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In the style of Soutine, I tried to accentuate certain features of myself and distort the shape of the body so as to reflect how I perceive myself. I then rolled block ink over the finished product to add more to the background before colorising it.
An auction of MacDougall's on June 6, 2018 in London. "Bust Chaim Soutine" carved in 1918 by his friend LEON INDENBAUM 1890-1981. This Russian sculptor naturalized French was born in Belarus, he arrived in 1911 in Paris with his friend Chaim Soutine, they will participate in the movement "Ecole de Paris" with ... Archipenko, Bourdelle, Brancusi, Chapiro, Chagall, Csaky, Foujita, Kikoine, Kremegne, Modigliani, Orloff, Picasso, Rivera, Zadkine ... Bronze 19.6 inch - 50 cm, estimation £ 7,000 / £ 9,000.
Recreating a Egon Schiele self portrait and then doing a Chaim Soutine portrait Schiele style using pen and watercolour.
A Night at the Museum entry by the Soutine Bakery from Le Parker Meridien's Gingerbread Extravaganza.
Paul Rebeyrolle
Eymoutiers, France, 1926 - Boudreville, France, 2005
1987
Mixed media on canvas
Gift of Mr. and Mrs. Alain Gourdeau
Inventory 2006.265
At a very young age, Rebeyrolle developed tuberculosis of the bones, which forced him to remain immobile for long periods. He made drawings to pass the time while his parents, who were both elementary school teachers, taught him to read and write. In October 1944, after earing his baccalaureat in philosophy, he headed north to Paris on "the first Liberation train." there he discovered the works of his contemporaries Soutine and Picasso, as well as those of Rubens and Rembrandt. Throughout his life he would ceaselessly draw on the lessons he learned durring those memorable years.
The canvas Obviously, which belongs to his "kingdom of the blind" series, clearly conveys the bitter vision of the world that informs Rebeyrolle's work. Here we see a character with a gaping mouth and imagine a cry of pain emanating from it. His hands frame his eye sockets which are black and empty; his eyeballs stare up from the table in front of him. Rebeyrolle sought to raise awareness with this allegory of human blindness.