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Dal 2007 Gli Incapaci on stage.
Rage Against The Machine
BULLS ON PARADE
Come wit it now!
Come wit it now!
The microphone explodes, shattering the molds
Either drop tha hits like de la O or get tha fuck off tha commode
Wit tha sure shot, sure ta make tha bodies drop
Drop an don't copy yo, don't call this a co-op
Terror rains drenchin', quenchin' tha thirst of tha power dons
That five sided fist-a-gon
Tha rotten sore on tha face of mother earth gets bigger
Tha triggers cold empty ya purse
Rally round tha family! With a pocket full of shells
They rally round tha family! With a pocket full of shells
They rally round tha family! With a pocket full of shells
They rally round tha family! With a pocket full of shells
Weapons not food, not homes, not shoes
Not need, just feed the war cannibal animal
I walk tha corner to tha rubble that used to be a library
Line up to tha mind cemetary now
What we don't know keeps tha contracts alive an movin'
They don't gotta burn tha books they just remove 'em
While arms warehouses fill as quick as tha cells
Rally round tha family, pockets full of shells
Rally round tha family! With a pocket full of shells
They rally round tha family! With a pocket full of shells
They rally round tha family! With a pocket full of shells
They rally round tha family! With a pocket full of shells
Bulls on parade
Come wit it now!
Come wit it now!
Bulls on parade!
Bulls on parade!
Bulls on parade!
Bulls on parade!
Bulls on parade!
See the "Performing Martha Graham at Eugene Lang College" video
Performing Martha Graham at Eugene Lang CollegeIn 2006, a group of Lang students were given a remarkable opportunity: to dance under the direction of Yuriko Kikuchi, former soloist and rehearsal director for Martha Graham. In this rehearsal, Yuriko helps students understand the emotions as well as the complex choreography of Steps in the Street, an excerpt from Martha Grahams work Chronicle, which premiered in 1936. In addition to rehearsing with Yuriko, students studied the Martha Graham technique and influences on Grahams work with Ellen Graff, director of programs at the Martha Graham School of Contemporary Dance. Steps in the Street was performed in the 2006 Lang Spring Dance Concert.Will the Real Spacemonkey Please Stand Up? A film by Eric Hopper, Media StudiesIn your dreams, you are a rocketboy in search of your errant spacemonkey. You wake to find him right next to you in bed, so your mission is accomplished. Or is it? Eric Hopper, a media studies alu
mnus who directed the film, enlisted his son Jack as both narrator and protagonist of this animated short, a creepy dream-versus-reality vignette set against the backdrop of outer space, complete with NASA countdown overdubs and spliced vintage footage of space launches. In the sequel, Nobodys Monkey, the story is retold from the monkeys point of view. He complains that he is just an object, something the rocketboy likes to jerk around, not his real friend. He wants to be left alone, he wants to be free. But still the monkey asks: Is this real, or am I dreaming?The Image Maker: A Life Devoted to What Looks Good. A film by Helen Pearson, Media StudiesDecades ago, Connie De Nave, a no-nonsense Brooklyn native, was a press agent who helped package the Beatles and the Rolling Stones for a mass audience, creating the signature look of tousled glamour made famous in photo spreads and on album covers. The company she founded, the Image Makers, secured privileged spots for her
acts in the annals of rock. This 2005 film by Helen Pearson, a media studies alumna, is an engaging portrait of this intriguing woman in more recent years. Connie became a costume and antique jewelry sellera jewel diva living a quieter but still rocking life.A Stickball Game Grows in Brooklyn. A film by Media Studies alumniIn South Park Slope, stickball is a cherished tradition. This neighborhood which is slowly being gentrified is home to men who have gone to bat on the same block12th Street and Third Avenuefor decades. This captivating black-and-white film, shot in late summer 2006 by media studies alumni Ted Fisher, Iris Lee, and Maya Mumma, offers an intimate portrait of the game and the unique brotherhood it forges among the players.Together We Win: The Fight to Organize StarbucksLabor organizers have always used rallying cries to mobilize workers and win support for union campaigns. Think of the AFL-CIO's slogan from the people who brought you the weekend.
Starbucks organizers, whose efforts are sympathetically chronicled by media studies alumna Diane Krauthamer in this 2006 film, have updated the slogan to from the people who brought you better pay and more hours. Several baristas from New York City describe their fight against mandatory part-time schedules, workplace discrimination, poverty wages, and inadequate healthcare coverage, a battle they ultimately won.The New Face of ParsonsTake a virtual tour of the Sheila C. Johnson Design Center, designed by Lyn Rice Architects, which is set to open in 2008. Funded in part by a $7 million donation from philanthropist and New School trustee Sheila C. Johnson, the 25,000-square-foot complex will create a new public face for the school at the corner of Fifth Avenue and 13th Street. The center will house an innovative urban quad, state-of-the-art galleries, lecture and meeting spaces, a design store, and the Anna-Maria and Stephen Kellen Archives, an important collection d
ocumenting 20th-century design.A Conversation with Bob Kerrey, Part 1New School President Bob Kerrey talks to three students from different departments of the university about their academic interests and discusses prospects for collaboration between departments. Nada Abshir studied at the graduate program in International Affairs and wrote her thesis on the use of hip-hop by youth in urban Africa as a tool to promote urban development. Kate Emerman studied voice in the Bachelor of Music program at Mannes and is currently pursuing her masters degree in vocal performance there. Lee Clayton studied product design and design technology at Parsons The New School for Design.A Conversation with Bob Kerrey, Part 2President Kerrey continues his discussion of the challenges and possibilities of interdisciplinary collaboration at The New School with three students from different departments. Nicole Pontes studied sociology in the PhD program at The New School for Social Research. G
ordon Burke studied in the Science, Technology, and Society and Urban Studies programs at Lang, and did research on Type II diabetes in New York City. Carolina Cruz Santiago studied documentary film in the Media Studies department; the first film she directed, Aloha New York, debuted at the 2007 Tribeca Film Festival.Big Ideas, Big Gifts, Big ImpactMilano The New School for Management and Urban Planning hosts its second panel discussion on philanthropy, Big Ideas, Big Gifts, Big Impact: A Conversation with Today's Philanthropists. The panel features Agnes Gund, founder of the Studio in a School Association and president emerita of the Museum of Modern Art; George Soros, chairman of Soros Fund Management; Evelyn Lauder, senior corporate vice president of The Estee Lauder Companies Inc. and founder and chairman of The Breast Cancer Research Foundation; and Alphonse Buddy Fletcher, Jr., chairman and CEO of Fletcher Asset Management, Inc. The four panelists, representing an arra
y of philanthropic endeavors, discuss the motivation for giving and accountability in nonprofit organizations.The Constitution in CrisisIn the third lecture of a four-part series, Elaine Scarry, Walter M. Cabot Professor of Aesthetics and the General Theory of Value at Harvard University, speaks on the U.S. Constitution in relation to war and the social contract. The series, The Constitution in Crisis, is moderated by Sam Haselby, visiting professor, and cosponsored by the Leonard and Louise Riggio Writing and Democracy Program, The New School Writing Program, and Eugene Lang College The New School for Liberal Arts, is designed to deepen public understanding of this charter document of the United States. Three of the country's leading scholars of law, history, and literature and an outstanding human rights activist will address the topic.Jazz MattersJazz Matters is a series hosted by The New School for Jazz and Contemporary Music and moderated by Howard Mandel (Down Beat, Na
tional Public Radio, New York University). Here a panel consisting of pianist Robert Glasper, Revive Da Live producer Meghan Stabile, and author, journalist, and guitarist Greg Tate discuss the interplay between hip-hop, jazz, and Black rock.Illustration TodayIllustration today is at a crossroads: Traditional forms of editorial illustration are being reinvented or giving way to new modes of expression. In this symposium, presented by Parsons The New School for Design and the Department of Illustration, more than two- dozen leading practitioners engage in spirited discussions on a range of topics. Steven Guarnaccia, Parsons Illustration Department Chair and former New York Times art director, and Dan Nadel, Parsons Illustration Department assistant professor and publisher of The Ganzfeld, moderate.Freedom Next Time: An Evening with John Pilger and Amy GoodmanAward-winning journalist and filmmaker John Pilger, author of Freedom Next Time: Resisting the Empire, and Amy Goodman,
host of the Pacifica radio show Democracy Now! and author of Static: Government Liars, Media Cheerleaders and the People Who Fight Back, discuss peoples struggles for freedom in such places as Iraq, Palestine, South Africa, and Diego Garcia, where the dream of independence has yet to be realized.Democratization and the Networked Public SphereOver the past ten years, participatory Web-based technologies have transformed the public sphere. As part of its series The Public Domain, the Vera List Center for Art and Politics at The New School presents a panel discussion on the democratizing potential of the Internet. The speakers examine the growth in political participation spurred by weblogs and wikis, which enable anyone with access to a computer to post news and commentary; the use of Web-based platforms for artistic expression; and mobile wireless devices as tools to facilitate political organizing. The discussion is moderated by media artist Trebor Scholz, and features p
anelists Danah Boyd, PhD candidate at the School of Information at the University of California in Berkeley and graduate fellow, Annenberg Center for Communication at the University of Southern California; and Ethan Zuckerman, research fellow, Berkman Center for Internet and Society, Harvard Law School.An Evening with Choreographer, Director, and Artist Ralph LemonChoreographer, director, and multimedia artist Ralph Lemon, visiting artist at Eugene Lang The New School for Liberal Arts, discusses his creative process and recent interdisciplinary work, including Practice of Form, his series of student workshops at Lang. He also discusses his first solo exhibition (the efflorescence of) Walter, a series of drawings, paintings, and video works that explore the themes of memory and transcendence.An Evening with Playwright John Patrick ShanleyJohn Patrick Shanley, author of the plays Doubt and Four Dogs and a Bone and the screenplay for Moonstruck, speaks with New School for Drama
director Robert LuPone about his development as a playwright and his experience directing his own work. Shanley received the 2005 Pulitzer Prize for Drama and the 2005 Tony Award for Best Play for Doubt, and was the distinguished artist in residence at The New School for Drama for the 2006-07 school year.Sustainability and Environmental JusticeMajora Carter, executive director and founder of Sustainable South Bronx (SSB) and MacArthur Fellow, discusses sustainability and environmental justice at the annual Michael Kalil Lecture on Natural and Technological Systems, sponsored by The Michael Kalil Endowment for Smart Design in the Department of Architecture, Interior Design, and Lighting at Parsons The New School for Design, and the Tishman Environment and Design Center at The New School.This video was originally shared on blip.tv by thenew_school with a No license
(All rights reserved) license.
Tuesday with Taco... Mad men theme... Ok so I bought a Bullet Bra for my Halloween costume and I am in love with it!! Just wanted another excuse to wear it :)
Here they come, crazy Space-Monkeys to pester and annoy and generally aggravate the situation! If only I had any idea what the "situation" was...
Watching the Late Show with Stephen Colbert - my favorite - I watched to women two nights in a row being interviewed wearing shiny black stockings/pantyhose. I just had to try to duplicate the look...at least the legs - not nearly as gorgeous as they were.
PictionID:44802861 - Catalog:14_013719 - Title:Atlas Details: Experiment for Pod 6 in Hangar H Date: 12/08/1961 - Filename:14_013719.TIF - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
PictionID:44802849 - Catalog:14_013718 - Title:Atlas Details: Experiment for Pod 6 in Hangar H Date: 12/08/1961 - Filename:14_013718.TIF - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
MEAT DOG "What's Fer Dinner" The Fubear Animated short is finally complete and will be airing on X BOX LIVE in about two weeks - will soon post actual air date - here are some never before seen stills...
PictionID:44802873 - Catalog:14_013720 - Title:Atlas Details: Experiment for Pod 6 in Hangar H Date: 12/08/1961 - Filename:14_013720.TIF - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Leggete attentamente, per favore.
Questa foto, pasquale nel suo turbinio alcolico, raffigura uno dei miei migliori amici al quale è giusto dedicare qualche parola, anche se tramite la sua idiosincrasia per i computer la leggerà soltanto nel 2018. E’ un po’ lunga, ma ne vale la pena, credetemi.
Lui è Omic. (si legge pronunciando la c di “ciccia”).
Anzi, lò l’è Omic. Alla romagnola.
Se ci sono altre persone al mondo come lui, vi auguro di incontrarle. E’ un vero numero 1, ed ecco alcuni perché:
Perché sa metterti sempre di buonumore, sia da ubriaco che da sobrio. Sempre.
Perché è il numero 1 nella classifica degli stronzi, che abbiamo inventato oramai 10 anni fa, ma non l’ho mai visto fare lo stronzo con nessuno.
Perché è buono come (credo) un cattolico si aspetterebbe che fosse il papa, ma lui non cerca mai di imporre niente a nessuno. Ed è realmente buono. Ha un rapporto un po’ particolare con Dio, lo bestemmia in continuazione, forse un po’ meno del suo babbo. Ma lo cita spesso.
Perché non l’ho mai visto negare un favore a un amico, e nemmeno a un conoscente. Ne ha negati ai nemici, perché è buono ma non coglione, nonostante le attuali tendenze politiche dicano il contrario.
Perché quando ti viene in aiuto, gli leggi negli occhi la felicità di farlo.
Perché non si vergogna di niente, neppure di dirti le sue e le tue verità. Ed è dignitoso come un imperatore illuminato senza regno, che non si cruccia di non avere un regno. E nemmeno un cavallo.
Perché è stonato come un campanaccio e scoordinato come un mancino (pur essendo destrorso), ma quando è in pista è più carismatico di Samuel dei Subsonica.
Perché ha un modo di intortare che ti fa’ incazzare, e soprattutto non lo fa’ intortare. Salvo le donne che poi si rivelano speciali.
Perché ha fermato una splendida amazzone bionda a Cesenatico dicendole “non stai per niente male!”, e lei gli ha risposto “io sto sempre benissimo, e tu che cazzo vuoi?”. E lui ha iniziato a ridere prima di lei (e di me).
Perché in dodici anni ha quasi imparato a giocare a beach volley, e si incazza talmente quando lo muri che non puoi che giocarci contro. Ma ti diverti di più a infamarlo se ci giochi insieme. E poi si vede il segno della coda da Supersajan mozzata.
Perché se a capodanno, perduti nella campagna tra Bologna e Ferrara, alle 5 gli dici – senza motivo – andiamo a Padova, non esita un secondo a prendere l’autostrada. Poi però ti porta a Venezia, perché gli piace di più.
Perché se lo chiami per dirgli che hai smesso con la morosa, con un tono disperato che neanche il giovane Holden nei giorni peggiori, lui si mette a ridere. A crepapelle. E tu pensi “che stronzo”. Ma lui continua a ridere. E tu gli dici “che stronzo”. E lui continua. Finchè non ti metti a ridere pure tu.
Perché REALMENTE ti puoi fidare di lui anche se gli capitasse di dover dormire con la tua donna. Anche perché in genere ci piacciono donne differenti, ma tant’è.
Perché a quasi trent’anni gli piace ancora andare al Velvet anche se non gli piacciono i concerti, e dormire in macchina.
Perché porta gli occhiali da sole di notte, come una rockstar. E urla “non mollare mai” fino alle 7 del mattino all’edicolante che ha appena aperto a Lido di Savio, poco prima di andarsene a letto. Ma non prima di aver fatto 20 volte il giro dell’isolato.
Perché se ti manca il decimo per il calcetto, e lui non ha proprio niente da fare, non gioca comunque, anche se dopo averlo infamato ti metti ad implorare. Però viene a fare un tifo che da solo è meglio della Curva Mare di Cesena (e non è per niente facile).
Perché quando c’è stata la selezione per Miss Italia, si è tolto la cintura e si è autolegato (il collo) alla rete di recinzione, urlando a squarciagola “a sit bona!!!” a tutte. Tutte, anche le spettatrici.
Perché sa aprire qualsiasi bottiglia con ogni genere di accendino.
Perché va a pesca da quando è bambino ma pensa che la “tagliata” sia un pesce alto tre dita.
Perché ha la mamma inglese (adorabile come il babbo) che quando si incazza con lui è meravigliosa col suo accento londinese. E gli ha insegnato un inglese perfetto, che lui ama romagnolizzare sempre e comunque. Perché – dice – è un vero baghino di Romagna.
Perché se torna a casa sbronzo, può infilarsi nel letto in mezzo ai suoi. O fare la pipì dentro una busta della coop, e appenderla all’anta dell’armadio.
Perché se si sveglia ancora ubriaco, può appoggiare la tazza del caffè sul frigo, e mettere il portafogli dentro al forno a microonde. Acceso. E toglierlo dopo dieci minuti, imprecando come un brigante ottocentesco.
Perché sa raccontare le barzellette, e non è cosa da poco.
Perché ci sono un oceano di altri motivi, ma sono stufo di scrivere (anche il sottoscritto è nella top 5 della classifica degli stronzi, d’altronde…)
GRAZIE OMIC!
Thanks to The Consumerist for featuring this pic!
consumerist.com/2013/11/15/consumerist-friday-flickr-find...
Mid-winter I was contacted by "Zupi", a Brazilian Design and Art magazine, for a short interview about me as an AFOL and a fan of LEGO. The people from "Zupi" magazine were kind enough to send their magazine all the way to Romania. It was fun to do.
Only thing that would have made this better would have been catching a monk using it :)
Shojoin-in temple, Koyasan, Japan
I don't know how long this has been up but I am pretty chuffed with the results - you can download the template at the wonderful:
BEN THE ILLUSTRATOR:
Direct link to the Series 5c including the FUBEAR / MIGGINS SPEAKERDOG:
first dalek show in canada at le. gallery entitled “character assassination part ii” (and part i at magic pony)
character assassination parts i and ii focus on dalek’s trademark space monkey and its various forms of existence.
character assassination part ii further explores the characterization of the space monkey through dalek's paintings on board. the work, ranging from 12" by 12" to 2 foot by 6 foot triptychs, highlight dalek's skill as a painter and a draughtsman. the paintings, produced by aid of architectural templates and a flat application of colour produce the vibrant geometric environments inhabited by the space monkeys.
write-up taken from www.magic-pony.com/gallery/dalek.php
PictionID:44802885 - Catalog:14_013721 - Title:Atlas Details: Experiment for Pod 6 in Hangar H Date: 12/08/1961 - Filename:14_013721.TIF - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Tonight I DJ a Car show..so since I was rocking my Retro look..me and Space Monkey decided to look a little vintage today