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Made to Move doll wearing one top of the new fashion packs !!! #barbie #barbiestyle #mattel #collector #stephensprouse #barbie #barbiestyle #dollcollector #Barbie #Doll #FashionTrend #fashion #FashionDoll #PopIcon #TheDollsEvolves #Mattel #Collector #OriginalVintage #Popscicledude
Here are some more illustrations for Weekend Knack.
The illustration of the women coming out of the matryoshka is to accompany a little piece on some important russian people in fashion.
The second one is for a piece on who gets to sit frontrow at fashion shows, this is Anna Piaggi and Anna Wintour.
And the last one is about collaborations, the sweater is designed by Jeremy Scott for Adidas and the purse from Vuitton is a tribute to the deceased Stephen Sprouse.
Jane Fonda
Valentino Garavani
++++++++++++++++++
Stephen Sprouse
Diana Vreeland
George Passmore
Gilbert Proesch
Paloma Piccaso
Princess Caroline
Lisa Taylor
www.danzigerprojects.com/exhibitions/2011_1_big-shots/?vi...
BIG SHOTS
ANDY WARHOL
JANUARY 8 - FEBRUARY 26, 2011
Press Release
As an iconic member of the pop movement of the 1960's, Warhol gained fame and recognition for his depiction of recognizable objects and individuals, from brand names products to faces of the rich, famous, and powerful.
"Big Shots: Andy Warhol Polaroids of Celebrities" provides a look at a lesser-known but seminal body of work by the artist who was dazzled by celebrity and found much of his inspiration in the photographic image. Comprised of over thirty Polaroids of subjects ranging from Debbie Harry to Yves St. Laurent and Giorgio Armani to Yoko Ono, the pictures were taken between 1970 and 1986 on Warhol's favorite camera - the Polaroid Big Shot. Created by Polaroid for practical purposes like the quick creation of I.D. cards and passport pictures, the camera's fixed focal length and point-and-shoot mechanism were perfect for the snapshot-loving artist.
The camera also served as an indispensable tool for Warhol in the production of commissioned portraits. He would take several packs of film at each sitting, and then select his favorite image to be silkscreened onto canvas by his assistants. The resulting image became the ground and basis of each painting. Proving that the simplest tools are no impediment to creativity, Warhol's Polaroids are both a celebration of fame and an intriguing look at the cleverness behind the façade Warhol so often used to disguise the intelligence and innovation of his work.
Within the tight rectangle that the camera dictated, and behind an implement that provided a necessary barrier between himself and his sitter, we see Warhol finding numerous ways to create memorable, varied, and iconic compositions. They may be small in size, but Warhol's Polaroids serve as vivid portraits and artful time capsules of an era.
In recent years, Warhol's Polaroids have gained attention and respect in exhibitions and books, both for their centrality to his portrait practice and as works in their own right. While Warhol is not best known as a photographer, he loved the medium, an apt one for the artist due to its repetitive, mechanical nature and its ability to illuminate the sense of star-power Warhol felt when faced with his famous subjects.
For more information please call 212 629-6778 or e-mail info@danzigerprojects.com
Danziger Projects
534 W 24th St
New York, NY 10001
(212) 629-6778
Stephen Sprouse
Diana Vreeland
George Passmore
Gilbert Proesch
Paloma Piccaso
Princess Caroline
Lisa Taylor
Julian Schnabel
Arnold Schwarzenegger
Marisa Berenson
www.danzigerprojects.com/exhibitions/2011_1_big-shots/?vi...
BIG SHOTS
ANDY WARHOL
JANUARY 8 - FEBRUARY 26, 2011
Press Release
As an iconic member of the pop movement of the 1960's, Warhol gained fame and recognition for his depiction of recognizable objects and individuals, from brand names products to faces of the rich, famous, and powerful.
"Big Shots: Andy Warhol Polaroids of Celebrities" provides a look at a lesser-known but seminal body of work by the artist who was dazzled by celebrity and found much of his inspiration in the photographic image. Comprised of over thirty Polaroids of subjects ranging from Debbie Harry to Yves St. Laurent and Giorgio Armani to Yoko Ono, the pictures were taken between 1970 and 1986 on Warhol's favorite camera - the Polaroid Big Shot. Created by Polaroid for practical purposes like the quick creation of I.D. cards and passport pictures, the camera's fixed focal length and point-and-shoot mechanism were perfect for the snapshot-loving artist.
The camera also served as an indispensable tool for Warhol in the production of commissioned portraits. He would take several packs of film at each sitting, and then select his favorite image to be silkscreened onto canvas by his assistants. The resulting image became the ground and basis of each painting. Proving that the simplest tools are no impediment to creativity, Warhol's Polaroids are both a celebration of fame and an intriguing look at the cleverness behind the façade Warhol so often used to disguise the intelligence and innovation of his work.
Within the tight rectangle that the camera dictated, and behind an implement that provided a necessary barrier between himself and his sitter, we see Warhol finding numerous ways to create memorable, varied, and iconic compositions. They may be small in size, but Warhol's Polaroids serve as vivid portraits and artful time capsules of an era.
In recent years, Warhol's Polaroids have gained attention and respect in exhibitions and books, both for their centrality to his portrait practice and as works in their own right. While Warhol is not best known as a photographer, he loved the medium, an apt one for the artist due to its repetitive, mechanical nature and its ability to illuminate the sense of star-power Warhol felt when faced with his famous subjects.
For more information please call 212 629-6778 or e-mail info@danzigerprojects.com
Danziger Projects
534 W 24th St
New York, NY 10001
(212) 629-6778
Stephen Sprouse
Diana Vreeland
George Passmore
Gilbert Proesch
Paloma Piccaso
Princess Caroline
Lisa Taylor
Julian Schnabel
Arnold Schwarzenegger
Marisa Berenson
www.danzigerprojects.com/exhibitions/2011_1_big-shots/?vi...
BIG SHOTS
ANDY WARHOL
JANUARY 8 - FEBRUARY 26, 2011
Press Release
As an iconic member of the pop movement of the 1960's, Warhol gained fame and recognition for his depiction of recognizable objects and individuals, from brand names products to faces of the rich, famous, and powerful.
"Big Shots: Andy Warhol Polaroids of Celebrities" provides a look at a lesser-known but seminal body of work by the artist who was dazzled by celebrity and found much of his inspiration in the photographic image. Comprised of over thirty Polaroids of subjects ranging from Debbie Harry to Yves St. Laurent and Giorgio Armani to Yoko Ono, the pictures were taken between 1970 and 1986 on Warhol's favorite camera - the Polaroid Big Shot. Created by Polaroid for practical purposes like the quick creation of I.D. cards and passport pictures, the camera's fixed focal length and point-and-shoot mechanism were perfect for the snapshot-loving artist.
The camera also served as an indispensable tool for Warhol in the production of commissioned portraits. He would take several packs of film at each sitting, and then select his favorite image to be silkscreened onto canvas by his assistants. The resulting image became the ground and basis of each painting. Proving that the simplest tools are no impediment to creativity, Warhol's Polaroids are both a celebration of fame and an intriguing look at the cleverness behind the façade Warhol so often used to disguise the intelligence and innovation of his work.
Within the tight rectangle that the camera dictated, and behind an implement that provided a necessary barrier between himself and his sitter, we see Warhol finding numerous ways to create memorable, varied, and iconic compositions. They may be small in size, but Warhol's Polaroids serve as vivid portraits and artful time capsules of an era.
In recent years, Warhol's Polaroids have gained attention and respect in exhibitions and books, both for their centrality to his portrait practice and as works in their own right. While Warhol is not best known as a photographer, he loved the medium, an apt one for the artist due to its repetitive, mechanical nature and its ability to illuminate the sense of star-power Warhol felt when faced with his famous subjects.
For more information please call 212 629-6778 or e-mail info@danzigerprojects.com
Danziger Projects
534 W 24th St
New York, NY 10001
(212) 629-6778
Bianca Jagger
Jane Fonda
Valentino Garavani
++++++++++++++++++++++
Stephen Sprouse
www.danzigerprojects.com/exhibitions/2011_1_big-shots/?vi...
BIG SHOTS
ANDY WARHOL
JANUARY 8 - FEBRUARY 26, 2011
Press Release
As an iconic member of the pop movement of the 1960's, Warhol gained fame and recognition for his depiction of recognizable objects and individuals, from brand names products to faces of the rich, famous, and powerful.
"Big Shots: Andy Warhol Polaroids of Celebrities" provides a look at a lesser-known but seminal body of work by the artist who was dazzled by celebrity and found much of his inspiration in the photographic image. Comprised of over thirty Polaroids of subjects ranging from Debbie Harry to Yves St. Laurent and Giorgio Armani to Yoko Ono, the pictures were taken between 1970 and 1986 on Warhol's favorite camera - the Polaroid Big Shot. Created by Polaroid for practical purposes like the quick creation of I.D. cards and passport pictures, the camera's fixed focal length and point-and-shoot mechanism were perfect for the snapshot-loving artist.
The camera also served as an indispensable tool for Warhol in the production of commissioned portraits. He would take several packs of film at each sitting, and then select his favorite image to be silkscreened onto canvas by his assistants. The resulting image became the ground and basis of each painting. Proving that the simplest tools are no impediment to creativity, Warhol's Polaroids are both a celebration of fame and an intriguing look at the cleverness behind the façade Warhol so often used to disguise the intelligence and innovation of his work.
Within the tight rectangle that the camera dictated, and behind an implement that provided a necessary barrier between himself and his sitter, we see Warhol finding numerous ways to create memorable, varied, and iconic compositions. They may be small in size, but Warhol's Polaroids serve as vivid portraits and artful time capsules of an era.
In recent years, Warhol's Polaroids have gained attention and respect in exhibitions and books, both for their centrality to his portrait practice and as works in their own right. While Warhol is not best known as a photographer, he loved the medium, an apt one for the artist due to its repetitive, mechanical nature and its ability to illuminate the sense of star-power Warhol felt when faced with his famous subjects.
For more information please call 212 629-6778 or e-mail info@danzigerprojects.com
Danziger Projects
534 W 24th St
New York, NY 10001
(212) 629-6778
Stephen Sprouse
www.danzigerprojects.com/exhibitions/2011_1_big-shots/?vi...
BIG SHOTS
ANDY WARHOL
JANUARY 8 - FEBRUARY 26, 2011
Press Release
As an iconic member of the pop movement of the 1960's, Warhol gained fame and recognition for his depiction of recognizable objects and individuals, from brand names products to faces of the rich, famous, and powerful.
"Big Shots: Andy Warhol Polaroids of Celebrities" provides a look at a lesser-known but seminal body of work by the artist who was dazzled by celebrity and found much of his inspiration in the photographic image. Comprised of over thirty Polaroids of subjects ranging from Debbie Harry to Yves St. Laurent and Giorgio Armani to Yoko Ono, the pictures were taken between 1970 and 1986 on Warhol's favorite camera - the Polaroid Big Shot. Created by Polaroid for practical purposes like the quick creation of I.D. cards and passport pictures, the camera's fixed focal length and point-and-shoot mechanism were perfect for the snapshot-loving artist.
The camera also served as an indispensable tool for Warhol in the production of commissioned portraits. He would take several packs of film at each sitting, and then select his favorite image to be silkscreened onto canvas by his assistants. The resulting image became the ground and basis of each painting. Proving that the simplest tools are no impediment to creativity, Warhol's Polaroids are both a celebration of fame and an intriguing look at the cleverness behind the façade Warhol so often used to disguise the intelligence and innovation of his work.
Within the tight rectangle that the camera dictated, and behind an implement that provided a necessary barrier between himself and his sitter, we see Warhol finding numerous ways to create memorable, varied, and iconic compositions. They may be small in size, but Warhol's Polaroids serve as vivid portraits and artful time capsules of an era.
In recent years, Warhol's Polaroids have gained attention and respect in exhibitions and books, both for their centrality to his portrait practice and as works in their own right. While Warhol is not best known as a photographer, he loved the medium, an apt one for the artist due to its repetitive, mechanical nature and its ability to illuminate the sense of star-power Warhol felt when faced with his famous subjects.
For more information please call 212 629-6778 or e-mail info@danzigerprojects.com
Danziger Projects
534 W 24th St
New York, NY 10001
(212) 629-6778
Louis Vuitton XO6U1PMI Graffiti Sneaker Boot
A tribute to New York artist Stephen Sprouse, who collaborated with Marc Jacobs on Louis Vuitton's Spring/Summer 2001 show, this Graffiti sneaker boot is inspired by 1980s streetwear.
Leather and Monogram canvas patchwork
Velcro straps in metallic calf leather
Louis Vuitton rubber label
Removable anatomic insock
Rubber sole embossed with the Louis Vuitton signature
www.stylesell.cn/louis-vuitton-xo6u1pmi-graffiti-sneaker-...
Louis Vuitton - Stephen Sprouse Collection.
RCVW's P!NK Series.
New York, NY. Digital. 2009.
© Ryan Christopher VanWilliams. All rights reserved. If using this image elsewhere, please attribute proper credit.
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Left: Stephen Sprouse, man’s t-shirt and leggings, neon green acrylic, spandex, metal, 1985, USA, Gift of Stephen Sprouse, Inc.
Right: Raleigh/Giordana Sport, man’s bicycling ensemble, multicolor polyester knit, nylon/spandex blend, chamois, 1985, possibly Italy, Gift of Raleigh Cycle Co.
Photo by Eileen Costa
The Museum at FIT