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Also available as large on black.
This is Client B, of the english band Client. The shot is taken from the audience on one of the larger stages of a festival with a 150mm/f2.8. Usually I use my 85/1.8 for concert shots, and so it took a while to figure out the settings for the new lens. This was one of the earlier shots in the series, but somehow I really like it.
Alternative listening, tuesday: take a listen to the soft electronic pop tunes of french group Télépopmusik.
Behold, the Lord maketh the earth empty, and maketh it waste, and turneth it upside down, and scattereth abroad the inhabitants thereof.
Isaiah 24:1 King James Version
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Gli Years & Years, giovane trio dalle sonorità pop, electro e dance proveniente da Londra, dopo aver calcato i palchi dei maggiori festival europei, arrivano, in concerto in Italia per la prima volta. L’appuntamento imperdibile è fissato per il 10 marzo 2016 al Fabrique di Milano.
Il trio riesce a catturare l’attenzione di tutti sin da subito. A gennaio 2015, Katy Perry twitta una loro canzone e li rende istantaneamente famosi sui social network. Da quel momento inizia il regno degli Years & Years che spopolano in tutte le radio del mondo con la loro King. Il singolo viene certificato platino in Italia, registrando più di 105 milioni di visualizzazioni su YouTube e anticipando l’uscita di Communion, album di debutto degli Years & Years.
Il trio vince anche il prestigioso BBC Sound 2015 (vinto lo scorso anno da Sam Smith e negli anni precedenti da Mika, Adele e Ellie Goulding) e viene nominato ai Brit Awards.
La loro musica può essere descritta come un cocktail ben riuscito di elettro-pop e house che ricorda gli anni Novanta. Ritmi scritti per il dancefloor in contrasto con testi malinconici che parlano di storie d’amore finite male. Al tutto si aggiunge uno stile impeccabile ed un linguaggio attuale sui social network. Insomma la miscela perfetta per il successo mondiale.
Olly Alexander (voce e piano), Mikey Goldsworthy (basso) e Emre Turkmen (synths, beats) formano gli Years & Years nel 2010. Da poco trasferitosi dall’Australia, Goldworthy conosce Turkmen online grazie ad annuncio. Dopo poco tempo, Alexander si unisce alla band diventando la voce principale del gruppo.
To capture this beautifully lit, wantonly nostalgic ode to "the past's future" with electronic artist Com Truise, we collaborated with director Babak Khoshnoud and producer Will Abramson of SF-based performance series Yours Truly. If you enjoy the sounds of 80s-era video games, Miami Vice vibes, pyramid power, ponderous night lurking, vacant industrial spaces, and serious hands-on synth skills, then you've come to the right spot on the internet. We dedicate this slow, hazy banger of an episode to future-primitives everywhere.
BIO
Com Truise is just one of the many personas of producer Seth Haley, born and raised in upstate New York. An admitted analog synth obsessive, Com Truise is the maker of an experimental and bottom-heavy style he calls “mid-fi synth-wave, slow-motion funk.” While subliminally informed by parental record collections and hints of faded electronics product design, Com Truise isn’t merely nostalgia capitalization. Within it you'll hear fragmented DNA strands of Joy Division, New Order and Cocteau Twins, but it’s like you’re hearing them through the motherboard of a waterlogged video game console—-demented, hand-smeared and modern.
COMPONENTS
Video
• YouTube: www.youtube.com/playlist?list=PLC4EEUwd7e4k37FGlhrN67KSZU...
• Vimeo: vimeo.com/album/2419668
Photos
• Flickr: flic.kr/s/aHsjFPFvMU
Music
• SoundCloud: soundcloud.com/goincase/sets/com-truise-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Associate Producer
• Will Abramson: yourstru.ly
Director & Editor
• Babak Khoshnoud: babakkhoshnoud.com
Director of Photography
• Conor Simpson: vimeo.com/likeamaniac
Set Designer
• Tamarra Younis: union-of-art.net
Production Assistant
• Katie Risinger: facebook.com/katieferne
Audio Engineer
• Butchy Fuego: butchyfuego.tumblr.com
Camera
• Babak Khoshnoud: babakkhoshnoud.com
• Arlie Carstens: disastercasual.typepad.com
• Conor Simpson: vimeo.com/likeamaniac
Photos
• Arlie Carstens: disastercasual.typepad.com
Performing Artist
• Com Truise: comtruise.com
Label
• Ghostly International: ghostly.com
Publicity
• Terrorbird PR: terrorbird.com
Room 205 Theme Song
• Cora Foxx: corafoxx.com
And went again into the judgment hall, and saith unto Jesus, Whence art thou? But Jesus gave him no answer.
John 19:9 King James Version
To capture this beautifully lit, wantonly nostalgic ode to "the past's future" with electronic artist Com Truise, we collaborated with director Babak Khoshnoud and producer Will Abramson of SF-based performance series Yours Truly. If you enjoy the sounds of 80s-era video games, Miami Vice vibes, pyramid power, ponderous night lurking, vacant industrial spaces, and serious hands-on synth skills, then you've come to the right spot on the internet. We dedicate this slow, hazy banger of an episode to future-primitives everywhere.
BIO
Com Truise is just one of the many personas of producer Seth Haley, born and raised in upstate New York. An admitted analog synth obsessive, Com Truise is the maker of an experimental and bottom-heavy style he calls “mid-fi synth-wave, slow-motion funk.” While subliminally informed by parental record collections and hints of faded electronics product design, Com Truise isn’t merely nostalgia capitalization. Within it you'll hear fragmented DNA strands of Joy Division, New Order and Cocteau Twins, but it’s like you’re hearing them through the motherboard of a waterlogged video game console—-demented, hand-smeared and modern.
COMPONENTS
Video
• YouTube: www.youtube.com/playlist?list=PLC4EEUwd7e4k37FGlhrN67KSZU...
• Vimeo: vimeo.com/album/2419668
Photos
• Flickr: flic.kr/s/aHsjFPFvMU
Music
• SoundCloud: soundcloud.com/goincase/sets/com-truise-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Associate Producer
• Will Abramson: yourstru.ly
Director & Editor
• Babak Khoshnoud: babakkhoshnoud.com
Director of Photography
• Conor Simpson: vimeo.com/likeamaniac
Set Designer
• Tamarra Younis: union-of-art.net
Production Assistant
• Katie Risinger: facebook.com/katieferne
Audio Engineer
• Butchy Fuego: butchyfuego.tumblr.com
Camera
• Babak Khoshnoud: babakkhoshnoud.com
• Arlie Carstens: disastercasual.typepad.com
• Conor Simpson: vimeo.com/likeamaniac
Photos
• Arlie Carstens: disastercasual.typepad.com
Performing Artist
• Com Truise: comtruise.com
Label
• Ghostly International: ghostly.com
Publicity
• Terrorbird PR: terrorbird.com
Room 205 Theme Song
• Cora Foxx: corafoxx.com
To capture this beautifully lit, wantonly nostalgic ode to "the past's future" with electronic artist Com Truise, we collaborated with director Babak Khoshnoud and producer Will Abramson of SF-based performance series Yours Truly. If you enjoy the sounds of 80s-era video games, Miami Vice vibes, pyramid power, ponderous night lurking, vacant industrial spaces, and serious hands-on synth skills, then you've come to the right spot on the internet. We dedicate this slow, hazy banger of an episode to future-primitives everywhere.
BIO
Com Truise is just one of the many personas of producer Seth Haley, born and raised in upstate New York. An admitted analog synth obsessive, Com Truise is the maker of an experimental and bottom-heavy style he calls “mid-fi synth-wave, slow-motion funk.” While subliminally informed by parental record collections and hints of faded electronics product design, Com Truise isn’t merely nostalgia capitalization. Within it you'll hear fragmented DNA strands of Joy Division, New Order and Cocteau Twins, but it’s like you’re hearing them through the motherboard of a waterlogged video game console—-demented, hand-smeared and modern.
COMPONENTS
Video
• YouTube: www.youtube.com/playlist?list=PLC4EEUwd7e4k37FGlhrN67KSZU...
• Vimeo: vimeo.com/album/2419668
Photos
• Flickr: flic.kr/s/aHsjFPFvMU
Music
• SoundCloud: soundcloud.com/goincase/sets/com-truise-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Associate Producer
• Will Abramson: yourstru.ly
Director & Editor
• Babak Khoshnoud: babakkhoshnoud.com
Director of Photography
• Conor Simpson: vimeo.com/likeamaniac
Set Designer
• Tamarra Younis: union-of-art.net
Production Assistant
• Katie Risinger: facebook.com/katieferne
Audio Engineer
• Butchy Fuego: butchyfuego.tumblr.com
Camera
• Babak Khoshnoud: babakkhoshnoud.com
• Arlie Carstens: disastercasual.typepad.com
• Conor Simpson: vimeo.com/likeamaniac
Photos
• Arlie Carstens: disastercasual.typepad.com
Performing Artist
• Com Truise: comtruise.com
Label
• Ghostly International: ghostly.com
Publicity
• Terrorbird PR: terrorbird.com
Room 205 Theme Song
• Cora Foxx: corafoxx.com
To capture this beautifully lit, wantonly nostalgic ode to "the past's future" with electronic artist Com Truise, we collaborated with director Babak Khoshnoud and producer Will Abramson of SF-based performance series Yours Truly. If you enjoy the sounds of 80s-era video games, Miami Vice vibes, pyramid power, ponderous night lurking, vacant industrial spaces, and serious hands-on synth skills, then you've come to the right spot on the internet. We dedicate this slow, hazy banger of an episode to future-primitives everywhere.
BIO
Com Truise is just one of the many personas of producer Seth Haley, born and raised in upstate New York. An admitted analog synth obsessive, Com Truise is the maker of an experimental and bottom-heavy style he calls “mid-fi synth-wave, slow-motion funk.” While subliminally informed by parental record collections and hints of faded electronics product design, Com Truise isn’t merely nostalgia capitalization. Within it you'll hear fragmented DNA strands of Joy Division, New Order and Cocteau Twins, but it’s like you’re hearing them through the motherboard of a waterlogged video game console—-demented, hand-smeared and modern.
COMPONENTS
Video
• YouTube: www.youtube.com/playlist?list=PLC4EEUwd7e4k37FGlhrN67KSZU...
• Vimeo: vimeo.com/album/2419668
Photos
• Flickr: flic.kr/s/aHsjFPFvMU
Music
• SoundCloud: soundcloud.com/goincase/sets/com-truise-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Associate Producer
• Will Abramson: yourstru.ly
Director & Editor
• Babak Khoshnoud: babakkhoshnoud.com
Director of Photography
• Conor Simpson: vimeo.com/likeamaniac
Set Designer
• Tamarra Younis: union-of-art.net
Production Assistant
• Katie Risinger: facebook.com/katieferne
Audio Engineer
• Butchy Fuego: butchyfuego.tumblr.com
Camera
• Babak Khoshnoud: babakkhoshnoud.com
• Arlie Carstens: disastercasual.typepad.com
• Conor Simpson: vimeo.com/likeamaniac
Photos
• Arlie Carstens: disastercasual.typepad.com
Performing Artist
• Com Truise: comtruise.com
Label
• Ghostly International: ghostly.com
Publicity
• Terrorbird PR: terrorbird.com
Room 205 Theme Song
• Cora Foxx: corafoxx.com
To capture this beautifully lit, wantonly nostalgic ode to "the past's future" with electronic artist Com Truise, we collaborated with director Babak Khoshnoud and producer Will Abramson of SF-based performance series Yours Truly. If you enjoy the sounds of 80s-era video games, Miami Vice vibes, pyramid power, ponderous night lurking, vacant industrial spaces, and serious hands-on synth skills, then you've come to the right spot on the internet. We dedicate this slow, hazy banger of an episode to future-primitives everywhere.
BIO
Com Truise is just one of the many personas of producer Seth Haley, born and raised in upstate New York. An admitted analog synth obsessive, Com Truise is the maker of an experimental and bottom-heavy style he calls “mid-fi synth-wave, slow-motion funk.” While subliminally informed by parental record collections and hints of faded electronics product design, Com Truise isn’t merely nostalgia capitalization. Within it you'll hear fragmented DNA strands of Joy Division, New Order and Cocteau Twins, but it’s like you’re hearing them through the motherboard of a waterlogged video game console—-demented, hand-smeared and modern.
COMPONENTS
Video
• YouTube: www.youtube.com/playlist?list=PLC4EEUwd7e4k37FGlhrN67KSZU...
• Vimeo: vimeo.com/album/2419668
Photos
• Flickr: flic.kr/s/aHsjFPFvMU
Music
• SoundCloud: soundcloud.com/goincase/sets/com-truise-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Associate Producer
• Will Abramson: yourstru.ly
Director & Editor
• Babak Khoshnoud: babakkhoshnoud.com
Director of Photography
• Conor Simpson: vimeo.com/likeamaniac
Set Designer
• Tamarra Younis: union-of-art.net
Production Assistant
• Katie Risinger: facebook.com/katieferne
Audio Engineer
• Butchy Fuego: butchyfuego.tumblr.com
Camera
• Babak Khoshnoud: babakkhoshnoud.com
• Arlie Carstens: disastercasual.typepad.com
• Conor Simpson: vimeo.com/likeamaniac
Photos
• Arlie Carstens: disastercasual.typepad.com
Performing Artist
• Com Truise: comtruise.com
Label
• Ghostly International: ghostly.com
Publicity
• Terrorbird PR: terrorbird.com
Room 205 Theme Song
• Cora Foxx: corafoxx.com
BIO
Com Truise is just one of the many personas of producer Seth Haley, born and raised in upstate New York. An admitted analog synth obsessive, Com Truise is the maker of an experimental and bottom-heavy style he calls “mid-fi synth-wave, slow-motion funk.” While subliminally informed by parental record collections and hints of faded electronics product design, Com Truise isn’t merely nostalgia capitalization. Within it you'll hear fragmented DNA strands of Joy Division, New Order and Cocteau Twins, but it’s like you’re hearing them through the motherboard of a waterlogged video game console—-demented, hand-smeared and modern.
COMPONENTS
Video
• YouTube: www.youtube.com/playlist?list=PLC4EEUwd7e4k37FGlhrN67KSZU...
• Vimeo: vimeo.com/album/2419668
Photos
• Flickr: flic.kr/s/aHsjFPFvMU
Music
• SoundCloud: soundcloud.com/goincase/sets/com-truise-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Associate Producer
• Will Abramson: yourstru.ly
Director & Editor
• Babak Khoshnoud: babakkhoshnoud.com
Director of Photography
• Conor Simpson: vimeo.com/likeamaniac
Set Designer
• Tamarra Younis: union-of-art.net
Set Assistant
• Katie Risinger: facebook.com/katieferne
Editor
• Forrest Borie: vimeo.com/forrestborie
Audio Engineer
• Butchy Fuego: butchyfuego.tumblr.com
Camera
• Babak Khoshnoud: babakkhoshnoud.com
• Arlie Carstens: disastercasual.typepad.com
• Conor Simpson: vimeo.com/likeamaniac
Photos
• Arlie Carstens: disastercasual.typepad.com
Production Assistant
• Katie Risinger: facebook.com/katieferne
Performing Artist
• Com Truise: comtruise.com
Label
• Ghostly International: ghostly.com
Publicity
• Terrorbird PR: terrorbird.com
Room 205 Theme Song
• Cora Foxx: corafoxx.com
As I slowly lose my mind due to LEGO deprivation, I make music to steady my madness and upload it to soundcloud. I hope you find it soothing and pleasant, allowing you to empty your bowels in a more relaxed manner. Here's my face, because I'm conceited.
To capture this beautifully lit, wantonly nostalgic ode to "the past's future" with electronic artist Com Truise, we collaborated with director Babak Khoshnoud and producer Will Abramson of SF-based performance series Yours Truly. If you enjoy the sounds of 80s-era video games, Miami Vice vibes, pyramid power, ponderous night lurking, vacant industrial spaces, and serious hands-on synth skills, then you've come to the right spot on the internet. We dedicate this slow, hazy banger of an episode to future-primitives everywhere.
BIO
Com Truise is just one of the many personas of producer Seth Haley, born and raised in upstate New York. An admitted analog synth obsessive, Com Truise is the maker of an experimental and bottom-heavy style he calls “mid-fi synth-wave, slow-motion funk.” While subliminally informed by parental record collections and hints of faded electronics product design, Com Truise isn’t merely nostalgia capitalization. Within it you'll hear fragmented DNA strands of Joy Division, New Order and Cocteau Twins, but it’s like you’re hearing them through the motherboard of a waterlogged video game console—-demented, hand-smeared and modern.
COMPONENTS
Video
• YouTube: www.youtube.com/playlist?list=PLC4EEUwd7e4k37FGlhrN67KSZU...
• Vimeo: vimeo.com/album/2419668
Photos
• Flickr: flic.kr/s/aHsjFPFvMU
Music
• SoundCloud: soundcloud.com/goincase/sets/com-truise-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Associate Producer
• Will Abramson: yourstru.ly
Director & Editor
• Babak Khoshnoud: babakkhoshnoud.com
Director of Photography
• Conor Simpson: vimeo.com/likeamaniac
Set Designer
• Tamarra Younis: union-of-art.net
Production Assistant
• Katie Risinger: facebook.com/katieferne
Audio Engineer
• Butchy Fuego: butchyfuego.tumblr.com
Camera
• Babak Khoshnoud: babakkhoshnoud.com
• Arlie Carstens: disastercasual.typepad.com
• Conor Simpson: vimeo.com/likeamaniac
Photos
• Arlie Carstens: disastercasual.typepad.com
Performing Artist
• Com Truise: comtruise.com
Label
• Ghostly International: ghostly.com
Publicity
• Terrorbird PR: terrorbird.com
Room 205 Theme Song
• Cora Foxx: corafoxx.com
www.youtube.com/watch?v=apnRojgtmXs&feature=related
The Human League are an English electronic new wave band formed in Sheffield, England in 1977. They achieved popularity after a key change in line-up in the early 1980s and have continued recording and performing with moderate commercial success throughout the 1980s up to the present day.
The only constant band member since 1977 is vocalist and songwriter Philip Oakey. Originally an avant-garde all-male synthesizer-based group, they evolved into a commercially successful synthpop outfit under Oakey's leadership, yielding the group's biggest-selling album, Dare (1981). Since 1987, the band has essentially been a trio of Oakey and long-serving female vocalists Joanne Catherall and Susan Ann Sulley (who joined the band in 1980), with various sidemen. The Human League has influenced many electro-pop, other synthpop, and mainstream acts including Madonna, La Roux, Moby,[1] Pet Shop Boys[2] and Little Boots.[3] They have been sampled and covered by various artists including Utah Saints, Ministry of Sound, Craig David, George Michael, KMFDM, and Robbie Williams.[4]
Since 1978, The Human League have released nine studio albums and twenty-six singles. They have had four albums and eight singles in the UK Top Ten, one of which was #1 (two in the US) and they have played over 350 live concerts. The band have sold more than 20 million records worldwide.
Before adopting the name The Human League, the band briefly had two previous incarnations.[7] In early 1977, Martyn Ware and Ian Craig Marsh who had met at youth arts project Meatwhistle were both working as computer operators, and combined a love of pop music (such as glam rock and Tamla Motown) with avant-garde electronic music acts such as German group Kraftwerk. With the price of electronic components dropping in the mid 1970s, previously unaffordable equipment was now in the range of the average consumer. Ware and Marsh saved their money and purchased a Korg 700S synthesizer between them and set about learning how to play it.[8] Their musical reputation spread and they were invited to play at a friend's 21st birthday party. For the party, Ware and Marsh formed themselves into an informal band called The Dead Daughters. Their live highlight was a rendition of the theme of the British TV series Doctor Who.[7]
After a few more low-key, private performances, Ware and Marsh decided to form a proper band. Joined by their friend Adi Newton and another synthesizer (a Roland System-100), they formed The Future and began to create music in their own rehearsal facility in a disused cutlery workshop in the centre of Sheffield. Although The Future were never signed and released no material commercially at the time, a collection of demos from this period was released retrospectively on CD in 2002 titled The Golden Hour of the Future, mixed by Richard X.[7] The association with Adi Newton was short; Newton left The Future and went on to form Clock DVA. Ware at this point decided that he needed a singer rather than another keyboard player. The reason for this was twofold: record companies had been reluctant to sign The Future, as they couldn’t offer any "marketable" songs, and therefore a decent singer was required for any chance of commercial success; also the group only owned two synthesizers and could not afford a third.[7]
Ware and Marsh searched for a vocalist, but their first choice, Glenn Gregory, was unavailable (Gregory eventually became the lead singer of their later band Heaven 17). Ware then decided to invite an old school friend, Philip Oakey, to join the band. Oakey was working as a hospital porter at the time and was known on the Sheffield social scene for his eclectic dress sense. Although he had no musical experience, Ware thought he would be ideal as lead singer for The Future as "he already looked like a pop star." When Ware called on Oakey he found he was out, so asked him to join The Future by leaving a note stuck to his front door.[7] He accepted the invitation, but early sessions were awkward. Oakey had never sung in front of an audience before, could not play keyboards and only owned a saxophone (which he could not play). Listening to one of Ware and Marsh's demos, Oakey was inspired to write some lyrics which later became the single "Being Boiled".
With a new line-up, sound and vocalist, Ware decided that the band needed a new name. It would also allow them to approach record companies again from a different angle. Ware suggested a quote derived from the game Starforce: Alpha Centauri, a science fiction wargame. In the game, 'The Human League' arose in 2415 A.D, and were a frontier-oriented society that desired more independence from Earth. Ware suggested that The Future rename themselves after the game and in early 1978 The Future became The Human League.
Using Future material, The Human League released a demo tape to record companies under their new name. The tape contained versions of "Being Boiled", "Toyota City", and "Circus of Death". Ware's friend Paul Bower of Sheffield new wave band 2.3 who had just recorded a single for Bob Last's Edinburgh based independent label Fast Product took their demo to Last and he signed the band.
The band released their first single, "Being Boiled", in June, 1978 which became Fast Product's third release. Although a limited release - because it was so unique and at odds with everything else on the market - it was picked up on by NME who championed the band, although one guest reviewer, Johnny Rotten of punk band Sex Pistols condemned the band as "trendy hippies."[9]
Boosted by critical praise, on 12 June 1978 the band played their first live gig together at Bar 2 in Sheffield's Psalter Lane Art College (now Sheffield Hallam University; a plaque now commemorates the spot in what is now a computer suite.)
With their reliance on technology and tape machines, the band had been nervous about playing live. After the Psalter Lane performance, they worried that they had appeared static and uninspiring. A friend of Oakey's who had been in the audience, Philip Adrian Wright, who also had an art and photography background was invited to become the band's Director of Visuals with a remit to "liven up" the stage performance with slides, film clips and lighting.
The band's live performances began to gain momentum and acclaim and they were asked to support first The Rezillos (featuring future band member Jo Callis), then Siouxsie and the Banshees as early as September 1978. In December, 1978 David Bowie appeared in the audience and later declared to NME that he "had seen the future of pop music."[7] Later, the hit song by The Undertones, "My Perfect Cousin", contained a dig at the perceived "arty" Human League in the lyric:
"His mother bought him a synthesiser/Got the Human League in to advise her/Now he's making lots of noise/Playing along with the art school boys"[10]
In April, 1979 The Human League released their first EP under Fast Record entitled The Dignity of Labour, which contained four experimental instrumentals. Although the EP barely charted, major record labels began approaching the band in an attempt to lure them away from Fast. Eventually in May, 1979, the band accepted an offer by Richard Branson's Virgin Records. Because of his label's early support, the band offered Bob Last the position as band manager.[7]
In June, 1979 The Human League supported Iggy Pop on his European tour before settling into recording their first single for Virgin. Despite being promised creative freedom, Virgin instead insisted on some sweeping changes to the band's style for their first single in order to make it more commercial. They insisted on conventional instruments and vocals as well as synthesizers. Because the band had accepted a large financial signing advance, Ware was in no position to refuse, but insisted that any releases in this style be credited to a pseudonym.[7]
The band's first single under Virgin Records was the disco influenced "I Don't Depend on You", released in July, 1979 under the pseudonym "The Men". The single did not chart and had very little in common with the previous work of The Human League. It did, however, feature prophetic female vocals by guest vocalists Lisa Strike and Katie Kissoon sounding like the yet-to-be-formed future Human League of 1981.[11]
Because the imposed style had not worked, Virgin permitted the band to return to their original style and the band recorded and released their first full studio album Reproduction in August, 1979. The album and the single "Empire State Human" failed to make any impact on the charts. After these flops, Virgin cancelled the band's December, 1979 tour. By this time, The Human League's role as UK electronic pioneers was usurped by Gary Numan when his single "Are 'Friends' Electric?" became a huge hit in the UK in mid-1979.[7]
In April, 1980 the band was able to release an EP entitled Holiday '80, containing the principal track "Marianne" and a cover of "Nightclubbing" (written by Bowie and Iggy Pop). The seven inch version of "Holiday '80" did well enough to get the band their first TV appearance on BBC TV Top of the Pops on 8 May 1980 opening a Peter Powell presented show with Gary Glitter's "Rock and Roll Part 2". This was to be the only high profile TV appearance by the Oakey/Marsh/Ware trio on British television, with the sole exception of BBC2's Mainstream programme in late 1979, where a performance in the studio, complete with slideshow etcetera, was broadcast of the tracks "The Path Of Least Resistance" and the current minor hit "Empire State Human".
In May, the band toured the UK. Philip Adrian Wright was now playing incidental keyboards in addition to his visuals role. It was the last time all four members performed together live. Also in May, the band released their second studio album Travelogue. More commercial sounding than Reproduction, it peaked at #16 in the UK, giving the band their first real success. As a result, "Empire State Human" was re-released and the band made their second appearance on Top of the Pops even though it only reached #62 in the singles chart.
Because of their lack of commercial success, Virgin refused to release further singles from Travelogue. The Human League was booked to conduct a tour of the UK and Europe in October - November, 1980 but the lack of success after two years of hard work and perceived lack of faith by Virgin set about severe internal conflict within the band.
To capture this beautifully lit, wantonly nostalgic ode to "the past's future" with electronic artist Com Truise, we collaborated with director Babak Khoshnoud and producer Will Abramson of SF-based performance series Yours Truly. If you enjoy the sounds of 80s-era video games, Miami Vice vibes, pyramid power, ponderous night lurking, vacant industrial spaces, and serious hands-on synth skills, then you've come to the right spot on the internet. We dedicate this slow, hazy banger of an episode to future-primitives everywhere.
BIO
Com Truise is just one of the many personas of producer Seth Haley, born and raised in upstate New York. An admitted analog synth obsessive, Com Truise is the maker of an experimental and bottom-heavy style he calls “mid-fi synth-wave, slow-motion funk.” While subliminally informed by parental record collections and hints of faded electronics product design, Com Truise isn’t merely nostalgia capitalization. Within it you'll hear fragmented DNA strands of Joy Division, New Order and Cocteau Twins, but it’s like you’re hearing them through the motherboard of a waterlogged video game console—-demented, hand-smeared and modern.
COMPONENTS
Video
• YouTube: www.youtube.com/playlist?list=PLC4EEUwd7e4k37FGlhrN67KSZU...
• Vimeo: vimeo.com/album/2419668
Photos
• Flickr: flic.kr/s/aHsjFPFvMU
Music
• SoundCloud: soundcloud.com/goincase/sets/com-truise-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Associate Producer
• Will Abramson: yourstru.ly
Director & Editor
• Babak Khoshnoud: babakkhoshnoud.com
Director of Photography
• Conor Simpson: vimeo.com/likeamaniac
Set Designer
• Tamarra Younis: union-of-art.net
Production Assistant
• Katie Risinger: facebook.com/katieferne
Audio Engineer
• Butchy Fuego: butchyfuego.tumblr.com
Camera
• Babak Khoshnoud: babakkhoshnoud.com
• Arlie Carstens: disastercasual.typepad.com
• Conor Simpson: vimeo.com/likeamaniac
Photos
• Arlie Carstens: disastercasual.typepad.com
Performing Artist
• Com Truise: comtruise.com
Label
• Ghostly International: ghostly.com
Publicity
• Terrorbird PR: terrorbird.com
Room 205 Theme Song
• Cora Foxx: corafoxx.com
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Gli Years & Years, giovane trio dalle sonorità pop, electro e dance proveniente da Londra, dopo aver calcato i palchi dei maggiori festival europei, arrivano, in concerto in Italia per la prima volta. L’appuntamento imperdibile è fissato per il 10 marzo 2016 al Fabrique di Milano.
Il trio riesce a catturare l’attenzione di tutti sin da subito. A gennaio 2015, Katy Perry twitta una loro canzone e li rende istantaneamente famosi sui social network. Da quel momento inizia il regno degli Years & Years che spopolano in tutte le radio del mondo con la loro King. Il singolo viene certificato platino in Italia, registrando più di 105 milioni di visualizzazioni su YouTube e anticipando l’uscita di Communion, album di debutto degli Years & Years.
Il trio vince anche il prestigioso BBC Sound 2015 (vinto lo scorso anno da Sam Smith e negli anni precedenti da Mika, Adele e Ellie Goulding) e viene nominato ai Brit Awards.
La loro musica può essere descritta come un cocktail ben riuscito di elettro-pop e house che ricorda gli anni Novanta. Ritmi scritti per il dancefloor in contrasto con testi malinconici che parlano di storie d’amore finite male. Al tutto si aggiunge uno stile impeccabile ed un linguaggio attuale sui social network. Insomma la miscela perfetta per il successo mondiale.
Olly Alexander (voce e piano), Mikey Goldsworthy (basso) e Emre Turkmen (synths, beats) formano gli Years & Years nel 2010. Da poco trasferitosi dall’Australia, Goldworthy conosce Turkmen online grazie ad annuncio. Dopo poco tempo, Alexander si unisce alla band diventando la voce principale del gruppo.
Jean-Michel André Jarre (born 24 August 1948) is a French composer, performer and music producer. He is regarded as a pioneer in the electronic, synthpop, ambient and New Age genres, as well as an organiser of outdoor spectacles of his music which feature lights, laser displays and fireworks.
Jarre was raised in Lyon by his mother and grandparents, and trained on the piano. From an early age he was introduced to a variety of art forms, including those of street performers, jazz musicians, and the artist Pierre Soulages. He played guitar in a band, but his musical style was perhaps most heavily influenced under the direction of Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales.
His first mainstream success was the 1976 album Oxygène. Recorded in a makeshift studio at his home, the album went on to sell an estimated 12 million copies. Oxygène was followed in 1978 by Equinoxe, and in 1979 Jarre performed to a record-breaking audience of more than a million people at the Place de la Concorde, a record he has since broken on three separate occasions. More albums were to follow, but his 1979 concert served as a blueprint for his future performances around the world. Several of his albums have been released to coincide with large-scale outdoor events, and he is now perhaps as well known as a performer, as he is a musician.
Jarre has sold an estimated 80 million albums and singles.[1] He was the first western musician to be allowed to perform in the People's Republic of China, and holds the world record for the largest ever audience at an outdoor event. He has three children, and is married to French actress Anne Parillaud.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Gli Years & Years, giovane trio dalle sonorità pop, electro e dance proveniente da Londra, dopo aver calcato i palchi dei maggiori festival europei, arrivano, in concerto in Italia per la prima volta. L’appuntamento imperdibile è fissato per il 10 marzo 2016 al Fabrique di Milano.
Il trio riesce a catturare l’attenzione di tutti sin da subito. A gennaio 2015, Katy Perry twitta una loro canzone e li rende istantaneamente famosi sui social network. Da quel momento inizia il regno degli Years & Years che spopolano in tutte le radio del mondo con la loro King. Il singolo viene certificato platino in Italia, registrando più di 105 milioni di visualizzazioni su YouTube e anticipando l’uscita di Communion, album di debutto degli Years & Years.
Il trio vince anche il prestigioso BBC Sound 2015 (vinto lo scorso anno da Sam Smith e negli anni precedenti da Mika, Adele e Ellie Goulding) e viene nominato ai Brit Awards.
La loro musica può essere descritta come un cocktail ben riuscito di elettro-pop e house che ricorda gli anni Novanta. Ritmi scritti per il dancefloor in contrasto con testi malinconici che parlano di storie d’amore finite male. Al tutto si aggiunge uno stile impeccabile ed un linguaggio attuale sui social network. Insomma la miscela perfetta per il successo mondiale.
Olly Alexander (voce e piano), Mikey Goldsworthy (basso) e Emre Turkmen (synths, beats) formano gli Years & Years nel 2010. Da poco trasferitosi dall’Australia, Goldworthy conosce Turkmen online grazie ad annuncio. Dopo poco tempo, Alexander si unisce alla band diventando la voce principale del gruppo.
H&M advertisement - Downtown Toronto
Still the best mix!! - Mike
*****
"'West End Girls' is a song by British pop duo Pet Shop Boys. Written by Neil Tennant and Chris Lowe, the song was released twice as a single. It is a synthpop song, influenced by hip hop music. The lyrics focus on class, and inner-city pressure, and were inspired by T.S. Eliot's poem The Waste Land. It was generally well received by contemporary music critics and has been frequently cited as a highlight in the duo's career.
The first version of the song was produced by Bobby Orlando and was released on Columbia Records' Bobcat Records imprint in April 1984, becoming a club hit in the United States and some European countries. After the duo signed with EMI, the song was re-recorded with producer Stephen Hague, for their first studio album, Please. In late 1985, the song was re-released, reaching number one in the United Kingdom and the United States in 1986. In 1987, the song won for Best Single at The BRIT Awards, and Best International Hit at the Ivor Novello Awards. In 2005, 20 years later after its release, the song was awarded Song of The Decade between the years 1985 and 1994, by the British Academy of Composers and Songwriters.
Neil Tennant, an editor of the British pop magazine Smash Hits, and Chris Lowe, an architecture student, met at an electronics shop in London in August 1981, they became friends, and started to write and record songs together. In 1983, Tennant met producer Bobby Orlando, while on an assignment in New York interviewing Sting for Smash Hits. After listening to some demos, Orlando offered to produce for the duo.
In 1984, the duo recorded three songs with Orlando, at Unique Studios in New York, 'West End Girls', 'Opportunities (Let's Make Lots of Money)', and 'One More Chance'. Orlando played most of the instruments in the song, including the jazz riff at the end. Lowe played one chord and the bassline. It included a drum part lifted from Michael Jackson's 'Billie Jean', and an arrangement involving what Tennant called 'Barry White chords'. Orlando was thrilled by the song's production; his idea was to make a rap record in a British accent.
In April 1984, 'West End Girls' was released, becoming a club hit in Los Angeles and San Francisco, and a minor dance hit in Belgium, and France, but was only available in the United Kingdom as a 12' import. In March 1985, after long negotiations, Pet Shop Boys cut their contractual ties with Orlando, and hired manager Tom Watkins, who signed them with EMI. They re-recorded 'West End Girls' with producer Stephen Hague, and re-released the song in late 1985, topping the charts in both the UK and the U.S.
In an interview on BBC4's 'Synth Britannia' programme, Neil Tennant explains the role of the then new sampling technology on the track and how every single sound came from the newly introduced E-mu Emulator keyboard.
'West End Girls' is a synthpop song, influenced by hip hop music. The song's socially conscious streak, as well as the propulsive bass line, derives from Grandmaster Flash's protest rap song 'The Message'. Lowe and Hague created a 'snaky, obsessive rhythm punch' for the music, replacing the song's previously sparse beats and minimal keyboard lines.
Tennant started to write the song when he was staying at his cousin's house in Nottingham while watching a gangster film. Just when he was going to sleep, he came up with the lines: 'Sometimes you're better off dead, there's a gun in your hand and it's pointing at your head'. The lyrics were inspired by T.S. Eliot's poem The Waste Land, particularly in the use of different narrative voices and arcane references. The song's lyrics mainly focus on class and inner-city pressure, introducing existential anxiety, and urban neurosis to the melody. Tennant later said that the commonly accepted vision of the song being about rough trade was not intended." en.wikipedia.org/wiki/West_End_Girls
To capture this beautifully lit, wantonly nostalgic ode to "the past's future" with electronic artist Com Truise, we collaborated with director Babak Khoshnoud and producer Will Abramson of SF-based performance series Yours Truly. If you enjoy the sounds of 80s-era video games, Miami Vice vibes, pyramid power, ponderous night lurking, vacant industrial spaces, and serious hands-on synth skills, then you've come to the right spot on the internet. We dedicate this slow, hazy banger of an episode to future-primitives everywhere.
BIO
Com Truise is just one of the many personas of producer Seth Haley, born and raised in upstate New York. An admitted analog synth obsessive, Com Truise is the maker of an experimental and bottom-heavy style he calls “mid-fi synth-wave, slow-motion funk.” While subliminally informed by parental record collections and hints of faded electronics product design, Com Truise isn’t merely nostalgia capitalization. Within it you'll hear fragmented DNA strands of Joy Division, New Order and Cocteau Twins, but it’s like you’re hearing them through the motherboard of a waterlogged video game console—-demented, hand-smeared and modern.
COMPONENTS
Video
• YouTube: www.youtube.com/playlist?list=PLC4EEUwd7e4k37FGlhrN67KSZU...
• Vimeo: vimeo.com/album/2419668
Photos
• Flickr: flic.kr/s/aHsjFPFvMU
Music
• SoundCloud: soundcloud.com/goincase/sets/com-truise-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Associate Producer
• Will Abramson: yourstru.ly
Director & Editor
• Babak Khoshnoud: babakkhoshnoud.com
Director of Photography
• Conor Simpson: vimeo.com/likeamaniac
Set Designer
• Tamarra Younis: union-of-art.net
Production Assistant
• Katie Risinger: facebook.com/katieferne
Audio Engineer
• Butchy Fuego: butchyfuego.tumblr.com
Camera
• Babak Khoshnoud: babakkhoshnoud.com
• Arlie Carstens: disastercasual.typepad.com
• Conor Simpson: vimeo.com/likeamaniac
Photos
• Arlie Carstens: disastercasual.typepad.com
Performing Artist
• Com Truise: comtruise.com
Label
• Ghostly International: ghostly.com
Publicity
• Terrorbird PR: terrorbird.com
Room 205 Theme Song
• Cora Foxx: corafoxx.com
To capture this beautifully lit, wantonly nostalgic ode to "the past's future" with electronic artist Com Truise, we collaborated with director Babak Khoshnoud and producer Will Abramson of SF-based performance series Yours Truly. If you enjoy the sounds of 80s-era video games, Miami Vice vibes, pyramid power, ponderous night lurking, vacant industrial spaces, and serious hands-on synth skills, then you've come to the right spot on the internet. We dedicate this slow, hazy banger of an episode to future-primitives everywhere.
BIO
Com Truise is just one of the many personas of producer Seth Haley, born and raised in upstate New York. An admitted analog synth obsessive, Com Truise is the maker of an experimental and bottom-heavy style he calls “mid-fi synth-wave, slow-motion funk.” While subliminally informed by parental record collections and hints of faded electronics product design, Com Truise isn’t merely nostalgia capitalization. Within it you'll hear fragmented DNA strands of Joy Division, New Order and Cocteau Twins, but it’s like you’re hearing them through the motherboard of a waterlogged video game console—-demented, hand-smeared and modern.
COMPONENTS
Video
• YouTube: www.youtube.com/playlist?list=PLC4EEUwd7e4k37FGlhrN67KSZU...
• Vimeo: vimeo.com/album/2419668
Photos
• Flickr: flic.kr/s/aHsjFPFvMU
Music
• SoundCloud: soundcloud.com/goincase/sets/com-truise-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Associate Producer
• Will Abramson: yourstru.ly
Director & Editor
• Babak Khoshnoud: babakkhoshnoud.com
Director of Photography
• Conor Simpson: vimeo.com/likeamaniac
Set Designer
• Tamarra Younis: union-of-art.net
Production Assistant
• Katie Risinger: facebook.com/katieferne
Audio Engineer
• Butchy Fuego: butchyfuego.tumblr.com
Camera
• Babak Khoshnoud: babakkhoshnoud.com
• Arlie Carstens: disastercasual.typepad.com
• Conor Simpson: vimeo.com/likeamaniac
Photos
• Arlie Carstens: disastercasual.typepad.com
Performing Artist
• Com Truise: comtruise.com
Label
• Ghostly International: ghostly.com
Publicity
• Terrorbird PR: terrorbird.com
Room 205 Theme Song
• Cora Foxx: corafoxx.com
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Gli Years & Years, giovane trio dalle sonorità pop, electro e dance proveniente da Londra, dopo aver calcato i palchi dei maggiori festival europei, arrivano, in concerto in Italia per la prima volta. L’appuntamento imperdibile è fissato per il 10 marzo 2016 al Fabrique di Milano.
Il trio riesce a catturare l’attenzione di tutti sin da subito. A gennaio 2015, Katy Perry twitta una loro canzone e li rende istantaneamente famosi sui social network. Da quel momento inizia il regno degli Years & Years che spopolano in tutte le radio del mondo con la loro King. Il singolo viene certificato platino in Italia, registrando più di 105 milioni di visualizzazioni su YouTube e anticipando l’uscita di Communion, album di debutto degli Years & Years.
Il trio vince anche il prestigioso BBC Sound 2015 (vinto lo scorso anno da Sam Smith e negli anni precedenti da Mika, Adele e Ellie Goulding) e viene nominato ai Brit Awards.
La loro musica può essere descritta come un cocktail ben riuscito di elettro-pop e house che ricorda gli anni Novanta. Ritmi scritti per il dancefloor in contrasto con testi malinconici che parlano di storie d’amore finite male. Al tutto si aggiunge uno stile impeccabile ed un linguaggio attuale sui social network. Insomma la miscela perfetta per il successo mondiale.
Olly Alexander (voce e piano), Mikey Goldsworthy (basso) e Emre Turkmen (synths, beats) formano gli Years & Years nel 2010. Da poco trasferitosi dall’Australia, Goldworthy conosce Turkmen online grazie ad annuncio. Dopo poco tempo, Alexander si unisce alla band diventando la voce principale del gruppo.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Gli Hurts, il duo synthpop proveniente da Manchester, a due anni di distanza dall’ultima data italiana, arrivano, per un unico, imperdibile, show fissato per il 23 febbraio all’Alcatraz di Milano, tappa italiana del loro Surrender Tour.
Theo Hutchcraft e Adam Anderson, dopo un lunghissimo tour costellato da successi, quasi 3 milioni di singoli venduti e svariate certificazioni oro e platino, sono tornati in studio per registrare il terzo album, Surrender.
Rispetto ai lavori precedenti, il terzo disco avrà sonorità più pop ed esplosive, tuttavia non mancheranno le atmosfere cupe ed introspettive tipiche del duo.
Stuart Price (Madonna, The Killers), Ariel Rechtshaid (Haim, Vampire Weekend), insieme al fedele Jonas Quant figurano tra i produttori di Surrender, che è stato anticipato dall’esplosivo singolo Some Kind Of Heaven.
Dopo l’acclamato concerto alla Scala di Londra, la critica ed il pubblico concordano: gli Hurts sono pronti a conquistare il mondo.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Gli Hurts, il duo synthpop proveniente da Manchester, a due anni di distanza dall’ultima data italiana, arrivano, per un unico, imperdibile, show fissato per il 23 febbraio all’Alcatraz di Milano, tappa italiana del loro Surrender Tour.
Theo Hutchcraft e Adam Anderson, dopo un lunghissimo tour costellato da successi, quasi 3 milioni di singoli venduti e svariate certificazioni oro e platino, sono tornati in studio per registrare il terzo album, Surrender.
Rispetto ai lavori precedenti, il terzo disco avrà sonorità più pop ed esplosive, tuttavia non mancheranno le atmosfere cupe ed introspettive tipiche del duo.
Stuart Price (Madonna, The Killers), Ariel Rechtshaid (Haim, Vampire Weekend), insieme al fedele Jonas Quant figurano tra i produttori di Surrender, che è stato anticipato dall’esplosivo singolo Some Kind Of Heaven.
Dopo l’acclamato concerto alla Scala di Londra, la critica ed il pubblico concordano: gli Hurts sono pronti a conquistare il mondo.
Copyright © 2013 | ph. ANDREA ROSSI | andrewreds.it @ STADIO OLIMPICO | ROMA - ::DELTA MACHINE Tour 2013:: 20/07/13
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Gli Years & Years, giovane trio dalle sonorità pop, electro e dance proveniente da Londra, dopo aver calcato i palchi dei maggiori festival europei, arrivano, in concerto in Italia per la prima volta. L’appuntamento imperdibile è fissato per il 10 marzo 2016 al Fabrique di Milano.
Il trio riesce a catturare l’attenzione di tutti sin da subito. A gennaio 2015, Katy Perry twitta una loro canzone e li rende istantaneamente famosi sui social network. Da quel momento inizia il regno degli Years & Years che spopolano in tutte le radio del mondo con la loro King. Il singolo viene certificato platino in Italia, registrando più di 105 milioni di visualizzazioni su YouTube e anticipando l’uscita di Communion, album di debutto degli Years & Years.
Il trio vince anche il prestigioso BBC Sound 2015 (vinto lo scorso anno da Sam Smith e negli anni precedenti da Mika, Adele e Ellie Goulding) e viene nominato ai Brit Awards.
La loro musica può essere descritta come un cocktail ben riuscito di elettro-pop e house che ricorda gli anni Novanta. Ritmi scritti per il dancefloor in contrasto con testi malinconici che parlano di storie d’amore finite male. Al tutto si aggiunge uno stile impeccabile ed un linguaggio attuale sui social network. Insomma la miscela perfetta per il successo mondiale.
Olly Alexander (voce e piano), Mikey Goldsworthy (basso) e Emre Turkmen (synths, beats) formano gli Years & Years nel 2010. Da poco trasferitosi dall’Australia, Goldworthy conosce Turkmen online grazie ad annuncio. Dopo poco tempo, Alexander si unisce alla band diventando la voce principale del gruppo.
To capture this beautifully lit, wantonly nostalgic ode to "the past's future" with electronic artist Com Truise, we collaborated with director Babak Khoshnoud and producer Will Abramson of SF-based performance series Yours Truly. If you enjoy the sounds of 80s-era video games, Miami Vice vibes, pyramid power, ponderous night lurking, vacant industrial spaces, and serious hands-on synth skills, then you've come to the right spot on the internet. We dedicate this slow, hazy banger of an episode to future-primitives everywhere.
BIO
Com Truise is just one of the many personas of producer Seth Haley, born and raised in upstate New York. An admitted analog synth obsessive, Com Truise is the maker of an experimental and bottom-heavy style he calls “mid-fi synth-wave, slow-motion funk.” While subliminally informed by parental record collections and hints of faded electronics product design, Com Truise isn’t merely nostalgia capitalization. Within it you'll hear fragmented DNA strands of Joy Division, New Order and Cocteau Twins, but it’s like you’re hearing them through the motherboard of a waterlogged video game console—-demented, hand-smeared and modern.
COMPONENTS
Video
• YouTube: www.youtube.com/playlist?list=PLC4EEUwd7e4k37FGlhrN67KSZU...
• Vimeo: vimeo.com/album/2419668
Photos
• Flickr: flic.kr/s/aHsjFPFvMU
Music
• SoundCloud: soundcloud.com/goincase/sets/com-truise-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Associate Producer
• Will Abramson: yourstru.ly
Director & Editor
• Babak Khoshnoud: babakkhoshnoud.com
Director of Photography
• Conor Simpson: vimeo.com/likeamaniac
Set Designer
• Tamarra Younis: union-of-art.net
Production Assistant
• Katie Risinger: facebook.com/katieferne
Audio Engineer
• Butchy Fuego: butchyfuego.tumblr.com
Camera
• Babak Khoshnoud: babakkhoshnoud.com
• Arlie Carstens: disastercasual.typepad.com
• Conor Simpson: vimeo.com/likeamaniac
Photos
• Arlie Carstens: disastercasual.typepad.com
Performing Artist
• Com Truise: comtruise.com
Label
• Ghostly International: ghostly.com
Publicity
• Terrorbird PR: terrorbird.com
Room 205 Theme Song
• Cora Foxx: corafoxx.com
Channy Leaneagh of Poliça
American band Poliça are back with their third studio album United Crushers due out next month. And to ease themselves back into the live circuit, they hit up Shoreditch venue Village Underground for their only announced UK date of 2016 so far ...
Read the rest of this review with more photos over at RockShot Magazine.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Gli Hurts, il duo synthpop proveniente da Manchester, a due anni di distanza dall’ultima data italiana, arrivano, per un unico, imperdibile, show fissato per il 23 febbraio all’Alcatraz di Milano, tappa italiana del loro Surrender Tour.
Theo Hutchcraft e Adam Anderson, dopo un lunghissimo tour costellato da successi, quasi 3 milioni di singoli venduti e svariate certificazioni oro e platino, sono tornati in studio per registrare il terzo album, Surrender.
Rispetto ai lavori precedenti, il terzo disco avrà sonorità più pop ed esplosive, tuttavia non mancheranno le atmosfere cupe ed introspettive tipiche del duo.
Stuart Price (Madonna, The Killers), Ariel Rechtshaid (Haim, Vampire Weekend), insieme al fedele Jonas Quant figurano tra i produttori di Surrender, che è stato anticipato dall’esplosivo singolo Some Kind Of Heaven.
Dopo l’acclamato concerto alla Scala di Londra, la critica ed il pubblico concordano: gli Hurts sono pronti a conquistare il mondo.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Gli Years & Years, giovane trio dalle sonorità pop, electro e dance proveniente da Londra, dopo aver calcato i palchi dei maggiori festival europei, arrivano, in concerto in Italia per la prima volta. L’appuntamento imperdibile è fissato per il 10 marzo 2016 al Fabrique di Milano.
Il trio riesce a catturare l’attenzione di tutti sin da subito. A gennaio 2015, Katy Perry twitta una loro canzone e li rende istantaneamente famosi sui social network. Da quel momento inizia il regno degli Years & Years che spopolano in tutte le radio del mondo con la loro King. Il singolo viene certificato platino in Italia, registrando più di 105 milioni di visualizzazioni su YouTube e anticipando l’uscita di Communion, album di debutto degli Years & Years.
Il trio vince anche il prestigioso BBC Sound 2015 (vinto lo scorso anno da Sam Smith e negli anni precedenti da Mika, Adele e Ellie Goulding) e viene nominato ai Brit Awards.
La loro musica può essere descritta come un cocktail ben riuscito di elettro-pop e house che ricorda gli anni Novanta. Ritmi scritti per il dancefloor in contrasto con testi malinconici che parlano di storie d’amore finite male. Al tutto si aggiunge uno stile impeccabile ed un linguaggio attuale sui social network. Insomma la miscela perfetta per il successo mondiale.
Olly Alexander (voce e piano), Mikey Goldsworthy (basso) e Emre Turkmen (synths, beats) formano gli Years & Years nel 2010. Da poco trasferitosi dall’Australia, Goldworthy conosce Turkmen online grazie ad annuncio. Dopo poco tempo, Alexander si unisce alla band diventando la voce principale del gruppo.
Houston Texas Numbers Night Club Concert with Provision and Clan of Xymox May 7 2011 Live Singer Band Musician Music Band Rock Guitar Dance New Wave Pop Synthpop Gothic Electronic Darkwave
Ellie Goulding
Delirium Tour 2016
Forum Assago Milan Italy IT
1st february 2016
This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.
for info and photos visit my website www.robertofinizio.it
Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.
per info e materiale fotografico visita il mio sito www.robertofinizio.it
And by knowledge shall the chambers be filled with all precious and pleasant riches.
Proverbs 24:4 King James Version
merveilleuse.bandcamp.com/track/the-sun-the-rainfall new track up and free to stream/download.
Not much time for scanning film photos, as music is taking up all my time atm!
Model: Antonella
Copyright © 2013 | ph. ANDREA ROSSI | andrewreds.it @ STADIO OLIMPICO | ROMA - ::DELTA MACHINE Tour 2013:: 20/07/13
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Gli Hurts, il duo synthpop proveniente da Manchester, a due anni di distanza dall’ultima data italiana, arrivano, per un unico, imperdibile, show fissato per il 23 febbraio all’Alcatraz di Milano, tappa italiana del loro Surrender Tour.
Theo Hutchcraft e Adam Anderson, dopo un lunghissimo tour costellato da successi, quasi 3 milioni di singoli venduti e svariate certificazioni oro e platino, sono tornati in studio per registrare il terzo album, Surrender.
Rispetto ai lavori precedenti, il terzo disco avrà sonorità più pop ed esplosive, tuttavia non mancheranno le atmosfere cupe ed introspettive tipiche del duo.
Stuart Price (Madonna, The Killers), Ariel Rechtshaid (Haim, Vampire Weekend), insieme al fedele Jonas Quant figurano tra i produttori di Surrender, che è stato anticipato dall’esplosivo singolo Some Kind Of Heaven.
Dopo l’acclamato concerto alla Scala di Londra, la critica ed il pubblico concordano: gli Hurts sono pronti a conquistare il mondo.
Elly Jackson
The Elly Jackson-fronted English synthpop act La Roux played their first London show in four years at Bloomsbury’s Conway Hall as part of an album launch event for their second studio album Trouble in Paradise.
Jackson and her band played a mixed set of hits from their eponymous debut as well as material from Trouble in Paradise. The biggest crowd engagement came during hit singles Quicksand, In For The Kill and encore track Bulletproof.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Gli Hurts, il duo synthpop proveniente da Manchester, a due anni di distanza dall’ultima data italiana, arrivano, per un unico, imperdibile, show fissato per il 23 febbraio all’Alcatraz di Milano, tappa italiana del loro Surrender Tour.
Theo Hutchcraft e Adam Anderson, dopo un lunghissimo tour costellato da successi, quasi 3 milioni di singoli venduti e svariate certificazioni oro e platino, sono tornati in studio per registrare il terzo album, Surrender.
Rispetto ai lavori precedenti, il terzo disco avrà sonorità più pop ed esplosive, tuttavia non mancheranno le atmosfere cupe ed introspettive tipiche del duo.
Stuart Price (Madonna, The Killers), Ariel Rechtshaid (Haim, Vampire Weekend), insieme al fedele Jonas Quant figurano tra i produttori di Surrender, che è stato anticipato dall’esplosivo singolo Some Kind Of Heaven.
Dopo l’acclamato concerto alla Scala di Londra, la critica ed il pubblico concordano: gli Hurts sono pronti a conquistare il mondo.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Gli Years & Years, giovane trio dalle sonorità pop, electro e dance proveniente da Londra, dopo aver calcato i palchi dei maggiori festival europei, arrivano, in concerto in Italia per la prima volta. L’appuntamento imperdibile è fissato per il 10 marzo 2016 al Fabrique di Milano.
Il trio riesce a catturare l’attenzione di tutti sin da subito. A gennaio 2015, Katy Perry twitta una loro canzone e li rende istantaneamente famosi sui social network. Da quel momento inizia il regno degli Years & Years che spopolano in tutte le radio del mondo con la loro King. Il singolo viene certificato platino in Italia, registrando più di 105 milioni di visualizzazioni su YouTube e anticipando l’uscita di Communion, album di debutto degli Years & Years.
Il trio vince anche il prestigioso BBC Sound 2015 (vinto lo scorso anno da Sam Smith e negli anni precedenti da Mika, Adele e Ellie Goulding) e viene nominato ai Brit Awards.
La loro musica può essere descritta come un cocktail ben riuscito di elettro-pop e house che ricorda gli anni Novanta. Ritmi scritti per il dancefloor in contrasto con testi malinconici che parlano di storie d’amore finite male. Al tutto si aggiunge uno stile impeccabile ed un linguaggio attuale sui social network. Insomma la miscela perfetta per il successo mondiale.
Olly Alexander (voce e piano), Mikey Goldsworthy (basso) e Emre Turkmen (synths, beats) formano gli Years & Years nel 2010. Da poco trasferitosi dall’Australia, Goldworthy conosce Turkmen online grazie ad annuncio. Dopo poco tempo, Alexander si unisce alla band diventando la voce principale del gruppo.