View allAll Photos Tagged studiowindow
MeiMei in the studio window
- the exotic plants in the garden/window view are part of the original image.
- the texture layer used: c2d by JoesSistah www.flickr.com/photos/27805557@N08/3313397900/in/set-7215...
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Ahhhh... something quiet to rest my eyes on...... after completing that last 'wild' painting ((:
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texture added
thank you - texture by SkeletalMess www.flickr.com/photos/skeletalmess/
Fog this morning...quiet stillness and no bird song yet. Looking west to Whidbey Island there behind the fog wall. Art table with sketchbook and work from last night.
OK this is not the sharpest tack in our tintype collection box but I still love it. Twin blond girls sit on a studio set window ledge wearing matching dresses and high button shoes. Soft focus, bent, and rusty but, to me, still lovable.
Abstract detailed shot of Mackintosh Building facade from Renfrew Street showing studio windows
©McAteer Photograph
Another morning with marine overcast and damp air. The waters of the Puget Sound and the sky are the same gray today. #studiowindow #windowview
Generally I sleep like the dead. The only two things that will reliably cause insomnia for me are too much coffee- which I rarely indulge in- and unemployment. At least I'm getting to see the dawn more often, if only from my studio window. :-)
better larger View On Black
Hans Heysen and Nora Heysen and the Cedars.
Sir Hans Heysen was born in Hamburg in Germany and migrated to SA in 1883 when he was seven years old. At age 14 he enrolled in James Ashton’s Norwood Art School. From the age of 16 (1893) his works were being exhibited in galleries in Adelaide. He loved the Australian landscape and one of his favourite haunts for painting was the Onkaparinga Valley near the village of Grunthal. In the mid 1890s Robert Barr Smith paid the fees for Heysen to attend the school of design at the Art Gallery of Adelaide. Other patrons paid for his studies of art in Europe on condition that they could sell the works of art he produced whilst there! He returned to Adelaide in 1903, married in 1904, and continued to exhibit in Adelaide and Melbourne. In 1908 he rented a cottage near Grunthal as he loved the big gums of what became Heysen Country. As his fame and commissions grew he was able to buy in 1912 a nearby property, the Cedars, with 36 acres of big gum country. He soon added a studio (1912) and enlarged the house in 1912 and again in 1924 to accommodate his eight children and one adopted child. He transformed the original Victorian villa style house into an Arts and Crafts Federation bungalow style house. He travelled to the Flinders Ranges for the first time in 1926 and by then he was a well-established and prominent artist with many prizes and awards to his name. His recognition as an artist continued and he was knighted in 1959. Sir Hans Heysen died in the Mt Barker Hospital in 1968 and was buried in Hahndorf. Only one of his children showed artistic talent and that was daughter Nora. A number of his paintings depict the country between Verdun, Balhannah and Hahndorf including Summer 1908; Red Gold 1913; The Road 1918; At The Panels 1920; The Toilers 1920; Light and Shade 1923; and Two white Gums near Ambleside 1944.
Two prompts in one today. For #cy365 day 220 and #windowview day187....It took me a minute or two to 'see' what was in the frame! Double exposure? or a glass partition separating the view behind? All in HDR of course.
Drizzle and cool on my morning walk with Bailey. I see the layers of gray overhead...from darkest to the south to lightest reflected light over the water. The neighbor's nine hens were out and noisy, probably wishing for sun as well. Messy art table with yesterday's portrait and art supplies and watercolor water left as is. Day107 May18,2018
The east sky 30 min. before the official sunrise at 7:46 when dark becomes light...Deepness to the sky and silhouettes...#islandliving #myview #inspiration #studiowindow.
It's pretty clear what drives my mornings....A cuppa to welcome the light and a wee little dog who needs to be walked first thing. All is good as I prepare for the minutes yet to be.
Hans Heysen and Nora Heysen and the Cedars.
Sir Hans Heysen was born in Hamburg in Germany and migrated to SA in 1883 when he was seven years old. At age 14 he enrolled in James Ashton’s Norwood Art School. From the age of 16 (1893) his works were being exhibited in galleries in Adelaide. He loved the Australian landscape and one of his favourite haunts for painting was the Onkaparinga Valley near the village of Grunthal. In the mid 1890s Robert Barr Smith paid the fees for Heysen to attend the school of design at the Art Gallery of Adelaide. Other patrons paid for his studies of art in Europe on condition that they could sell the works of art he produced whilst there! He returned to Adelaide in 1903, married in 1904, and continued to exhibit in Adelaide and Melbourne. In 1908 he rented a cottage near Grunthal as he loved the big gums of what became Heysen Country. As his fame and commissions grew he was able to buy in 1912 a nearby property, the Cedars, with 36 acres of big gum country. He soon added a studio (1912) and enlarged the house in 1912 and again in 1924 to accommodate his eight children and one adopted child. He transformed the original Victorian villa style house into an Arts and Crafts Federation bungalow style house. He travelled to the Flinders Ranges for the first time in 1926 and by then he was a well-established and prominent artist with many prizes and awards to his name. His recognition as an artist continued and he was knighted in 1959. Sir Hans Heysen died in the Mt Barker Hospital in 1968 and was buried in Hahndorf. Only one of his children showed artistic talent and that was daughter Nora. A number of his paintings depict the country between Verdun, Balhannah and Hahndorf including Summer 1908; Red Gold 1913; The Road 1918; At The Panels 1920; The Toilers 1920; Light and Shade 1923; and Two white Gums near Ambleside 1944.
A maquette of the interior of Mondriaan's studio of 1944 at 15 East 59th St, New York on display in the Mondriaan House museum in Amersfoort.
On the wall can be seen his final, uncompleted, painting of 1944 "Victory Boogie Woogie".
Looking out the front window with the almost invisible counter. The front window is new replacing the old one piece window that did not open.
Hans Heysen and Nora Heysen and the Cedars.
Sir Hans Heysen was born in Hamburg in Germany and migrated to SA in 1883 when he was seven years old. At age 14 he enrolled in James Ashton’s Norwood Art School. From the age of 16 (1893) his works were being exhibited in galleries in Adelaide. He loved the Australian landscape and one of his favourite haunts for painting was the Onkaparinga Valley near the village of Grunthal. In the mid 1890s Robert Barr Smith paid the fees for Heysen to attend the school of design at the Art Gallery of Adelaide. Other patrons paid for his studies of art in Europe on condition that they could sell the works of art he produced whilst there! He returned to Adelaide in 1903, married in 1904, and continued to exhibit in Adelaide and Melbourne. In 1908 he rented a cottage near Grunthal as he loved the big gums of what became Heysen Country. As his fame and commissions grew he was able to buy in 1912 a nearby property, the Cedars, with 36 acres of big gum country. He soon added a studio (1912) and enlarged the house in 1912 and again in 1924 to accommodate his eight children and one adopted child. He transformed the original Victorian villa style house into an Arts and Crafts Federation bungalow style house. He travelled to the Flinders Ranges for the first time in 1926 and by then he was a well-established and prominent artist with many prizes and awards to his name. His recognition as an artist continued and he was knighted in 1959. Sir Hans Heysen died in the Mt Barker Hospital in 1968 and was buried in Hahndorf. Only one of his children showed artistic talent and that was daughter Nora. A number of his paintings depict the country between Verdun, Balhannah and Hahndorf including Summer 1908; Red Gold 1913; The Road 1918; At The Panels 1920; The Toilers 1920; Light and Shade 1923; and Two white Gums near Ambleside 1944.
Early morning before leaving for the day. No studio time today. I love the silhouettes against the morning light
Fog is as far as I can see which isn't far...just to the edge of the trees on the bank. But it will furn off and be warm and the sky will be blue by noon. But I love this morning cool and wet on my skin. Art table has a work in progress....
Early fog but a bit of blue beyond Whidbey Island. Art table messy from yesterday's portrait, but ready for today.
perfect spot for a photo
it's to help advertise the workshops
would you trust me to teach you how to sew?!
re-inventingfashion.blogspot.com/2009/11/i-had-dream.html
Wearing;
vintage crochet cardy cropped with mens 'Monet' tie
supre singlet
? skirt REinvented with pants & appliqued with tablecloth
I was working on today's portrait when I remembered to take the window view photo...The music playing was "Here Comes The Sun"...and surely any minute now it will.
I 'forgot'....and managed to snap this before midnight. No view, but beautiful skull lights framing the dark.
A maquette of the interior Mondriaan's studio of 1926 at 26 rue de Depart (nr. Montparnasse station) on display in the Mondriaan House museum in Amersfoort. Note the alarm clock hanging on the wall above the bed.
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It was great fun to see all those boys so calm, working with great concentration, and being so happy with the results!