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Natural light portrait
***
Same day, same place, natural light
For additional information see first image in series
***
Md: Julia (@julianne_st_)
Ph & retouch: mine
***
Date: May 10, 2021
Camera: Sony a7 iii (ILCE7M3)
Lens: Carl Zeiss Batis 85mm f/1.8
Exposure: 1/400 at f/1.8, 85mm, ISO 1600
#red #red #wallswallswalls #minimal #streetphotography #barcelona #thebarcelonist #igersbcn #justgoshoot #nothingisordinary #st_ph #street #rsa_streetview #mindtheminimal #rsa_minimal #jj_minimal #supermegamasterpics_minimal #wallfilth #filthyfacades #rsa_windows #minimalism #candyfacades #popyacolour #window #firestation
Natural light portrait
***
Same day, same place, natural light
For additional information see first image in series
***
Md: Julia (@julianne_st_)
Ph & retouch: mine
***
Date: May 10, 2021
Camera: Sony a7 iii (ILCE7M3)
Lens: Carl Zeiss Batis 85mm f/1.8
Exposure: 1/400 at f/1.8, 85mm, ISO 1600
Studio equipment used:
1 light source - Elinchrom ELC Pro HD 500, key light with Rotalux Deep Octa light modifier above right to the model, another light source - Elinchrom ELC Pro HD 500 fill light with strip box on the left side, the whole scene was syncronized with Elinchrome EL Skyport remote used on camera, Dark Blue handmade acrylic painted canvas used as background - approx. 2-3 meters behind the model
***
I don't know what to write here. Honestly.
***
Md: Julia (@julianne_st_)
Ph & retouch: mine
***
Date: May 10, 2021
Camera: Sony a7 iii (ILCE7M3)
Lens: Carl Zeiss Batis 85mm f/1.8
Exposure: 1/200 at f/11, 85mm, ISO 200
Studio equipment used:
1 light source - Elinchrom ELC Pro HD 500, key light with Rotalux Deep Octa light modifier above right to the model, another light source - Elinchrom ELC Pro HD 500 fill light with strip box on the left side, the whole scene was syncronized with Elinchrome EL Skyport remote used on camera, Dark Blue handmade acrylic painted canvas used as background - approx. 2-3 meters behind the model
***
For additional information see first image in series
***
Md: Julia (@julianne_st_)
Ph & retouch: mine
***
Date: October 3, 2021
Camera: Sony a7 iii (ILCE7M3)
Lens: Carl Zeiss Batis 85mm f/1.8
Exposure: 1/200 at f/11, 85mm, ISO 200
#minimal #sunset #streetphotography #barcelona #bcn #thebarcelonist #igersbcn #barcelonastreet #justgoshoot #nothingisordinary #st_ph #street #streetphoto #streetphotographers #shootermag #travelandlife #mindtheminimal
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301 N. 11th St.
Ph: SU 3-0271 - AC: 501
154 Beautiful Rooms
Banquet and Convention facilities - Air-conditioned - Restaurant - Swimming Pool - Free TV - Free Holidex Reservations
Curteichcolor Card
2DK-1605
CAPA-020992
#strideby #streetphotography #travelandlife #lensculture #people #barcelona #thebarcelonist #igersbcn #justgoshoot #nothingisordinary #st_ph #street #rsa_streetview #travel #blackandwhite #bnw #bw #monochrome #jj_blackwhite #bnw_demand #rsa_bnw #bnw_society #postthepeople #peoplephotography #geometry
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#texture #wallswallswalls #wallfilth #artiseverywhere #barcelona #thebarcelonist #igersbcn #justgoshoot #nothingisordinary #st_ph #street #artecallejero #streetphotography #streetartphotography #streetartbcn #wallart #filthyfacades #graffitiart #streetarteverywhere #minimal #minimalmood #textures #wall #shadow
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68 Likes on Instagram
9 Comments on Instagram:
mrfitzglow: #allshots_ #citybestpics #england #graffiti #graffitiigers
mrfitzglow: #st_ph #streetart #street_series #streetartlondon #streetshot_london
mrfitzglow: #ig_captures #igers #ig_europe #ig_london #ig_street #instacool #ig_captures #igerslondon #instalondon #ic_streetlife #infamous_family
mrfitzglow: #rsa_graffiti #royalsnappingartists
justinbrett: BOOM! Great shot mate!!
mrfitzglow: @justinbrett cheers mate
_junimond: cool
mrfitzglow: @_junimond thanks!
#window_filth #window_filth #stickers #stickerart #barcelona #thebarcelonist #igersbcn #justgoshoot #nothingisordinary #st_ph #street #streetphotography #streetartphotography #streetartbcn #streetarteverywhere #wallfilth #geometry #textures #texture #slaps
TRANS AM
From their scattered possibilities comes the surging probability of Trans Am.
A transcendent body of sound and surgical persistence survives in the theatre of their critically received new album Sex Change. Nathan, Phil & Seb ride in on a conspiracy of the gods, anoint the confused, and cut it up in an all-scar variety show. From one obscene strategy to the next, they stitch together their operation of patterns...
"Sex Change is typically eclectic but pushes their sound further towards '70s stadium prog, keyboard-driven Krautrock, shredding '80s rock, John Carpenter soundtracks from the late 1970s, super clean and mellow funk-rock, and whatever you call the kind of music they play behind sports play-by-plays." (King Blind)
...the trannies have never seemed more exultant. Time for a return.
Recently touring the US & Canada as guests of TOOL and from that booking appointments on antipodean shores again in 2008...
Consume presents
Australian08 appointments:
THUR 7 FEB - OXFORD ART FACTORY, Sydney
Plus Soft Tigers and Ponyloaf
Tickets from Tickets available from: all Moshtix outlets, ph: 1300 GET TIX or www.moshtix.com.au
and custommade.com.au (ph 1300 762 545)
FRI 8 FEB - GoMA (Gallery of Modern Art), Brisbane 'Andy Warhol Up Late" series
Tickets: $20.00 (includes 'Andy Warhol' exhibition entry). Book through qtix, phone 136 246 or www.qtix.com.au. For program details and further information visit www.qag.qld.gov.au/warhol_uplate
SAT 9 FEB - EAST BRUNSWICK CLUB, Melbourne
Plus guests...
Tickets on sale at the East Brunswick Club box office, 280 Lygon St, PH: 9388 9794 or via the website www.eastbrunswickclub.com
SUN 10 FEB - St Kilda Festival, THE ESPY, St Kilda
Plus others to be announced...
Ticket details from venue.
Trans Am's SEX CHANGE album out now on LTI.
Special Australian edition includes bonus making of documentary.
www.myspace.com/transbandspace
TRANS AM bio
Formed in 1993, Trans Am confirms the trio of Nathan Means (bass, keyboards, vocals), Phil Manley (guitar, keyboards, bass, vocals) and Sebastian Thompson (drums, vocals, bass, guitar, programming). Over the course of seven albums and three eps, Trans Am have pleased and confounded critics with their ever-changing music style. From their most Deutsch-influenced self-titled debut to Futureworld, their 80's inspired super-synth pop tunes to the raw rock of Red Line, their musical style has always varied.
After Trans Am’s last album, Liberation – a bleak portrayal of life in a security obsessed imperial capital, the band exploded and abandoned Washington, D.C. for three different continents. The following period of programmed isolation found Nathan Means in Auckland, Phil Manley in San Francisco and Sebastian Thomson splitting time between London and New York. Internal contact was primarily electronic but for a handful of live shows. With two years’ separation fueling them, the band began in June 2006 on a program of sporadic rendezvous, reconvening briefly on several continents to work on what would become the most joyous and upbeat rock album of Trans Am’s chronicle.
Down Under
In June of 2006, Trans Am reunited at MAINZ, a recording school in Auckland, New Zealand, with a few songs and almost no musical equipment. Recording moved forward with a wide range of borrowed instruments, keyboards and other gear, including a 1960’s Mellotron and remarkable vintage amps loaned by iconic New Zealand musician Chris Knox (Tall Dwarfs). The MAINZ session, recorded by a professor and a student who received credit towards graduation, was threatened when photos of the band drinking beer in the on-campus studio were discovered by the administration. Future drinking occurred off campus.
The Other Hemisphere
Two months later, recording continued in Brooklyn, New York at the Okropolis: headquarters of New York band Oneida. Determined to make a break with the past, Trans Am again arrived with almost none of their signature gear - none of the vocoders, keyboards, drums, drum machines and amps that they used on previous albums.
Two weeks later the album was mixed at Tiny Telephone Studios in San Francisco. Compared with previous records such as TA and Liberation, which took months to complete, Sex Change was conceived, written, recorded and mixed in only three weeks.
Obscene Strategies
Although Sex Change marks a break from their past, Trans Am have always embraced unnatural and perverse recording techniques and concepts. In such a crush of time, Trans Am had to rely on traditional time and possibility expanding substances: coffee, yerba mate, et cetera, as well as a codified series of recording techniques called “Obscene Strategies”.
Brian Eno is well known for his “Oblique Strategies” in which studio engineers - faced with an apparent roadblock - draw a card from a deck. The card might suggest, “Take something perfect and make it more human”, with the intention of animating the track through an infusion of randomness. Over many years, Trans Am developed their own Obscene Strategies to provide a less humanist and more time-sensitive set of guidelines for loosening creative blockages. Sample
suggestions include:
#11 Take a nap
#16 Make it sound like Jackson Browne
#18 Rip off black musicians
#19 Invite all your friends over
#20 Check your email
#23 Leave the studio unlocked overnight
#31 Hose down the control room
#43 Pillow fight!
Liberation
Perhaps the band’s geographical liberation was the inspiration for the creation of Sex Change, Trans Am’s most international and exhilarating album to date. Whatever the reason may be, Sex Change is a welcome and forceful return by a band that has been a consistent innovator and touring machine for over a decade.
#streetphotography #people #barcelona #thebarcelonist #igersbcn #justgoshoot #nothingisordinary #st_ph #street #streetphoto #ig_captures_people #postthepeople #jj_people #peoplephotography #travelandlife #shootermag #lensculture #streetphotographers #bw #bnw #blackandwhite #monochrome #bnw_demand #bnw_society #friends #shadow #shadows #outdoors #vista #view
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