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(C) All rights reserved. Philippe Brevet - 2010
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
visit my site : http://www.philippebrevet.fr/
please : visit my site and become a fan :
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Left: the cave mouth of the intermittent fresh water spring.
Centre: a pot hole into the back of the cave mouth.
Right: the inside of the cave mouth.
Even if he spent most of his time inland, the majority of mankind from the late ages of prehistory will have known about tides - so important were communication links of river and coast, and so chattering and inquisitive the mind of man. A tide reveals both outgoing food and incoming danger. After the ice age's influence on the water table had faded - finding a fresh water inland intermittent spring cave that appeared to be 'tidal' might only have been thought provoking for late Mesolithic, neolithic and Bronze age man (with a cultural momentum into early medieval).
In an animistic world, life forces, seasons and spirits of man and animal were actors for an all visible landscape of fertility. An apparent fresh water source of 'tide' many have seemed as causal as the moon is in today's collective consciousness.
A spring with a large mouth (left) a nostril for breathing with the sky (centre) and rocky teeth (right)... These are certainly elements that might help prehistoric man build a landscape 'story' or myth of progenitor. My experience of translating local folk stories from the Occitan language is that all peoples recount stories, and then all individuals reserve their idiosyncratic weight and measure: some believe and others doubt - the myth being like a catalyst for conversation, with the differences of opinion starting from the collective point before the conversational art of "calibration" is liberated into the everyday details of day to day. Myths need not be dogmatic.
The spring water cave itself is not a great detour of distance or altitude from the populated flatlands of today's Occitanie, and the cave-mouth spring sits near to a potential starting point for the crest walk that peaks at the atypical multi-site of Morenci (menhir, monolith, petroglyph, sepulture, tumuli, glyph, 'Venus hill' view). Today people visit the 'source' of the 'Canal du Midi' in Ravel - might the source of 'the tidal seas' have been visualised of as being Fountain Fontestorbes? A gestation for a start point for post ice age pilgrimage?
From the Fountain Fontestorbes, it would be logical to continue the 'pilgrimage' along the crest to the dynamic late prehistoric site of Morenci. The same crest quickly opens to views on the dramatic scenery of today's Montsegur - a potential Venus Hill - or natural 'cathedral' (you need to blot out today's castle to imagine the scene).
Collecting water from a sacred spring. Watching for the intermittent flow at the end of summer, walking to the Morenci hill top or even continuing past the venus hill view and down to Montsegur (pre Medieval) or up to the Massif around the Pic of Saint Bartholomew (all of which have prehistoric details) might have been a way for all man to gain first hand knowledge of the iconic Pyrenees mountain backdrop without any of the technicality and local knowledge required by local crofters. With the Pyrenees clearly visible to early farmers from as far away as the southern plateau of the river Lot - a potential flat land population of 'pilgrims' would have been present. Add to this population base a sense of movement in prehistory (lines of exchange were often based on rivers and coasts) and one might add a certain number of persons visiting talked-about mythical sites in the way that today we may visit different regional cathedrals. Seeing Carnac with your own eyes, seeing Savassona, walking between the Fountain Fontestorbes and the Monsegur Venus hill, witnessing the 'lady' of Mont Gris...
Very small but constant numbers of once-in-a-life-time travellers, aside small numbers of proto 'Parfait', aside the vast population of persons who live and 'see' the mountain backdrop and are thirsty for the knowledge that comes from real experience and not second hand story... Whilst pilgrimage may be only once in a lifetime, it seems that this population scope may be enough to produce the landscape peppering of prehistoric remains that we see today between the Fountain Fontestorbes and the Massif de Tabe.
AJM 23.9.19
View Large | Conceptual Portraits Set
Model: Carmina Lim
Location: PNR-Caloocan Train Depot, Philippines
(C) All rights reserved. Philippe Brevet - 2010
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
visit my site : http://www.philippebrevet.fr/
please : visit my site and become a fan :
www.facebook.com/pages/Philippe-BREVET-Photographe/435403...
Hoardings are the panels that surround a construction site; they're usually made of wood or metal, and they provide safety, security, and protection for the public and construction employees. They're also a fantastic advertising tool.
On Tuesday night, I joined an event called "Tabe-naito, Noma-night (this means that let's eat and drink a lot at that night)" in Ueno-nakamachi and Yushima shopping area. You can have "Tabe-noma Set" related to the ingredients that produce grown in Tohoku area. My friends and I went to 3 restaurants and enjoyed having delicious dishes and drinking sake.
AF-S Nikkor 50mm f1.4G with Nikon D750
March 10th, 2015
Sushi Hatsu (すし初), Yushima, Bunkyo Ward, Tokyo, Japan
Almost all words do have color and nothing is more pleasant than to utter a pink word and see someone's eyes light up and know it is a pink word for him or her too.
~ Gladys Tabe
"No one can tell me,
Nobody khows,
Where the wind comes from,
Where the wind goes.
It's flying from somewhere
As fast as it can.
I couldn't keep up with it,
Not if I can..."
- A. A. Milne
I greatly appleciate your visits and comments, my friends.
Best seen on black - press L or click on image above.
Burning drink on table. Red paper card on the wall behind. SB-25 at 1/16 from under the tabe against the red paper and the white wall around. 50mm at f5.6 and 15 seconds.
Vue des hauteurs de Comus, la Montagne de Tabe enneigée se détache à l'horizon.
Comus (Aude) le 18 février 2018
Holy Thursday
Minor Seminary Chapel
Immaculate Concepcion Seminary
Tabe, Guiguinto, Bulacan
(The Repository imitating the Logo for the International Year for Priests
which we celebrate until June 2010)
The vista, is of the Massif de Tabe spreading out behind the Château de Montségur.
The position of the tripod - la crête de Morenci 893m - is as important as the view, as it has been credibly argued that the path had significance during late prehistory: a well traced dramatic hike leading people out from the flatland valley 'doors', and into the Pyrenean foothills and an ambience of mineral high mountain summit. For around three kilometers there are eight petroglyphic stones, two dolmens, a standing stone, the carved monolith known as the roc de la Fougasse and the le roc de la Dentilhéro with its sépulture.
The destination of the path would be the vivid rock of the Château de Montségur (to the right) followed by the details and summits of the Massif de Tabe and the Pic de Saint-Barthélemy 2,348m (to the left and behind). As people walked the long hill top, they would be gifted this view of all man.
The rivers of the Pyrenees mountains feed into a plain that acts as a flatland passage between the Atlantic and the Mediterranean. These were heavily occupied lands during the prehistoric ages. The snow topped peaks being a common spine for peoples in north east Spain and south west France. High concentrations of 'lissoir' tools for the production of leather have been found in valleys leading up to this crest walk (Lieurac and Dun), and leather production points that profited from high-debit clean and controllable water may have drawn regular trade up into the foothills. Once near the Morenci crest-path, individuals may be encouraged and compelled to experience more details of their adjacent mythical mountains. Walking to see this outcrop of Montsegur and the peak of Frau and Barthélemy may have been attractive due to an idiosyncrasy of landscape: here the highest peak remain like rounded hills and the lower hills scratch the sky like high mountain summits, thus unseasoned individuals could experience first hand the high peaks without the fear of mineral technique and lightning changes. This vista is still far before the highest local peaks of today's Andorra so remains accessible. A mythical landscape of pilgrimage like Mont Bego? Certainly there are petroglyphs, earthworks and megaliths to reflect a past significance.
Le col de la Peyre 1,714m is behind the castle and the rare bronze age double cromlech du Soularac (touching stone circles with menhir join) existed here until around 2006 before being covered over by debris from a vast talc mine (a matter for urgent clarification - bulldozed or 'simply' covered?). On the climb from this point are two small lakes with pagan reputations for being ritual waters. Further standing stones and tumuli can be seen near Pic de Soularac and the Pic de Saint-Barthélemy around 2,300m.
The "Fount de l’Escloupie" is close enough to Morenci to help date occupations as neolithic to bronze age or around 8,500 to 4,700 ybp.
AJM 20.9.19
joint w/tabe some years back, havent bothered to scan my flick yet, but been meaning to get this shot to him for mad long
L'església matriu de Nostra Senyora de l'Assumpció (en portuguès, Igreja Matriz de Nossa Senhora da Assunção) és la principal església de la localitat de Caminha. És un temple construït en granit d'arrel gòtica, però amb diferents modificacions renaixentistes, com el portal principal de l'església, coronat per una rosassa, i flanquejat per una torre. En el interior podem ver rajoles del siglo XVII, retaules d'estil nacional daurat i un parell de confesionaris neomanuelins.
Construïda sobre els vestigis d'una anterior romànica, les seves obres van iniciar-se en 1488 segons els dissenys dels biscains Tomé de Tolosa i Francisco Fial, als que seguiren altres mestres d'origen biscaí i gallec, on destaquen els noms de João de Tolosa i Pero Galego. Les obres van avançar amb lentitud i foren finalitzades en 1556 amb la torre de la façana principal. Per aquest motiu, el temple presenta una complexa fusió d'estils i influències.
Presenta planta de tres naus la central més elevada, fet freqüent en les esglésies gòtiques en el nord del país, alhora que incorpora elements manuelins i renaixentistes. Les naus estan separades per arcs de volta suportats per columnes cilíndriques. Per sobre dels arcs de la nau central destaquen la decoració de rajoles policromades del segle XVI.
Elements manuelins i platerescs predominen en l'estructura i la decoració externa de la capçalera, similar a la de Braga i Santa Maria la Major de Pontevedra. Les dues portades són del renaixement: La principal, a ponent, es troba bastant erosionada i està coronada per un rosetó; la meridional, atribuïda a Juan de Tolosa, presenta una decoració escultòrica més elaborada i la iconografia més complexa del conjunt.
A l'interior cal destacar l'enteixinat que cobreix les tres naus, en fusta de castanyer, considerada com una de les millors obres de fusteria artística del país. La seva autoria s'atribueix a Francisco Muñoz, tallador de fusta natural de Tui (Pontevedra), i es va completar en 1565. La seva decoració, amb forta influència mudèjar, també incorpora elements del nord d'Àfrica i fins i tot de l'Índia, que no té paral·lelisme a Portugal. Ha estat restaurat entre 1941 i 1943. La Capella dels Navegants (en portuguès, Capela dos Mareantes), de 1511, la més gran i sumptuosa de l'església, s'obre a la nau lateral esquerra mitjançant un ample arc clàssic, considerat com la primera obra renaixentista documentada a Portugal, i hi destaca l'altar del Bon Jesús dels Navegants (en portuguès, Bom Jesus dos Mareantes), de 1701, obra de Manuel Almeida de Barcelos i daurat per Manuel Fernandes de Oliveira. L'altar de la capella de Nostra Senyora del Rosari (en portuguès, capela de Nossa Senhora do Rosário), a la capella absidial esquerra, està coronada per un Arbre de Jessè en talla abrroca, obra de Manuel Pinto Vilalobos (1704). La capella del Santíssim (en portuguès, capela do Santíssimo), a la capella absidial dreta, destaca un gran tabernacle daurat que representa escenes de la Passió, obra de Francisco Fernandes (1674). El púlpit de granit del costat de l'Evangeli i els frisos de rajoles de les naus laterals tabé mereixen atenció.
Aquesta imatge ha jugat a En un lugar de Flickr.
Català: L'estiu passat, després d'haver pujat al Pic Roig de Bassiès, vem fer nit al poble de Les Cabannes per poder atacar el Pic de Rulhe l'endemà. Està clar que no es podia desaprofitar l'ocasió de retratar algun dels trens regionals que s'aturen a la seva estació. En aquest cas, la unitat Z27521/2 fa la seva entrada a Les Cabannes amb 25 minuts de retard, a càrrec del TER 871978 entre la Tor de Querol i Toulouse. Darrera seu s'aixeca el turó de l'ermita en ruïnes de Sant Pere, situada en els contraforts de la muntanya de Tabe.
Castellano: El verano pasado, después de haber subido al Pic Rouge de Bassiès, hicimos noche en el pueblo de Les Cabannes para poder atacar el Pic de Rulhe al día siguiente. Está claro que no se podía desaprovechar la ocasión de retratar alguno de los trenes regionales que hacen parada en su estación. En este caso, la unidad Z27521/2 hace su entrada a Les Cabannes con 25 minutos de demora, a cargo del TER 871978 entre Latour-de-Carol y Toulouse. Detrás suyo se levanta la colina de la ermita en ruinas de Saint-Pierre, situada en los contrafuertes de la Montagne de Tabe.
Français: L'automotrice Z27521/2 entre en gare de Les Cabannes avec 25 minutes de retard, en charge du TER 871978 entre Latour-de-Carol et Toulouse. Derrière se leve la coline de l'ermitage ruiné de Saint-Pierre, sous les contreforts de la Montagne de Tabe.
In every language !!! Happy Valentine's Flickr friends !
Just playing on the beach :)) and that was me running around ;d i hope you like it ;-)
Afrikaans - Ek het jou lief
Albanian - Te dua
Arabic - Ana behibak (to male)
Arabic - Ana behibek (to female)
Armenian - Yes kez sirumen
Bambara - M'bi fe
Bangla - Aamee tuma ke bhalo baashi
Belarusian - Ya tabe kahayu
Bisaya - Nahigugma ako kanimo
Bulgarian - Obicham te
Cambodian - Bung Srorlagn Oun (to female)
Oun Srorlagn Bung (to male)
Cantonese/Chinese Ngo oiy ney a
Catalan - T'estimo
Cheyenne - Ne mohotatse
Chichewa - Ndimakukonda
Corsican - Ti tengu caru (to male)
Creol - Mi aime jou
Croatian - Volim te
Czech - Miluji te
Danish - Jeg Elsker Dig
Dutch - Ik hou van jou
English - I love you
Esperanto - Mi amas vin
Estonian - Ma armastan sind
Ethiopian - Ewedishalehu : male/female to female
Ewedihalehu: male/female to male.
Faroese - Eg elski teg
Farsi - Doset daram
Filipino - Mahal kita
Finnish - Mina rakastan sinua
French - Je t'aime, Je t'adore
Gaelic - Ta gra agam ort
Georgian - Mikvarhar
German - Ich liebe dich
Greek - S'agapo
Gujarati - Hu tumney prem karu chu
Hiligaynon - Palangga ko ikaw
Hawaiian - Aloha wau ia oi
Hebrew - Ani ohev otah (to female)
Hebrew - Ani ohev et otha (to male)
Hiligaynon - Guina higugma ko ikaw
Hindi - Hum Tumhe Pyar Karte hai
Hmong - Kuv hlub koj
Hopi - Nu' umi unangwa'ta
Hungarian - Szeretlek
Icelandic - Eg elska tig
Ilonggo - Palangga ko ikaw
Indonesian - Saya cinta padamu
Inuit - Negligevapse
Irish - Taim i' ngra leat
Italian - Ti amo
Japanese - Aishiteru
Kannada - Naa ninna preetisuve
Kapampangan - Kaluguran daka
Kiswahili - Nakupenda
Konkani - Tu magel moga cho
Korean - Sarang Heyo
Latin - Te amo
Latvian - Es tevi miilu
Lebanese - Bahibak
Lithuanian - Tave myliu
Macedonian Te Sakam
Malay - Saya cintakan mu / Aku cinta padamu
Malayalam - Njan Ninne Premikunnu
Maltese - Inhobbok
Mandarin Chinese - Wo ai ni
Marathi - Me tula prem karto
Mohawk - Kanbhik
Moroccan - Ana moajaba bik
Nahuatl - Ni mits neki
Navaho - Ayor anosh'ni
Nepali - Ma Timilai Maya Garchhu
Norwegian - Jeg Elsker Deg
Pandacan - Syota na kita!!
Pangasinan - Inaru Taka
Papiamento - Mi ta stimabo
Persian - Doo-set daaram
Pig Latin - Iay ovlay ouyay
Polish - Kocham Cie
Portuguese - Eu te amo
Romanian - Te ubesc
Roman Numerals - 333
Russian - Ya tebya liubliu
Rwanda - Ndagukunda
Scot Gaelic - Tha gra\dh agam ort
Serbian - Volim te
Setswana - Ke a go rata
Sign Language - ,\,,/ (represents position of fingers when signing 'I Love You'
Sindhi - Maa tokhe pyar kendo ahyan
Sioux - Techihhila
Slovak - Lu`bim ta
Slovenian - Ljubim te
Spanish - Te quiero / Te amo
Surinam- Mi lobi joe
Swahili - Ninapenda wewe
Swedish - Jag alskar dig
Swiss-German - Ich lieb Di
Tajik Man turo Dust Doram
Tagalog - Mahal kita
Taiwanese - Wa ga ei li
Tahitian - Ua Here Vau Ia Oe
Tamil - Naan unnai kathalikiraen
Telugu - Nenu ninnu premistunnanu
Thai - Chan rak khun (to male)
Thai - Phom rak khun (to female)
Turkish - Seni Seviyorum
Ukrainian - Ya tebe kahayu
Urdu - mai aap say pyaar karta hoo
Vietnamese - Anh ye^u em (to female)
Vietnamese - Em ye^u anh (to male)
Welsh - 'Rwy'n dy garu
Yiddish - Ikh hob dikh
Yoruba - Mo ni fe
Zimbabwe - Ndinokuda