Structuralism
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(full colour mix) Coleyville country. ...from an Easter Monday drive with Ernie to Rosevale, via Coleyville, and up the Kerwitz Road. Ernie is 91 and retired from his diary farm in the area about 34 years ago. There are changes in farmers' approaches in the area as the diary industry structurally adjusts to a modern economy. There are very few diary farms left. Most of the land has been given over to beef cattle (as with this one), horse studs and hobby farms. Whether or not this is a good thing remains to be seen...
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Water gates to Uglich. Cruise ship in the lock chamber.
Structurally, the Uglich hydroelectric station is a low-pressure channel hydroelectric station. The waterworks facilities include a channel earth dam, a concrete spillway dam, a hydroelectric power station building and a shipping lock.
The shipping gateway of the Uglich hydroelectric complex is located on the left bank, adjacent to the earth dam. Single-chamber single-chamber gateway, chamber length - 290 m, width - 30 m. The design time for filling the gateway is 9.5 minutes, emptying - 7 minutes. Filling and drainage of the lock chamber is carried out with the help of two water galleries. In the upper head of the sluice (from the Uglich reservoir) there is a main valve and repair flat wheel lock, in the lower head there are main and repair double gate. In addition to the heads and the sluice chamber, the sluice’s structures include a 800-meter long canal and a 1,200-meter downstream canal, mooring walls, two dams protecting vessels when approaching the gateway, a left-bank dam with a loamy antifiltration core, and a road bridge above head. The gateway is on the balance of FSUE "Moscow Canal"
This is a landscape version of my square photo called 'Simple Abstract 75'.
This image is looking up at balconies of Wardian London, one of two similar towers in Canary Wharf, East London, using intentional camera movement. The architects are Glenn Howells.
I like to think this photo has the feel of a scientific abstract image taken by the great photographer Berenice Abbott (1898 to 1991).
UK architecture in the twenty first century. This is 'Canopy Hotel by Hilton' in Aldgate, London, which opened in November 2021. Architects: ACME.
See a square version of this photograph at flic.kr/p/2mYsQMj.
A magnificently curved building in Manchester, England.
This is Gateway House, completed in 1969. Architect: Richard Seifert.
This photo was taken in Toronto back in October 2017. I've posted square photos of this building on here, but not this one, until now.
The building is 'Exhibit Residences'. Architect: Rosario “Roy” Varacalli
The new Design Museum in Kensington opened in November 2016. The building was formerly the home of the Commonwealth Institute and it was opened in 1962. The architects were RMJM (Robert Matthew Johnson Marshall). This photo shows a section of the original roof structure.
Sometimes you think nothing is a coincidence. Moments after finishing this GIMPed abstract of "The Wave", I saw a photograph that had many similarities. So I copied the very suitable title of that photo.
The Wave, Almere, Flevoland, The Netherlands.
Design: René van Zuuk (2004)
A dragonfly is an insect belonging to the order Odonata, suborder Anisoptera (from Greek ανισος anisos "uneven" + πτερος pteros, "wings", because the hindwing is broader than the forewing). Adult dragonflies are characterized by large multifaceted eyes, two pairs of strong transparent wings, sometimes with coloured patches, and an elongated body. Dragonflies can be mistaken for the related group, damselflies (Zygoptera), which are similar in structure though usually lighter in build; however, the wings of most dragonflies are held flat and away from the body, while damselflies hold the wings folded at rest, along or above the abdomen. Dragonflies are agile fliers while damselflies have a weaker, fluttery flight. Many dragonflies have brilliant iridescent or metallic colours produced by structural coloration, making them conspicuous in flight. An adult dragonfly eye has nearly 24,000 ommatidia.
Dragonflies are predators, both in their aquatic larval stage, when they are known as nymphs or naiads, and as adults. Several years of their life are spent as a nymph living in freshwater; the adults may be on the wing for just a few days or weeks. They are fast agile fliers, sometimes migrating across oceans, and are often but not always found near water.
A view up into the canopy on a misty morning in Little Wittenham Wood, South Oxfordshire. I was taken by the snaking structure of the branches as the reach up into the sky.
Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink, bordered by white, and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.
The cathedral complex, in Piazza del Duomo, includes the Baptistery and Giotto's Campanile. These three buildings are part of the UNESCO World Heritage Site covering the historic centre of Florence and are a major tourist attraction of Tuscany. The basilica is one of Italy's largest churches, and until the development of new structural materials in the modern era, the dome was the largest in the world. It remains the largest brick dome ever constructed.
The cathedral is the mother church of the Archdiocese of Florence, whose archbishop is Giuseppe Betori.
Santa Maria del Fiore was built on the site of Florence's second cathedral dedicated to Saint Reparata; the first was the Basilica di San Lorenzo di Firenze, the first building of which was consecrated as a church in 393 by St. Ambrose of Milan. The ancient structure, founded in the early 5th century and having undergone many repairs, was crumbling with age, according to the 14th-century Nuova Cronica of Giovanni Villani, and was no longer large enough to serve the growing population of the city. Other major Tuscan cities had undertaken ambitious reconstructions of their cathedrals during the Late Medieval period, such as Pisa and particularly Siena where the enormous proposed extensions were never completed.
City council approved the design of Arnolfo di Cambio for the new church in 1294. Di Cambio was also architect of the church of Santa Croce and the Palazzo Vecchio. He designed three wide naves ending under the octagonal dome, with the middle nave covering the area of Santa Reparata. The first stone was laid on 9 September 1296, by Cardinal Valeriana, the first papal legate ever sent to Florence. The building of this vast project was to last 140 years; Arnolfo's plan for the eastern end, although maintained in concept, was greatly expanded in size.
After Arnolfo died in 1302, work on the cathedral slowed for almost 50 years. When the relics of Saint Zenobius were discovered in 1330 in Santa Reparata, the project gained a new impetus. In 1331, the Arte della Lana, the guild of wool merchants, took over patronage for the construction of the cathedral and in 1334 appointed Giotto to oversee the work. Assisted by Andrea Pisano, Giotto continued di Cambio's design. His major accomplishment was the building of the campanile. When Giotto died on 8 January 1337, Andrea Pisano continued the building until work was halted due to the Black Death in 1348.
The Duomo, as if completed, in a fresco by Andrea di Bonaiuto, painted in the 1360s, before the commencement of the dome
In 1349, work resumed on the cathedral under a series of architects, starting with Francesco Talenti, who finished the campanile and enlarged the overall project to include the apse and the side chapels. In 1359, Talenti was succeeded by Giovanni di Lapo Ghini (1360–1369) who divided the centre nave in four square bays. Other architects were Alberto Arnoldi, Giovanni d'Ambrogio, Neri di Fioravanti and Andrea Orcagna. By 1375, the old church Santa Reparata was pulled down. The nave was finished by 1380, and only the dome remained incomplete until 1418.
On 19 August 1418,[8] the Arte della Lana announced an architectural design competition for erecting Neri's dome. The two main competitors were two master goldsmiths, Lorenzo Ghiberti and Filippo Brunelleschi, the latter of whom was supported by Cosimo de Medici. Ghiberti had been the winner of a competition for a pair of bronze doors for the Baptistery in 1401 and lifelong competition between the two remained sharp. Brunelleschi won and received the commission.
Ghiberti, appointed coadjutor, drew a salary equal to Brunelleschi's and, though neither was awarded the announced prize of 200 florins, was promised equal credit, although he spent most of his time on other projects. When Brunelleschi became ill, or feigned illness, the project was briefly in the hands of Ghiberti. But Ghiberti soon had to admit that the whole project was beyond him. In 1423, Brunelleschi was back in charge and took over sole responsibility.
Work on the dome began in 1420 and finished in 1436. The cathedral was consecrated by Pope Eugene IV on 25 March 1436, (the first day of the year according to the Florentine calendar). It was the first 'octagonal' dome in history to be built without a temporary wooden supporting frame. It was one of the most impressive projects of the Renaissance. During the consecration in 1436, Guillaume Dufay's motet Nuper rosarum flores was performed.
The decoration of the exterior of the cathedral, begun in the 14th century, was not completed until 1887, when the polychrome marble façade was completed with the design of Emilio De Fabris. The floor of the church was relaid in marble tiles in the 16th century.
The exterior walls are faced in alternate vertical and horizontal bands of polychrome marble from Carrara (white), Prato (green), Siena (red), Lavenza and a few other places. These marble bands had to repeat the already existing bands on the walls of the earlier adjacent baptistery the Battistero di San Giovanni and Giotto's Bell Tower. There are two side doors: the Doors of the Canonici (south side) and the Door of the Mandorla (north side) with sculptures by Nanni di Banco, Donatello, and Jacopo della Quercia. The six side windows, notable for their delicate tracery and ornaments, are separated by pilasters. Only the four windows closest to the transept admit light; the other two are merely ornamental. The clerestory windows are round, a common feature in Italian Gothic.
I believe this beautiful flower - observed in Hamilton NZ's world-class Botanical Gardens - is a prime example of "Archtecture in Nature." Every structure in this flower has an important function. How the structural elements have been arraigned by nature is remarkable.
A section of the Walbrook Building roofline, photo taken from the inner courtyard behind Cannon Street in the City of London. Architect: Foster & Partners - Built 2010.
Also PRESS HERE for my other photo.
Abstract shot of the Brooklyn Bridge in New York, USA. It opened in 1883. Designed by John Augustus Roebling.
Photo taken in May 2024.
A close-up photo of the florets on a Cordyline fruiticosa plant photographed at the Des Moines Botanical Gardens.
Developed with Darktable 3.6.0.
New building currently under construction, with slanted window lines, in the City of London. Architects: Flanagan Lawrence.
A landscape version of distorted reflections of one mid-century building in the remaining darkened and blown glass panels of another on the brink of demolition.
These are Sentinel House (see flic.kr/p/2rjzqZz) and Charles House in Eccles, Greater Manchester.
Photo taken in July 2025.
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