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Work in progress
Nothing is rea l- 3
Site specific art project
For @chobimela
At South Asian Institute of Photography,
Pathshala
Dhaka
Site-Specific Series, presented by Guelph Contemporary Dance Festival
Photo by Dawn Owen, for the Ontario Arts Council and the Ministry of Culture at the spOtlight festival, June 2009. www.spOtlightfestival.ca
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Série propre au site, présenté par Guelph Contemporary Dance Festival
Photo de Dawn Owen, prise au festival En vedette en juin 2009, pour le Conseil des arts de l’Ontario et le ministère de la Culture. www.festivalenvedette.ca
Each team works on specific health cases’ simulations as part of the table top exercise on healthcare facilities preparedness as part of the meeting on Business Continuity Plan for Healthcare Facilities at Ministry of Public Health
© WHO/Ploy Phutpheng 2020
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2023. N. Bernacchio et al., "Lo sbancamento della Velia nel 1932"; in: I Martedì da Traiano - Ciclo di conferenze in occasione della mostra 1932, l’elefante e il colle perduto (24/01-28/02/2023). Video & foto di: Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024). S.v., Documentazione archivistica storica integrativa sugli scavi e gli studi della collina della Velia anni '30; in: RARA 2023 (07/2009 bis 01/2023). wp.me/pbMWvy-3Jm
Foto: ROMA – N. Bernacchio et al., “Lo sbancamento della Velia nel 1932”; in: I Martedì da Traiano – Ciclo di conferenze in occasione della mostra ‘1932, l’elefante e il colle perduto’ (24/01-28/02/2023). Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.flickr.com/photos/imperial_fora_of_rome/52661629811
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** Nota: tutte le fotografie in questo post sul blog e il successivo album FLICKR (se non specificato da altre fonti) sono citate dalla fonte originale di: Video = Mercati di Traiano Museo dei Fori Imperiali / Fb (24 e 31/01/2024). **
** Note: All photographs in this blog posting and the subsequent FLICKR album (unless specified from other sources) are cited from the original source of: Video = Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024). **
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Foto: ROMA – N. Bernacchio et al., “Lo sbancamento della Velia nel 1932”; in: I Martedì da Traiano – Ciclo di conferenze in occasione della mostra ‘1932, l’elefante e il colle perduto’ (24/01-28/02/2023). Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.flickr.com/photos/imperial_fora_of_rome/52662120668
1). ROMA - N. Bernacchio et al., "Lo sbancamento della Velia nel 1932"; in: I Martedì da Traiano - Ciclo di conferenze in occasione della mostra 1932, l’elefante e il colle perduto (24/01-28/02/2023). Video & foto di: Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
Foto: ROMA – N. Bernacchio et al., “Lo sbancamento della Velia nel 1932”; in: I Martedì da Traiano – Ciclo di conferenze in occasione della mostra ‘1932, l’elefante e il colle perduto’ (24/01-28/02/2023). Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.flickr.com/photos/imperial_fora_of_rome/52662120683
Buongiorno! Ecco la registrazione della prima videoconferenza dei Martedì da Traiano incentrati sulla mostra in corso.
Nella conferenza che ha aperto il nuovo ciclo dei Martedì da Traiano i curatori ci illustrano il proprio lavoro: il perché della mostra, come è stato definito il percorso allestitivo e come sono stati scelti gli oggetti da esporre, fino alle nuove acquisizioni che le ricerche condotte in questa occasione hanno prodotto, senza dimenticare i molteplici aspetti legati alla comunicazione e alla didattica.
Vi aspettiamo più tardì per il secondo appuntamento!
Foto: ROMA – N. Bernacchio et al., “Lo sbancamento della Velia nel 1932”; in: I Martedì da Traiano – Ciclo di conferenze in occasione della mostra ‘1932, l’elefante e il colle perduto’ (24/01-28/02/2023). Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.flickr.com/photos/imperial_fora_of_rome/52662072270
Foto: ROMA – N. Bernacchio et al., “Lo sbancamento della Velia nel 1932”; in: I Martedì da Traiano – Ciclo di conferenze in occasione della mostra ‘1932, l’elefante e il colle perduto’ (24/01-28/02/2023). Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.flickr.com/photos/imperial_fora_of_rome/52662072295
Fonte / source, Video & foto:
--- Roma, Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.facebook.com/MercatiTraianoForiImperiali/videos/92823...
--- Roma, I Martedì da Traiano / Ciclo di conferenze in occasione della mostra 1932, l’elefante e il colle perduto. Mercati di Traiano Museo dei Fori Imperiali (24/01-28/02/2023).
www.mercatiditraiano.it/it/mostra-evento/i-marted-da-trai...
Foto: ROMA – N. Bernacchio et al., “Lo sbancamento della Velia nel 1932”; in: I Martedì da Traiano – Ciclo di conferenze in occasione della mostra ‘1932, l’elefante e il colle perduto’ (24/01-28/02/2023). Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.flickr.com/photos/imperial_fora_of_rome/52661629636
--- Roma - 1932, l’elefante e il colle perduto (08/04/2022 - 05/03/2023) - Mercati di Traiano Museo dei Fori Imperiali (04/2022 - 03/2023).
Una selezione di circa 100 opere, tra reperti archeologici, progetti grafici, oggetti d’arte e video, alcuni esposti per la prima volta, racconta la storia della perduta Velia e del “suo” elefante. Prorogata al 5 marzo 2023.
Foto: ROMA – N. Bernacchio et al., “Lo sbancamento della Velia nel 1932”; in: I Martedì da Traiano – Ciclo di conferenze in occasione della mostra ‘1932, l’elefante e il colle perduto’ (24/01-28/02/2023). Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.flickr.com/photos/imperial_fora_of_rome/52662120923
A 90 anni dalla scoperta, sono stati restaurati i resti fossili di elefante (Elephas antiquus) trovati alla base della collina Velia. L’intervento ha costituito l’occasione per proporre un insieme di opere, che gettano luce su un settore dell’area archeologica centrale interessato negli anni Trenta del Novecento da distruzioni e trasformazioni urbanistiche profonde.
Foto: ROMA – N. Bernacchio et al., “Lo sbancamento della Velia nel 1932”; in: I Martedì da Traiano – Ciclo di conferenze in occasione della mostra ‘1932, l’elefante e il colle perduto’ (24/01-28/02/2023). Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.flickr.com/photos/imperial_fora_of_rome/52662120948
Un centinaio di queste opere, tra cui reperti archeologici, progetti grafici e opere d’arte, interamente provenienti dalle collezioni capitoline, alcuni dei quali identificati in occasione di recenti ricerche ed esposti al pubblico per la prima volta, compongono questa mostra.
Foto: ROMA – N. Bernacchio et al., “Lo sbancamento della Velia nel 1932”; in: I Martedì da Traiano – Ciclo di conferenze in occasione della mostra ‘1932, l’elefante e il colle perduto’ (24/01-28/02/2023). Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.flickr.com/photos/imperial_fora_of_rome/52661915789
Mercati di Traiano Museo dei Fori Imperiali (04/2022 - 03/2023).
www.mercatiditraiano.it/it/mostra-evento/1932-l-elefante-...
Foto: ROMA – La presentazione innovativa e creativa della conferenza per i bambini; in: N. Bernacchio et al., “Lo sbancamento della Velia nel 1932.” Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.flickr.com/photos/imperial_fora_of_rome/52661629851
1.1). ROMA - La presentazione innovativa e creativa della conferenza per i bambini; in: N. Bernacchio et al., "Lo sbancamento della Velia nel 1932"; in: I Martedì da Traiano - Ciclo di conferenze in occasione della mostra 1932, l’elefante e il colle perduto (24/01-28/02/2023). Video & foto di: Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
Foto: ROMA – La presentazione innovativa e creativa della conferenza per i bambini; in: N. Bernacchio et al., “Lo sbancamento della Velia nel 1932.” Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.flickr.com/photos/imperial_fora_of_rome/52662072540
Foto: ROMA – La presentazione innovativa e creativa della conferenza per i bambini; in: N. Bernacchio et al., “Lo sbancamento della Velia nel 1932.” Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.flickr.com/photos/imperial_fora_of_rome/52662072555
Foto: ROMA – La presentazione innovativa e creativa della conferenza per i bambini; in: N. Bernacchio et al., “Lo sbancamento della Velia nel 1932.” Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
www.flickr.com/photos/imperial_fora_of_rome/52661915929
2). ROMA - Documentazione archivistica storica integrativa sugli scavi e gli studi della collina della Velia anni '30; per: N. Bernacchio et al., "Lo sbancamento della Velia nel 1932"; in: I Martedì da Traiano - Ciclo di conferenze in occasione della mostra 1932, l’elefante e il colle perduto (24/01-28/02/2023). Video & foto di: Mercati di Traiano Museo dei Fori Imperiali / Fb (24 & 31/01/2024).
Foto: ROME – Dr. Claudio Parisi Presicce, the Via Dell’ Impero: Exhibit – “1932, the Prehistoric Elephant and the Lost Velia Hill.” The Markets of Trajan & the Museum of the Imperial Fora in Rome (8 April thru 20 May 2022); in: RARA 2022 (08/04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51991110596
Foto / PDF = Umberto Croppi et al., “Via dell’impero. Nascita di una strada, demolizioni e scavi: 1930-1936. Scavi archeologici, sterri e demolizioni per l’apertura di via dell’Impero.” Roma: Comune di Roma (22/07/2009): 1-5
www.flickr.com/photos/imperial_fora_of_rome/52661129627
2.1). ROMA - Umberto Croppi, Umberto Broccoli, Claudio Parisi Presicce & Maria Elisa Tittoni, "Via dell'impero. Nascita di una strada, demolizioni e scavi: 1930-1936. Scavi archeologici, sterri e demolizioni per l’apertura di via dell’Impero. Roma: Comune di Roma (22/07/2009): 1-5 (in PDF) = RARA 2023: Rieditato e rivisto da M. G. Conde (2009 e ancora 2023), Washington DC, USA (31/01/2023)
--- PDF = Umberto Croppi et al., Roma: Comune di Roma (22/07/2009): 1-5 wp.me/pbMWvy-3Jm
Fonte / source:
--- RARA 2023 / Documentazione archivistica storica (2009/2023).
romaarcheologiaerestauroarchitettura.wordpress.com/
Foto: Arch. Italo Gismondi, La Domus di eta imperiale ritrovata (e distrutta) sulla Velia durante gli scavi per realizzione di Via Dell` Impero; in: Giuseppina Pisani Sartorio, Archeologia Viva, No. 6 (1986) (RARA 2022 [Materiali d’archivio] 29/05/2011).
www.flickr.com/photos/imperial_fora_of_rome/52203119511
3). RARA 2023. ROMA - Il Colle Velia e la Via Dell’Impero, Arch. Italo Gismondi, 1931-33: Mostra “1932, l’elefante e il colle perduto.” Museo dei Fori Imperiali / Fb (05/07/2022) & I. Gismondi, in: Giuseppina Pisani Sartorio, Archeologia Viva, No. 6 (1986). wp.me/pbMWvy-2Ta
Foto: Antonio Munoz & Italo Gismondi, Così nacque via dell’Impero: “Ipotesi di sistemazione del muro di contenimento di Villa Rivaldi su progetto di Antonio Muñoz (disegno di S. De Angelis). Museo di Roma, MR-42232” [c. 1930?], in: Pier Federico Caliari (2017); in: RARA 2022 (07/04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51987489977
--- RARA 2023. ROMA - VIA DELL’ IMPERO e “1932, L’ELEFANTE E IL COLLE PERDUTO”; in: Museo di Fori Imperiali (07/04/2022).” ROMATODAY (07/04/2022). S.v., Vedi anche: Roma e l’era pliocenica e i resti di elefante scoperti sul Campidoglio (fine del XIX secolo?), il Foro Romano ([ = una zanna di un ippopotamo] c. 1900-07?), la Velia (1932) e il Foro di Cesare (1941?). Anche: Antonella Aquiloni, Museo Paleontologico Montevarchi (AR) & Fb (30/10/2021) & Dott.ssa Rossella Rea, La Repubblica (10/10/2009): 1 & 27 wp.me/pbMWvy-2Am
Foto: Antonella Aquiloni, “Roma – Montevarchi: restauro e ritorno.” Il Museo per restaurare un Elephas antiquus rinvenuto nei Fori Imperiali nel 1932. Museo Paleontologico Montevarchi (AR) & Fb (30/10/2021).
www.flickr.com/photos/imperial_fora_of_rome/51659368228
--- RARA 2023. ROMA - Antonella Aquiloni, “Roma – Montevarchi: restauro e ritorno.” Il Museo per restaurare un Elephas antiquus rinvenuto nei Fori Imperiali nel 1932. Museo Paleontologico Montevarchi (AR) & Fb (30/10/2021). wp.me/pbMWvy-2aM
Foto: Roma – I Fori Imperiali, la Velia duranta ti periodo pliocenico & ‘L` Elephas Antiquus’; in: IL GIORNALE D’ITALIA (06/07/1932): 3 & (24/05/1932): 3
www.flickr.com/photos/imperial_fora_of_rome/51784422691
--- RARA 2023. Roma – I Fori Imperiali, la Velia duranta ti periodo pliocenico & ‘L` Elephas Antiquus’; in: IL GIORNALE D’ITALIA (06/07/1932): 3 & (24/05/1932): 3. S.v., Roma – Il Sottosuolo dei Fori e ‘L’ Elephas Antiquus’ Della Via Dell’ Impero [05/1932]; in: “Tra elefanti e bufali, Roma era come la savana.” GEDI WATCH / You-Tube (25/11/2021) [05:35]. S.v., Dr. Antonella Aquiloni, Museo Paleontologico Montevarchi (AR) & Fb (30/10/2021) & IL MESSAGGERO (26/05/1932). wp.me/pbMWvy-2kj
Foto: ROMA – Il Sottosuolo dei Fori e ‘L’ Elephas Antiquus’ Della Via Dell’ Impero; in: IL GIORNALE D’ ITALIA (24/05/1932): 3 & IL MESSAGGERO (26/05/1932): 5.
www.flickr.com/photos/imperial_fora_of_rome/51418823412
--- RARA 2023. ROMA - IL GIORNALE D’ ITALIA (24/05/1932): 3 & IL MESSAGGERO (26/05/1932): 5; Alessandra Tomassetti (2008) = A. M. Colini / F. di Cesare: “Mandibola di Elefante Antiquus” (1932). ANCHE: LA REPUBBLICA (10/10/2009): 27 & Sotterranei del Vittoriano & lo scheletro di un elefante preistorico,” Il Giornale (20/05/2002): 31. wp.me/pbMWvy-1Rd
Foto: Roma, I Fori Imperiali & Via Dell’ Impero (1930-32); in: Comune DI ROMA / SIMARTWEB (04/2022).
www.flickr.com/photos/imperial_fora_of_rome/51991671005
4). RARA 2023. ROMA - Dr. Claudio Parisi Presicce, the Via Dell’ Impero: Exhibit – “1932, the Prehistoric Elephant and the Lost Velia Hill.” The Markets of Trajan & the Museum of the Imperial Fora in Rome (8 April thru 20 May 2022), (08/04/2022). wp.me/pbMWvy-2Az
Foto: ROMA – “Dalle casse chiuse per 70 anni nuovi tesori della vecchia Roma. Il Venerdi La Repubblica (18/12/2009): 106 (in PDF); in RARA 2023 / Archivio (26/11/2011).
www.flickr.com/photos/imperial_fora_of_rome/4195082962
PDF = ROMA – Il Venerdi La Repubblica (18/12/2009): 106 (in PDF); in RARA 2023 / Archivio (26/11/2011). wp.me/pbMWvy-3Jm
Foto 1a : ROMA – “Fori Imperiali, il mistero delle 500 casse. Bronzi, mosaici, affreschi e persino una tela di lino: riemergono i reperti catalogati nel ’39. Ora in caveau.” Corriere Della Sera (12/09/2010): 3; in: RARA 2023 / Archivio (13/09/2010).
www.flickr.com/photos/imperial_fora_of_rome/4988366532
Foto 1b : ROMA – “Fori Imperiali, il mistero delle 500 casse. Bronzi, mosaici, affreschi e persino una tela di lino: riemergono i reperti catalogati nel ’39. Ora in caveau.” Corriere Della Sera (12/09/2010): 3; in: RARA 2023 / Archivio (13/09/2010).
Crews have specific areas where groundwater seeps out of the hillside and into the creek that they check.
With the filtration system turned off, they'll monitor the creek and seeps on a regular schedule for the next three weeks.
Vladimír Turner
Site- specific installation
Prague 2014
Dividing vacant lot into three separate parcels. Each parcel has got it's color. Pedestrians are pushed to walk strictly on a beaten paths. Situation suggests citizens of Vršovice neigborhood in prague to think about the public space, it's non/commercial value and future.
Organized by 4+4 Days In Motion
Site-specific інсталяція “HOME EAST” на сході ВДНГ (павільйон №7) – це вхід в Мистецтво війни і любові, це мистецтво про війну і її наслідки, про всі покинуті переселенцями будинки, про СХІД, про біжанців, про небезпеку, вимушену втечу і про надію на мир.
У рамках фестивалю ГОГОЛЬFEST 2015
Автор: Вальдемарт Клюзко (Waldemart KLYUZKO)
La Delice Pastry Shop and Candy Store Chocolate specific on 3rd Avenue and 27th Street Kips Bay New York City - 03/30/2017 - NYC - Mystery Magic Chef outside mannequin Superchef Comicbook super hero comic book comics standee Halloween stand up store stores popup Bake Bakery Easter candy store entrance Pop n Fresh Mannequins dummy wax sculpture standees butler domestic hat uniform chocolate 2017 Mysterious
A site specific outdoor exhibit at Jaffa Port in collaboration with 3M.
“Arabs, Jews and Christians, it doesn’t matter for us… We are all one family, you can’t
say that there is or isn’t co-existence. There is no co-existence. This is existence.”
/ The words of Saadu Zeinab, head of the Jaffa Fisherman’s Committee
20. - 22. September 2013
Jesuit College, Jicin.
Starting workshop of continuous program was focus on a source of light and the lighting source in Site-specific space.
This week we detail the specific use of a fairly common tool in metalworking: a thread tap. It is a very handy tool to have in the event of having a dropout adjuster screw break and get stuck inside the dropout, as Quang had experienced over the weekend.
The first step when dealing with a tight dropout adjuster screw is to very carefully try and unwind it from the screwdriver side, i.e. inside the dropout flats. Sometimes used frames will have the dropout adjuster screws bent from damage or rusted hard inside, and as such too much torque can cause the screw head to shear off.
At this point, the only option is to carefully drill out the stuck screw and re-tap new threads into the hole for the dropout to accept a new screw. This requires a very steady hand and for the frame to held securely, most likely with the dropout clamped in the vice.
As for the size of drill bit to use, this corresponds with the desired thread size. Too large of a diameter hole, and the tap will not cut threads deep enough for the screw to securely hold itself in place; conversely too small a hole can cause the tap to be excessively tight during rotation, leading to binding and potential snapping.
For the purposes of dropout adjuster screws, as they are a M3 x 0.5mm thread, a 2.5mm drill bit is used.
The steps to remove a stuck adjuster screw:
• File the screw as flat as possible to the dropout.
• Then by eye, centre punch the screw as best as possible. This will keep the drill bit in place when drilling.
• Use a 2 mm drill bit to drill as straight as possible down the dropout screw.
• The hole is enlarged to 2.5 mm. If it has been drilled perfectly, then most of the old screw should be gone.
• A M3 X 0.5 starting tap is run down the hole to either clean out the old threads or new threads are formed.
Site-Specific Installation at the 2008 Three Rivers Arts Festival. The piece changed over the course of the exhibition and prints were removed for purchase. As the prints were taken away, zeros and ones in the binary code were also deleted, allowing the translation of the code to dissolve it's meaning.
Images from a the project 'La Legend de le mort' (The tale of death) a site specific piece performed at Buckland Abbey in collaboration with a French theatre group based in Brest.
by Gemma Ward
Brickhouse Tileworks specializes in the design and creation of one-of-a-kind, site-specific works of art. Every tile at Brickhouse is meticulously hand crafted for our customers. Whether you are looking for three-dimensional sculpted-relief, hand painted, mosaic or handmade field tiles, our artists will work with you to meet your specific needs. Add exquisite beauty and personalized style to your home, indoors or out, with Brickhouse tiles.
Brickhouse will create a one of a kind custom look for your kitchen, bathroom, fireplace, pool or anywhere you’d like to personalize your home; and we can also produce breathtaking full mural designs. Work with Brickhouse artists to create custom-designed tiles or select from the original Brickhouse Tile Line. At Brickhouse Tileworks we are dedicated to the design and development of high-quality tiles that are distinctive, one-of-a-kind works of art.
Sport Specific Performance and our golf supplements were on hand to support Jordan Farmar of the World Champion Los Angeles Lakers at his celebrity golf classic. We talked sports, golf, and more with celebrities including Jordan, Lakers teammate Luke Walton, baseball great Darryl Strawberry, former Laker Byron Scott, PGA Tour pro and recent runner up of the US Open Ricky Barnes, NFL QB and former Heisman Trophy winner Matt Leinart, and more.
Royal Welcome Home in Winchester for 650 Troops of 11 Light Brigade
The Royal Standard is lowered at the Guildhall in Winchester. This is a Royal Standard for members of the Royal Family without their own specific standards and is made up of the regular Royal Standard, as used by Her Majesty the Queen, with the addition of a bordure of ermine.
The Royal Standards of the United Kingdom refers to either one of two similar flags used by Queen Elizabeth II in her capacity as Sovereign of the United Kingdom, the Crown dependencies, and the British Overseas Territories. Two versions of the flag exist, one for general use in England, Northern Ireland, Wales, the Crown dependencies and the British Overseas Territories; and the other for use in Scotland. Although almost universally called a standard, such flags when used in the United Kingdom are banners of arms, as they comprise the four quarters of the shield of the Royal Coat of Arms.
The Royal Standard of the United Kingdom is flown when the Queen is in residence in one of the royal palaces and on her car, ship, or aeroplane. It may be flown on any building, official or private, during a visit by the Queen. Some senior members of the Royal Family have their own personal version of the Royal Standard.
Other members of the Royal Family may use the Royal Standard of the United Kingdom, but within an ermine border (a white border with black "tails" representing the ermine fur). This standard is mainly used for the wives of British princes, or members of the Royal Family who have not yet been granted their own arms. Diana, Princess of Wales, and more recently, Princess Alice, Duchess of Gloucester, had this standard draped over their coffins at their funerals. Camilla, Duchess of Cornwall, also enjoys the right to use this version of the Royal Standard. She rarely exercises it when on her own but the standard was flown on this occasion.
650 soldiers of 11 Light Brigade accompanied by three bands marched through the City of Winchester in a homecoming parade and were addressed by Her Royal Highness the Duchess of Cornwall on 23 June. In glorious sunshine, an estimated crowd of 10,000 turned out to greet the troops who were representatives of the 5,100 men and women who made up 11 Light Brigade which served in Helmand province of Afghanistan from October 2009 to April 2010. This was the largest homecoming parade to date marking a national celebration for the return of the Brigade that was formed specifically for a six-month operational deployment to Afghanistan known as Operation Herrick 11. Each of the 12 regiments that formed the brigade were represented at the parade.
Following the parade the Duchess of Cornwall, the troops and accompanying guests attended a service, held in Winchester Cathedral, of thanksgiving and remembrance for the 64 soldiers killed in action.
Hampshire was home to 11 Light Brigade’s Headquarters in Aldershot. The brigade was made up of many different regiments and was unique in that it came into existence specifically for a tour of duty in Afghanistan to reduce pressure on other regiments that were being sent out increasingly frequently. Some of the units making up the Brigade were based in Hampshire but other regiments were based in Edinburgh, Chester, London and Germany. This was the final act of 11 Light Brigade before disbanding.
The parade was accompanied by the Bands of the Grenadier Guards, the Royal Electrical and Mechanical Engineers and 3 Rifles.
The 12 regiments taking part in the parade were:
11 Light Brigade Headquarters Staff & 261 Signals Squadron
The Household Cavalry Regiment
1 Royal Horse Artillery
28 Engineer Regiment, The Royal Engineers
1st Battalion Grenadier Guards
1st Battalion Coldstream Guards
1st Battalion Royal Anglian Regiment
2nd Battalion The Yorkshire Regiment (Green Howards)
1st Battalion The Royal Welsh (The Royal Welsh Fusiliers)
3rd Battalion The Rifles
11 Explosive Ordnance Disposal Regiment, Royal Logistic Corps
10 Queen's Own Gurkha Logistic Regiment.
The timetable was as follows:
Midday
650 troops from 11 Light Brigade, accompanied by three bands marched from St Cross Cricket Ground along Southgate Street into Winchester. The troops formed up in the Broadway outside the Guildhall where wounded personnel, family representatives of some of the 64 soldiers killed in action and relations of the seriously injured were waiting.
1.15 pm
The Duchess of Cornwall addressed the troops from a dais before carrying out an inspection.
1.40 pm
There was a fly past of two Tornado jets before the Parade turned left and marched around King Alfred’s statue back up the High Street to Winchester Cathedral.
3.00pm
There was a private Service of Thanksgiving and Remembrance in Winchester Cathedral in recognition of the contribution and sacrifice of service personnel and their families on return from the conflict in Afghanistan. The cathedral service was for invited guests, all ranks, wounded personnel, family representatives of those killed in action and relations of the seriously injured who are unable to attend. Some 1,400 people attended the cathedral service and there was a private reception afterwards.
The brigade saw heavy fighting and took part in Operation Moshtarak, a major offensive against the Taliban.
Brigade Commander, Brigadier James Cowan, explained:
“Helmand is the most violent part of Afghanistan. Three of the four most violent districts in all of Afghanistan are in British Helmand. So it is a challenging area but one that I think we brought a measure of peace to.
During their tour 11 Light Brigade took part in Operation MOSHTARAK, the large multinational offensive to drive insurgents out of the Nad ‘Ali and Marjah areas of southern Helmand.
Brigadier Cowan said:
“The operation is widely viewed as a success, with ISAF forces now exerting greater influence in the region, denying the insurgents freedom of action and offering the local population the opportunity to build up civil institutions.”
The parade came the day after the news of the death of the 300th British soldier in Afghanistan since military operations began there.
The Duchess of Cornwall addressed the parade and said she was humbled and proud to be standing in front of them all. She said:
“Through all the adversity you have fought on with immense courage, displaying the highest level of dedication, loyalty and professionalism as you have gone about bringing stability and security to this troubled region.
You are all heroes and I salute you all for a job very well done.
You are an immense credit to your regiments, the brigade and to this country and you have proved once again that the British Army is the best in the world.
Although we are all here to celebrate your return the price has been extremely high. And I join you in mourning those 64 soldiers who are not here and who made the ultimate sacrifice during these past months.
My heartfelt thoughts and prayers go out to their families as they continue to come to terms with their agonising loss.
This national event, the biggest of its kind ever to be staged, is to commemorate the service and sacrifices of 11 Light Brigade."
She also spoke of the devastating number of casualties suffered in the brigade, several of whom were present in wheelchairs, and praised the extraordinary care they have received at Selly Oak Hospital and Headley Grange.
Among those the Duchess met, during a private reception, were the families of two soldiers who had died. She presented the families with the Elizabeth Cross which is given to the bereaved.
Site-Specific Series, presented by Guelph Contemporary Dance Festival
Photo by Dawn Owen, for the Ontario Arts Council and the Ministry of Culture at the spOtlight festival, June 2009. www.spOtlightfestival.ca
______
Série propre au site, présenté par Guelph Contemporary Dance Festival
Photo de Dawn Owen, prise au festival En vedette en juin 2009, pour le Conseil des arts de l’Ontario et le ministère de la Culture. www.festivalenvedette.ca
Vladimír Turner
Site- specific installation
Prague 2014
Dividing vacant lot into three separate parcels. Each parcel has got it's color. Pedestrians are pushed to walk strictly on a beaten paths. Situation suggests citizens of Vršovice neigborhood in prague to think about the public space, it's non/commercial value and future.
Organized by 4+4 Days In Motion
Images from a the project 'La Legend de le mort' (The tale of death) a site specific piece performed at Buckland Abbey in collaboration with a French theatre group based in Brest.
by Gemma Ward
SPECIFIC:
GENERAL: Deadbolt performs at PJ's Lager House. Photographed Sat., Oct. 16, 2010
(Donna Terek )
Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.
Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.
Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.
Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.
PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.
Further exploration is available:
Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982
Credits
2022-2025 © Andrew Lehti
1961–2023 © NASA, ESA
Software: PEMi (GitHub: andylehti/PEMi.git)
Explore PEM-I: pemimage.streamlit.app
CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/
Research:
Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079
CC BY-SA 4.0
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.
In specific, Holy Week is the week just before Easter that extends from Palm Sunday until Holy Saturday and marks the last week of Lent. It has earned the name 'Holy', according to the Orthodox Church, due to the significant events that take place for Christianity in regard to the sufferings of Jesus Christ.
Please be as specific as possible with your guess of city, town, location, neighborhood, cross streets (if needed), street, etc.
hint:
For five decades this site was one of the world's premier research facilities in basic physics. 6000 people worked here. 6 Nobel prizes were born here.
Now there is no one here (except for a few security guards).
Part of a site-specific installation produced for Constance ARI in April, 2009. Detail of the wall outlining the common features of contemporary museum architecture and the photographic examples for each.
The explanation of the supposed "redevelopment":
"To coincide with Inflight’s change of name and scope, the existing gallery building at 100 Goulburn St will be redeveloped. Based on current trends in museum architecture, the humble ARI will be transformed into a cutting edge monument to rival institutions such as the Guggenheim(s), the New Museum, the Tel Aviv Museum of Art and MONA. The redevelopment will retain the building’s existing white cubic base, but will have three additional levels on top, will include the neighbouring apartment in the same building, and convert the current carpark into a concrete-paved sculpture garden.
The art museum is no longer built in the image of a Greek temple. Instead, it strives to be unique in every way, from the toilets to the shiny coloured enamel exterior. However, the features designed to create a unique structure paradoxically tend to be common to most new museum buildings. These features include bizarre angles, curved or polished concrete, confusing layout, large entrance courtyards, water features, unlikely toilets, rust, and floating or unusual staircases. The institution will encourage site-specific artworks that respond to the architecture, with art invading the lift shafts, stairs and toilets. Importantly, the ‘visitor experience’ is enhanced through the provision of a gift shop, bar, restaurant and/or café. I have identified the most common of these features and have attempted to apply as many as possible to the new Constance ARI design, with the aim of providing Hobart with (another) ‘unique’ contemporary art museum."
Photographic documentation of "The Fear of Loss", a site-specific performance piece choreographed by Nadine Joseph with score by Daniel Nubian. The piece was performed by Nadine Joseph and Daniel Nubian in the men's toilet at Wits Theatre, University of the Witwatersrand, Johannesburg, South Africa. 14 May 2015. Shot on Nikon D800 with a single Nikkor 24mmf1.4 lens.
“Life projected through magical digital form”.
Cinetaxis is a project led by SDNA, at once capable of becoming a son et lumier, intimate installation and theatrical performance. It's an experimental collaboration of audio/video art and visual performance creating site specific 'live' installations.
The inspiration for the title 'Cinetaxis' is derived from research into phototaxis, (insects automatic reaction to light sources), and a desire to explore the same in humans ‘attraction to light', both real and metaphorical. This provides an aesthetic and narrative framework drawing links between insect anatomy and the human form, both beautiful and grotesque, fascinating and unsettling.
Cinetaxis is genuinely cross-disciplinary, the project aims to create a dialogue and close integration between multiple artistic and scientific disciplines (contemporary performance, dance, music, new media and visual arts ), led by digital visual art as practised by SDNA.
ARTISTIC DIRECTION / PRODUCTION
SDNA / Valentina Floris and Ben Foot
PERFORMERS Nina Fog / Natasha Mayran / Natasha Stanic
LIVE MUSIC
Dubmode / Electric Lane / Takatsuna Mukai / Alessandro Olla
COSTUME DESIGN Cabinet of Curiosity
INSTALLATION Zsolt Balogh / Barbara Gamper / Chris Singer
Photos by Lou Smith and Hektor Kuleczka
Images from a the project 'La Legend de le mort' (The tale of death) a site specific piece performed at Buckland Abbey in collaboration with a French theatre group based in Brest.
by Gemma Ward
site-specific intervention / installation
in collaboration with Yevgeniya Kaganovich
breathing sculptures
latex, rubber, custom electronics + software
dimensions variable, 2011
Images from a the project 'La Legend de le mort' (The tale of death) a site specific piece performed at Buckland Abbey in collaboration with a French theatre group based in Brest.
by Gemma Ward
The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.
New cycling specific iWatch available now at Blazing Saddles
108 Likes on Instagram
6 Comments on Instagram:
georgthegreat: @greatrock looks safe
alancolville: Love it!
petescullion: Is that that Flava Flave edition @greatrock? :-)
gilly_1981: Doubles as a nose scratcher on the trails..
sassie001: @ryanbradshaw85
instagram.com/mtbtalk.co.uk: Neat, an MTB iWatch! So I can face time my Nan whilst shredding gnar with the lads!
La Delice Pastry Shop and Candy Store Chocolate specific on 3rd Avenue and 27th Street Kips Bay New York City - 03/30/2017 - NYC - Mystery Magic Chef outside mannequin Superchef Comicbook super hero comic book comics standee Halloween stand up store stores popup Bake Bakery Easter candy store entrance Pop n Fresh Mannequins dummy wax sculpture standees butler domestic hat uniform chocolate 2017 Mysterious
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www.youtube.com/watch?v=NuhKGL_XyU4 ** Desamark ** www.desamark.com/
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desamark707.weebly.com/desamark/you-can-use-a-mobile-spec... **DavidKarlos / David Karlos **DesaMark** desamark707.weebly.com/
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Pod Plosion; a site-specific community arts event hosted at Castlefields allotment, Shrewsbury, Shropshire by artist Jacky Champ.
The Pod; was a 3metre diametre sphere which was filled with enough helium filled balloons (around 1,000) to raise it into the air before the grand balloon release and race. It was an event for children to introduce them to the allotment and seed growth and seed dispersal. Each of the balloons contained a seed of choice selected by the children. A wish was made by each of the children as they inserted their balloon (and seed) into the giant pod.
The event was a huge success thanks to the Allotment Committee for coming onboard and providing refreshments and homemade cakes.
Listener is a site specific performance artwork that engages with Lakota epistemologies through computational media and narrative. Lakota ways of knowing tell us that hair is an extra-sensory tool, operating in physical, metaphorical, and spiritual dimensions simultaneously.
Credit: vog.photo
Chihuly was invited to create a temporary, site specific land art installation for Artpark, a multidisciplinary arts venue in Lewiston, New York, in 1975. Together with his collaborator, artist Seaver Leslie, Chihuly placed glass in the landscape, situating multicolored panes of glass in the landscape. Single panes, pairs, and even large-scale window-like grids were all employed in an ephemeral installation that changed as the artists relocated the panels or glass—situated in the landscape and exposed to the elements—broke apart. More than 40 years later, Chihuly revisits this project and his interest in minimalist exploration of color and light in the landscape in his Koda Studies, reimagined for the unique surroundings of The New York Botanical Garden.