View allAll Photos Tagged synesthesia

"Cluster" Light & Sound Installation by Playmodes Studio at DGTL Festival . Barcelona 2018

A digital image taken from a synaesthetic reaction to a note being played on a cello & violin. This is a still from an animated sequence to the music.

Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...

 

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"Cluster" Light & Sound Installation by Playmodes Studio at DGTL Festival . Barcelona 2018

From the Mind Meld weekend meetup of musicians, visualists, technologists, artists. Got to hang with the peoples and play. www.mind-meld.org/

 

Posted for our event in Providence. Was a terrifically fun lineup.

My artist's 'hutch' during my stay in Vienna - great location right in the centre of the Museums quarter.

scannography, digital process of synesthesia

 

Berklee Valencia students, alongside their teachers, performed at Synesthesia - Winter Music Festival, a 5-day-long concert series which took place at Veles e Vents from December 11th to December 15th, 2018. Photos by Tato Baeza.

 

Approx. 4" tall

$60.00

Keyboard-driven Prog Rock outfit Kyros (nee Synesthesia) led by vocalist & multi-instrumentalist Shelby Logan Warne (nee Adam Warne) took the audience in Cambridge by storm with a great set drawn from their four albums so far. The power-house rhythm section of Peter Episcopo on bass and the incredible Robin Johnson on ferocious drums and percussion drove the show along at a frenetic pace demonstrating just how tight this band are now as Joey Frevola added fluid guitar over the top. The infamous acoustics at the Portland did them no favours, sadly, with the keyboard lines and guitar licks barely audible at times. Still an enjoyable return to full-on live gigs!

Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...

 

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Keyboard-driven Prog Rock outfit Kyros (nee Synesthesia) led by vocalist & multi-instrumentalist Shelby Logan Warne (nee Adam Warne) took the audience in Cambridge by storm with a great set drawn from their four albums so far. The power-house rhythm section of Peter Episcopo on bass and the incredible Robin Johnson on ferocious drums and percussion drove the show along at a frenetic pace demonstrating just how tight this band are now as Joey Frevola added fluid guitar over the top. The infamous acoustics at the Portland did them no favours, sadly, with the keyboard lines and guitar licks barely audible at times. Still an enjoyable return to full-on live gigs!

photo credit: Daniel Maszkowicz

 

Eric Larrieux ( in collaboration with Mélia Roger )

The Air Listening Station

Sonified Conference

Sonification, Algorithmic Composition, Air Quality, Climate Change, Synesthesia, Machine Learning, Adaptive Signal Processing

 

Renaissance

renaissance.ooo/

 

Installations, performances, conferences, from 2 to 25 June 2022, Le Commun Geneva

 

Renaissance is an exhibition of audio-visual installations produced in collaboration by the duo of digital artists from the Robert Turner Collective and the electroacoustic jazz music duo INFLUUT. Works of algorithmic abstraction offer a synesthetic immersion, inviting introspection and meditation.

 

Each day presents an event for which the invited artists, scientists or collectives propose an intervention that resonates with the themes of the exhibition. Performances, conferences, installations, and a festival of sleep concerts punctuate the Renaissance complex.

 

Transdisciplinary in nature, this exhibition aims to provide a sort of demystification of the general notion of the algorithm. She deals in a sometimes didactic, sometimes playful, sometimes organic way with themes that may still be difficult to access with a positive and inclusive attitude.

 

Welcome

Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...

 

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www.flickr.com/photos/leahjohnston/4971484290/in/contacts/

 

Comment from Leah:

 

I never know who else picks up on these things and relates. :)

 

Phil relates:

 

While ambling procariously through the dream state, it just so happened that a stack of banana's were laying on the kitchen counter. Staring at them, they were ripe enough for eating, but the strangest sensation began eminating from my eyes. It was as if a giant invisible tongue protruded from my eyes, dissolving the unpeeled skin until the tips were exposed. Tasting now from my eyes, discovering that much to my displeasure, they were not fit for consumption. I hear a voice from the other room, my ever knowing mother asked if I would bring her one. A fleeting thought of, why yes, let her discover this for herself. ; )

 

After waking in the real world, loosely phrased of course, as if the dreamworld is not as valid, while going to the kitchen, peering out the window, glancing above, a mantis perched near the flood light above the sink. Was it stuck in some nefarious web? Coaxing it into a container, it would have none of that, and quickly dashed over a faucet handle. Not wanting to chase, extending my left hand near it, crawled up as I headed outside. I thought of taking a picture while in my hand. Thinking this, the mantis turned it's head around looking directly at me. Whats odd is a thought began echoing in my head of 'letting go' in a more natural surrounding.

 

Looking around, haphazardly, 'we' agreed that this setting above would do. This was a day before clicking on one of my contacts and her creative rendition of the same theme. I was a little shocked, but given her poetic disposition, not very surprised that somehow in the ether we each saw the same vision. What I find surprising, however, that this mantis decided to perch here, the symbolic 'wood head', given she was a female, and the near perfect wood replica of 'wood mantis' with no head was a fitting landscape for a melding of ideal minds.

The fabulous Top Kino Cinema in Vienna, host to the Tricky Women Festival of women's animtion.

Two more long exposures of things on my computer screen. In this case, the 'magnetosphere' iTunes visualizer from Barbarian Software. The Flight404 blog has some amazing video that goes even further.

 

Synesthesia driven by FM Einheit's 'Prometheus Lear'.

Left to right:

Visuals: me (fiddling with my live camera input, as usual), Todd Thille. Providence, RI A/V night.

 

Sounds: Richard Devine, Ooah.

 

From the Mind Meld weekend meetup of musicians, visualists, technologists, artists. Got to hang with the peoples and play. www.mind-meld.org/

 

Photo by Arrow.

www.myspace.com/arrowone

Berklee Valencia students, alongside their teachers, performed at Synesthesia - Winter Music Festival, a 5-day-long concert series which took place at Veles e Vents from December 11th to December 15th, 2018. Photos by Tato Baeza.

Berklee Valencia students, alongside their teachers, performed at Synesthesia - Winter Music Festival, a 5-day-long concert series which took place at Veles e Vents from December 11th to December 15th, 2018. Photos by Tato Baeza.

Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...

 

www.brechtcorbeel.com/

www.google.com/search?q=brecht+corbeel

 

Support me on:

www.patreon.com/BrechtCorbeel

 

Free images:

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Follow me on:

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twitter.com/BrechtCorbeel

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#visionary #illustration #2danimation #digitalpainting #conceptart #characterdesign #visualdevelopment #conceptdesign #characterartist #photoshop #environmentdesign #story #storytelling #movie #gaming #industry #Photo #Photography #work #talk #3d #cg #blender #brechtcorbeel #psyberspace #psyberverse #Xrystal #Aescermonium #rapthraeXeum #Xomplex #Xaethreal #Xrapthreum

  

Crystal Wagner - "Spectrum: Bio Interloper VIII"

screen print, relief print, cut paper, wood, paint, wire

25.5" x 8" x 25.5"

~YOU CAN PAINT ME ANY COLOUR

AND I CAN BE YOUR CLOWN

BUT YOU AIN’T GOT MY NUMBER

YEAH, YOU CAN’T PIN ME DOWN

YEAH, YOU CAN’T PIN ME DOWN

YEAH, YOU CAN’T PIN ME DOWN~

 

Originally meant to be based on the incredible live version of Happy (www.youtube.com/watch?v=s6AHxF0s764), but ended up being more rainbowy/Frooty :D

 

superlushfeverdream.tumblr.com/post/141408481129/you-can-...

First Friday opening of Synesthesia.

 

Gravy Studio & Gallery presents "Synesthesia,"a vibrant audio/visual collaboration by New York photographer Cana Sarnes and Philadelphia musician and composer, nervousRobot. With “Synesthesia,” Sarnes’ vivid landscape and travel photography is paired with original scores composed for each image. Each artist’s contribution to the project serves to enrich the work of the other— adding an additional level of sensory-depth and complexity. Sarnes says of her photography, “I am drawn to capturing images that utilize negative space. nervousRobot’s music fills that negative space and brings my photography to life.”

 

Cana Sarnes, Artist Statement:

My work projects on the plane that exists parallel to the viewer. Clusters of inanimate objects find life and interact with one another in groups imperceptible on their own. As someone who is visually stimulated by music, working with Eric was a natural fit.

www.canasarnes.com/

 

Eric Zrinsky (nervousRobot), Artist Statement:

I make music for haunted houses, films, and other oddities.

nrv.audio/

 

TEEEL, Artist Statement:

TEEEL is a electronic music producer/songwriter from New Jersey. Inspired by the 80s new wave movement, TEEEL produces music that ranges from hypnotic vocal synthpop to dreamy newwave and dark electronic rock. TEEEL has performed across the United States and continues to push their sound.

teeelmusic.com/

Lichtinstallation "Mehr Licht" in der Gallerie Münsterland (Emsdetten, NRW) 18. November 2006 - 17. Dezember 2006.

  

(first test shots with my cellphone - more should follow soon)

  

www.heilight.com

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