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This position is responsible for assessing, planning, implementing, evaluating and documenting all care activities in order to deliver efficient, effective and quality patient care. The RN also must demonstrate the knowledge and skills needed to provide age-appropriate care, based on the assigned unit. This includes a thorough understanding of the principles of growth and development over the life span, along with the ability to assess/interpret issues relative to an individual patient's status and age-specific needs. This position will adhere to all policies, procedures and regulations to ensure patient safety and compliance.
Page 56
When Robert Cremean walked through the seemingly
endless corridors of the Vatican Museum in Rome, he was
struck not only by the vastness of the place but by the
number of sculptures it contains, many of which are
neutered by a fig leaf. To him, the sculptures in the museum
represented an enormous collection of mixed metaphors and
only a rare few met his definition of “transparency.” On the
fourth page of his Preparatory Study for VATICAN
CORRIDOR, A Non-Specific Autobiography he wrote:
The enclosure of one metaphor by another—one culture by
another—one time segment by another. “Paganism” is preserved
through forfeit of genitalia—neutered by a fig leaf. Miles of
historical artifacts enclosed within an historical artifact. And yet
there are a few presences that are not dead—not neutered. A few
glimpses— Man existing without metaphor. A few Transparencies.
Are these not worth the endless walk?
Within the concept “One man=all men,” VATICAN
CORRIDOR, A Non-Specific Autobiography was conceived as
an actual and metaphorical record of the journey through
the life of the artist and, by extension, a projection of the
possibilities we all share and may attain. Within both of the
facing walls are ten carved life-sized figures symbolically
conjoined by arches to form a “corridor of the self. ” As Robert
Cremean wrote:
Each arch represents three years and the Corridor of Self-Analysis
begins with my seventeenth year.
It was within the time span of the First Arch he declared
himself a sculptor.
Prior to acquiring the materials necessary for the actualizing
of the sculpture in wood, he spent two months creating
the detailed preparatory study for the entire work, a process
he had followed on only two prior occasions, one for
DONOR WITH CRUCIFIXION and the other, although more
suggestive than detailed, for HOMAGE TO PAUL APOSTLE.
From the first three pages of searching to the final pages of
resolution, the artist’s graphic description of the threedimensional
work provides us with the opportunity to read
the artist’s philosophical concepts for that specific work of
art and to understand how these concepts are interpreted
symbolically through the human figure. Since this is an
actual and a metaphorical autobiography, the Preparatory
Study for VATICAN CORRIDOR, A Non-Specific Autobiography
literarily addresses both.
Because each of the ten arches in the Preparatory Study
and in the completed sculpture spans a period of three years
in the artist’s life, the Tenth Arch was a projection five years
into the future and was at last updated twenty-two years
later in the writing in 1995, and with the publication by
Manuscript Press in 1996, of THE TENTH ARCH, the sculptural
Tenth Arch realized in the form of a book.
As the name implies, the sculpture is in the form of an
actual corridor. It measures eight feet tall, forty feet in length,
and with a width of ten feet. The facing walls of the corridor
are each formed by ten carved blocks of laminated sugar pine
planks for an overall measurement each of 8' x 24½" x 16".
The first figure of the Outer Wall, the “who,”is nearly fully
revealed in the round. But by the Tenth Arch, it has been transposed
into a negative, much like a waste-mold, only the egg
shape of the final transposition still in place. Block by block
and transposition after transposition, the three-dimensional
figure is displaced by a concavity as the wall that contained it
grows thicker and thicker. The reverse is true in each of the
corresponding figures and blocks of the Inner Wall. Each part
of the human figure is symbolic of a particular sense and/or
concept and with its transference the figure of the Inner Wall,
the “what,” becomes more complete.
Shown here is the final page of the manuscript which
lists the actual parts of the Anatomy of Transposition. It is
followed by the first four pages which serve both as an
explanation of the Preparatory Study and of the concept of
the entire sculpture. Each page of the original manuscript
measures 17" x 14".
PHOTOS: BARRY PRIEST
Contact Young Actors Company (CYAC) working with Grupo XIX on their new site-specific theatre performance, Memoria da Chuva (Memories of the Rain) at MOSI (Museum of Science and Industry.
The performances will take place Thursday 27 August to Saturday 29 August 7pm & 8:30pm (Thu-Fri). 1pm, 3:30pm & 7pm (Sat).
Tickets: £8/5 (Limited FREE tickets for FreeAct members).
Booking: 0161 274 0600 / www.contact-theatre.org
Whispers echo through the dark cavernous halls of an old Victorian warehouse as fragmented stories stored away from the age of steam wait to be retold…
An atmosphericsite-specific show performed at The Museum of Science & Industry’s 1830 Warehouse, directed by Grupo XIX de Teatro (Hysteria, Victoria Baths).
The 1830 Warehouse, Museum of Science & Industry, Liverpool Road, Castlefield, Manchester M3 4FP.
Site specific performances by BA Drama students at "The Collection" and "Usher Gallery".
Date: 9 May 2015
Time: 11am -3pm
photo by Fenia Kotsopoulou
Visiting Assistant Professor of Dance Alice Blumenfeld gives an impressive Labyrinths performance in Oberlin College's Seeley G. Mudd Center. This unique flamenco performance kicked off Oberlin's "Breaking Boundaries in Flamenco" symposium. The two-day event includes a performance by award-winning guitarist José Luis de la Paz and a guest panel addressing "Transnational Politics and Poetics of Flamenco."
Photo by John Seyfried
SPECIFIC INFO: Haf Life played Santarchy at PJ's Lager House.
GENERAL INFO: Lager House, Saturday, Dec.18, 2010. Photographs by Donna Terek, 313-598-0179
Phylogenetic tree of mating-type specific and non mating-type specific pheromone receptor protein sequences.
The tree shows phylogeny amongst pheromone receptor proteins from F. velutipes (Fv), C. cinerea (Cc), L. bicolor (Lb), S. commune (Sc), P. djamor (Pd) and C. neoformans (Cn). Nodal supports with more than 70% bootstrap values are considered strongly supported and displayed in the tree. Known mating-type specific pheromone receptors are depicted in blue. Two major clades are distinguished, labeled A and B. The four non mating-type specific pheromone receptors of F. velutipes FvSte3.s1 to FvSte3.s5 (pseudogene FvSTE3.s2 was excluded) form a separate group (shaded purple) within clade B that is supported by strong branch values. The clade including FvSte3.1 and two other known mating-type specific pheromone receptors is shaded in orange. The clade that contains FvSte3.2 is shaded in yellow. Both these clades are supported by strong branch values. FvSte3.1 and FvSte3.2 group closest with SCBbr1 and SCBbr2, respectively. Clades that contain known mating-type specific pheromone receptors are strong evidence for mating-type specificity of other clade members. LbSte3.5 is a notable exception.
Vehicle Specific Performance with Great Pricing and Availability
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Franco Menicagli
A CHI NON PIACE GUARDARE IL CIELO?
(allestimento)
Installazione site specific per il Cortile di Palazzo Strozzi (16.10-16.11.2014)
© photo Mario Guidi
(HGM 945 M, Heisey Glass Museum, Newark, Ohio, USA)
-----------------------------------
"1401 Empress" is the designation for a specific glass product design made in Newark, Ohio by the Heisey Glass Company (1896 to 1957). Heisey glass designs are called "patterns". Pattern designations include a number (not necessarily consecutively numbered during the history of the glass factory) and a name. Some pattern names were given by the Heisey company, while others were given by Heisey glass researchers.
"Cobalt" refers to a type of colored glass that Heisey produced. It is also known as "Stiegel Blue".
The source of silica for Heisey glass is apparently undocumented, but was possibly a sandstone deposit in the Glassrock area (Glenford & Chalfants area) of Perry County, Ohio (if anyone can provide verfication of this, please inform me). Quarries in the area targeted the Pennsylvanian-aged Massillon Sandstone (Pottsville Group) and processed it into glass sand suitable for glass making.
-----------------------------------
From Bredehoft (2004):
Stiegel Blue: 1932-1941. Commonly called cobalt blue. Heisey's has exceptionally good color.
-----------------------------------
From museum signage:
Augustus H. Heisey (1842-1922) emigrated from Germany with his family in 1843. They settled in Merrittown, Pennsylvania and after graduation from the Merrittown Academy, he worked for a short time in the printing business.
In 1861, he began his life-long career in the glass industry by taking a job as a clerk with the King Glass Company of Pittsburgh. After a stint in the Union Army, Heisey joined the Ripley Glass Company as a salesman. It was there that he earned his reputation of "the best glass salesman on the road".
In 1870, Heisey married Susan Duncan, daughter of George Duncan, then part-owner of the Ripley Company and later full owner, at which time he changed its name to George Duncan & Sons. A year later, he deeded a quarter interest to each of his two children. A few years after his death, A.H. Heisey and James Duncan became sole owners. In 1891, the company joined the U.S. Glass Company to escape its financial difficulties. Heisey was the commercial manager.
Heisey began to formulate plans for his own glass company in 1893. He chose Newark, Ohio because there was an abundance of natural gas nearby and, due to the efforts of the Newark Board of Trade, there was plenty of low cost labor available. Construction of the factory at 301 Oakwood Avenue began in 1895 and it opened in April of 1896 with one sixteen-pot furnace. In its heyday, the factory had three furnaces and employed nearly seven hundred people. There was a great demand for the fine glass and Heisey sold it all over the world.
The production in the early years was confined to pressed ware, in the style of imitation cut glass. The company also dealt extensively with hotel barware. By the late 1890s, Heisey revived the colonial patterns with flutes, scallops, and panels which had been so popular decades earlier. These were so well accepted that from that time on, at least one colonial line was made continuously until the factory closed.
A.H. Heisey's name appears on many different design patents including some when he was with George Duncan & Sons. Heisey patterns that he was named the designer include 1225 Plain Band, 305 Punty and Diamond Point, and 1776 Kalonyal.
Other innovations instituted by A.H. Heisey were the pioneering in advertising glassware in magazines nationally, starting as early as 1910 and the first glass company to make fancy pressed stems. That idea caught on quickly and most hand-wrought stemware is made in this manner, even now.
-----------------------------------
Reference cited:
Bredehoft, N. (ed.) (2004) - Heisey glass formulas - and more, from the papers of Emmet E. Olson, Heisey chemist. The West Virginia Museum of American Glass. Ltd.'s Monograph 38.
-----------------------------------
Info. at:
en.wikipedia.org/wiki/Heisey_Glass_Company
and
and
(more pictures you can see by clicking on the link at the end of the side!)
Photo: Vienna City Park plan - Flower - Lake
City Park Plan - Flower - Lake Ltd. © Vienna - specific
The Viennese City Park stretches from the park ring in the first district of Vienna up to the Haymarket in the third district of Vienna and is a of both tourists and local citizens well-visited park in Vienna. Its area is 65,000 m².
History
Yet in the Biedermeier the Water Glacis was a popular entertainment venue before the Karolinenstadttor (city gate). As part of the by the demolition of the city wall happened remodeling in the Ringstrasse, the project of a public park has been promoted on that site by the then Mayor of Vienna, Andreas Zelinka. This park was designed in the style of English gardens by the landscape painter Josef Selleny, the plannings were carried out by the city gardener Rudolf Siebeck. On 21th August 1862 the city park was opened as the first public park in Vienna.
Vienna River flows through the city park
The Wien River flows through the city park, Vienna © concrete
"Wien" (Vienna River) in the city park
On the right bank of the river Wien (Wienfluss) was 1863 the so-called children's park, today mainly characterized by paved playgrounds and sports facilities, which over the Karoline bridge (Karolinenbrücke) (since 1918 Stadtparkbrücke), built in 1857, with the on the left bank situated town park is connected.
In the years 1903-1907 was in the parking area after the regulation a by Friedrich Ohmann and Josef Hackhofer planned Vienna river engineering structure with the river gate, pavilions and river banks built, which is one of the sights in the park.
In earlier times visitors of the park for the stay in placed chairs had to pay fees that were collected by the chair women (the so-called Sesselweiber).
Attractions in the park
Kursalon
The Kursalon
The water Glacis was a spa pavilion in which healing waters for drinking cures were served. To that affect, in the years 1865 to 1867 for the city park also the Kursalon was built according to plans of Johann Garben. This historicist imposing home in the style of the Italian Renaissanceg is located at the John street (Johannesgasse) and has a large terrace in the park:
After the opening on 8th May 1867 were originally forbidden pleasures. As this concept was not adopted, yet on 15th October in 1868 was taking place the first concert of Johann Strauss (son) whereupon became the Kursalon a popular dance and concert venue in particular at the time of the Strauss brothers. Today, the Kursalon after a renovation phase is again venue for balls, concerts, clubbings and conferences and houses a café-restaurant.
Photo: Johann Strauss monument in the city park; © RM
Monuments
With the gilded bronze statue of Johann Strauss (son) stands in the city park one of the best known and most frequently photographed monuments in Vienna. It was on 26th June 1921 unveiled and is framed of a marble relief by Edmund Hellmer. The gilding was removed in 1935 and in 1991 applied again. Other monuments there are, for example, of Franz Schubert, Franz Lehar and Robert Stolz and Hans Makart, the City Park is in monuments and sculptures the richest park in Vienna.
The dairy (Meierei)
The former milk bar was built as part of the Wienflußverbauung (Vienna river engineering structure) according to plans by Friedrich Ohmann and Josef Hackhofer from 1901 until 1903. After suffering heavy damages during the Second World War the building was extended in the reconstruction. Today is in the dairy after another annex a restaurant.
Planting
The planting of the city park is characterized by a great diversity of species and is, as possible, focused on a year-round flowering. Through an avenue to the ring road noise and exhaust gases are filtered. Some trees are protected, such as a ginkgo, a crown of thorns (Honeylocust, Christusdorn), cottonwood tree and Caucasian wingnut.
SPECIFIC team members at the Guildhall in London to celebrate winning the Queen's Anniversary Prize.
The Paramedic is responsible for a wide range of patient care and specimens procurement tasks, performed under the direct supervision of the RN. Specific duties may include obtaining patient specimens for lab analysis, performing point of care testing procedures, and maintaining accurate patient records. This individual must demonstrate the knowledge and skills needed to provide age-appropriate care, based on the assigned unit. This individual also may be responsible for specialized patient care, such as burn care, orthopedics, and sterile procedures. This position will adhere to all policies, procedures and regulations to ensure patient safety and compliance.
Visiting Assistant Professor of Dance Alice Blumenfeld gives an impressive Labyrinths performance in Oberlin College's Seeley G. Mudd Center. This unique flamenco performance kicked off Oberlin's "Breaking Boundaries in Flamenco" symposium. The two-day event includes a performance by award-winning guitarist José Luis de la Paz and a guest panel addressing "Transnational Politics and Poetics of Flamenco."
Photo by John Seyfried
ROIL, Christine Sciulli, site specific installation at Smack Mellon photo by Etienne Frossard courtesy of Smack Mellon.
ROIL is an 8 channel video projection of expanding and contracting circles of white light onto a 2000 yard white mesh installation (35'Hx55'Lx28'W) at Smack Mellon (92 Plymouth Street, Brooklyn, NY) on view through 21 February 2016.
Christine Sciulli
Artist Statement
ROIL
December 2016
My most recent explorations have focused on the projection of plane geometries through various three dimensional networks to generate a dynamic mapping of solid geometries of light through space. In this installation, projected circles of white light expand and collapse through Smack Mellon’s cavernous space in a frenzy which harkons back to the roiling steam that powered surrounding factories.
Smack Mellon’s current home once belonged to Robert Gair, who patented his revolutionary design for a structurally sound three-dimensional lidded box folded from a single two-dimensional sheet of paper without adhesives in 1900. Industrialist Gair housed his widely varied paper product operations in several buildings concentrated in DUMBO. “Gairville” was fueled by tons of coal dropped through chutes carved out of the 4th and 5th floors of this former mill. Boilers in this vast hall superheated, churned and compressed water into hissing steam that pulsed through pipes and coursed into adjacent buildings supplying heat and energy. Racing progress and rapidly expanding industrialization, made possible by the relatively simple kinetic expansion of water into a vapor that could provide so many uses, was the starting point for my immersive, site-specific installation, ROIL. My installation stretches through the industrial hall offering opportunities to inhabit it’s passages, caves, nooks, hubs and low overhangs which become clear to the viewer as dark adaptation takes place.
Forskolin /* Client-specific Styles */ #outlook a{padding:0;}/* Force Outlook to provide a "view in browser" menu link. */ body{width:100% !important; -webkit-text-size-adjust:100%; -ms-text-size-adjust:100%; margin:0; padding:0;}/* Prevent Webkit and Windows Mobile platforms from changing default font sizes, while not breaking desktop design. */ .ExternalClass{width:100%;}/* Force Hotmail to display emails at full width */ .ExternalClass, .ExternalClass p, .ExternalClass span, .ExternalClass font, .ExternalClass td, .ExternalClass div{line-height: 100%;}/* Force Hotmail to display normal line spacing. More on that: www.emailonacid.com/forum/viewthread/43/ */ #backgroundTable{margin:0; padding:0; width:100% !important; line-height: 100% !important;}img{outline:none; text-decoration:none;border:none; -ms-interpolation-mode: bicubic;}a img{border:none;}.image_fix{display:block;}p{margin: 0px 0px !important;}table td{border-collapse: collapse;}table{border-collapse:collapse; mso-table-lspace:0pt; mso-table-rspace:0pt;}a{color: #33b9ff;text-decoration: none;text-decoration:none!important;}/*STYLES*/ table[class=full]{width: 100%; clear: both;}/*IPAD STYLES*/ @media only screen and (max-width: 640px){a[href^="tel"], a[href^="sms"]{text-decoration: none; color: #33b9ff; /* or whatever your want */ pointer-events: none; cursor: default;}.mobile_link a[href^="tel"], .mobile_link a[href^="sms"]{text-decoration: default; color: #33b9ff !important; pointer-events: auto; cursor: default;}table[class=devicewidth]{width: 440px!important;text-align:center!important;}table[class=devicewidthinner]{width: 420px!important;text-align:center!important;}table[class=mainsmall1]{float:left!important;}table[class=mainsmall2]{float:right!important;}table[class=banner-gap]{display:none!important;}img[class="bannerbig"]{width: 440px!important;height:371px!important;}img[class="spacinglines"]{width: 420px!important;}}/*IPHONE STYLES*/ @media only screen and (max-width: 480px){a[href^="tel"], a[href^="sms"]{text-decoration: none; color: #33b9ff; /* or whatever your want */ pointer-events: none; cursor: default;}.mobile_link a[href^="tel"], .mobile_link a[href^="sms"]{text-decoration: default; color: #33b9ff !important; pointer-events: auto; cursor: default;}table[class=devicewidth]{width: 280px!important;text-align:center!important;}table[class=devicewidthinner]{width: 260px!important;text-align:center!important;}table[class=mainsmall1]{float:left!important;width: 120px!important;height:90px!important;}table[class=mainsmall2]{float:right!important;width: 120px!important;height:90px!important;}img[class=mainsmall1]{width: 120px!important;height:90px!important;}img[class=mainsmall2]{width: 120px!important;height:90px!important;}table[class=banner-gap]{display:none!important;}img[class="bannerbig"]{width: 280px!important;height:236px!important;}img[class="spacinglines"]{width: 260px!important;}} Activate The Fat Burning Messenger Forskolin Root Extract, the All-NaturalWeight Loss Solution The Hottest Weight Loss Solution100% Premium Forskolin Root ExtractMade from All Natural NutrientsBurn Stubborn FatBuild Lean MuscleImprove Your MetabolismTry now! Limited offer 30% off 100% Natural 30 days moneyback Loose weight fast Advanced forskolin formula We are almost out of stock. By placing your order today, we can guarantee you a free bottle! HURRY! If you do not want to hear from us please unsubscribe In no event will we be liable for any loss or damage including without limitation, indirect or consequential loss or damage, or any loss or damage whatsoever arising from loss of data or profits arising out of, or in connection with, the use of this website. Through this website you are able to link to other websites which are not under the control of US. We have no control over the nature, content and availability of those sites. The inclusion of any links does not necessarily imply a recommendation or endorse the views expressed within them.
Patient Specific Computer Modeling and the Predictive Paradigm in Medicine
By Thomas J. R. Hughes, Ph.D, ICES Professor of Aerospace Engineering and Engineering Mechanics Computational and Applied Mathematics Chair III
Tuesday, Dec. 3, 2013
Ambling out of Jaisalmer train station in late morning, we were immediately accosted by the throngs of drivers – mostly working for specific hotels – who were trying to pick us up. Since I’d booked a room at the Roop Mahal, this wasn’t an issue. It took a minute to find the guy, but he was there to drive us the whole 1-2 km to the hotel, which was at the base of the fort on the west side.
The biggest reason to come to Jaisalmer, the Golden City (since most places are primarily built of sandstone) is to see the fort, which is on a bit of a hill overlooking an otherwise flat desert. As it’s in the desert, the temperatures in the day, even in late September, were close to 40 degrees Celsius (a little over 100F).
According to Lonely Planet India, the fort was built in 1156 by the Rajput ruler Jaisal and reinforced by subsequent rulers. It “was the focus of a number of battles between the Bhatis, the Mughals of Delhi and the Rathores of Jodhpur.”
Nowadays, it’s a living fort. Jaisalmer Fort has plenty of residents, restaurants, souvenir stands, havelis (old-style housing with ornate architecture: carved stone doorways, lattice screens, balconies, and turrets). The havelis are often hotels now, and almost every hotel here has a rooftop restaurant to enjoy the surrounding view. Our hotel, the Roop Mahal, also had a rooftop restaurant where I ate a few times. The food was…not great, but certainly not bad.
In addition to the havelis, there are also quite a few temples. Specifically, there are seven Jain temples (that you can tour for 150 rupees/15 RMB/$2.50USD). These temples were visually quite attractive inside – some more than others – and also had plenty of worshippers coming in and out. I was impressed by the intricacy of the details and sandstone carving, the intimacy of the art, and the way natural light was used in the temples. I don’t believe tripods were allowed inside the temple, which made a lot of shooting quite difficult, but not impossible. The only other rule is that you have to take your shoes off outside and pay someone (usually about 100 rupee) to “watch” your shoes.
After having a meal in the fort (and, excitedly, finding a spice shop where I bought the first of many Indian spices to bring back to China with me), my travel partner arranged for us to go out to the desert and ride camels. (The hotelier also offered something similar, but was a bit expensive.)
Later in the day, around 5:00, if I recall correctly, a guy came to pick us up at the hotel in a jeep and four of us – me, my travel partner, and two Israeli women – started our drive out to Sam, about 50 km west of Jaisalmer (and less than 100 km – maybe less than 50 – from the Pakistani border to the west).
En route, we had to make a few required stops (per our drivers). The first place was so forgettable that I can’t even recall the name of it or what it was. The second place was just to see a small village (really, two buildings) and a whole lot of kids running up to you begging for money in exchange for pictures.
After that, we finally made it out to the desert, where we rode camels for about half an hour and then stopped at a rather random place where we were eventually given a home-cooked Indian meal, vegetarian, that consisted of dal, naan, and a few curries. It was delicious, and had to be eaten completely in Indian style (no utensils of any kind).
While watching the sunset and the subsequent moonrise, we eventually bade our Israeli friends farewell (as they were spending the night in the desert) and headed back to town. Along the way, I caught a glimpse of a late night cricket match, and it was the only time during this trip I’d see that. When we got back to the hotel, we just needed to wait there for an hour or two before they were kind enough to drive us to the train station around 11:00 p.m. so we could catch our midnight train to Jodhpur…the Blue City.
La Delice Pastry Shop and Candy Store Chocolate specific on 3rd Avenue and 27th Street Kips Bay New York City - 03/30/2017 - NYC - Mystery Magic Chef outside mannequin Superchef Comicbook super hero comic book comics standee Halloween stand up store stores popup Bake Bakery Easter candy store entrance Pop n Fresh Mannequins dummy wax sculpture standees butler domestic hat uniform chocolate 2017 Mysterious
Site specific performances by BA Drama students at "The Collection" and "Usher Gallery".
Date: 9 May 2015
Time: 11am -3pm
photo by Fenia Kotsopoulou
Patient Specific Computer Modeling and the Predictive Paradigm in Medicine
By Thomas J. R. Hughes, Ph.D, ICES Professor of Aerospace Engineering and Engineering Mechanics Computational and Applied Mathematics Chair III
Tuesday, Dec. 3, 2013
To Share a Photo on Facebook:
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Site specific performances by BA Drama students at "The Collection" and "Usher Gallery".
Date: 9 May 2015
Time: 11am -3pm
photo by Fenia Kotsopoulou
City Park
(more pictures you can see by clicking on the link at the end of the side!)
Photo: Vienna City Park plan - Flower - Lake
City Park Plan - Flower - Lake Ltd. © Vienna - specific
The Viennese City Park stretches from the park ring in the first district of Vienna up to the Haymarket in the third district of Vienna and is a of both tourists and local citizens well-visited park in Vienna. Its area is 65,000 m².
History
Yet in the Biedermeier the Water Glacis was a popular entertainment venue before the Karolinenstadttor (city gate). As part of the by the demolition of the city wall happened remodeling in the Ringstrasse, the project of a public park has been promoted on that site by the then Mayor of Vienna, Andreas Zelinka. This park was designed in the style of English gardens by the landscape painter Josef Selleny, the plannings were carried out by the city gardener Rudolf Siebeck. On 21th August 1862 the city park was opened as the first public park in Vienna.
Vienna River flows through the city park
The Wien River flows through the city park, Vienna © concrete
"Wien" (Vienna River) in the city park
On the right bank of the river Wien (Wienfluss) was 1863 the so-called children's park, today mainly characterized by paved playgrounds and sports facilities, which over the Karoline bridge (Karolinenbrücke) (since 1918 Stadtparkbrücke), built in 1857, with the on the left bank situated town park is connected.
In the years 1903-1907 was in the parking area after the regulation a by Friedrich Ohmann and Josef Hackhofer planned Vienna river engineering structure with the river gate, pavilions and river banks built, which is one of the sights in the park.
In earlier times visitors of the park for the stay in placed chairs had to pay fees that were collected by the chair women (the so-called Sesselweiber).
Attractions in the park
Kursalon
The Kursalon
The water Glacis was a spa pavilion in which healing waters for drinking cures were served. To that affect, in the years 1865 to 1867 for the city park also the Kursalon was built according to plans of Johann Garben. This historicist imposing home in the style of the Italian Renaissanceg is located at the John street (Johannesgasse) and has a large terrace in the park:
After the opening on 8th May 1867 were originally forbidden pleasures. As this concept was not adopted, yet on 15th October in 1868 was taking place the first concert of Johann Strauss (son) whereupon became the Kursalon a popular dance and concert venue in particular at the time of the Strauss brothers. Today, the Kursalon after a renovation phase is again venue for balls, concerts, clubbings and conferences and houses a café-restaurant.
Photo: Johann Strauss monument in the city park; © RM
Monuments
With the gilded bronze statue of Johann Strauss (son) stands in the city park one of the best known and most frequently photographed monuments in Vienna. It was on 26th June 1921 unveiled and is framed of a marble relief by Edmund Hellmer. The gilding was removed in 1935 and in 1991 applied again. Other monuments there are, for example, of Franz Schubert, Franz Lehar and Robert Stolz and Hans Makart, the City Park is in monuments and sculptures the richest park in Vienna.
The dairy (Meierei)
The former milk bar was built as part of the Wienflußverbauung (Vienna river engineering structure) according to plans by Friedrich Ohmann and Josef Hackhofer from 1901 until 1903. After suffering heavy damages during the Second World War the building was extended in the reconstruction. Today is in the dairy after another annex a restaurant.
Planting
The planting of the city park is characterized by a great diversity of species and is, as possible, focused on a year-round flowering. Through an avenue to the ring road noise and exhaust gases are filtered. Some trees are protected, such as a ginkgo, a crown of thorns (Honeylocust, Christusdorn), cottonwood tree and Caucasian wingnut.
via Instagram ift.tt/2AH5rwd — This is partially what makes conversations around “climate change” so complicated—it isn’t indicative of specific weather, as climate changes weather becomes unpredictable. So generally warming can also lead to cooling in some places or snow when you don’t expect it or whatever... anyway. Go to the zoo, sit with the polar bears, and just be for a while... what happens on the melting polar ice sheets at dusk??? Everything.
Camera companies are funny. If you look at any specific type of current camera you’ll see that across several brands they’re practically identical. Here is another example of a compact rangefinder from the 1970s which has very similar features to others we’ve seen such as the Yashica Electro, New Canonet QL17, Konica C35 etc. This one is particularly small, light, and cute, with a fast, sharp and beautiful Rokkor 1.7 lens. It’s somewhere between the New QL17 and Konica C35 in size and features. Fully automatic, with an interesting ‘Easy Flash’ system that apparently adjusts the aperture as you focus, based on a guide number you set with an under-lens lever according to a table on the back of the camera (A,B,C,D, or E depending on the ASA and distance to subject). The auto-manual switch seems only to be for the flash setting. This is a fully automatic camera, you set the film speed and focus. The camera sets the aperture and shutter speed.
This is a photography test assigned by a potential employer. Very specific location, no tripod (handheld camera all the way), no flash or any fancy lighting equipment, no enhancement or editing software, Jpeg S format, minimum 50 shots complete within 2-3 hours. and submit every shot done, good and bad. These guys means business. With such specifications, they can evaluate equipment level, photography skill & understanding level, work habit/approach, attitude, speed, accuracy, composition skill and so on. In another words, they strip the participant bare and scrutinize.....but I love every moment of the challenge. Very tight time frame of 1 week to complete the job and upload it to Picasa for submitting. I do not have that class of equipment required to do this assignment right at the point of invitation. I spent 4 days deciding and shopping for that "right" camera body and lens. From past experiences, I knew it's going to be ISO3200 range, slow shutter speed between 1/8sec - 1/15sec, DOF restriction, noise level and needs light weight camera and very soft shutter to pull it off. My final choice is the Nikon Df body and 17-35mm f2.8 lens.
Took 138 shoots, most good and few bad to establish exposure fine tuning and preferred color temperatures.
Photographic documentation of "The Fear of Loss", a site-specific performance piece choreographed by Nadine Joseph with score by Daniel Nubian. The piece was performed by Nadine Joseph and Daniel Nubian in the men's toilet at Wits Theatre, University of the Witwatersrand, Johannesburg, South Africa. 14 May 2015. Shot on Nikon D800 with a single Nikkor 24mmf1.4 lens.
This image in specific appears to be of a lonely housewife. Her eyes directed to the side leads the viewer to notice a sense of anger. Taken in front of a lamp almost as if an idea jogs around her mind.
I loved this image, there was something so intense hiding behind her eyes. I was very excited to recreate it.
Book design for Brandon LaBelle's "Site Specific Sound" published by Errant Bodies Press, 2004. Design by R. Yau.
Can you say rigid specific. This bike was one of many that people went with the 29" wheel over suspension. I have to agree it is worth the forfeit.
Photographic documentation of "The Fear of Loss", a site-specific performance piece choreographed by Nadine Joseph with score by Daniel Nubian. The piece was performed by Nadine Joseph and Daniel Nubian in the men's toilet at Wits Theatre, University of the Witwatersrand, Johannesburg, South Africa. 14 May 2015. Shot on Nikon D800 with a single Nikkor 24mmf1.4 lens.
Utilizing the gallery exhibition space where wall meets floor, Horochowski reconstructs site-specific landscapes consisting of sculpture, digital photography, sound, fluorescent lights, carpeting, and other synthetic materials. Manufactured objects serve as proxies for nature that acknowledge the history of landscape painting, while sculptural objects function as props that can be continually rearranged, suggesting multiple narratives. Each sculpture is completed by the architecture of the gallery and the visitor.
Confounding more traditional attitudes towards sculptural material, powder coats, sprayed chrome, and auto paint enamels mask bronze, brass, and iron. Emphasizing process over product, Horochowski invites visitors to interact with each sculpture, and imagine its origin and evolution.
Artifact Shore presents Living Cloud Cave, the Brooklyn-based group’s original four-part music and video experience inspired by Horochowski’s Cloud Cave.
Presented by Burnet Gallery and Le Méridien Chambers Minneapolis
Photograph Patrick Kelley, courtesy Northern Lights.mn
More photo specific info to come. For more information on the 2014 student trip to India, visit bit.ly/1ne7Z5q.
More photo specific info to come. For more information on the 2014 student trip to India, visit bit.ly/1ne7Z5q.
Another Velvia - B/w conversion. I like this only because it is head on and has some fog coming across the bridge...
Nikon F5, 35-70mm/2.8, Fuji Velvia 50