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In specific, Holy Week is the week just before Easter that extends from Palm Sunday until Holy Saturday and marks the last week of Lent. It has earned the name 'Holy', according to the Orthodox Church, due to the significant events that take place for Christianity in regard to the sufferings of Jesus Christ.
Saturday evening is filled with the anticipation of celebrating Easter Sunday. In some areas, people begin to gather in the churches and squares in cities, towns and villages by 11pm for the Easter liturgies. A few minutes before midnight, all the lights are turned off and the priest exits the altar holding candles lit by the Holy Light, which is distributed to everyone inside and outside the church. At midnight, the priest exits the church and announces the resurrection of Jesus. Many people carry large white candles called lambada, and the church bells toll as the priests announce “Christ is Risen!” at midnight. Each person in the crowd replies with a similarly joyous response.
Photographic documentation of "The Fear of Loss", a site-specific performance piece choreographed by Nadine Joseph with score by Daniel Nubian. The piece was performed by Nadine Joseph and Daniel Nubian in the men's toilet at Wits Theatre, University of the Witwatersrand, Johannesburg, South Africa. 14 May 2015. Shot on Nikon D800 with a single Nikkor 24mmf1.4 lens.
Book design for Brandon LaBelle's "Site Specific Sound" published by Errant Bodies Press, 2004. Design by R. Yau.
Photographic documentation of "The Fear of Loss", a site-specific performance piece choreographed by Nadine Joseph with score by Daniel Nubian. The piece was performed by Nadine Joseph and Daniel Nubian in the men's toilet at Wits Theatre, University of the Witwatersrand, Johannesburg, South Africa. 14 May 2015. Shot on Nikon D800 with a single Nikkor 24mmf1.4 lens.
2022 La Delice Pastry Shop and Candy Store Easter Chocolate Display specific on 3rd Avenue and 27th Street Kips Bay New York City - 04/10/2022 April NYC - Mystery Magic Chef outside mannequin Superchef Comicbook super hero comic book comics standee Halloween stand up store stores popup Bake Bakery Easter candy store entrance Pop n Fresh Mannequins dummy wax sculpture standees butler domestic hat uniform chocolate Mysterious
Artist Konrad Wyrebek, Communication - Live, performance, site specific installation, Saatchi Gallery London, Konrad Wyrebek
This specific set of tracks went straight through a wetland. But now that they are no longer in use, nature has taken back over. The low-lying area is flooded almost every month of the year, and even has many small hardwood type trees growing in it.
I have seen everything in this vernal from Spotted Salamander, and Marbled Salamander breeding activity. To Upland Chorus Frogs breeding in it, and even Eastern Painted Turtles occupying it in the warmer months.
I was given very specific instructions to first wash these milkweed pods in two changes of cold water before blanching them for 3 minutes in boiling salted water, then freshing in ice water. This was to rid the plant of its mild (stomach upsetting) toxins. I then served them cool in melot vinaigrette and a nice drizzle of Mandranova's light and fruity Giarraffa olive oil. Thankfully all I experienced was a really pleasant crisp and mild asparagus like shoot.
Les Jardins Sauvages
La Delice Pastry Shop and Candy Store Chocolate specific on 3rd Avenue and 27th Street Kips Bay New York City - 03/30/2017 - NYC - Mystery Magic Chef outside mannequin Superchef Comicbook super hero comic book comics standee Halloween stand up store stores popup Bake Bakery Easter candy store entrance Pop n Fresh Mannequins dummy wax sculpture standees butler domestic hat uniform chocolate 2017 Mysterious
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La Delice Pastry Shop and Candy Store Chocolate specific on 3rd Avenue and 27th Street Kips Bay New York City - 03/30/2017 - NYC - Mystery Magic Chef outside mannequin Superchef Comicbook super hero comic book comics standee Halloween stand up store stores popup Bake Bakery Easter candy store entrance Pop n Fresh Mannequins dummy wax sculpture standees butler domestic hat uniform chocolate 2017 Mysterious
My specific object photography is of this bread. It is zucchini bread, hence the zucchini surrounding it. I wanted to add some pizazz to the bread, so I swirled the skin and other ingredients around the bread. This helps to hint at what is in the bread. I took the image portrait so it would elongate the bread and emphasize the decorations.
A BlueStar exclusive product.
This keyboard was designed to make RMS Software easier to use for retail applications and increase the value of the POS solution. By eliminating key strokes, the keyboard speeds transactions allowing clerks to process more customers and reduce lines. In addition it reduces training time allowing clerks to become more productive, faster.
The specific epithet "macrocarpus" is derived from the large, pebble-like seeds contained in the spiny fruits of the Wild Cucumber. A number of sources state that the Kumeyaay made use of the root or seeds of Wild Cucumber. When crushed and thrown into small bodies of water, Wild Cucumber seeds and roots paralyze fish, causing them to float to the surface of the water and easily be caught.
Site specific performances by BA Drama students at "The Collection" and "Usher Gallery".
Date: 9 May 2015
Time: 11am -3pm
photo by Fenia Kotsopoulou
City Park
(more pictures you can see by clicking on the link at the end of the side!)
Photo: Vienna City Park plan - Flower - Lake
City Park Plan - Flower - Lake Ltd. © Vienna - specific
The Viennese City Park stretches from the park ring in the first district of Vienna up to the Haymarket in the third district of Vienna and is a of both tourists and local citizens well-visited park in Vienna. Its area is 65,000 m².
History
Yet in the Biedermeier the Water Glacis was a popular entertainment venue before the Karolinenstadttor (city gate). As part of the by the demolition of the city wall happened remodeling in the Ringstrasse, the project of a public park has been promoted on that site by the then Mayor of Vienna, Andreas Zelinka. This park was designed in the style of English gardens by the landscape painter Josef Selleny, the plannings were carried out by the city gardener Rudolf Siebeck. On 21th August 1862 the city park was opened as the first public park in Vienna.
Vienna River flows through the city park
The Wien River flows through the city park, Vienna © concrete
"Wien" (Vienna River) in the city park
On the right bank of the river Wien (Wienfluss) was 1863 the so-called children's park, today mainly characterized by paved playgrounds and sports facilities, which over the Karoline bridge (Karolinenbrücke) (since 1918 Stadtparkbrücke), built in 1857, with the on the left bank situated town park is connected.
In the years 1903-1907 was in the parking area after the regulation a by Friedrich Ohmann and Josef Hackhofer planned Vienna river engineering structure with the river gate, pavilions and river banks built, which is one of the sights in the park.
In earlier times visitors of the park for the stay in placed chairs had to pay fees that were collected by the chair women (the so-called Sesselweiber).
Attractions in the park
Kursalon
The Kursalon
The water Glacis was a spa pavilion in which healing waters for drinking cures were served. To that affect, in the years 1865 to 1867 for the city park also the Kursalon was built according to plans of Johann Garben. This historicist imposing home in the style of the Italian Renaissanceg is located at the John street (Johannesgasse) and has a large terrace in the park:
After the opening on 8th May 1867 were originally forbidden pleasures. As this concept was not adopted, yet on 15th October in 1868 was taking place the first concert of Johann Strauss (son) whereupon became the Kursalon a popular dance and concert venue in particular at the time of the Strauss brothers. Today, the Kursalon after a renovation phase is again venue for balls, concerts, clubbings and conferences and houses a café-restaurant.
Photo: Johann Strauss monument in the city park; © RM
Monuments
With the gilded bronze statue of Johann Strauss (son) stands in the city park one of the best known and most frequently photographed monuments in Vienna. It was on 26th June 1921 unveiled and is framed of a marble relief by Edmund Hellmer. The gilding was removed in 1935 and in 1991 applied again. Other monuments there are, for example, of Franz Schubert, Franz Lehar and Robert Stolz and Hans Makart, the City Park is in monuments and sculptures the richest park in Vienna.
The dairy (Meierei)
The former milk bar was built as part of the Wienflußverbauung (Vienna river engineering structure) according to plans by Friedrich Ohmann and Josef Hackhofer from 1901 until 1903. After suffering heavy damages during the Second World War the building was extended in the reconstruction. Today is in the dairy after another annex a restaurant.
Planting
The planting of the city park is characterized by a great diversity of species and is, as possible, focused on a year-round flowering. Through an avenue to the ring road noise and exhaust gases are filtered. Some trees are protected, such as a ginkgo, a crown of thorns (Honeylocust, Christusdorn), cottonwood tree and Caucasian wingnut.
The specific idea that a room’s true beauty is in the empty space within the roof and walls came from Laozi, a philosopher and the founder of Taoism, who held to the "aesthetic ideal of emptiness", believing that the mood should be captured in the imagination, and not so heavily dictated by what is physically present. Japanese design is based strongly on craftsmanship, beauty, elaboration, and delicacy. The design of interiors is very simple but made with attention to detail and intricacy.
Impermanence is a strong theme in traditional Japanese dwellings. The size of rooms can be altered by interior sliding walls or screens, the already mentioned shōji (paper screens). Cupboards built smoothly into the wall hide futon, mattresses pulled out before going to bed, allowing more space to be available during the day.
The minimal decoration also alters seasonally, with a different calligraphy scroll hanging or new flower arrangement.
Kōdai-ji, Kyoto, 2012
Finding the specific places I mention is difficult, but this way you can see the general route and the names and locations of some of the primary stops on the itinerary. We flew from Istanbul to Keyseri, near Cappadocia, and flew back from Izmir, north of Ephesus. The rest of the trip was by van.
Visit to the Children's Garden at the Morton Arboretum in in Lisle, Illinois.
"The Morton Arboretum, in Lisle, Illinois, covers 1,700 acres (6.9 Square kilometres) and is made up of gardens of various plant types and collections of trees from specific taxonomical and geographical areas. It includes native woodlands and a restored Illinois prairie. The Arboretum has over 4,100 different species of trees, shrubs and other woody plants from around the globe. In all, there are over 186,000 catalogued plants. The Arboretum has 16 miles (26 km) of hiking trails and nine miles (14 km) of roadways for driving/bicycling.
The Arboretum features a 4-acre (16,000 m2) interactive "Children's Garden" and a one-acre "Maze Garden." Other special landscaped areas include the Fragrance Garden, Ground Cover Garden and Hedge Garden. The Schulenberg Prairie is one of the largest restored prairies in the Chicago suburban area."
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Site-specific installation and performance, The Project Lodge, 2008
This piece was a meditation the cyclical nature of grief and the very solitary ways in which individuals cope with personal tragedy.
How much sadness can one endure? How many tears can one cry? Can the work of dealing with intense sorrow ultimately be transformative?
Originally performed in the Trachte shed at The Project Lodge as part of the RAW show of live performance art, curated by Christine Olson.
Photo by Chris Norris
Must be a specific Nabis species, found exactly the same form and colour at 3 sites with the same habitat (damp woodland edge grasses), somewhere along the line the overall black/grey colour,dark antennae bases,and sparse covering of silver/white scales on the head and pronotum must be diagnostic. All things point to N.limbatus but not definitive enough to confirm. - August 2013 - Cambridgeshire - UK
This site-specific video installation is about removing people from their terrestrial urban experience and placing them, for just a few moments, at the zenith of the over and the nadir of the under, which is to say, above the clouds and below the sea.
This installation took place in Harlem, New York, from October 11th, 2012 – October 28th, 2012. It was produced in partnership with Chashama and the New York Foundation for The Arts' Curatorial Program.
For more info: www.ericcorriel.com/art/The-Over-And-The-Under
Thanks to Flickr user Reverend Sam (www.flickr.com/photos/reverendsam/) for letting me use one of his pics (www.flickr.com/photos/reverendsam/4291550764/) as a layer in the clouds video.
Site specific performances by BA Drama students at "The Collection" and "Usher Gallery".
Date: 9 May 2015
Time: 11am -3pm
photo by Fenia Kotsopoulou
Treptow. Aus der Serie „DRAF (Deutsch russisch amerikanische Freundschaft)“
Site-specific Performance und Intervention
Sowjetisches Ehrenmal im Treptower Park, Berlin 2015
Video, Fotografie und Installation
Performance: Markus Wintersberger
Fotografie / Video: Andrea Nagl
Nagl ~ Wintersberger 2015
FIGHT SPECIFIC ISOLA Mural y documentos. 2014 BERT THEIS + ISOLA ART CENTER Milano, Italia.
No hace mucho tiempo, Isola era un antiguo barrio industrial y "pulmón verde" en una zona céntrica de Milán. Una de esas antiguas áreas donde conviven parques y jardines junto a viejas fábricas y galpones industriales. El barrio está ubicado muy cerca de la estación central de trenes, y con el paso del tiempo la población ha crecido debido a la migración hasta convertirse en un centro de diversidad multicultural donde conviven trabajadores con gente de clase media, artesanos, comerciantes, artistas e intelectuales (y por supuesto, también algunos criminales…). Isola, que significa isla en italiano, ha venido viviendo desde los últimos 20 años un desarrollo urbano basado en intereses comerciales y especulación inmobiliaria, emprendimientos que obviamente tenían poco interés por las necesidades reales del barrio y de la comunidad local.
Buscando dar respuesta al salvaje proceso de gentrificación, artistas, curadores, filósofos y activistas de Milán -y distintas partes el mundo- decidieron crear un espacio para experimentar estrategias innovadoras como una forma de resistencia a la transformación urbana, regenerando el tejido social y promoviendo una cultura alternativa.
Durante los últimos diez años Isola Art Center funcionó como una plataforma experimental abierta para el arte contemporáneo con sede en el barrio. Sus proyectos auto gestionados y "sin presupuesto” se sostuvieron gracias a la energía, el entusiasmo y la solidaridad, de vecinos, activistas y artistas que ensayaron el uso de nuevos términos como ´cubo sucio´ (en oposición al White Cube), “Centro Disperso” y “Fight Specific” (parodiando el site-specific).
Sin embargo la lucha cultural de Isola Art Center no impidió (por desgracia) que el gobierno de la ciudad de Milán realizara la demolición de su centro cultural ubicados en la “Stecca degli Artigiani" para la construcción de un inmenso rascacielos, apropiándose también de toda el área verde y los parques de los alrededores.
En la exposición presentamos “Degradazione, Speculazione, Demolizione” una obra ready-made de un mural un mural pintado los muros del el barrio de Isola durante los años 80, junto a la imagen original y un libro que documemta la experiencia llevad adelante por los artistas intentando responder a la presión constante del desarrollo neoliberal y la gentrificación
Commissioned by Dancing in the Streets and Casita Maria Center for Arts & Education as part of The South Bronx Culture Trail, PASEO is a roving site-specific performance by choreographer/director Joanna Haigood and music director Bobby Sanabria that celebrates the Hunts Point and Longwood sections of the South Bronx and their astounding contribution to Latin music. With performances by over 80 dancers, musicians, poets, actors, and community members, fire escapes, stoops, and sidewalks will come alive with Latin music and dance, stickball games, and street scenes evoking the neighborhoods’ vibrant street life and cultural vitality during the 1940s-‘60s.
Over 80 dancers, musicians, poets, and actors, including dancers Ramon Ramos Alayo and Franck Muhel, members of Los Pleneros de la 21, and stellar Bronx-based artists, including Arthur Aviles, La Bruja, percussionist and poet Angel Rodriguez, the Puerto Rican folklorico ensemble Danza Fiesta, the Los Monstritospercussion ensemble, Bobby Sanabria’s nine-piece ensemble, Ascension, and guest musicians who came of age in the neighborhood, including the legendary Alegre All Star timbalero Orlando Marin, The Last Mambo King.
Pictured: Joanna Haigood, Ramon Ramos Alayo
Photo: Alan Watson
@algonquinoutfit : RT @ArroPark: With snow on the ground we are getting excited to open Dec 9th. For more info check t.co/pC1kXpi2j8 (via Twitter twitter.com/algonquinoutfit/status/806710546456264705)
Limited edition site-specific artist's book created for Padua's City Hall. Edition of 1000. Pencil drawing and offset print. Available for sale on ETSY: www.etsy.com/listing/127185491/in-comune?ref=shop_home_ac...; Edizione di libro d'artista site-specific realizzata per il Municipio (Palazzo Moroni) di Padova. Edizione bilingue (italiano e inglese) di 1000 copie. Disegno a matita e stampa tipografica. In vendita su ETSY: www.etsy.com/listing/127185491/in-comune?ref=shop_home_ac...
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13 Sep 2020 10.17am
Ms. Not Panther: That's not exactly correct.
Neighbor: I know.
Ms. Not Panther: To be specific, you went further up the driveway and was checking the flowers, and I followed you back here.
Neighbor: That's correct.
Ms. Not Panther: Have you checked the mailbox?
Neighbor: I have. There is no -
Ms. Not Panther: No letter from your ex-neighbor who isn't my ex-neighbor.
Neighbor nodded.
Ms. Not Panther: I didn't even check your mailbox and I know it. He isn't going to put any biscuits into the letter and post it to you so no point for me to check anyway.
Neighbor nodded.
Ms. Not Panther: Although in the past when you received biscuits samples, you would give them to me - when I visit you.
Neighbor nodded again.
Ms. Not Panther: Time flies huh. A few hours after this picture was taken, probably your ex-neighbor sent a picture of me with the flowers on the side, a picture taken about a year ago. Time flies and time that flew away does not come back. Time is not like the birds. They fly away then they fly back. And as long as they look identical, I won't be able to tell which one didn't come back, although you can't say that I have that one that didn't come back in my stomach.
Neighbor: I wasn't thinking about that.
Ms. Not Panther: But you made me talk about it. So since time flies, have your relationship with your ex-neighbor got off from the ground yet?
Neighbor: Got off from the ground?
Ms. Not Panther: As in, have you talked? Argued? Discussed? Looked and as if you understand each other without talking?
Neighbor: None of the above.
Ms. Not Panther: Holy Molly!!! So it is still underground?
Neighbor: Well, I think it's in the background. But background or underground, what's the difference?
Ms. Not Panther: Well, my owners do a lot of vege gardening. So I got to know a bit too. If underground, sowing seeds - can't be too deep, else can't germinate. And also need moisture. If the relationship starts under the ground like seeds, at least there is still a chance for something to pop out from the ground, sprout, they say. Your English not too good, so I don't have to speak too good English to you else you also don't understand.
Neighbor: True. So what about background?
Ms. Not Panther: My owners don't sow seeds in the background? You could see their wonderful vegetables and herbs are all in the foreground - right in front of the house!
Neighbor: .. .
Ms. Not Panther: So what do I have in my background?
Rosemary: Stone Wall. A wall that only sometimes allow some tough plants to grow from its cracks. Otherwise, nothing grows.
Stone Wall: The purpose of me, isn't to encourage plants to grow within me. I am supposed to stand and hold the garden bed behind me, as a separator between the driveway and the raised garden bed.
Ms. Not Panther: Sounds like a purpose.
Stone Wall: That is my purpose. Probably there is more to my purpose but I can only explain in terms of what your neighbor could explain.
Ms. Not Panther: Ya, I know she is quite dumb. (And Ms. Not Panther looked at me to check if I would be upset by her comment)
Neighbor: No, I don't disagree.
(Everyone fell silent.)
Ms. Not Panther: By the way, was it him who sent the so@p girls referring to us yesterday of posting day?
Neighbor: I think it was him who sent that message although I thought the so@p girls he was referring to are JA and JC.
Ms. Not Panther: Weren't us! We don't have Js!
Neighbor: Ya, weren't us. JC was creating m u d and relating to situations happened so many years ago -
Ms. Not Panther: How many years in numbers - just to be black and black?
Neighbor: More than forty years ago. Those years comparing to these years situation are so different now. Different solutions need to be applied.
Founded in 1997, the Buffalo Transportation Pierce Arrow Museum houses a large collection of classic cars, motorcycles, and other historic automobile-related artifacts, with a specific focus on the Pierce-Arrow Motor Car Company, which operated in Buffalo between 1901 and 1938. The museum was initially located in a one-story former commercial building on Michigan Avenue, opening in 2001 to coincide with the centennial of the Pan-American Exposition. The museum was expanded in 2011-2012 to feature a new two-story postmodern-style wing that houses a reproduction of a filling station designed by Frank Lloyd Wright for the Tydol company, which had been intended to be built in Buffalo. The museum is filled with a collection that includes cars dating between 1903 and the 1960s, with several examples of automobiles manufactured in Buffalo by the Pierce-Arrow Motor Car Company, as well as bicycles, fuel pumps, automobile memorabilia, horse-drawn carriages, motorcycles, and a reconstruction of a filling station designed by Frank Lloyd Wright in 1927 for the Tydol Gas Company. The building itself is relatively simple, with the original section having a red brick exterior, limestone trim, a low-slope roof enclosed by a parapet, blind window openings infilled with darker brick cladding, and a barrel vaulted roof at the rear, with the cladding on this building having been replaced during the 2011-2012 renovation to closely match the addition. The 2011-2012 addition is two stories in height, with a large interior atrium housing a filling station exhibit, with a clerestory on the roof, red brick cladding, a large curtain wall facing Seneca Street, a primary entrance featuring a semi-circular parapet with a metal wheel with spokes embedded into the wall above the door, and cement block cladding on the Carroll Street sides of the building. The museum has a constantly rotating collection on display, and occasionally hosts special events.