View allAll Photos Tagged stereoscopic

from 'Secrets Illustrated', date unknown, private collection

As a photographer, you must have thought about this issue. We have got binocular vision, but our cameras are (almost exclusively) mon-ocular. Consumer cameras do not have what we have got, namely, stereoscopic vision. There is only one lens attached to the camera at any time. Unless you still have one of the older stereoscopic cameras, with two lenses attached and each with its own sensor (or film). Stereoscopic cameras were fashionable in the 1950s, though Fujifilm e.g. issued a digital version in 2010 (with, I believe, 10MP). I find it quite surprising that our camera manufacturers are hesitant to engage in the production of updated digital stereoscopic cameras. I wonder why. Perhaps you know the answer?

Crossview:

Gently converge (cross) your eyes and focus on the middle image that appears while ignoring the outside.

This photo is in parallel format.

Parallel view. Revere stereo 33, Fuji Superia 800 (expired)

Rhodes, Greece, A gate in the ancient walls that surround the city, manipulated.

An overcast day in Laramie today,VERY windy, but these trees cooperated with CHA-CHA stereo

Parallel view

#288/365 OVercast skies makes for one huge softbox. I really wish I had an older slide to use. I do like how colorful this one was. I had to dig it out of the kids toy box (you can see crayon marks). I think everyone has had a viewmaster at one point. View master has been around since 1939. I always wanted to started collecting slides. They used to make slides for everything from World's Fair to TV shows. "As of July 2009, DreamWorks SKG was negotiating for the rights to develop View-Master into a feature film."

 

P.S. I uploaded at 12AM tonight as I will be tied up all morning in meetings :/

 

View Large On White

  

I'm on Twitter: @isayx3

Leica iiic, CV 25mm f/4, Portra 160NC

 

No viewfinder, no meter. Handheld flash, fired without sync.

Month two is OVER! What better way to celebrate than with the visual spectacle of the decade?

 

Strobist Info:

B1600 giant softbox directly in front of camera (and behind subject). Really wish I had someone to help me hold a reflector to fill in the front ... sigh ...

Pentax LX | K 50/1.2 | Superia 800 | V750 scan

 

I took a photo not unlike this one with my K3 and 31mm about a year ago. Certinaly a different sort of tactile feel on 800 speed Fujifilm.

Dimensions 60,5 x 60,5 cm

Tecnique : Oil on canvas

Location : Dalí Theatre-Museum

 

Stereoscopic work, an example of the experiments that Dalí undertook in the seventies. Through the stereoscope, the artist wanted to reach the third dimension and achieve the effect of depth. As in Las Meninas, the painter also appears in his own creation.

Sony A7R II + Konica Hexanon AR 40mm f/1.8 via Techart AF adapter.

Instax mini 90. Parallel SBS view. macro mode, no flash, darken. #StereoscopyDay

Shot using the Cha-Cha method of stereoscopic photography, where the camera is moved between two shots.

The two left images are for “cross-eyed” viewing.

The two right images are for “parallel” viewing.

The center image is shared and used for both versions.

  

Cross-Eyed-Stereo instructions:

Cross your eyes and try to get the images to converge.

You might need to:

1- Move closer or farther away, from the images.

2- Tilt your head (or the device) left and right.

3- Tilt your head (or the device) front and back.

4- If you’re doing it right, you’ll see three images with the center one being stereo, and the outer-two images kind of dim or fuzzy.

  

I struggle with the Parallel viewing process, so I’ll leave that to those that can:

Parallel viewing is the same process used for those old "Magic Eye" books where you find hidden images in sort of psychedelic patterns.

Look through/above the monitor and into the distance. While aiming your eyes far into the distance, lower your gaze to the right two images, making sure that your eyes don’t converge. It will be out-of-focus at first; however, try to get the two right images to lay on top of each other and then focus your eyes, on the stereo image.

A cross-eyed stereoscopic view of the ceiling of Southwark Cathedral. I hadn't planned on making a stereo pair but found the shots from the sequence when I was trying to get lined up in the right spot.

 

Sony A7 III / Samyang 8mm fisheye

Parallel view

A stereoscopic view of the woods in Cannock Chase.

 

This is a pair of images, taken a short distance apart. If you view with crossed eyes you should see a third image in the middle in 3D.

 

The ferns stick out and the branches and trunks recede into the distance.

Malahat, British Columbia. Parallel view

This is my first creation in Blender. Of course I followed a tutorial, as the application is very complicated. But I wanted to make a CGI stereo from scratch, so I did.

Crossview

Parallel SBS view. Kodak Retina IIc, Curtar 35mm f5.6, Delta 400

Parallel SBS view. Ikebana arrangement by Marie-Ève Coupal. Bronica SQ-A, Zenzanon-S 50mm f3.5, Kodak Portra 160.

Shot using the Cha-Cha method of stereoscopic photography, where the camera is moved between two shots.

The two left images are for “cross-eyed” viewing.

The two right images are for “parallel” viewing.

The center image is shared and used for both versions.

  

Cross-Eyed-Stereo instructions:

Cross your eyes and try to get the images to converge.

You might need to:

1- Move closer or farther away, from the images.

2- Tilt your head (or the device) left and right.

3- Tilt your head (or the device) front and back.

4- If you’re doing it right, you’ll see three images with the center one being stereo, and the outer-two images kind of dim or fuzzy.

  

I struggle with the Parallel viewing process, so I’ll leave that to those that can:

Parallel viewing is the same process used for those old "Magic Eye" books where you find hidden images in sort of psychedelic patterns.

Look through/above the monitor and into the distance. While aiming your eyes far into the distance, lower your gaze to the right two images, making sure that your eyes don’t converge. It will be out-of-focus at first; however, try to get the two right images to lay on top of each other and then focus your eyes, on the stereo image.

Nova ilustração animada (do meu livro) / New animated illustration (from my book): mathiast.com/blusao_gif.htm

This ISEE (Interstellar Exoplanet Ekistics) team has opted to wear yellow suits to blend in with the surface of Luyten b (aka GJ273b). The high levels of sulfur and uranium make the surface rather golden throughout. The red dwarf star that this habitable planet orbits also casts a yellow orange light in a perpetual golden hour. Lots of vegetation and flora appear yellowish with a reflective highlighting tone. This is due to the yellow chloroplasts inside appearing yellow, rather than common green. For more explorations follow #interstellar_exoplanet_ekistics

 

#classicspace #lego #legoclassicspace #yellowplanet #reddwarfstar #3Dimage #stereolego #toy_photographers #toyartistry #toyoutsiders #utahtoycrew #spaceexplorers #GJ273b #exoplanet #surfaceexploration #seeinanewway #sol45 #lensbaby #lensbabysol45 #nasa #explorenasa #brickcentral #toyplanet #bricknetwork

Shot using the Cha-Cha method of stereoscopic photography, where the camera is moved between two shots.

The two left images are for “cross-eyed” viewing.

The two right images are for “parallel” viewing.

The center image is shared and used for both versions.

  

Cross-Eyed-Stereo instructions:

Cross your eyes and try to get the images to converge.

You might need to:

1- Move closer or farther away from the images.

2- Tilt your head (or the device) left and right.

3- Tilt your head (or the device) front and back.

4- If you’re doing it right, you’ll see three images, with the center one being stereo and the outer two images kind of dim or fuzzy.

  

I struggle with the Parallel viewing process, so I’ll leave that to those who can:

Parallel viewing is the same process used for those old "Magic Eye" books, where you find hidden images in psychedelic patterns.

Look through/above the monitor and into the distance. While aiming your eyes far into the distance, lower your gaze to the right two images, ensuring your eyes don’t converge. It will be out-of-focus at first; however, try to get the two right images to lay on each other and then focus your eyes on the stereo image.

Seen at Hotel Bethlehem, in one of its dining rooms.

Cha-Cha Method; Crossview

I saw this handsome fella at the Italian Festival. Other people were taking photos of him - I had to wait my turn.

Crossview; Custom Rig

Seen under the Main St. overpass. Crossview; Cha-cha

An experiment with stereo HDR images... Made from 3 exposures merged into 1 for added detail in the shadows and highlights.

 

Cross view this to see the 3D.

 

Step 1 - Cross your eyes until you see 4 images instead of 2.

 

Step 2 - Then relax your view so the images move together and you see only 3 images.

 

Step 3 - When you see 3 images stop changing your focus and you will see the center image is 3D.

 

Optional - 4th step - You can also raise your hands to the sides of your eyes to block out the 2 outer images so you only see the center one in 3D!

 

Enjoy

 

See this in other formats on schillr.com:

Anaglyph for red/cyan 3D glasses

Anaglyph for amber/blue 3D glasses

Parallel-eye

Wiggle

 

for LA Weekly.sold.

What a handsome fellow! George is one of four horses serving the Bethlehem City Police Dept., now in their new home just a couple of minutes away.

Crossview; Custom Rig

Sony A7R II + Minolta Rokkor-PF 100mm f/2.5

Don't know whaat kind of plant this is, but it sure is odd looking.

Crossview; Lumix 3D-1

creative macro

Nikon Digital

 

'A real world virtual reality environment can allow the user to experience an out of this world space walk resulting in a highly immersive metaphysical experience that can highly exceed the movie screen display...' (.)

 

Copyright © 2010 Tomitheos Photography - All Rights Reserved

 

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