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Source: livinghistories.newcastle.edu.au/nodes/view/9419
This photograph is from an album created by Lt Thomas Gerald George Fahey who served in the Australian Light Horse in the Middle East during World War 1. Our thanks to Mr Tom Robinson for allowing us to scan and upload this photograph.
If you wish to use it for anything other than private study or research, please contact us.
Join ITS Tactical as we take an in-depth look at Source Hydration systems and London Bridge Trading Insulated Hydration Pouches. Check out ITS Tactical for a full written review and detailed photos! itstac.tc/qPDUP5
We all need the waters of the Mercy River. Though they don't run deep, there's usually enough, just enough, for the extravagance of our lives
If you have seen the movie "Source Code" this train should look familiar....
Saturday, April 2, 2011
Berwyn Metra Station
Berwyn, Illinois
Bron collage:
1. "Tsjechische handel lonkt nu naar ons", "Algemeen Dagblad". Rotterdam, 1974/06/05, p. 18. Geraadpleegd op Delpher op 02-05-2020.
2. "Tsjechen versieren hele wereld". "Algemeen Dagblad". Rotterdam, 1974/06/14, p. 21. Geraadpleegd op Delpher op 02-05-2020.
3. "Tsjechisch schoon in de RAI". "De Telegraaf". Amsterdam, 1974/06/14, p. 4. Geraadpleegd op Delpher op 02-05-2020.
LANDELIJKE PUBLICITEIT OVER RAI EXPO TSJECHOSLOWAKIJE '74: DE BETEKENIS VAN MASSAMEDIA REPRESENTATIE
Door Marcel Douwe Dekker, Eerste/laatste versie: 2/3 mei 2020.
Jeugdverhalen - In de zomer van 1974 was er in de RAI in Amsterdam een tentoonstelling over Tsjechoslowakije, waar ik als negenjarig jochie een steentje aan heb bijgedragen. Een kort artikel hierover in het plaatselijk weekblad verdween met andere artikelen in een plakboek. Voor de zoveelste maal heb ik dat nu weer eens onder de loep genomen met een niet onverdienstelijk resultaat deze keer.
Een krantenartikel uit het Weekblad voor Heemskerk uit 1974 was lange tijd een aardige jeugdherinnering tot ik doordrongen raakte van het cruciale belang van publiciteit voor het kunstenaarschap. Zonder publiciteit kan je officiële erkenning van je kunstenaarschap wel vergeten, maar in mijn geval zelfs met publiciteit ook. Op de Wikipedia heeft dit een staartje gekregen met de voortdurende discussie over de erkenning of afwijzing van de encyclopedie-waardigheid van personen. Bij mij zat dat er niet in.
Negatieve en positieve beoordeling
Op Wikipedia in een discussie over m'n eigen encyclopedie-waardigheid heb ik eens naar voren gebracht, dat de eerste vermelding in de plaatselijke krant een begin was van een lange reeks vermeldingen in de massamedia. Bij mij wisten ze dat echter tegen me aan te wenden:
"... Je nam als 8-jarig jochie deel aan een tekenwedstrijd met wat andere kinderen uit Heemskerk en drie van die Heemskerkse kinderen waaronder jij worden met naam vermeld in een plaatselijke krant of zo. En vanaf die vermelding ben je al 45 jaar in het nieuws. Wat een zielig gedoe," werd er tegen me ingebracht. Ik moest me diep gaan schamen, dat ik dat zo ter sprake had durven te brengen.
Ik was in die tijd redelijk verontwaardigd om deze woorden, maar een direct weerwoord had ik ook niet. Op zich waren die woorden toch niet zo dom gedacht, want wat heeft zo'n enkele vermelding in de plaatselijke krant nu toch te betekenen? Lange tijd moest ik mezelf dit antwoord schuldig blijven tot ik de boel nu eens heb weten om te draaien.
Afgelopen maand vond ik al eens een krantenartikel uit 1974 van 2 maanden voor de expositie, waarin de context werd uitgelegd. Nu blijkt dat ik toen lang niet alles gevonden had. In 1974 was Tsjechoslowakije bijna 2.500 maal in de landelijke pers genoemd. Van al de achterliggende gebeurtenissen dat jaar was die ene tentoonstelling in het jaar 1974 wel een van de hoogtepunten, zo niet het hoogtepunt.
De RAI expositie was in juni 1974 in de landelijke pers enige malen paginabreed besproken met de nodige illustraties. Hierbij besteedde De Telegraaf zelfs bijna een alinea aan de internationale ludieke actie van een groepje schoolkinderen, waaraan ik zelf ook deelnam. Van dit soort momenten zijn er een stuk meer geweest, waarbij er wonderbaarlijk genoeg allerlei zaken in de pers zijn aangetekend.
De betekenis van massamedia representatie
Er was me daar op Wikipedia een schaamteloosheid verweten, dat ik die zaken zo op mezelf durfde te betrekken. Maar dat is voor mij nu juist het wezenlijke van het kunstenaarschap. De zaken in de wereld trek je je persoonlijk aan, en daar maak je werk van.
Over de massa media representatie daarbij vaak verheven gedacht. In de basis kan je dat echter zien als elke wetenschappelijke tekst: als beschrijving, verklaring en of voorspelling. De beschrijving zelf kan bestaan uit al dan niet de vermelding van een specifieke activiteit, waaraan je hebt deelgenomen. Al dan niet een naamsvermelding daarbij. Al dan niet met een korte beschrijving van de specifieke bijdrage, enzovoort.
Vermelding in de massamedia is een indicatie, dat de bepaalde activiteit van enig maatschappelijk belang is. Dit is nooit absoluut, maar betrekkelijk met betrekking tot een bepaalde groep in een bepaalde streek.
Een persoonlijke noot
Een persoonlijke noot nog moeilijk te kraken is, dat bepaalde mensen die maatschappelijk relevante gebeurtenissen weten te vinden. Of deze zelfs zelf weten te genereren. In m'n eigen geval probeer ik daar wel naar toe te werken binnen de kaders, die ik hiervoor lang geleden heb aangenomen: het kader van het conceptueel kunstenaarschap met een specifiek globaal doel.
Het op jezelf betrekken van de zaken in de wereld, en de dingen die hierover worden besproken, is in dit kader niet aan waardeoordelen verbonden. Het is simpelweg een manier om de wereld te doorgronden, vanuit je eigen beleving en optreden; vanuit het wereldgebeuren en visa versa.
Zie verder ook
- Tsjechoslowaakse tentoonstelling in de RAI in Amsterdam in 1974
- Heemskinderen op zijn Tsjechisch, juni 1974
- Jeugdtennistoernooi Bontekoe in Leeuwarden, 1976
Bronnen
- "Heemskinderen op zijn Tsjechisch", Weekblad voor Heemskerk, 15 juni 1974
- "Tsjechische handel lonkt nu naar ons", "Algemeen Dagblad". 5 juni 1974, p. 18.
- "Tsjechen versieren hele wereld". "Algemeen Dagblad". 6 juni 1974, p. 21.
- "Tsjechisch schoon in de RAI". "De Telegraaf". 14 juni 1974, p. 4.
Source: livinghistories.newcastle.edu.au/nodes/view/21764
This image was scanned from a photograph in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.
Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you have any information about this photograph, please contact us or leave a comment in the box below.
“Associated” is a site specific show in a severely damaged brownstone, currently with a Vacate Order, issued by the DOB. As you may recall, the huge fire on Nov 12th 2010 at the Associated Supermarket on 5th Avenue and 17th Street not only damaged the supermarket building including the Open Source Gallery, but also a brownstone next door. The 3 family house, the Gallery owners’ home, was also rendered uninhabitable by the blaze.
There is no exact date for the show. There will be a 2 week window when the Vacate Order will be dropped and the contractors will start their work. All participating artists are prepared to install their work any day within the next month.
opening up with the
OPEN SOURCE CARNIVAL
The Carnival involves a public celebration combining some elements of circus, performance, public fair and party. We encourage people to dress-up in costumes during the celebration and to bring a little bit of money for the future of OPEN SOURCE.
Participants
Sara Bouchard, Christian Brown, Reamonn Byrne, Wendy Chu, Ethan Crenson, Hubert Dobler, Peter Feigenbaum, Pirmin Hagen, Fumie Ishii, Der Kommissar, Stefanie Koseff, James Leonard, Loadingdock5, Katerina Marcelja, Amanda C. Mathis, Patrick May, Nolan McKew, Annelise E. Ream, Jason Reppert, Raphaela Riepl, Evan Robarts, Frank Scheiderbauer, Allison Read Smith, Miho Suzuki, Kathleen Vance, Letizia Werth, Lily White, Monika Wuhrer
Source: livinghistories.newcastle.edu.au/nodes/view/32874
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Source: livinghistories.newcastle.edu.au/nodes/view/32522
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
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Images from the 2012 World Premiere of the new Sensation show "Source of Light" in the Amsterdam Arena. Photos were taken for a 14-page EDM special in National Geographic Netherlands-Belgium which was published in September 2012.
Client: National Geographic NL
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- NINTH INF DIV ACTIVITIES (SAIGON PERIMETER). Mr. Thu Nguyen Trung, Liaison Official between the 9th Inf Div and the 8th District Vietnamese National Police Force, shows a captured Viet Cong B-42 rocket launcher to MSG Antonio Anthony, S-2, 3rd Bn, 39th Inf, 3rd Bde, found during the house-to-house search of the area south of the Kinh Doi Canal and inside the cluster of villages south of "Y" Bridge during final mopping-up operations.
chiếc B-42 phóng tên lửa Việt Cộng bị bắt,được tìm thấy trong việc tìm kiếm nhà dân khu vực phía nam của kênh Đôi (cầu chữ Y)
Sherine Industries Ltd. Your complete source for traffic signs and safety products.
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Photos by Ron Sombilon Gallery
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Join ITS Tactical as we take an in-depth look at Source Hydration systems and London Bridge Trading Insulated Hydration Pouches. Check out ITS Tactical for a full written review and detailed photos! itstac.tc/qPDUP5
Source: Digital image.
Set: TUR02.
Date: 2012.
Photographer: ©2012 Mr J. Turner.
Local Studies at Swindon Central Library.
Bought a new pack. There's three rows of PALS webbing inside the main compartment, so now I just need a MOLLE bag for three lenses!.
No known copyright restrictions. Please credit UBC Library as the image source. For more information, see digitalcollections.library.ubc.ca/cdm/about.
Description: Charles Darwin, Down to John Burdon-Sanderson. Had read Burdon-Sanderson's latest essays; will modify some of the passages in the chapters on digestion; is worried about what critics will say about it. A.L.S. 2 p.
Transcript: Down, Beckenham, Kent. Railway Station, Orpington, S.E.R. July 16 75 My dear Sanderson I have read your essays with the greatest interest & am much obliged to Mrs. Sanderson for having sent them. I had no idea that so much light had been thrown on the subject. If Dr. Bastian knew of these articles he has not written quite fairly in his recent articles. I wish your essay had been longer & that you had said something
Creator: Darwin, Charles, 1809-1965
Date Created: 1875-07-16
Source: Original Format: University of British Columbia Library. Woodward Biomedical Library. Charles Woodward Memorial Room. The Darwin-Burdon-Sanderson Letters.
Permanent URL: digitalcollections.library.ubc.ca/cdm/compoundobject/coll...