So now we deserve to get what we wanna get

I got my mama up outta there

Because y'all motherfuckers just don't care

Uh, you really wanna know why I sold scum

Because my mama to me comes number one

Now you sucker motherfuckers don't understand

But to my mama, I'm her real Black Superman

Scorpions by Stephen J Pollard (Loud Music Nature Lover)

2 1

Matthias is playing through his talk box.

Matthias toca mediante su talk box.

Use Your Illusion I by Michael Studt

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Guns N' Roses / Use Your Illusion I

Trackliste:

- "Right Next Door to Hell" - 3:02

- "Dust N' Bones" - 4:58

- "Live and Let Die" (Paul McCartney and Wings cover)- 3:04

"Don't Cry (Original)" - 4:44

- "Perfect Crime" - 2:23

- "You Ain't the First" - 2:36

- "Bad Obsession" - 5:28

- "Back Off Bitch" - 5:03

- "Double Talkin' Jive" - 3:23

- "November Rain"Rose8:57

- "The Garden" (feat. Alice Cooper) - 5:22

- "Garden of Eden"- 2:41

- "Don't Damn Me" - 5:18

- "Bad Apples"- 4:28

- "Dead Horse" - 4:17

- "Coma" - 10:13

W. Axl Rose – lead vocals, piano, choir, synthesizer, programming, backing vocals, acoustic guitar, sound effects

Slash – lead guitar, rhythm guitar, slide guitar, acoustic guitar, dobro, classical guitar, talkbox, six-string bass, backing vocals

Izzy Stradlin – rhythm guitar, backing vocals, choir, acoustic guitar, lead guitar, lead vocals, percussion

Duff McKagan – bass, backing vocals, acoustic guitar, choir

Matt Sorum – drums, percussion, backing vocals, choir

Dizzy Reed – keyboard, backing vocals

Shannon Hoon – backing vocals

Michael Monroe – harmonica and saxophone

West Arkeen – acoustic guitar

Alice Cooper – co-lead vocals

Recorded at A&M (Hollywood), Record Plant (Los Angeles), Studio 56 (Los Angeles), Image Recording (Hollywood), Conway (Los Angeles), Metalworks (Mississauga, Ontario)

Cover: Mark Kostabi

(consist a detail from Raphael's painting The School of Athens)

Label: Geffen 1991

ex CD-Collection MTP

en.wikipedia.org/wiki/Use_Your_Illusion_I

Switches and Knobs by oliverchesler

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Roger Troutman by Kenneth Watson

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He was the lead singer for the group Zapp who would help pave the way for West Coast hip hop. He would use a talkbox which is connected to an instrument that would create different vocal effects. He would use this in one of West Coast raps most famous songs, California Love by Tupac and Dr Dre. He would sing the chorus for that song using this instrument. He is buried in Green Wood Cemetery in Hamilton, Oh.

A Momentary Lapse of Reason by Michael Studt

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Pink Floyd / A Momentary Lapse of Reason

Side one:

- "Signs of Life" (Instrumental, with spoken vocals by Nick Mason) (Gilmour Bob Ezrin) - 4:24

- "Learning to Fly" (Gilmour, Anthony Moore, Ezrin, Jon Carin) - 4:53

- "The Dogs of War" (Gilmour, Moore) - 6:05

- "One Slip" (Gilmour, Phil Manzanera) - 5:10

- "On the Turning Away" (Gilmour, Moore) - 5:42

Side two:

- "Yet Another Movie" (Gilmour, Patrick Leonard) - 6:28

- "Round and Around" (instrumental) (Gilmour) - 1:02

- "A New Machine (Part 1)" (Gilmour) - 1:46

- "Terminal Frost" (instrumental) (Gilmour) - 6:17

- "A New Machine (Part 2)" (Gilmour) - 0:38

- "Sorrow" (Gilmour) - 8:46

David Gilmour – vocals, guitars, talkbox, keyboards, drum machine, sequencers, production

Nick Mason – electronic and acoustic drums, sound effects

Richard Wright – piano; backing vocals ("Learning to Fly", "On the Turning Away" and "Sorrow"); Kurzweil; Hammond organ (tracks 1, 2, 5, 9, 11)

Bob Ezrin – keyboards; percussion; sequencers; production

Jon Carin – keyboards

Patrick Leonard – synthesizers

Bill Payne – Hammond organ

Michael Landau – guitar

Tony Levin – bass guitar; Chapman Stick

Jim Keltner – drums

Carmine Appice – drums

Tom Scott – alto saxophone; soprano saxophone

Scott Page – tenor saxophone

John Helliwell – saxophone

Recorded: November 1986 – March 1987 at Astoria Studio, Mayfair, Britannia Row, and Audio International Studio in London; A&M, Village RecordersStudio, and Can Am Studio in Los Angeles, CA

sleeve design: Storm Thorgerson

Label: EMI Records / 1987

ex Vinyl-Collection MTP

en.wikipedia.org/wiki/A_Momentary_Lapse_of_Reason

Talkbox by Kim Pimmel

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Up close and personal with Joe and the #heiltalkbox #talkbox #voicesynthesizer #eagles #jamesgang #classic #rockymountainway #classicrock #guitar #guitarist #shure #leadsinger #rocknroll #rocknrollhalloffame #live #nikon #nikonphotography #audioloveoffici by Andrew Perkins

La insólita doble vida del vocoder by Alex

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Avocado Blower by Pen Waggener

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Got this phone at the antique mall down the street. As long as you don't encounter voicemail of any sort, it's an absolute joy to use. Heft, balance, craftsmanship, etc, all shine. Say it with me, kids: "they don't make 'em like this anymore."

Security Envelope by teakwood

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Funky group by luis landi

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Da Wikipedia, l'enciclopedia libera.

Funk è un termine coniato negli Stati Uniti negli anni cinquanta, per indicare delle caratteristiche ritmiche e sonore presenti in diversi ambiti musicali. Inizialmente il termine fu usato nel jazz per indicare un approccio musicale rude e libero da sofisticazioni, legato al blues, con riff ripetitivi e con un ritmo incalzante. In seguito l'aggettivo funky fu utilizzato sempre più anche in altri ambiti musicali come il soul ed il R&B.

Il significato del vocabolo funk (ed il suo aggettivo funky) nello slang degli afroamericani indica generalmente un cattivo odore,[1] come l'odore sprigionato dal corpo in stato di eccitazione, e per estensione poteva significare "sexy", "sporco", "attraente" ma anche "autentico", cioè originale e libero da inibizioni.

Storia del genere [modifica]

Dopo gli album di James Brown (influenzato dal suo sassofonista Maceo Parker), Papa's got a brand new bag (1965) e I got you (1966) si cominciò a considerare il funk come un vero e proprio genere musicale. Il termine fece la sua comparsa ufficiale nel rock in un brano del 1967 di Dyke and the Blazers (Funky Broadway).

George Clinton è considerato il principale innovatore del Funk e con i suoi gruppi Parliament e Funkadelic incominciò ad esibirsi negli anni settanta definendosi per sacerdoti della religione "della giungla e della strada" nata per liberare gli umani dalle forze negative di un mondo senza funk, inventandosi il genere “P-Funk”, che ha assunto il significato di "Parliament - Funkadelic", il Funk alla massima potenza, nella sua forma più pura. Artisti legati a George Clinton sono sicuramente due altri grandi padri del P-Funk. Il bassista Bootsy Collins, che ha fatto parte sia della band di James Brown (nella banda The JB's) sia dei Parliament-Funkadelic, e Roger Troutman con i suoi Zapp & Roger, portando alla notorietà mondiale il "talkbox", un modificatore di voce prima utilizzato solo in collegamento a delle chitarre da gruppi Rock, di lì in poi invece collegandolo da un lato ad un sintetizzatore e dall'altro alla bocca, creando un suono magico.

Negli anni settanta il Funk sviluppò i tratti caratteristici che lo distinguono tuttora: linee di basso incalzanti e ripetitive (esemplari quelle del bassista di Sly Stone, Larry Graham, creatore del slap), riff di chitarra elettrica taglienti e sincopati, nutrite sezioni fiato e facile ballabilità dei brani, largo spazio ai brani strumentali e agli assoli. Negli anni settanta e ottanta il funk si mescolò con la disco music con gruppi come Earth, Wind and Fire, Kool & The Gang o i Jackson Five: secondo alcuni scadendo commercialmente, secondo altri elevando la qualità della disco music.

Nel jazz a partire dalla fine degli anni sessanta il termine funky prese ad indicare dapprima alcuni lavori jazz ibridati col funk ed il blues (hard bop) ad esempio certi brani di Horace Silver, o Blue Mitchell nonché Lee Morgan ed in seguito, più in generale, uno stile influenzato dal funk anni settanta e dal rock, da alcuni definito jazz-funk (Miles Davis, Herbie Hancock, George Duke, George Benson, Stanley Clarke). Nell'uso comune impropriamente i termini jazz rock, fusion e funky sono poi divenuti sinonimi.

Dopo gli anni ottanta l'inafferrabile funk si è mescolato con altri generi ed ha ispirato i musicisti più disparati (a titolo di esempio si paragoni Atomic Dog dei George Clinton (1982) e What's my name di Snoop Doggy Dogg, e si considerino le influenze musicali di Earth, Wind and Fire su alcuni lavori di Elio e le Storie Tese). Il P-Funk è alla base della nascita del West Coast Rap, artisti come gli N.W.A., DJ Quik, Too $hort e tutti i padri del Gangsta Rap si sono infatti ispirati alle sonorità soprattutto di George Clinton e Roger Troutman.

Le influenze funky della musica soul e della musica disco nel jazz hanno portato all'odierno acid jazz (ad esempio gruppi come Jamiroquai, James Taylor Quartet o Incognito mostrano chiari influssi funk).

In ultimo, il funk unito alle prime sperimentazioni elettroniche degli anni settanta e alla disco music ha dato vita al genere house dalle mani dei DJ produttori Frankie Knuckles, Larry Levan e altri; il genere, ormai il più ballato negli ultimi 30 anni, ha a sua volta rivoluzionato tutto il mondo della musica dando il via a molti altri generi oggi classificati sotto il nome Electronic Dance Music (EDM).

Si potrebbe affermare che il funk è nato come aggettivo per definire alcune caratteristiche musicali esistenti, si è evoluto a genere autonomo negli anni settanta ed oggi è sostanzialmente tornato alla sua funzione di aggettivo, per caratterizzare alcune specificità di generi come l'acid jazz o l'hip hop, od il funk-rock, oppure semplicemente nei nomi di alcuni gruppi musicali (ad esempio Planet Funk). Attualmente nell'ambito funk-rock i Red Hot Chili Peppers sono considerati fra i gruppi più rappresentativi del genere.

Alcuni brani significativi [modifica]

Ecco una lista di alcuni brani tra i più rappresentativi del genere:

George Clinton, The Parliaments, Funkadelic - Give Up the Funk

George Clinton, The Parliaments, Funkadelic - Atomic Dog

George Clinton, The Parliaments, Funkadelic - Funkentelechy

Funkadelic - One Nation Under a Groove

James Brown - Cold Sweat

James Brown - Soul Power

James Brown - Give It Up or Turnit Loose

James Brown - Sex Machine

Bootsy Collins - I Rather Be with You

Zapp & Roger - More Bounce to the Ounce

Zapp & Roger - Do It Roger

One Way - Cutie pie

Prince - Soft and Wet

Prince - Sign o' the Times

Herbie Hancock - Chameleon

Commodores - She's a Brick House

David Bowie - Fame

Ohio Players - Love Roller coaster

Ohio Players - Fire

Commodores - Brick House

Commodores - Machine Gun

Earth, Wind and Fire - Jupiter

Bar Kays - "Hit and Run"

Temptations - Shakey Ground

Joe Tex - I Gotcha

Tower of Power - Love Bug

Tower of Power - What Is Hip

Wild Cherry - Play That Funky Music

Kool and the Gang - Jungle Boogie

Cameo - Shes strange

Isley Brothers - Fight the Power

B.T. Express - Do It

Chic - Good Times

Chic - Le Freak

People's Choice - Do It Any Way You Wanna

Slave - Slide

Stevie Wonder - Superstition

Brian Cullberston - Get it on

stretch - Why Did You Do It

Booker T & the M G 's - Green Onions

Diverse City by Cross Trips

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~*Photography Originally Taken By: www.CrossTrips.Com Under God*~

Welcome to Diverse City is the second full length studio album released by Christian singer tobyMac. The songs on this album deal with racial tolerance in society and a desire to know God better. Several other Christian artists appear on this CD, including Bootsy Collins ("Diverse City"), Coffee from GRITS ("Hey Now"), DJ Maj (Several songs), Papa San ("Catchafire (Whoopsi-Daisy)"), Paul Wright ("Street Interlude"), Superchick ("Stories (Down to the Bottom)"), and T-Bone ("The Slam"). tobyMac also reunites dc Talk on vocals in a remix of his song "Atmosphere", the last track of the album. The song "Gone" made it to the Top 5 songs on ChristianRock.net

Track listing

1. "Hey Now" – 3:44

2. "Catchafire (Whoopsi-Daisy)" – 3:24

3. "The Slam" – 3:19

4. "Poetically Correct" (Interlude) – 0:56

5. "Atmosphere" – 4:07

6. "Gone" – 3:27

7. "TruDog: The Return" (Interlude) – 2:22

8. "Diverse City" – 3:56

9. "Stories (Down to the Bottom)" – 4:40

10. "Getaway Car" – 4:27

11. "Burn for You" – 3:49

12. "Fresher Than a Night at the W" – 0:48

13. "Ill-M-I" – 3:29

14. "Phenomenon" – 5:19

15. "Gotta Go" – 2:48

16. "Atmosphere (Remix)" featuring dc Talk – 4:37

Charts

The album debuted and peaked on the Billboard 200 at number 54, selling 21,000 copies that week.

Trivia

* The song "The Slam" has been used in multiple movie trailers, movies and television shows. One of the biggest examples is it featured as the lead track for the opening episode of Prison Break Season One. Into the Blue and Crank are two other movies the song has featured in. Even another movie "The Slam" was featured in was Never Back Down

* "The Slam" has also been used by wrestler Matt Cappotelli as an entrance theme while in OVW, a WWE developmental territory.

* "Phenomenon" appeared on WOW Hits 2004.

* "Gone" appeared on WOW Hits 2005.

* "Atmosphere (Remix)", featuring dc Talk, appeared on WOW Hits 2006.

* A remix of "Burn for You", "Burn For You (Shortwave Radio Mix)", appeared on WOW Hits 2007.

* "Gone" appeared on the Xbox and PlayStation 2 versions of The Bible Game, released in 2005.

* "Diverse City" appears in the multiplatform dance game Dance Dance Revolution Ultramix 4, released in 2006.

* "Catchafire (Whoopsi-Daisy)" appeared in the 2005 Usher film In the Mix.

Credits

* TobyMac - Vocals, synthesizer

* Coffee - Vocals on "Hey Now"

* Papa San, MOC - Vocals on "Catachafire (Whoopsi-Daisy)"

* T-Bone - Vocals on "The Slam"

* Max Hsu - Keys and synthesizer on "Stories (Down to the Bottom)"

* Dave Ghazarian - Guitar and bass on "Stories (Down to the Bottom)"

* Matt Dally - Vocals and guitar on "Stories (Down to the Bottom)"

* Brian Gocher - Synthesizer on "Stories (Down to the Bottom)"

* Tricia Brock, Melissa Brock, Brandon Estelle - Vocals on "Stories (Down to the Bottom)"

* Randy Crawford, TruDog - Vocals on "Gotta Go"

* dc Talk - Vocals on "Atmosphere (Remix)"

* Jaime Moore - Synthesizer, bass

* Mike Haynes, Mark Douthit, Barry Green - Horns

* Cary Barlowe - Guitar

* DJ Form - DJ

* Gabe Patillo - Beat Box

* Christopher Stevens - Synthesizer, drums, engineering, bass, additional vocals

* Solomon Olds - Beats, synthesizer, electric guitar, bass, keys, Sitar, additional vocals

* Joe Baldridge - Beats, synthesizer, guitar

* DJ Maj - DJ

* Joe Weber - Guitar

* Mark Townsend - Guitar

* Tim Donahue - Drums

* Brent Milligan - Bass, acoustic guitar, electric guitar

* Jeff Savage - Synthesizer, additional vocals

* Andy Selby - Synthesizer

* Dave Clo - Guitar

* Michael Linney - Synthesizer

* Robert Marvin - Synthesizer

* Josiah Bell - Synthesizer

* Lynn Nichols - Guitar

* Brian Haley - Drums

* Dave Rumsey - Guitar

* Paul Meany - Bass, rhodes

* Darren King - Drums

* Tedd T - Synthesizer

* Damon Riley - Synthesizer

* Michael Ripoli - Acoustic Guitar, electric guitar

* Kyle Whalum - Bass

* Nirva Dorsaint - Additional Vocals

* Jason Eskridge - Additional Vocals

* Joanna Valencia - Additional Vocals

* Tyler Burkum - Additional Vocals

* Paul Wright - Vocals on West Coast Kid

* Byron "Mr.Talkbox" Chambers - Talkbox on Diverse City

Mr TalkBox by Steve Carroll

Peter Frampton live in Vienna, Virginia on June 23, 2010 by Live Rock Journal

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Peter Frampton live at the Wolf Trap in Vienna, Virginia on June 23, 2010.

Photo by Matthew Becker - www.melodicrockconcerts.com

matt@melodicrockconcerts.com

TalkBox by Um Brasil

Things to Come Records - Talkbox by oliverchesler

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Digitech Talker.

Promo Groove Phactory by Ventura Mendoza

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GROOVEPHACTORY nace en Abril 2003, es el resultado de la unión de músicos tinerfeños y músicos europeos de paso o afincados en las islas, Tras varios meses de consolidación como banda se establece la formación actual. Sándalo López, líder, productor, bajo, talkbox y voz (Alemania); Eric Francois Rohner saxo y voz (Suiza), Martin Schumacher, batería (Alemania); Francisco(Epi) Lorente, guitarra; Ventor Sánchez, percusión y voz; y Patricia Chevalley (Suiza) y Natalia Mylonás voces solistas , Michael "Dandy" Dandorfer guitarra (Alemania), Gilles Garin trompeta (París).

En poco tiempo se convierten en una banda de referencia no sólo en este ambiente sino también en toda la escena musical insular, tocando constantemente en todo su panorama, así como en circuitos locales en suiza y alemania.

En cuanto a nivel creativo-musical, GPH no puede ser encasillado en una definición puramente Funk. Ellos mismos deciden no etiquetarse y con ello romper muros establecidos en este mundo. Pero en el fondo su espíritu es eminentemente Funk, por lo que toda su creación respira gracias a esta filosofía musical inspirándose claramente en los grandes de este campo: George Duke, Herbie Hancock and the Headhunters, George Clinton, Earth wind and fire, y demás entidades influyentes en la música disco de los 70's. Pero, siendo coherentes con lo dicho, a pesar de esta condición existencial, GPH decide ir más allá y dejarse influenciar por nuevas corrientes musicales que no pasan desapercibidas en sus preferencias.

GPH se caracteriza por su originalidad y contundencia en el directo, ya que, el sólido conjunto es perfeccionado con las determinantes voces de sus cantantes que se encuentran arropadas con la seguridad y contundencia del groove de la banda. Pero sin dejar de destacar las virtuosas aportaciones de cada uno de sus componentes en beneficio del combo final.

Este nuevo trabajo saldrá a la venta a finales de junio y será presentado oficialmente en el festival canarias jazz & más heineken 2007.

Ver el set completo aquí: www.flickr.com/photos/vmendoza/sets/72157604175727800/

Peter Frampton live in Vienna, Virginia on June 23, 2010 by Live Rock Journal

Peter Frampton live on tour with guitarist Adam Lester at the Wolf Trap in Vienna, Virginia on June 23, 2010.

Photo by Matthew Becker - www.melodicrockconcerts.com

matt@melodicrockconcerts.com

Completed a new row by -Meanwhile-

OSX icons for Guiminer, Flash, Bean, Calibre and Deeper now complete the 11th row of 10 icons. They are already pretty final, though Flash may get some more polish. Some previous icons have been polished in this update as well.

Best viewed in original size, here: www.flickr.com/photos/40897190@N08/12882584015/sizes/o/in...

Peter Frampton live in Vienna, Virginia on June 23, 2010 by Live Rock Journal