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Ely Cathedral, Ely, Cambridgeshire

 

19th Century nave roof panel depicting the Adoration of the Shepherds and Magi.

 

The nave roof ceiling was painted as part of George Gilbert Scott's restoration of the 1850s and 1860s. It consists of twelve panels depicting the Sacred History of Man as recorded in Scripture, and was designed by Henry Styleman Le Strange. The sequence was based on the early 13th Century sequence at St Michael, Hildesheim in Germany. Le Strange painted the first six panels himself, and the rest were completed after his death in 1862 by Thomas Gambier Parry. They are, from west to east:

 

I. The Creation of Man

II. Adam and Eve

III. The Thank-offering of Noah

IV. Abraham and Isaac

V. The Dream of Jacob

VI. The Betrothal of Ruth to Boaz

VII. The Stem of Jesse

VIII. King David

IX. The Annunciation

X. The Nativity

XI. The Adoration of the Shepherds and Magi

XII. Christ in Majesty with Saints and Angels

 

Biblical scene painting: Henry Styleman Le Strange and Thomas Gambier Parry, completed c1865

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en.wikipedia.org/wiki/Ely_Cathedral

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Double-click for full detail

 

P4201307 Anx2 Q90

Heritage Centre Hunstanton. ( Ex Nat West bank )

A community project charting Henry Le Strange’s vision of a beautiful Victorian Seaside Resort right up to the present!

Henry L'Estrange Styleman Le Strange (1815–1862), in early life Henry Styleman, was an English decorative painter. He is now remembered as the developer of the town of Hunstanton, Norfolk, as a coastal resort.

en.wikipedia.org/wiki/Henry_L%27Estrange_Styleman_Le_Strange

www.visitwestnorfolk.com/places/hunstanton/history-of-hun...

Who has seen the fabulous new movie 'Maestro' on Netflix? Definitely Oscar material.

There's a powerful scene towards the end where Bradley Cooper conducts the London Philharmonic Orchestra - a reproduction of Leonard Bernstein's 1973 performance.

Underneath the massive West Tower, which is 66m (217 ft) high and was built in two distinct phases. The lower two thirds is 12th century work, with the top third added in the late 14th century. The painted ceiling is a Victorian addition by Henry Styleman Le Strange, painted in the 1850s. The cathedral chapter were so pleased with the result that he was invited to paint the ceiling of the nave.

St. Mary's Church has a 14th century, 172-foot (52 m) high spire. Nikolaus Pevsner called it "perhaps the most exciting decorated church in Norfolk". The church was built about 1340, though the list of Vicars of Snettisham which is inside the church dates from before this time.

 

It is built of flint in the Decorated style. The spire, which can be seen from miles around and in centuries past was used as a landmark for ships plying the Wash, was not completed until 1390 because of the Black Death which hit Norfolk during 1348-49. The church's stature was evidence of the size and position of the village in that era and, even after the loss of the chancel in 1603, the building still remains a magnificent structure. The church also provided a model for Christ Church Cathedral in Fredericton, New Brunswick, Canada whose congregation recently contributed to the renovation of the "mother" structure.

 

From time to time the church, particularly the spire, has needed major repairs, and during recent renovations to the roof, a plaque was uncovered recording that on the occasion of a previous repair in 1806, the then church wardens were Henry Styleman (the local square) and James Lay. There are (or were) six bells in the tower. All were inscribed "Thomas Newman made me 1710". Owing to the condition of the belfry they've not been rung for many years. The Sanctus bell is more than 700 years old.

 

On 19 January 1915, the first Zeppelin raid over England took place. Since Snettisham was not then "blacked out" lights could be seen from overhead. This presented too tempting a target for one airship commander who altered his course as soon as was practicable and released a bomb which narrowly missed the church and fell on soft ground in a nearby pasture with sufficient force to break most of the windows on the south and east sides.

Quite hard to see because of its height (105 feet), is the nave ceiling’s painted decorations. Far from being medieval, they date from the Victorian restoration, and are the work of two artists: Henry Styleman Le Strange, who painted the first six panels (counting from the west), and Thomas Gambier Parry, who painted the last six. An amateur painter, Styleman Le Strange was invited by the cathedral chapter to design decoration for the roof of the nave and began painting the roof in 1858, working on it until his sudden death four years later. He is also known as the developer of Hunstanton in Norfolk as a resort. Gambier Parry, who completed the nave ceiling, was a professional painter of frescoes and collector of medieval frescoes.

The ceiling tells the story of the ancestry of Jesus, beginning with Adam (panel 1). and continuing through Abraham, David and Mary. It seems a little perverse that the orientation of the paintings means that as you enter the cathedral, they’re all upside down - and to see them the right way round, they’re in the wrong order chronologically.

Quite hard to see because of its height, is the nave ceiling’s painted decorations. Far from being medieval, they date from the Victorian restoration, and are the work of two artists: Henry Styleman Le Strange, who painted the first six panels (counting from the west), and Thomas Gambier Parry, who painted the last six. An amateur painter, Styleman Le Strange was invited by the cathedral chapter to design decoration for the roof of the nave and began painting the roof in 1858, working on it until his sudden death four years later. He is also known as the developer of Hunstanton in Norfolk as a resort. Gambier Parry, who completed the nave ceiling, was a professional painter of frescoes and collector of medieval frescoes.

The ceiling tells the story of the ancestry of Jesus, beginning with Adam (panel 1) and continuing through Abraham, David and Mary. It seems a little perverse that the orientation of the paintings means that as you enter the cathedral, they’re all upside down - and to see them the right way round, they’re in the wrong order chronologically.

Quite hard to see because of its height, is the nave ceiling’s painted decorations. Far from being medieval, they date from the Victorian restoration, and are the work of two artists: Henry Styleman Le Strange, who painted the first six panels (counting from the west), and Thomas Gambier Parry, who painted the last six. An amateur painter, Styleman Le Strange was invited by the cathedral chapter to design decoration for the roof of the nave and began painting the roof in 1858, working on it until his sudden death four years later. He is also known as the developer of Hunstanton in Norfolk as a resort. Gambier Parry, who completed the nave ceiling, was a professional painter of frescoes and collector of medieval frescoes.

The ceiling tells the story of the ancestry of Jesus, beginning with Adam (panel 1). and continuing through Abraham, David and Mary. It seems a little perverse that the orientation of the paintings means that as you enter the cathedral, they’re all upside down - and to see them the right way round, they’re in the wrong order chronologically.

Go-Ahead London Central E 137 SN60 BZJ runs past the Styleman's Alms Houses in Bexley High Street working on the 132. Friday 13th May 2016. DSCN36612A.

 

John Styleman (1652-1734) was a Director of the British East India Company and lived in nearby Danson. Upon his death he left instructions for the building of twelve cottages for the relief of poor families in Bexley. All twelve remain today still fulfilling their charitable purpose.

 

AD Trident-AD Enviro400 10.1m.

  

St. Mary's Church has a 14th century, 172-foot (52 m) high spire. Nikolaus Pevsner called it "perhaps the most exciting decorated church in Norfolk". The church was built about 1340, though the list of Vicars of Snettisham which is inside the church dates from before this time.

 

It is built of flint in the Decorated style. The spire, which can be seen from miles around and in centuries past was used as a landmark for ships plying the Wash, was not completed until 1390 because of the Black Death which hit Norfolk during 1348-49. The church's stature was evidence of the size and position of the village in that era and, even after the loss of the chancel in 1603, the building still remains a magnificent structure. The church also provided a model for Christ Church Cathedral in Fredericton, New Brunswick, Canada whose congregation recently contributed to the renovation of the "mother" structure.

 

From time to time the church, particularly the spire, has needed major repairs, and during recent renovations to the roof, a plaque was uncovered recording that on the occasion of a previous repair in 1806, the then church wardens were Henry Styleman (the local square) and James Lay. There are (or were) six bells in the tower. All were inscribed "Thomas Newman made me 1710". Owing to the condition of the belfry they've not been rung for many years. The Sanctus bell is more than 700 years old.

 

On 19 January 1915, the first Zeppelin raid over England took place. Since Snettisham was not then "blacked out", lights could be seen from overhead. This presented too tempting a target for one airship commander who altered his course as soon as was practicable and released a bomb which narrowly missed the church and fell on soft ground in a nearby pasture with sufficient force to break most of the windows on the south and east sides.

Underneath the massive West Tower, which is 66m (217 ft) high and was built in two distinct phases. The lower two thirds is 12th century work, with the top third added in the late 14th century. The painted ceiling is a Victorian addition by Henry Styleman Le Strange, painted in the 1850s. The cathedral chapter were so pleased with the result that he was invited to paint the ceiling of the nave.

In 1846, Henry Styleman Le Strange (1815–1862),[6] decided to develop the area south of Old Hunstanton as a sea-bathing resort. He persuaded a group of like-minded investors to fund the construction of a railway line from King's Lynn to the town, to bring tourists and visitors. This was a great success – the Lynn & Hunstanton Railway became one of the most consistently profitable railway companies in the country. In 1861, Le Strange, as principal landowner, became a director of the railway company and by 1862 the line had been built. Hunstanton was ready to take off commercially. However, Le Strange died in the same year at the age of 47 and it was left to his son Hamon to reap the rewards of his efforts.

As a mark of his intentions, Le Strange had moved the ancient village cross from Old Hunstanton to the new site in 1846, and in 1848 the first building was erected. This was the Royal Hotel (now the Golden Lion), the work of the renowned Victorian architect, William Butterfield, a friend of Le Strange. Overlooking a sloping green and the sea, and for several years standing alone, it earned the nickname "Le Strange's Folly". In 1850 Le Strange, an amateur architect and painter, appointed a land agent to survey the site and prepare a plan, while he himself drew and painted a map and a perspective of the scheme, showing shops, a station and a church. He consulted William Butterfield on the design of the development plan. Their shared passion was for the "Old English" style of architecture for domestic buildings. This owed much to medieval precedent and to the earnestness of the Victorian Gothic Revival. Hunstanton is the exemplar of a model 19th-century estate seaside town. Most of the fabric and character of that original development survives.

en.wikipedia.org/wiki/Hunstanton

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