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CP 475 headed North on the Ottumwa Sub with it’s train from KC bound for St. Paul. Here in Letts 475 would meet a SB sand train with a KCS ace in the lead.

The Golden Gallery with wonderful views over London

Amtrak's 1340 Borealis is zipping under the Hoffman signal bridge in St. Paul. On this frigid January morning, they would have no major obstacles on their journey down the river subdivision. 517 looked and sounded great on this cloudless day.

Built in 1887 for barrel maker Michael Murray, this Queen Anne-style house was designed by notable architect Edward P. Bassford. The house was later modified and converted into apartments in the 20th Century. It has since been lovingly restored to its original appearance. The house is a contributing structure in the Irvine Park Historic District, listed on the National Register of Historic Places in 1973.

An old one from the archives.

Building named after Viscount Brendan Bracken who founded the Financial Times and had this building built to accommodate it. He, reputedly, dabbled in the occult, hence the astrological clock above the entrance. The face of his great friend, Winston Churchill, is represented as the sun god in the centre.

Built in 1889, this Richardsonian Romanesque-style building stands at the corner of Western Avenue and Selby Avenue in St. Paul’s Cathedral Hill neighborhood. The building was notably home to the W. A. Frost Pharmacy for much of its early history, being owned by Frost until his death in 1930, and remaining in business until 1950, whereupon the decline of the neighborhood and shifting demographics of the area led to its closure. In 1974, the building was purchased by the Rupp family and became home to the W. A. Frost Bar and Restaurant in 1975, which helped kickstart the revitalization and preservation of the surrounding Cathedral Hill neighborhood. The building is a contributing structure in the Historic Hill District, listed on the National Register of Historic Places in 1976. The W. A. Frost Bar and Restaurant remains a popular local business today.

Built between 1894 and 1902, this Richardsonian Romanesque-style granite building was designed by Willoughby J. Edbrooke to serve as the United States Post Office, Courthouse, and Custom House for St. Paul. The building occupies an entire city block between 5th Street, 6th Street, Washington Street, and Market Street, and sits next to Landmark Plaza, Hamm Plaza, and Rice Park. The exterior of the building features multiple turrets, steeply pitched red tile roofs, multiple wall dormers, and two towers, one of which features a clock. The building has a very simple exterior with few ornately carved details, with the interior being much more grandiose, and featuring a massive five-story atrium, 20-foot ceilings, and extensive use of marble, oak, and mahogany. The building housed the city’s post office and custom house until the larger Eugene McCarthy US Post Office and Custom House was completed on Kellogg Boulevard in 1934, after which it served as the Federal Courthouse until the Warren E. Burger Federal Building and United States Courthouse was completed in 1966. Following the departure of the federal government, the building became unused and endangered, and was threatened with demolition. A local community group fought to preserve the building, with the building being listed on the National Register of Historic Places in 1969 as part of these efforts. The building was restored to its original splendor during the 1970s, and reopened as Landmark Center in 1978, housing multiple arts organizations, and is owned and operated by Minnesota Landmarks, a nonprofit organization dedicated to preserving historical buildings and sites in the state of Minnesota.

original photograph from jensjunge at pixabay

pixabay.com/en/st-paul-church-london-england-439647/

 

After watching a interesting programme last night on the architecture of this landmark i was inspired to photoshop it !

Built in 1889, this Richardsonian Romanesque-style set of rowhouses, clad in brick and rusticated brownstone, were designed by Clarence H. Johnston, Sr. & William H. Willcox. One of the rowhouses, located towards the western end of the row, was inhabited by F. Scott Fitzgerald and his parents between 1918 and 1920. Most of the rowhouses feature stone facades with decorative trim details, arched windows, trapezoidal bay windows, oriel windows, gable parapets, and porches with arched openings. Other rowhouses demonstrate more Renaissance Revival-style features with broad overhanging eaves, shallow oriel windows, and rectilinear windows. The F. Scott Fitzgerald House was listed on the National Register of Historic Places and listed as a National Historic Landmark in 1971, with the row being listed as a contributing structure in the Historic Hill District, listed on the National Register of Historic Places in 1976.

Built in 1851 by Isaac P. Wright, this house was originally a more modest structure, and saw minor alterations circa 1864. In 1906, the house’s second owner, James Prendergast, commissioned local architect Mark Fitzpatrick to renovate the house in the Neoclassical style, adding a new front wing with a two-story pedimented Ionic portico to the house, and carrying out major alterations, including a major interior renovation with elements salvaged from the opulent Norman Kittson Mansion. The house is a contributing structure in the Irvine Park Historic District, listed on the National Register of Historic Places in 1973.

Built in 1890, this Queen Anne and Shingle-style house features a corner tower with a beehive-shaped roof, second-story balconies, attic oriel window, delicate tuscan columns, and a complex roofline with shingle-clad gable ends. The house is a contributing structure in the Historic Hill District, listed on the National Register of Historic Places in 1976.

Long exposure of St Paul's Cathedral with the millenium Bridge in the foreground.

Thanks for looking 🙏😊

Built in 1915, this Tudor Revival-style limestone-clad mansion was designed by Thomas Holyoke for Watson and Sarah Davidson, whom made their fortune in real estate. The house was a private residence until 1961, when it became home to the College of Visual Arts, founded in 1948, which remained in the house until 2013, utilizing it as an administration building, classrooms, and art studios. Following the closure of the College of Visual Arts, the house languished until it was bought by Commonwealth Companies in 2019 and renovated into The Davidson, an upscale boutique hotel, with several areas of the building remaining vacant. The house is a contributing structure in the Historic Hill District, listed on the National Register of Historic Places in 1976.

Built between 1919 and 1925 in the Romanesque Revival style, this church, originally known as St. Luke’s Catholic Church, was designed by John Theodore Comès and William Perry of the firm Comès, Perry and McMullen, as well as the Walter Butler Co. Inc. The building features a “basilica” floor plan, barrel vault ceilings and roman arches, a facade clad in limestone with lots of carved decoration, and a tile roof with multiple colors of tile mixed in. The church is a contributing structure in the Historic Hill District, listed on the National Register of Historic Places in 1976. The church became known as Saint Thomas More Catholic Church in 2008 when the parishes of St. Luke, founded in 1888, and The Church of the Immaculate Heart of Mary, founded in 1949, were combined into a single congregation.

Built in 1883-1884, this Richardsonian Romanesque-style mansion was designed by Clarence H. Johnston, Sr. for Chauncey Wright Griggs, a former Colonel in the Union Army during the Civil War, and a wholesale lumber merchant and part owner of the firm of Griggs and Foster, and his wife, Martha Ann Gallup Griggs. The house was inhabited by Chauncey and Martha Griggs until they moved to Tacoma, Washington in 1887. In 1910, the house suffered a massive fire that gutted the interior, after which a massive reconstruction was undertaken. In 1939, the house was donated to the St. Paul Arts and Science Center by Roger B. Shepard, and the front dormer was replaced with a large and distinctive skylight shortly thereafter, to allow the conversion of the attic room behind it into a painting studio. The house has since been converted back into a private residence, and is widely rumored to be haunted. The house features a rusticated brownstone exterior with arched windows, stone cornices, gable parapets with decorative trim, shingled oriel windows and gable ends, and a circular tower with carved stone relief panels. The house is a contributing structure in the Historic Hill District, listed on the National Register of Historic Places in 1976.

Built in 1891, this ostentatious Queen Anne-style mansion was built for William W. Bishop (W.W. Bishop), and was later known as Mrs. Porterfield’s Boarding House in 1919, when F. Scott Fitzgerald was revising a novel, and spent quite a bit of time on the porch with friends Donald Ogden Stewart and John D Briggs. The house features an ornate dormer with a decorative gable parapet, a semi-circular two-story bay window, an octagonal tower with gable ends on each side decorated with trim panels, a bracketed cornice, a large porch with classical details, and tall brick chimney stacks. The house is a contributing structure in the Historic Hill District, listed on the National Register of Historic Places in 1976.

The CP/BN Transfer begins its climb up ex-MILW Short Line Hill in St. Paul with a rebuilt SD60 up front. Nice to see clean power on the CP, and some sunshine in Minnesota this October.

St Peter & St Paul's Church in Temple Ewell, Kent.

St pauls fromthe Tate

Built in 1898, this Medieval Rectilinear-style house with Gothic Revival, Renaissance Revival, and Tudor Revival elements was designed by Clarence H. Johnston, Sr. for William Elsinger, owner of the Golden Rule Department Store. The house features a red tile roof with exposed rafter ends, sandstone walls, a circular corner tower, a front dormer with decorative carved bargeboard, a front bay with a crenellated top, decorative stone trim, a side bay with shingle cladding, a front porch with gothic arches and decorative column capitals, and a semi-circular side bay window. The house is a contributing structure in the Historic Hill District, listed on the National Register of Historic Places in 1976.

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