View allAll Photos Tagged submission
Submission to the group 52 Themes 2015 under the topic "Time flies"
By the way, this is not photoshopped. We almost destroyed the alarm clock in the process.
Sample submission from:
Contemplating the Void: Interventions in the Guggenheim Museum
Learn more about this submission here.
Please be patient while the information loads.
Julien De Smedt Architects (JDS), Brussels
Experiencing the Void, 2009
Digital print, 48.3 x 33 cm
Artwork © Julien De Smedt Architects (JDS)
Institute of the Blessed Virgin Mary (Englische Fräuleins - English Maidens) and Monastery Church to the Immaculate Conception
Object ID: 22625 Linzer Straße 9, 11
The complex of the Institute of the Blessed Virgin Mary extends from the Linzer Straße to Schneckgasse, between the Baroque building in the Linzer Straße and the 1929 erected school at the Schneckgasse lies the monastery garden. In 1706 for the first time it has been moved into the baroque monastery wing and this one was continuously expanded in the following decades. From 1748, the Institute got its present appearance, participating artists have included Gottfried Kirschner, the son of Peter Widerins and Bartolomeo Altomonte.
de.wikipedia.org/wiki/Denkmalgesch%C3%BCtzte_Objekte_in_S...
(further information is available by clicking on the link at the end of page!)
History of the City St. Pölten
In order to present concise history of the Lower Austrian capital is in the shop of the city museum a richly illustrated full version on CD-ROM.
Tip
On the occasion of the commemoration of the pogroms of November 1938, the Institute for Jewish History of Austria its virtual Memorbuch (Memory book) for the destroyed St. Pölten Jewish community since 10th November 2012 is putting online.
Prehistory
The time from which there is no written record is named after the main materials used for tools and weapons: Stone Age, Bronze Age, Iron Age. Using the latest technologies, archaeologists from archaeological finds and aerial photographs can trace a fairly detailed picture of life at that time. Especially for the time from the settling down of the People (New Stone Age), now practicing agriculture and animal husbandry, in the territory of St. Pölten lively settlement activity can be proved. In particular, cemeteries are important for the research, because the dead were laid in the grave everyday objects and jewelry, the forms of burial changing over time - which in turn gives the archeology valuable clues for the temporal determination. At the same time, prehistory of Sankt Pölten would not be half as good documented without the construction of the expressway S33 and other large buildings, where millions of cubic meters of earth were moved - under the watchful eyes of the Federal Monuments Office!
A final primeval chapter characterized the Celts, who settled about 450 BC our area and in addition to a new culture and religion also brought with them the potter's wheel. The kingdom of Noricum influenced till the penetration of the Romans the development in our area.
Roman period, migrations
The Romans conquered in 15 BC the Celtic Empire and established hereinafter the Roman province of Noricum. Borders were protected by military camp (forts), in the hinterland emerged civilian cities, almost all systematically laid out according to the same plan. The civil and commercial city Aelium Cetium, as St. Pölten was called (city law 121/122), consisted in the 4th Century already of heated stone houses, trade and craft originated thriving urban life, before the Romans in the first third of the 5th Century retreated to Italy.
The subsequent period went down as the Migration Period in official historiography, for which the settlement of the Sankt Pöltner downtown can not be proved. Cemeteries witness the residence of the Lombards in our area, later it was the Avars, extending their empire to the Enns.
The recent archaeological excavations on the Cathedral Square 2010/2011, in fact, the previous knowledge of St.Pölten colonization not have turned upside down but enriched by many details, whose full analysis and publication are expected in the near future.
Middle Ages
With the submission of the Avars by Charlemagne around 800 AD Christianity was gaining a foothold, the Bavarian Benedictine monastery of Tegernsee establishing a daughter house here - as founder are mentioned the brothers Adalbert and Ottokar - equipped with the relics of St. Hippolytus. The name St. Ypolit over the centuries should turn into Sankt Pölten. After the Hungarian wars and the resettlement of the monastery as Canons Regular of St. Augustine under the influence of Passau St. Pölten received mid-11th Century market rights.
In the second half of the 20th century historians stated that records in which the rights of citizens were held were to be qualified as Town Charters. Vienna is indeed already in 1137 as a city ("civitas") mentioned in a document, but the oldest Viennese city charter dates only from the year 1221, while the Bishop of Passau, Konrad, already in 1159 the St. Pöltnern secured:
A St. Pöltner citizen who has to answer to the court, has the right to make use of an "advocate".
He must not be forced to rid himself of the accusation by a judgment of God.
A St. Pöltner citizen may be convicted only by statements of fellow citizens, not by strangers.
From the 13th Century exercised a city judge appointed by the lord of the city the high and low jurisdiction as chairman of the council meetings and the Municipal Court, Inner and Outer Council supported him during the finding of justice. Venue for the public verdict was the in the 13th Century created new marketplace, the "Broad Market", now the town hall square. Originally square-shaped, it was only later to a rectangle reduced. Around it arose the market district, which together with the monastery district, the wood district and the Ledererviertel (quarter of the leather goods manufacturer) was protected by a double city wall.
The dependence of St. Pölten of the bishop of Passau is shown in the municipal coat of arms and the city seal. Based on the emblem of the heraldic animal of the Lord of the city, so the Bishop of Passau, it shows an upright standing wolf holding a crosier in its paw.
Modern Times
In the course of the armed conflict between the Emperor Frederick III . and King Matthias of Hungary pledged the Bishop of Passau the town on the Hungarian king. From 1485 stood Lower Austria as a whole under Hungarian rule. The most important document of this period is the awarding of the city coat of arms by King Matthias Corvinus in the year 1487. After the death of the opponents 1490 and 1493 could Frederick's son Maximilian reconquer Lower Austria. He considered St. Pölten as spoils of war and had no intention of returning it to the diocese of Passau. The city government has often been leased subsequently, for instance, to the family Wellenstein, and later to the families Trautson and Auersperg.
That St. Pölten now was a princely city, found its expression in the coat of arms letter of the King Ferdinand I. from 1538: From now on, the wolf had no crosier anymore, and the from the viewer's point of view left half showed the reverse Austrian shield, so silver-red-silver.
To the 16th Century also goes back the construction of St. Pöltner City Hall. The 1503 by judge and council acquired house was subsequently expanded, rebuilt, extended and provided with a tower.
A for the urban history research important picture, painted in 1623, has captured scenes of the peasant uprising of 1597, but also allows a view to the city and lets the viewer read some of the details of the then state of construction. The economic inconveniences of that time were only exacerbated by the Thirty Years War, at the end of which a fifth of the houses were uninhabited and the citizenry was impoverished.
Baroque
After the successful defense against the Turks in 1683, the economy started to recover and a significant building boom began. Lower Austria turned into the land of the baroque abbeys and monasteries, as it is familiar to us today.
In St. Pölten, the change of the cityscape is closely connected to the Baroque architect Jakob Prandtauer. In addition to the Baroquisation of the interior of the cathedral, a number of buildings in St. Pölten go to his account, so the reconstruction of the castle Ochsenburg, the erection of the Schwaighof and of the core building of the Institute of the Blessed Virgin Mary (Englische Fräuleins - English Maidens) - from 1706 the seat of the first school order of St.Pölten - as well as of several bourgeois houses.
Joseph Munggenast, nephew and co-worker of Prandtauer, completed the Baroquisation of the cathedral, he baroquised the facade of the town hall (1727) and numerous bourgeois houses and designed a bridge over the Traisen which existed until 1907. In the decoration of the church buildings were throughout Tyroleans collaborating, which Jakob Prandtauer had brought along from his homeland (Tyrol) to St. Pölten, for example, Paul Troger and Peter Widerin.
Maria Theresa and her son Joseph II: Their reforms in the city of the 18th Century also left a significant mark. School foundings as a result of compulsory education, the dissolution of the monasteries and hereinafter - from 1785 - the new role of St. Pölten as a bishop's seat are consequences of their policies.
1785 was also the year of a fundamental alteration of the old Council Constitution: The city judge was replaced by one magistrate consisting of five persons, at the head was a mayor. For the first mayor the painter Josef Hackl was chosen.
The 19th century
Despite the Napoleonic Wars - St. Pölten in 1805 and 1809 was occupied by the French - and despite the state bankruptcy of 1811, increased the number of businesses constantly, although the economic importance of the city for the time being did not go beyond the near vicinity.
Against the background of monitoring by the state secret police, which prevented any political commitment between the Congress of Vienna and the 1848 revolution, the citizens withdrew into private life. Sense of family, fostering of domestic music, prominent salon societies in which even a Franz Schubert socialized, or the construction of the city theater were visible signs of this attitude.
The economic upswing of the city did not begin until after the revolution of the year 1848. A prerequisite for this was the construction of the Empress Elisabeth Western Railway, moving Vienna, Linz, soon Salzburg, too, in a reachable distance. The city walls were pulled down, St. Pölten could unfold. The convenient traffic situation favored factory start-ups, and so arose a lace factory, a revolver factory, a soap factory or, for example, as a precursor of a future large-scale enterprise, the braid, ribbon and Strickgarnerzeugung (knitting yarn production) of Matthias Salcher in Harland.
In other areas, too, the Gründerzeit (years of rapid industrial expansion in Germany - and Austria) in Sankt Pölten was honouring its name: The city got schools, a hospital, gas lanterns, canalization, hot springs and summer bath.
The 20th century
At the beginning of the 20th Century the city experienced another burst of development, initiated by the construction of the power station in 1903, because electricity was the prerequisite for the settlement of large companies. In particular, the companies Voith and Glanzstoff and the main workshop of the Federal Railways attracted many workers. New Traisen bridge, tram, Mariazell Railway and other infrastructure buildings were erected; St. Pölten obtained a synagogue. The Art Nouveau made it repeatedly into the urban architecture - just think of the Olbrich House - and inspired also the painting, as exponents worth to be mentioned are Ernst Stöhr or Ferdinand Andri.
What the outbreak of the First World War in broad outlines meant for the monarchy, on a smaller scale also St. Pölten has felt. The city was heavily impacted by the deployment of army units, a POW camp, a military hospital and a sick bay. Industrial enterprises were partly converted into war production, partly closed. Unemployment, housing emergency and food shortages long after the war still were felt painfully.
The 1919 to mayor elected Social Democrat Hubert Schnofl after the war tried to raise the standard of living of the people by improving the social welfare and health care. The founding of a housing cooperative (Wohnungsgenossenschaft), the construction of the water line and the establishment of new factories were further attempts to stimulate the stiffening economy whose descent could not be stopped until 1932.
After the National Socialist regime had stirred false hopes and plunged the world into war, St. Pölten was no longer the city as it has been before. Not only the ten devastating bombings of the last year of the war had left its marks, also the restrictive persecution of Jews and political dissidents had torn holes in the structure of the population. Ten years of Russian occupation subsequently did the rest to traumatize the population, but at this time arose from the ruins a more modern St. Pölten, with the new Traisen bridge, district heating, schools.
This trend continued, an era of recovery and modernization made the economic miracle palpable. Already in 1972 was - even if largely as a result of incorporations - exceeded the 50.000-inhabitant-limit.
Elevation to capital status (capital of Lower Austria), 10 July 1986: No other event in this dimension could have become the booster detonation of an up to now ongoing development thrust. Since then in a big way new residential and commercial areas were opened up, built infrastructure constructions, schools and universities brought into being to enrich the educational landscape. East of the Old Town arose the governmental and cultural district, and the list of architects wears sonorous names such as Ernst Hoffmann (NÖ (Lower Austria) Landhaus; Klangturm), Klaus Kada (Festspielhaus), Hans Hollein (Shedhalle and Lower Austrian Provincial Museum), Karin Bily, Paul Katzberger and Michael Loudon ( NÖ State Library and NÖ State Archive).
European Diploma, European flag, badge of honor, Europe Price: Between 1996 and 2001, received St. Pölten numerous appreciations of its EU commitment - as a sort of recognition of the Council of Europe for the dissemination of the EU-idea through international town twinnings, a major Europe exhibition or, for example, the establishment and chair of the "Network of European medium-sized cities".
On the way into the 21st century
Just now happened and already history: What the St. Pöltnern as just experienced sticks in their minds, travelers and newcomers within a short time should be told. The theater and the hospital handing over to the province of Lower Austria, a new mayor always on the go, who was able to earn since 2004 already numerous laurels (Tags: polytechnic, downtown enhancement, building lease scheme, bus concept) - all the recent changes are just now condensed into spoken and written language in order to make, from now on, the history of the young provincial capital in the 3rd millennium nachlesbar (checkable).
www.st-poelten.gv.at/Content.Node/freizeit-kultur/kultur/...
The vulture on the ground had to bow down in submission to the vulture coming in from the air at this Wildebeest kill.
Despite what it looks like, "Herbie" isn't injured. He is just being submissive to an older Magpie sitting in a nearby tree. I won't actually know if Herbie is male or female until s/he gets his full adult colouring. If he is male, he will probably be driven off by the adults in the area.
Showing Minaret and part of electronic umrellas of the Masjid Nabawi in Medina,Kingdom of Saudi Arabia.
Jennifer Eliogu, Zack Orji, Ramsey Noah, Patience Ozokwor
For more in detailed reviews check out Nollywood Forever Blog
goinfographic.com/ - We can Go infographic have best Ways for InfoGraphics Submission to communicate a complex information for developing extensive logo. You can easily convert your information into amazing visual logo.
My submission to Verse Kraken magazine, published earlier this year.
versekraken.com/la-fille-poisson-1936-by-rachel-laine/
This half tail tuck along with a partially arched back indicated that a wolf is humbling itself to a more dominant wolf and is a form of submission.
I am married but have been pussy free for years. I am content being pussy free I am now my wife's gay friend not her husband
One of the more stomach-churning rides at Alton Towers, which may be why there's no-one on it in this shot. It swings around quite slowly in a complete circle and the car lurches around as it reacts to the forces. (I'm not a physicist - are they G forces or centrifugal forces or what?)
My entry for the September scavenger hunt 'Pendulum' category. My scientist friend Matt assures me that this is a 'compound pendulum', so it counts.
Utilizing our exclusive website services of press release submission
There are today many public relations campaigns using the means and provisions to advertise the products apart from building positive relations with the clients. It also offers the best means to publicize particular products or service effectively and to create a general awareness and image among the public for a company or its services.
We offer the best Press Release Submission campaign along with solutions to gain maximum publicity for your company in an overall world of online marketing business.
Some of the services, which a professional company can you:
•Use specialized technological tools to make strong announcements to the audiences that are the main targets of your company.
•Offer a revolutionary change in the field of internet marketing by meeting the public relation targets using the press release submission process.
•Offer best support and solutions on how effective the users can create their Press Release Submission, media releases, records or communications records to announce anything crucial to the potential buyers and customer online.
•Take your business to the new heights of search engine ranking results and simultaneously draws more and more clients to your company website.
•Offer the most affordable and cost effective services of Press Release Submission in order to gain the immense awareness and publicizing the company products in the market.
It is also very essential to write an effective press release keeping in mind all the information needs of the customers. Although writing a good quality press release is a far challenging task. However, by availing our services, we ensure to help you create the best position for your press release in the top searching engines.
It is however the most important aspect that you must be able to provide the press release with your genuine company contact details that will include your company information along with location, email and contact details too. Our website experts can also offer the best and strong quotes from the well-known marketing activists that allow adding the features of trust, interests and in-depth value for your products through your press release submission.
When it comes to press release submission, we at www.ebrandingindia.com/ understand its importance and give our best in order to ensure that it is of pinnacle quality.
Improve your business and increase your profits via infographic submissions. Infographics can help you advertise your business to a wider audience creating customer engagement.
For more information visit our website:
loveinfographics1.wordpress.com/2015/09/01/infographic-su...
The following was taken verbatim from the Current.TV website:
For good and valuable consideration (including, without limitation, the possibility of publicity), the receipt and sufficiency of which are hereby acknowledged, the undersigned ("I," "me," or "my" whether such party is an individual or an entity) is submitting certain concepts, ideas, communications and/or materials ("Submission") for the benefit of Current TV, LLC ("Current"), upon the following express understandings and conditions. (If I am submitting materials in connection with a contest or promotion, defined terms will have the meaning set forth in the applicable Official Rules, which are incorporated by reference, unless otherwise noted.)
1. Submission Guidelines. The Guidelines that are posted on www.current.tv (and applicable Official Rules, if I am entering a contest), which I represent and warrant I have read, understand and will follow are incorporated herein by reference.
2. Grant of Internet Rights and Reserved Ownership.
(a) In consideration of Current's evaluation of my Submission, I hereby grant to Current the exclusive, royalty-free perpetual right to exhibit, display and otherwise distribute my Submission via Current's web site for a period of three (3) months from the date on which I upload my Submission to the Current web site (the "Internet Rights").
(b) I further grant to Current an option to acquire the exclusive right to broadcast, exhibit or otherwise distribute my Submission in all media throughout the world in perpetuity (the "Option"). I acknowledge that Current may exercise the Option by notifying me at any time within three (3) months of the date I upload my Submission on Current's web site (the "Option Period") I further acknowledge that during the Option Period, I will not exploit and I will not authorize any other person to exploit my Submission in any commercial medium without Current's prior written consent.
(c) In the event that Current does NOT exercise the Option during the Option Period, then I may elect to remove my Submission from Current's web site, in which case the Internet Rights shall revert to me and Current shall have no right to exhibit my Submission on the Internet. I recognize that if I do not remove my Submission from Current's web site, I shall be deemed to have granted to Current a nonexclusive license to exercise the Internet Rights.
3. Grant of Rights in Other Media; Option Fee.
(a) In the event that Current DOES exercise the Option, then Current will pay me an Option Exercise Fee as follows:
(1)For my first Submission optioned by Current: $250
(2)For my second Submission optioned by Current: $500
(3)For my third Submission optioned by Current: $500
(4)For my fourth Submission optioned by Current: $750
(5)For my fifth Submission optioned by Current: $750
(6)For my sixth (and any subsequent) Submission(s) optioned by Current: $1,000
(b) In consideration of the Option Exercise Fee, I irrevocably grant Current the exclusive, perpetual, royalty-free, fully paid license and right to broadcast, exhibit and/or otherwise distribute the Submission and every element thereof, in whole or in part, in any manner or medium now or hereafter known or devised. Current, and its successors, assigns and licensees, will have the exclusive right to make unlimited derivative works therefrom, to assign or transfer any or all such rights and to grant unlimited sublicenses. Without limiting the forgoing, Current will have the right to use the Submission in any merchandising, advertising, marketing, promotion or for any other commercial or non-commercial purpose. I forever waive and relinquish all so-called "moral rights (droit moral)" now or hereafter recognized. I also irrevocably grant Current the right to use my name, voice, likeness and biographical material in or related to the Submission. I acknowledge that except with respect to contest entrants, Current will refrain from using the names of Tennessee residents who do not provide advance consent for purely promotional purposes. I agree not to issue any publicity on behalf of Current, but I am free to make casual and non-derogatory public statements regarding
Current. I am entitled to retain and exercise the rights that are not granted to Current by these Submission Terms, subject to Section 4 below.
(c) I acknowledge that if Current elects, in its sole discretion, to exercise the Option, I will be entitled to the Option Exercise Fee only and that I will not be entitled to any further compensation or thing of value relating to Current's use of my Submission or the exercise of its rights. I will have no right of approval or consultation with respect to Current's use of the Submission. I have retained a copy of the Submission, and Current will not be responsible for the return or preservation of the copy I have submitted. Current will have the sole discretion in determining the extent and manner of the use of the Submission and Current is not obligated in any way to use or exploit the same or any rights granted by me, or any portion thereof, in any medium or any manner whatsoever. I further agree that the Submission is not being submitted in confidence or in trust, and that no confidential or fiduciary relationship is intended or created
(d) Current acknowledges that I own and control the copyright in and to my Submission, subject to the rights I am granting to Current hereunder.
4. Related Productions. I irrevocably grant Current the exclusive right to license for exhibition, broadcast and/or other distribution throughout the world any Related Production . A "Related Production" shall be defined as any audio, visual or audiovisual production, produced by any entity other than Current, that embodies any element of a Submission hereunder as to which Current enjoys exclusivity of distribution. Before I offer any rights in a Related Production to any third party, I will give Current written notice thereof and Current will have a thirty (30) day period in which to acquire all such rights on the terms and conditions herein, in consideration of a one-time payment to me of $1,500.
5. Rights of First and Last Refusal. I hereby grant Current exclusive rights of first and last refusal to acquire any and all rights in and to the Submission not granted to Current hereunder (the "Retained Rights"). Before I offer the Retained Rights to any third party, I will give Current written notice thereof and Current will have a thirty (30) day period of exclusive negotiation. If an agreement is not reached within such period, Current will thereafter have the rights of last refusal, pursuant to which I will give Current written notice detailing the proposed terms and Current will have thirty (30) days to acquire the same on the same terms. All third party offers will be bona fide. If Current declines, I can enter into a third party agreement only on the exact terms offered to and rejected by Current. Any changed elements or terms result in a new right of last refusal for Current. Notwithstanding the foregoing, I acknowledge that any exploitation by me of the Retained Rights shall be subject to the rights granted to Current hereunder.
6. Representations, Warranties and Indemnities. I represent and warrant that: my entire Submission is wholly original to me and that no part is a copy or imitation of any other material; will not infringe or violate any right whatsoever, including, without limitation, any contractual rights, personal rights (e.g., defamation, privacy, false light, moral right, etc.) or any property rights (e.g., copyright, trademark, etc.) of any person or entity; and is not, and will not be, the subject of any threatened or pending litigation, claim or dispute. I have not granted or transferred any rights in or to the Submission to any third party. I have not done anything which has impaired and will not do anything to impair the rights granted to Current in any way. All persons engaged by me to work on the Submission or appear in the Submission: (1) have no payment claims; (2) have no rights of approval or consultation and no participation rights whatsoever; and (3) are not engaged pursuant to any union or guild agreement that results in any ongoing obligations resulting from the exploitation of the Submission. The use of all master recordings and musical compositions that have been incorporated into the Submission has been authorized in writing by the entities that own or control such master recordings and musical compositions, and that Current shall have no obligation to make any payments to such owners or to any other entity in connection with the distribution of the Submission. I and all parties that performed any services on, or appear in, any aspect of the Submission have signed the Release provided by Current to me or a similar form that establishes the services as a "work-for-hire" and grants the same rights and releases as in the Current Release. I will indemnify and hold harmless Current, its parent, and its and their subsidiaries, affiliates, successors, licensees, and assigns, and each of their directors, officers, agents, equity holders and employees, from and against any and all claims, losses, costs, damages, liabilities and costs and expenses (including reasonable attorneys' fees costs) which arise out of any breach of any of my covenants, agreements, obligations, representations or warranties set forth herein.
7. Limitations on Liabilities; Remedies. By submitting my Submission, I agree that: (1) any and all disputes, claims and causes of action arising out of or connected with my Submission will be resolved individually, without resort to any form of class action; (2) any and all claims, judgments and awards will be limited to actual third-party, out-of-pocket costs incurred not to exceed the amount of the Use Fee, but in no event will attorneys' fees be awarded or recoverable; (3) under no circumstances will I be permitted to obtain any award for, and I knowingly and expressly waive all rights to seek, punitive, incidental, consequential or special damages, lost profits and/or any other damages, other than actual out-of-pocket expenses not to exceed the amount of the Use Fee, and/or any and all rights to have damages multiplied or otherwise increased; and (4) my remedies are limited to a claim for money damages (if any) and I irrevocably waive any right to seek injunctive or equitable relief.
8. Miscellaneous. These Submission Terms and their performance will be binding on me and my heirs, administrators, successors and assigns. The construction, validity, interpretation and enforceability of the Submission Terms will be governed by and construed in accordance with the internal laws of the State of California without giving effect to any choice of law or conflict of law rules. I irrevocably agree that, if a dispute arises out of or relates to the Submission Terms or my Submission, such dispute(s) will be resolved solely by binding arbitration before a sole arbitrator in San Francisco, with experience in entertainment law, under the rules and regulations of the American Arbitration Association ("AAA"). The arbitration will be held in San Francisco, California where the arbitrator will issue a written decision and will have the power to award any legal remedies except as limited by these Submission Terms. The parties expressly incorporate into these Submission Terms the terms of California Civil Procedure Section 1283 and 1283.05 pertaining to pre-hearing discovery. Notwithstanding the foregoing, I acknowledge that Current may nonetheless (1) seek to obtain injunctive or other equitable relief from a court to enforce the provisions of these Submission Terms; (2) bring an action in court to protect or interpret any of Current's purported intellectual property rights; and/or (3) bring an action to enforce the decision of the arbitrator before any court with jurisdiction. These Submission Terms will not be assignable by me except as approved in writing by Current and any unauthorized, purported assignment will be null and void. Current, and its successors and assigns, will have the unlimited right to assign these Submission Terms and the rights granted at any time, in whole or in part, to any party. I will execute any documents (after being afforded a reasonable opportunity to review and/or confirm the same) and do any other acts as may be reasonably required by Current to further evidence or effectuate Current's rights as set forth in these Submission Terms and I appoint Current as my attorney-in-fact (which appointment is irrevocable and coupled with an interest), with full power of substitution and delegation, but only to execute any and all such documents, or perform such acts, which I fail to execute (after being afforded a reasonable opportunity to review and/or confirm the same). Current will promptly furnish to me a copy of all such documents that Current executes on my behalf.
Executed as of the date the Submission was submitted online.
Submissions for the Jumping Quilt are now being accepted!
Upload your jumping self-portraits to the Quilting Madness group pool.
Guidelines:
1. Try to make it a self-portrait. We want to see YOU jumping, not your kids, cute as they are.
2. Submit SQUARE images, at least 800x800 pixels and 72 dpi big. If you've already taken and submitted them to the group (you overachievers, you) I will crop them unless you want to reshoot. Keep in mind when you are shooting that your resulting image needs to be a square.
3. Make sure I have access to the "All Sizes" link in Flickr. If you want to keep the image private, just send me a Flickrmail with the link to the large size.
Deadline for submissions:
Wednesday, May 7th at 10:00pm PST
Quilt Unveiling:
Friday, May 9th by 5:00pm PST
What is this quilting thing all about?
See past quilts:
Headstands and andstands Quilt
Upcoming: Flickrstein
Visit the Quilting Madness Group Pool.
Questions? Send me a Flickrmail.