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Delighted to present a stunning image I photographed of a Japanese fusion dance at Global Village, Dubai, on August 20, 2025. The picture showcases two dancers in graceful, flowing attire, skillfully managing glowing spheres, set against a lively cosmic backdrop with striking blue, pink, and green neon tones. The composition and lighting beautifully emphasize the cultural blend, offering a captivating visual. This shot captures the event’s dynamic spirit and exceptional artistry.
Look at Mother Nature on the run in the 2020s.
Shot at the Faro Municipal Museum in the old Convent of Our Lady of The Assumption.
(Apologies to the sculptor - I missed photgraphing the exhibit details tag).
beneath the open roof of estadio metropolitano, ed sheeran stood alone in the round — a single voice against the roar of fifty thousand. the air shimmered with light and rhythm, a tidal wave of music rising from the madrid night. bodies moved like breath, arms raised in unison, each soul tethered by melody. this wasn’t just a concert — it was a shared heartbeat, a modern mass sung in verses and echoes.
Pete Townshend in action on the Oak Stage of London Hyde Park during The Who's live concert on Friday 26 June 2016. To the left The Who's new drummer Zak Starkey, son of Ringo Starr and godson of the late Keith Moon.
RAUM - Martin Kälberer live - 3D Sound Installation - Immersive Audio - Live from Groundlift Studios Stegen / Ammersee.
three great shows in June
see a video here: www.instagram.com/p/DKjs1Lqoh4T/
The Who live at London Hyde park 26 June 2015 presenting a new song with unusual stage visuals as well.
#fujiFilm #instax #instantPhotography #polaroid #polaroidWeek #roidWeek #portraiture #doTheDance #bopTheNose #people #friends #party #festival #dance #glitter #graffiti #art #stageDesign #music #fun #laughter #goodTimes #goodVibes
Located in the heart of downtown San Antonio, Texas, the Majestic Theatre was built in 1929 and was designed in a Spanish Mediterranean style by John Eberson for Karl Hoblitzelle's Interstate Theatres. At the time, it was the largest theater in Texas and the first to be air conditioned. The 2,264 seat Majestic Theatre is a National Historic Landmark, and is currently home to the Broadway in San Antonio series, along with a wide variety of concerts and performing arts attractions.
In the 2024/2025 festival season, the Bregenz Festival will be showing Carl Maria von Weber's Freischütz on the Seebühne. Some of the reviews were devastating, especially because the original work is interpreted very freely and modernly by the director Philipp Stölzl. I have not seen the production and have no idea whether a 200-year-old opera can, should or may be adapted to modern times, so I cannot judge either the production or the reviews. But even the worst reviews praised the set design. The wintry village with half-ruined, crooked houses, snow-covered hills and bare trees immediately captivated me. Now, after the end of the 2024 festival season, the grandstand is accessible again and I hope to be able to capture a few more beautiful atmospheres here.
stage design
Seebühne
Bregenz - Österreich / Austria
Bodensee / Lake Constance
35mm filmphotography
Olympus XA
Kodak
Bild038_Neg.Nr.36A
On september the 13th 2013 we made the first edition of the Glowing Vibes event in Second Life. This is a totally fictional event that was created by inQue. Glowing Vibes was one of the first electronic dance music events with a whole huge stage design and light show.
Aftervideo: www.youtube.com/watch?v=lyZfaaP_JB8
Stagedesign by: Daim Aima
When I recently photographed the sunrise at the Seebühne Bregenz, I noticed how the stage setting, illuminated by a strong spotlight, looked in the dark. Unfortunately, at that time I was still busy finding the best perspective for my shot. So I had to come back and was able to photograph the Freischütz village before the morning blue hour began. The backdrop looks like it's from another world at that time. A village from a fairy tale? A collection of haunted houses? That's in the eye of the beholder...
I photographed the auditorium during the night, when its sculpted curves and lights give it the appearance of a spacecraft resting on the ocean. Its luminous dome seems ready to open to the stars.
Richard Hudson - international set and costume designer best know for his sets of the Lion King, and winner of numerous awards including a Tony and an Olivier.
atelier ying, nyc.
You may see some of the elements in the tablescape behind the drawing: water glass as optical prism (the obscura version) which would then entertain the idea of a Film Camera as a city plaza which might pose the idea of a Morandi tablescape as a composition of the elements. It's the scale of the design variants (and the optical paths) that allows one to muse on architecture and is the most interesting facet; whether a human scale is important in the realm of cameras as it is in architecture. Yes for camera obscura, no for a camera that shifts the viewer's perceptions (vistas) of reality irregardless of dimension. Which brings the question of whether a camera's function is as a portable window (vista) or a creator of space (experience)?
A lot of black gauze holds the stage pieces to each other as one unit which covers a light-tight enclosure that may shift in form. The front stage table centers the subject as a default sighting device. The closest cousin to this camera is a Speed Graphic. For this reason I categorize it with my other designs for Weegee the photographer.
Design, concepts, text, photograph & drawing are copyright 2016 by David Lo
atelier ying, nyc
Penciling in the basic structure and we're already running into problems. The inter--location of an intermission bar is behind the proscenium and below the stage, with sole access from the left grand tier boxes by secret staircase (which itself will be a piano nobile of a design homage for Verdi's Rigoletto).
The bar location serves a doubled purpose, to open space below the stage floor for a covered wireless speaker (I'll have to explain to my children the hidden orchestra at Bayreuth one day).
A Press Room, which controls lighting, the curtains is along stage right. The room holds a relic of the 196- Met, cufflinks from the original gold Met curtain, till last year easily available from
the Met Opera Shop.
This design amalgamates James Levine's long unfulfilled dream of a Mini Met, a 19th century Pollock Theater, his own childhood opera theater and the Met Opera.
An added fillip to this children's opera playhouse is a portrait camera function built into the proscenium for self-portraits conducting, something Levine would have been amused with seeing his conducting gestures decades later.
Design, concepts, text, photograph & drawing are copyright 2016 by David Lo
#fujiFilm #instax #instantPhotography #polaroid #polaroidWeek #roidWeek #stage #stageDesign #Mühle #mill #discoBalls #glitter #party #festival #summer #sun #laughter #love #goodTimes #goodVibes #friends #drinks #dance #music
Before the music kicks in and the bodies take over, there’s this: five red chairs, evenly spaced, quietly daring someone to sit, stand, move. The set for Dancing Shoes at the Traverse Theatre, Edinburgh is deceptively simple — a clean, contained space that feels part rehearsal room, part confessional.
Designed by Heather Grace Currie, the layout does a lot of the storytelling heavy lifting. The chairs suggest waiting, watching, judgement, solidarity — and the semi-domestic backdrop hints at everyday lives where big personal shifts often begin in small, unremarkable rooms. It’s a setting that allows Jack Webb’s choreography and the performers’ physicality to come sharply into focus, with nowhere to hide and nothing to distract.
Like the play itself, the design is modest, direct, and quietly confident — proof that sometimes the most powerful theatre starts with an empty space and the courage to step into it.
this space, perhaps a waiting room or a hidden corner within the hannover opera, speaks in a language of silence and symmetry. rows of white columns stand like quiet sentinels, guarding the stillness of the room. the ceiling lights glow softly, casting a uniform light that flattens shadows and adds to the feeling of calm. colorful chairs—orange, yellow, pale blue—break the monochrome, suggesting a playful counterpoint to the solemn architecture. the glass door at the end holds the promise of something beyond, an exit to a different reality. it’s a space between moments, a pause before the next act unfolds, where the absence of people gives weight to the architecture itself, creating an atmosphere that is both serene and suspenseful.
A year ago to the day – 16 July 2023 – I joined fellow members of the Frank Matcham Society for a visit to one of his finest surviving theatres: the Gaiety Theatre, Douglas, Isle of Man.
Designed by legendary theatre architect Frank Matcham, the Gaiety opened in 1900 as part of the Villa Marina complex. It boasts many of Matcham’s signature design elements – from its lavish Rococo plasterwork and cantilevered balconies to advanced stage machinery and ingenious sightlines. Following years of neglect, the theatre was meticulously restored from the 1970s onwards, led by the passionate campaign of Mervin Stokes and the Isle of Man government. Today, it stands not only as a jewel of theatrical heritage, but as a living, working venue.
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🇫🇷 Il y a tout juste un an, le 16 juillet 2023, j’ai eu le plaisir de visiter ce magnifique théâtre conçu par Frank Matcham, en compagnie des membres de la Frank Matcham Society.
Situé à Douglas, sur l’île de Man, le Gaiety Theatre a été inauguré en 1900 dans le cadre du complexe Villa Marina. Il incarne l’art théâtral de Matcham avec son stuc Rococo spectaculaire, ses balcons suspendus et sa machinerie scénique sophistiquée. Sauvé de la décrépitude grâce à une restauration méticuleuse lancée dans les années 1970, il doit sa renaissance à Mervin Stokes et au gouvernement de l’île. Aujourd’hui, il continue à vibrer au rythme des spectacles et honore le génie de son créateur.
Georges Barbier (French designer, 1882-1932)
1921 hand-colored pochoir print 24.3 cm (height, plate) x 19.3 cm (width, plate)
Scanned from Barbier, George. Casanova: Décors Et Costumes. Paris: L. Vogel , 1921
See MCAD Library's catalog record for this book.
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5 Comments on Instagram:
fsutil: Va muy tapado!!!
enricarchivell: @fsutil era antes de empezar, yo durante la representación apago el móvil :-/
enricarchivell: #sauna #saunaparadise #play #stagedesign #guy
enricarchivell: #gay
fsutil: Y haces muy bien! 😏
Steel shot-activated targets during a PG Practical Shoooters - www.facebook.com/pgpracticalshooters (PGPS) IDPA Match at the Protective Services Training Academy (PSTA)
Had a blast shooting photos for Cornerstone Church's Easter services last weekend! I was stunned to find a light reflection on top of the cross and it makes a heart! Pretty cool even though that wasn't what I was attempting to do!
Hope you enjoy it too!
This photo represents challenge. Building on a solid foundation. Testing that base. Am I strong? Am I firm in my convictions? Relationships, and all the work they require, are worth it.
learningeverybreath.tumblr.com/post/137577925589/352-by-z...
Located in Albuquerque, New Mexico, the Envy Nightlife club is equipped with a state-of-the-art LED lighting system. With its distinctive oval shape and tapered profile, the dynamic lighting structure, suspended from the ceiling, is a unique centerpiece for the club. The LED lights that are housed in the structure are able to fade from top to bottom and from side to side in almost limitless combinations of colors, giving this venue an electrifying atmosphere. To view more casino design, click here.