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Roots International School & College Askari XI Iftar Dinner...
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0321-4268177
0324-4921459
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#Corporate_Events #Roots_International_School #Iftar_Dinner #School_Events #University_Events #College_Events #School_Party #Educational_Events #Media_Wall #Corporate_Stage_Design
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
Stage Design
MUTEK.ES x Protopixel
Stage Design: Martin Borini
Visuals: Martin Borini, Tomas Picasso, Javier Benjamin, Mariano Colombarin
Screenshots from the live visuals at Thila 2013 in Mechelen (BE). Software and stage design by Dorids.
More information on the project and the creation of the generative software: www.dorids.org
All our love and thanks to:
The Open Frameworks community for pretty much everything. Syphon, Reza for ofxUI, Beeple for additional content, Shadertoy for inspiration and additional content, THH (Toon De Nyn, Sauri De Keye, Bram Verbruggen, Wim Peeters, Koen Verbruggen, Hans Verbist, David De Herdt and Ruben Vannieuwenborg), Björk for getting us through the coding-marathons, Toon Persyn and Vincent Stevens for filming and Thila Coloma.
Jan Carpentier, bariton as Snug with Hákon Vramsmo, bariton as Quince and Wim-Hein Voorsluis, bariton as Starveling;
Nieuwe Opera Akademie [Koninklijk Conservatorium and Sweelinck Conservatorium] and Dansvakopleiding Koninklijk Conservatorium;
Kenneth Montgomery, music director;
Nicolette Molnár, stage direction;
Mary Anne Kraus, choreography;
Alison Nalder, stage design;
Mark Ridler, light design;
Koninklijk Conservatorium, The Hague,
November 26th, 1996;
© co broerse
www.recyclart.org/2014/02/bottle-stage-design-using-plast...
To inspire change and have a better world, the Miss Oriental Mindoro Beauty Pageant (Philippines) swimsuit competition stage design was made using materials from the wastestream, mainly recycled plastic bottles.
Submitted by: Ronald King !
Maarten Hijmans as Peter, Annika van der Molen as Annet and De Kickers, choir of Muziekschool Waterland [Purmerend];
Directed by Daniël Cohen;
Stage design by Eric van der Palen;
Dress design by Helma Miltenburg;
Exposure by Reinier Tweebeeke;
Operas from Theresienstadt 1941-1944;
On the occasion of 50 years Liberation;
Ter gelegenheid van 50 jaar Bevrijding;
Stadsschouwburg, Amsterdam,
May 4th, 1995;
all rights reserved: co broerse
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
Maarten Hijmans as Peter, Annika van der Molen as Annet and De Kickers, choir of Muziekschool Waterland [Purmerend];
Directed by Daniël Cohen;
Stage design by Eric van der Palen;
Dress design by Helma Miltenburg;
Exposure by Reinier Tweebeeke;
Operas from Theresienstadt 1941-1944;
On the occasion of 50 years Liberation;
Ter gelegenheid van 50 jaar Bevrijding;
Stadsschouwburg, Amsterdam,
May 4th, 1995;
all rights reserved: co broerse
Screenshots from the live visuals at Thila 2013 in Mechelen (BE). Software and stage design by Dorids.
More information on the project and the creation of the generative software: www.dorids.org
All our love and thanks to:
The Open Frameworks community for pretty much everything. Syphon, Reza for ofxUI, Beeple for additional content, Shadertoy for inspiration and additional content, THH (Toon De Nyn, Sauri De Keye, Bram Verbruggen, Wim Peeters, Koen Verbruggen, Hans Verbist, David De Herdt and Ruben Vannieuwenborg), Björk for getting us through the coding-marathons, Toon Persyn and Vincent Stevens for filming and Thila Coloma.
Visuals and stage design by DEFRAME Collective, at Mammoth techno stage, Source on Ice 2011
pictures and cropping/color correction by Leon Lubberdink and Jessica Dreu
Sinèad Pratschke, soprano as Titania and Frank Wong, bariton as Bottom;
Nieuwe Opera Akademie [Koninklijk Conservatorium and Sweelinck Conservatorium] and Dansvakopleiding Koninklijk Conservatorium;
Kenneth Montgomery, music director;
Nicolette Molnár, stage direction;
Mary Anne Kraus, choreography;
Alison Nalder, stage design;
Mark Ridler, light design;
Koninklijk Conservatorium, The Hague,
November 26th, 1996;
© co broerse
Screenshots from the live visuals at Thila 2013 in Mechelen (BE). Software and stage design by Dorids.
More information on the project and the creation of the generative software: www.dorids.org
All our love and thanks to:
The Open Frameworks community for pretty much everything. Syphon, Reza for ofxUI, Beeple for additional content, Shadertoy for inspiration and additional content, THH (Toon De Nyn, Sauri De Keye, Bram Verbruggen, Wim Peeters, Koen Verbruggen, Hans Verbist, David De Herdt and Ruben Vannieuwenborg), Björk for getting us through the coding-marathons, Toon Persyn and Vincent Stevens for filming and Thila Coloma.
Stage design for Fall Focus sermon series at Garden Way Church. Set and poster design by Kelly Baum and Kris Carter.
Photos by David Sharp
Stage design by Mara Sandoval with drawing from Tom Jedrzejak. Tweetwall by Minglestream.
Make quick work of moving all types of snow – powder, crusted, icy or wet
• Available in six working widths from 54- to 108-inches
• Two-stage design gives you
more throwing force with
less horsepower
Screenshots from the live visuals at Thila 2013 in Mechelen (BE). Software and stage design by Dorids.
More information on the project and the creation of the generative software: www.dorids.org
All our love and thanks to:
The Open Frameworks community for pretty much everything. Syphon, Reza for ofxUI, Beeple for additional content, Shadertoy for inspiration and additional content, THH (Toon De Nyn, Sauri De Keye, Bram Verbruggen, Wim Peeters, Koen Verbruggen, Hans Verbist, David De Herdt and Ruben Vannieuwenborg), Björk for getting us through the coding-marathons, Toon Persyn and Vincent Stevens for filming and Thila Coloma.
Roots International School & College Askari XI Iftar Dinner...
.
@a2zevents
Follow us on Instagram @DclassyClicks and @a2zevents
Call us for details and bookings
0321-4268177
0324-4921459
0332-4219910
0303-4219910
#Corporate_Events #Roots_International_School #Iftar_Dinner #School_Events #University_Events #College_Events #School_Party #Educational_Events #Media_Wall #Corporate_Stage_Design
Corporalis by Retina Dance company. Choreography by Filip Van Huffel, sound design by Marieke van de Ven, Lighting design by Andrew Hammond & stage design by ruimtevaarders.
performance by Matthew Slater, Steven Martin, Erin Harty & Pauline De Laet.
photography by Christophe Engels
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
Ludek Koverdynsky, bariton as Forrester, Anabela Coelho Marcos, soprano as Baby Fox and students of the Dansvakopleiding
Operaklas/Operastudio of the Koninklijk Conservatorium:
Kenneth Montgomery, music director,
Javier López Piñón, stage director;
Hanna Samson, chorography,
Ferry Schmidt, stage design,
Henk Kraaijenzank, light design;
Koninklijk Conservatorium, The Hague,
Juni 17th, 1996;
© co broerse
Director: Peaches
Stage design: Alun Davies
Stage design assistant: Miriam Backhaus
Costume design: Hugo Schneider
Photography: Holger Talinski
The Royal Navy had identified the need for a rapid-firing, multi-barrelled close-range anti-aircraft weapon at an early stage. Design work for such a weapon began in 1923 based on the earlier Mark II, undoubtedly to utilise the enormous stocks of 2-pounder ammunition left over from the First World War.
Lack of funding led to a convoluted and drawn-out design and trials history, and it was not until 1930 that these weapons began to enter service. Known as the QF 2-pounder Mark VIII, it is usually referred to as the multiple pom-pom. The initial mounting was the 11.8 to 17.35 ton, eight-barrelled mounting Mark V (later Mark VI), suitable for ships of cruiser and aircraft carrier size upward. From 1935, the quadruple mounting Mark VII, essentially half a Mark V or VI, entered service for ships of destroyer and cruiser size.
These multiple gun mounts required four different guns and were nicknamed the "Chicago Piano". The mount had two rows each of two or four guns. Guns were produced in both right- and left-hand and "inner" and "outer" so that the feed and ejector mechanisms matched. Single-barrelled mounts, the Mark VIII (manual) and Mark XVI (power operated), were also widely used, mainly in small escorts (such as the Flower-class corvettes) and coastal craft (especially early Fairmile 'D' motor gunboats). The Mark XVI mounting was related to the twin mounting Mark V for the Oerlikon 20 mm cannon and the "Boffin" mounting for the Bofors 40 mm gun.
An interesting feature was the very large magazine, from 140 rounds per gun for the eight-barrelled mount, to 56 rounds for the single mounts. This large ammunition capacity gave the eight-barrelled mount the ability to fire continuously for 73 seconds without reloading. A high velocity (HV), 1.8 lb. (820 g), round was developed for the pom-pom, just prior to World War II, which raised the new gun muzzle velocity from 2,040 ft/s (622 m/s) to 2400 ft/s (732 m/s). Many older mountings were modified with conversion kits to fire HV ammunition, while most newly manufactured mounts were factory built to fire HV ammunition. A mount modified or designed for HV ammunition was given a '*' designation; for example a Mk V mount modified for HV ammunition would be designated Mk V*.
(Text Wikipedia)
Albert van Ommen, tenor as Lysander, Janine Pas, mezzo soprano as Hermia, Remco Roovers, bariton as Demetrius and Violet Noorduyn, soprano as Helena;
Nieuwe Opera Akademie [Koninklijk Conservatorium and Sweelinck Conservatorium] and Dansvakopleiding Koninklijk Conservatorium;
Kenneth Montgomery, music director;
Nicolette Molnár, stage direction;
Mary Anne Kraus, choreography;
Alison Nalder, stage design;
Mark Ridler, light design;
Koninklijk Conservatorium, The Hague,
November 26th, 1996;
© co broerse