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Source: en.wikipedia.org/wiki/St._Louis
St. Louis is an independent city and inland port in the U.S. state of Missouri. It is situated along the western bank of the Mississippi River, which marks Missouri's border with Illinois. The Missouri River merges with the Mississippi River just north of the city. These two rivers combined form the fourth longest river system in the world. The city had an estimated 2017 population of 308,626 and is the cultural and economic center of the St. Louis metropolitan area (home to nearly 3,000,000 people), which is the largest metropolitan area in Missouri, the second-largest in Illinois (after Chicago), and the 22nd-largest in the United States.
Before European settlement, the area was a regional center of Native American Mississippian culture. The city of St. Louis was founded in 1764 by French fur traders Pierre Laclède and Auguste Chouteau, and named after Louis IX of France. In 1764, following France's defeat in the Seven Years' War, the area was ceded to Spain and retroceded back to France in 1800. In 1803, the United States acquired the territory as part of the Louisiana Purchase. During the 19th century, St. Louis became a major port on the Mississippi River; at the time of the 1870 Census it was the fourth-largest city in the country. It separated from St. Louis County in 1877, becoming an independent city and limiting its own political boundaries. In 1904, it hosted the Louisiana Purchase Exposition and the Summer Olympics.
The economy of metropolitan St. Louis relies on service, manufacturing, trade, transportation of goods, and tourism. Its metro area is home to major corporations, including Anheuser-Busch, Express Scripts, Centene, Boeing Defense, Emerson, Energizer, Panera, Enterprise, Peabody Energy, Ameren, Post Holdings, Monsanto, Edward Jones, Go Jet, Purina and Sigma-Aldrich. Nine of the ten Fortune 500 companies based in Missouri are located within the St. Louis metropolitan area. The city has also become known for its growing medical, pharmaceutical, and research presence due to institutions such as Washington University in St. Louis and Barnes-Jewish Hospital. St. Louis has two professional sports teams: the St. Louis Cardinals of Major League Baseball and the St. Louis Blues of the National Hockey League. One of the city's iconic sights is the 630-foot (192 m) tall Gateway Arch in the downtown area.
Source: en.wikipedia.org/wiki/Missouri_Botanical_Garden
The Missouri Botanical Garden is a botanical garden located at 4344 Shaw Boulevard in St. Louis, Missouri. It is also known informally as Shaw's Garden for founder and philanthropist Henry Shaw. Its herbarium, with more than 6.6 million specimens, is the second largest in North America, behind that of the New York Botanical Garden. The Index Herbariorum code assigned to the herbarium is MO and it is used when citing housed specimens.
Image source:
www.flickr.com/photos/bewareofdog/284783751/
Read the article on opensource.com
Netflix completes the open source giving cycle
T22 - Jupiter hurling a thunderbolt at Typhon - Apollonidou
Gem impression
Source:
www.beazley.ox.ac.uk/XDB/ASP/recordDetailsLarge.asp?recor...{B9641B06-206A-4629-BA87-702CDE167516}&returnPage=&start=0
Source: en.wikipedia.org/wiki/Wolmyeong_Park
Wolmyeong Dong Park, "Wolmyeongdong Park" or "Wolmyeong Park," (Hangul: 월명공원; lit. bright moon park) is a popular tourist destination in the city of Gunsan, South Korea. It serves as an intersecting point where five mountains connect. The total size of the park is 2.6 km² and its longest walking trail is 12 km. It is open all year round.
Source: en.wikipedia.org/wiki/Gunsan
Gunsan is a city in North Jeolla Province, South Korea. It is on the south bank of the Geum River just upstream from its exit into the Yellow Sea. It has emerged as a high-tech manufacturing industrial city and an international trade seaport that is approximately 200 km (120 mi) southwest of Seoul on the midwest coast of the Korean Peninsula.
Kunsan Air Base operated by the United States Air Force is in the city. To encourage investment, a free trade zone has been declared in the area.
Notable residents of Gunsan include actress Lee Eun-ju, comedian Park Myeong-su, Teen Top member L.Joe and local legend Stu MacLean
Source: en.wikipedia.org/wiki/Indianapolis
Indianapolis, colloquially known as Indy, is the state capital and most-populous city of the U.S. state of Indiana and the seat of Marion County. According to the United States Census Bureau, the consolidated population of Indianapolis and Marion County in 2020 was 977,642. The "balance" population, which excludes semi-autonomous municipalities in Marion County, was 887,642. It is the 15th most populous city in the U.S., the third-most populous city in the Midwest, after Chicago, Illinois and Columbus, Ohio, and the fourth-most populous state capital after Phoenix, Arizona; Austin, Texas; and Columbus. The Indianapolis metropolitan area is the 33rd most populous metropolitan statistical area in the U.S., with 2,048,703 residents. Its combined statistical area ranks 28th, with a population of 2,431,361. Indianapolis covers 368 square miles (950 km2), making it the 16th largest city by land area in the U.S.
Indigenous peoples inhabited the area dating to as early as 10,000 BC. In 1818, the Delaware relinquished their tribal lands in the Treaty of St. Mary's. In 1821, Indianapolis was founded as a planned city for the new seat of Indiana's state government. The city was platted by Alexander Ralston and Elias Pym Fordham on a 1-square-mile (2.6 km2) grid next to the White River. Completion of the National and Michigan roads and arrival of rail later solidified the city's position as a manufacturing and transportation hub. Two of the city's nicknames reflect its historical ties to transportation—the "Crossroads of America" and "Railroad City". Since the 1970 city-county consolidation, known as Unigov, local government administration operates under the direction of an elected 25-member city-county council headed by the mayor.
Indianapolis anchors the 29th largest economic region in the U.S., based primarily on the sectors of finance and insurance, manufacturing, professional and business services, education and health care, government, and wholesale trade. The city has notable niche markets in amateur sports and auto racing. The city is home to three Fortune 500 companies, two major league sports clubs, four university campuses, and several museums, including the world's largest children's museum. However, the city is perhaps best known for annually hosting the world's largest single-day sporting event, the Indianapolis 500. Among the city's historic sites and districts, Indianapolis is home to the largest collection of monuments dedicated to veterans and war casualties in the U.S. outside of Washington, D.C.
Source: en.wikipedia.org/wiki/Indianapolis_Motor_Speedway
The Indianapolis Motor Speedway is an automobile racing circuit located in Speedway, Indiana (an enclave suburb of Indianapolis) in the United States. It is the home of the Indianapolis 500 and the Verizon 200, and formerly the home of the United States Grand Prix. It is the largest sports venue in the world. It is located on the corner of 16th Street and Georgetown Road, approximately six miles (10 km) west of Downtown Indianapolis.
Constructed in 1909, it is the second purpose-built, banked oval racing circuit after Brooklands and the first to be called a 'speedway'. It is the third-oldest permanent automobile race track in the world, behind Brooklands and the Milwaukee Mile. With a permanent seating capacity of 257,325, it is the highest-capacity sports venue in the world.
Considered relatively flat by American standards, the track is a 2.5-mile-long (4.0 km) rectangular oval with dimensions that have remained essentially unchanged since its construction. It has two 5⁄8-mile-long (1,000 m) straightaways, four geometrically identical 1⁄4-mile (400 m) turns, connected by two 1⁄8-mile (200 m) short straightaways, termed "short chutes", between turns 1 and 2, and between turns 3 and 4.
A modern, FIA Grade One infield road course was completed in 2000, incorporating part of the oval, including the main stretch and the southeast turn, measuring 2.605 miles (4.192 km). In 2008, and again in 2014, the road course layout was modified to accommodate motorcycle racing, as well as to improve competition. Altogether, the current grounds have expanded from an original 320 acres (1.3 km2) on which the speedway was first built to cover an area of over 559 acres (2.3 km2). Placed on the National Register of Historic Places in 1975 and designated a National Historic Landmark in 1987, it is the only such site to be affiliated with automotive racing history.
In addition to the Indianapolis 500, the speedway also hosts NASCAR's Verizon 200 and Pennzoil 150. From 2000 to 2007, the speedway hosted the Formula One United States Grand Prix, and from 2008 to 2015 the Moto GP.
On the grounds of the speedway is the Indianapolis Motor Speedway Museum, which opened in 1956, and houses the Hall of Fame. The museum moved into its current building located in the infield in 1976. Also on the grounds is the Brickyard Crossing Golf Resort, which originally opened as the Speedway Golf Course in 1929. The golf course has 14 holes outside the track, along the backstretch, and four holes in the infield. The site is among the most visited attractions in Indianapolis, with 1 million guests annually. The speedway has served as the venue for the opening ceremonies for the 1987 Pan American Games. The track is nicknamed "The Brickyard" (see below), and the garage area is known as Gasoline Alley.
On November 4, 2019, Hulman & Company announced the sale of its company, including the Indianapolis Motor Speedway, the IndyCar Series and associated enterprises to Penske Corporation, owned by Roger Penske.
The River Thames rises as a spring in a field near Kemble, close to Cirencester, called Thames Head, often dry.
It's downhill all the way from here to the sea...184 miles on the Thames Path, to the official end of the walk at the Thames Barrier.
#Flickr21Challenge 7. #Beginnings
Source: en.wikipedia.org/wiki/Nuremberg
Nuremberg (German: Nürnberg) is the second-largest city of the German federal state of Bavaria after its capital of Munich, and its 511,628 (2016) inhabitants make it the 14th largest city of Germany. On the Pegnitz River (from its confluence with the Rednitz in Fürth onwards: Regnitz, a tributary of the River Main) and the Rhine–Main–Danube Canal, it lies in the Bavarian administrative region of Middle Franconia, and is the largest city and the unofficial capital of Franconia. Nuremberg forms a continuous conurbation with the neighbouring cities of Fürth, Erlangen and Schwabach with a total population of 787,976 (2016), while the larger Nuremberg Metropolitan Region has approximately 3.5 million inhabitants. The city lies about 170 kilometres (110 mi) north of Munich. It is the largest city in the East Franconian dialect area (colloquially: "Franconian"; German: Fränkisch).
There are many institutions of higher education in the city, most notably the University of Erlangen-Nuremberg (Friedrich-Alexander-Universität Erlangen-Nürnberg), with 39,780 students (2017) Bavaria's third and Germany's 11th largest university with campuses in Erlangen and Nuremberg and a university hospital in Erlangen (Universitätsklinikum Erlangen); Technische Hochschule Nürnberg Georg Simon Ohm; and Hochschule für Musik Nürnberg. Nuremberg Airport (Flughafen Nürnberg „Albrecht Dürer“) is the second-busiest airport of Bavaria after Munich Airport, and the tenth-busiest airport of Germany.
Staatstheater Nürnberg is one of the five Bavarian state theatres, showing operas, operettas, musicals, and ballets (main venue: Nuremberg Opera House), plays (main venue: Schauspielhaus Nürnberg), as well as concerts (main venue: Meistersingerhalle). Its orchestra, Staatsphilharmonie Nürnberg, is Bavaria's second-largest opera orchestra after the Bavarian State Opera's Bavarian State Orchestra in Munich. Nuremberg is the birthplace of Albrecht Dürer and Johann Pachelbel.
Nuremberg was the site of major Nazi rallies, and it provided the site for the Nuremberg trials, which held to account many major Nazi officials.
Source: en.wikipedia.org/wiki/Christkindlesmarkt,_Nuremberg
Christkindlesmarkt is a Christmas market that is held annually in Nuremberg, Germany. It takes place during Advent in the Hauptmarkt, the central square in Nuremberg’s old town, and in adjoining squares and streets. With about two million visitors a year the Nürnberger Christkindlesmarkt is one of the largest Christmas markets in Germany and one of the most famous in the world. Every year the Christmas market begins on the Friday preceding the first Sunday in Advent and ends on December 24, unless that day is a Sunday.
Source: en.wikipedia.org/wiki/Prague
Prague (Czech: Praha) is the capital and largest city in the Czech Republic, the 14th largest city in the European Union and the historical capital of Bohemia. Situated in the north-west of the country on the Vltava river, the city is home to about 1.3 million people, while its metropolitan area is estimated to have a population of 2.6 million. The city has a temperate climate, with warm summers and chilly winters.
Prague has been a political, cultural and economic centre of central Europe complete with a rich history. Founded during the Romanesque and flourishing by the Gothic, Renaissance and Baroque eras, Prague was the capital of the Kingdom of Bohemia and the main residence of several Holy Roman Emperors, most notably of Charles IV (r. 1346–1378). It was an important city to the Habsburg Monarchy and its Austro-Hungarian Empire. The city played major roles in the Bohemian and Protestant Reformation, the Thirty Years' War and in 20th-century history as the capital of Czechoslovakia, during both World Wars and the post-war Communist era.
Prague is home to a number of famous cultural attractions, many of which survived the violence and destruction of 20th-century Europe. Main attractions include Prague Castle, Charles Bridge, Old Town Square with the Prague astronomical clock, the Jewish Quarter, Petřín hill and Vyšehrad. Since 1992, the extensive historic centre of Prague has been included in the UNESCO list of World Heritage Sites.
The city has more than ten major museums, along with numerous theatres, galleries, cinemas and other historical exhibits. An extensive modern public transportation system connects the city. Also, it is home to a wide range of public and private schools, including Charles University in Prague, the oldest university in Central Europe.
Prague is classified as an "Alpha −" global city according to GaWC studies and ranked sixth in the Tripadvisor world list of best destinations in 2016. Its rich history makes it a popular tourist destination and as of 2017, the city receives more than 8.5 million international visitors annually. Prague is the fourth most visited European city after London, Paris and Rome.
Source: en.wikipedia.org/wiki/Ludwigsburg
Ludwigsburg is a city in Baden-Württemberg, Germany, about 12 kilometres (7.5 mi) north of Stuttgart city centre, near the river Neckar. It is the largest and primary city of the Ludwigsburg district with about 88,000 inhabitants. It is situated within the Stuttgart Region, and the district is part of the administrative region (Regierungsbezirk) of Stuttgart.
Source: en.wikipedia.org/wiki/Ludwigsburg_Palace
Ludwigsburg Palace (Residenzschloss Ludwigsburg), also known as the "Versailles of Swabia", is a 452-room palace complex of 18 buildings located in Ludwigsburg, Baden-Württemberg, Germany. Its total area, including the gardens, is 32 ha (79 acres)—the largest palatial estate in the country. The palace has four wings: the northern wing, the Alter Hauptbau, is the oldest and was used as a ducal residence; the east and west wings were used for court purposes and housing guests and courtiers; the southern wing, the Neuer Hauptbau, was built to house more court functions and was later used as a residence.
Eberhard Louis, Duke of Württemberg, appointed Philipp Joseph Jenisch to direct the work and construction began in 1704. In 1707, Jenisch was replaced with Johann Friedrich Nette, who completed the majority of the palace and surrounding gardens. Nette died in 1714, and Donato Giuseppe Frisoni finished much of the palace facades. In the final year of construction, Eberhard Louis died and the Neue Hauptbau's interiors were left incomplete. Charles Eugene's court architect, Philippe de La Guêpière, completed and refurbished parts of the New Hauptbau in the Rococo style, especially the palace theatre. Charles Eugene abandoned the palace for Stuttgart in 1775. Duke Frederick II, later King Frederick I, began using Ludwigsburg as his summer residence in the last years of Charles Eugene's reign. Frederick and his wife Charlotte, Princess Royal, resided at Ludwigsburg and employed Nikolaus Friedrich von Thouret to renovate the palace in the Neoclassical style. Thouret converted much of Ludwigsburg's interiors over the reign of Frederick and later life of Charlotte. As a result of each architect's work, Ludwigsburg is a combination of Baroque, Rococo, Neoclassical, and Empire style architecture.
The constitutions of the Free People's State and Kingdom of Württemberg were ratified at Ludwigsburg Palace in 1919 and 1819, respectively. It was the residence for four of Württemberg's monarchs and some other members of the House of Württemberg and their families. The palace was opened to the public in 1918 and then survived World War II intact. It later underwent periods of restoration in the 1950s, 1960s, and 1990s and again for the palace's 300th anniversary in 2004. The palace had more than 350,000 visitors in 2017 and has hosted the Ludwigsburg Festival every year since 1947.
Surrounding the palace are the Blooming Baroque (Blühendes Barock) gardens, arranged in 1954 as they might have appeared in 1800. Nearby is Schloss Favorite, a hunting lodge built in 1717 by Frisoni. Within the palace are two museums operated by the Landesmuseum Württemberg dedicated to fashion and porcelain respectively.
Source: traveltips.usatoday.com/worlds-largest-pumpkin-festival-g...
The German city of Ludwigsburg hosts the largest pumpkin festival in the world, held annually from early September to November. Bringing in more than 400,000 pumpkins grown in southwest Germany, the city arranges them based on a theme that varies year by year. The festival includes more than 450 species of pumpkins, some of which are edible and others that are solely used for display purposes.
Themed Displays
The annual Ludwigsburg Pumpkin Festival has a different theme each year, with pumpkins stacked together to create shapes unique to a subject. In 2011, the pumpkin garden was transformed into a "Jurassic Park," with pumpkins arranged in the shape of dinosaurs. The 2010 festival was island-themed, featuring pumpkins arranged as an octopus, a mermaid, a lighthouse and other sea creatures. In 2012, the festival was Switzerland-themed, with pumpkins displayed to resemble the Swiss flag, livestock and the Alps. Thousands of pumpkins are stacked together to build each year's unique creations.
Food and Drink
The German festival offers an array of pumpkin-flavored dishes, including pumpkin soups, "maultaschen" (ravioli), risotto, strudel and spaghetti. Visitors can also order pumpkin-flavored sparkling wine. Previous festivals have offered various types of the gourd-like squash, including the "Blue Banana," the "Speckled Hound," the "Little Blue Hungarian" and the "Japanese Microwave Pumpkin," all of which can be used for cooking. For those interested in making their own dishes, the festival shop also sells pumpkin seed oil, marmalade, chutney, seeds and cookbooks.
Activities
The Ludwigsburg Pumpkin Festival features various autumn-themed activities. Using a spoon and a carving instrument, visitors can choose to carve their own pumpkins or watch sculptors transform them into artwork. On Saturdays, you can listen to live music while drinking pumpkin-flavored sparkling wine. Families with kids can let their children roll around in the "playground," a large pen filled with hay. Past festivals have hosted costume contests and pumpkin-carving competitions during the week of Halloween.
Annual Events
On one day each fall, the festival includes a race featuring canoeists paddling across a lake using boats made from hollowed-out pumpkins. The annual race takes place on the lake across from Ludwigsburg Castle. With the pumpkins frequently weighing more than 200 pounds, they are difficult to keep afloat. Ludwigsburg also features an annual competition to find Europe's heaviest pumpkin. On the last day of the festival, which marks the end of the season, the winning pumpkin is smashed after being on display for weeks.
T205 - Plemneus [Plemeneus] confiding his daughter Chrysorte to Ceres - Dioskourides
Source:
Beazley gem database
The source of light for much of my 365 since its construction. This ones for Jules who thought it should make it into a frame. Thanks for that mate as the ideas bank was dry this eve.
No description needed really other than the flash was on 1/2 power.
This is number 275 of my 365.
Fountains Abbey tomorrow night for Chris and I so a late upload is on the cards.
Source: en.wikipedia.org/wiki/Pinckneyville,_Illinois
Pinckneyville is a city in and the county seat of Perry County, Illinois, United States. The population was 5,066 at the 2020 census. It is named for Charles Cotesworth Pinckney, an early American diplomat and presidential candidate.
Pinckneyville is the location of the Pinckneyville Power Plant, a combustion turbine generator (CTG)-type power plant run by Ameren.
Source: www.americanthresherman.com/history.html
ATA HISTORY
The American Thresherman Association (ATA) was organized in March of 1959.
At the annual meeting in 1962, Amos Rixman commented that the Association "organized three years ago this month for the purpose of furnishing some enjoyment to its members and to be the beginning of something very worthwhile." Already in its brief life the Association had earned such a reputation that three towns vied for the chance to become the permanent site for the show. The Pinckneyville Chamber of Commerce invited the ATA with open arms and pledges of support, and the Perry County community was chosen over Mascoutah and Highland for the 1962 show site.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "美国" "미국" "Estados Unidos" "États-Unis"
(Illinois) "الينوي" "伊利诺伊州" "इलिनोइस" "イリノイ" "일리노이" "Иллинойс"
(Pinckneyville) "بينكنيفيل" "平克尼维尔" "पिंकनीविले" "ピンクニービル" "핀크니빌" "Пинкнивилль"
Source: en.wikipedia.org/wiki/St._Louis
St. Louis is an independent city and inland port in the U.S. state of Missouri. It is situated along the western bank of the Mississippi River, which marks Missouri's border with Illinois. The Missouri River merges with the Mississippi River just north of the city. These two rivers combined form the fourth longest river system in the world. The city had an estimated 2017 population of 308,626 and is the cultural and economic center of the St. Louis metropolitan area (home to nearly 3,000,000 people), which is the largest metropolitan area in Missouri, the second-largest in Illinois (after Chicago), and the 22nd-largest in the United States.
Before European settlement, the area was a regional center of Native American Mississippian culture. The city of St. Louis was founded in 1764 by French fur traders Pierre Laclède and Auguste Chouteau, and named after Louis IX of France. In 1764, following France's defeat in the Seven Years' War, the area was ceded to Spain and retroceded back to France in 1800. In 1803, the United States acquired the territory as part of the Louisiana Purchase. During the 19th century, St. Louis became a major port on the Mississippi River; at the time of the 1870 Census it was the fourth-largest city in the country. It separated from St. Louis County in 1877, becoming an independent city and limiting its own political boundaries. In 1904, it hosted the Louisiana Purchase Exposition and the Summer Olympics.
The economy of metropolitan St. Louis relies on service, manufacturing, trade, transportation of goods, and tourism. Its metro area is home to major corporations, including Anheuser-Busch, Express Scripts, Centene, Boeing Defense, Emerson, Energizer, Panera, Enterprise, Peabody Energy, Ameren, Post Holdings, Monsanto, Edward Jones, Go Jet, Purina and Sigma-Aldrich. Nine of the ten Fortune 500 companies based in Missouri are located within the St. Louis metropolitan area. The city has also become known for its growing medical, pharmaceutical, and research presence due to institutions such as Washington University in St. Louis and Barnes-Jewish Hospital. St. Louis has two professional sports teams: the St. Louis Cardinals of Major League Baseball and the St. Louis Blues of the National Hockey League. One of the city's iconic sights is the 630-foot (192 m) tall Gateway Arch in the downtown area.
Source: en.wikipedia.org/wiki/Missouri_Botanical_Garden
The Missouri Botanical Garden is a botanical garden located at 4344 Shaw Boulevard in St. Louis, Missouri. It is also known informally as Shaw's Garden for founder and philanthropist Henry Shaw. Its herbarium, with more than 6.6 million specimens, is the second largest in North America, behind only that of the New York Botanical Garden.
Source: en.wikipedia.org/wiki/Normandy
Normandy (French: Normandie, Norman: Normaundie, from Old French Normanz, plural of Normant, originally from the word for "northman" in several Scandinavian languages) is one of the 18 regions of France, roughly referring to the historical Duchy of Normandy.
Normandy is divided into five administrative departments: Calvados, Eure, Manche, Orne, and Seine-Maritime. It covers 30,627 square kilometres (11,825 sq mi), comprising roughly 5% of the territory of metropolitan France. Its population of 3.37 million accounts for around 5% of the population of France. The inhabitants of Normandy are known as Normans, and the region is the historic homeland of the Norman language.
The historical region of Normandy comprised the present-day region of Normandy, as well as small areas now part of the departments of Mayenne and Sarthe. The Channel Islands (French: Îles Anglo-Normandes) are also historically part of Normandy; they cover 194 km² and comprise two bailiwicks: Guernsey and Jersey, which are British Crown dependencies over which Queen Elizabeth II reigns as Duke of Normandy.
Normandy's name comes from the settlement of the territory by mainly Danish and Norwegian Vikings ("Northmen") from the 9th century, and confirmed by treaty in the 10th century between King Charles III of France and the Viking jarl Rollo. For a century and a half following the Norman conquest of England in 1066, Normandy and England were linked by Norman and Frankish rulers.
Source: en.wikipedia.org/wiki/Normandy_American_Cemetery_and_Memo...
The Normandy American Cemetery and Memorial (French: Cimetière américain de Colleville-sur-Mer) is a World War II cemetery and memorial in Colleville-sur-Mer, Normandy, France, that honors American troops who died in Europe during World War II. It is located on the former battlefield cemetery of Saint Laurent, covers 172.5 acres and contains 9,380 burials.
A memorial in the cemetery includes maps and details of the Normandy landings and military operations that followed. At the memorial's center is Spirit of American Youth Rising from the Waves, a bronze statue.
The cemetery, which was dedicated in 1956, is the most visited cemetery run by the American Battle Monuments Commission (AMBC) with one million visitors a year. In 2007, the AMBC opened a $30 million visitors' center at the cemetery, relating the global significance and meaning of Operation Overlord.
Source: en.wikipedia.org/wiki/Normandy_landings
The Normandy landings were the landing operations on Tuesday, 6 June 1944 of the Allied invasion of Normandy in Operation Overlord during World War II. Codenamed Operation Neptune and often referred to as D-Day, it was the largest seaborne invasion in history. The operation began the liberation of German-occupied France (and later Europe) from Nazi control, and laid the foundations of the Allied victory on the Western Front.
Planning for the operation began in 1943. In the months leading up to the invasion, the Allies conducted a substantial military deception, codenamed Operation Bodyguard, to mislead the Germans as to the date and location of the main Allied landings. The weather on D-Day was far from ideal and the operation had to be delayed 24 hours; a further postponement would have meant a delay of at least two weeks as the invasion planners had requirements for the phase of the moon, the tides, and the time of day that meant only a few days each month were deemed suitable. Adolf Hitler placed German Field Marshal Erwin Rommel in command of German forces and of developing fortifications along the Atlantic Wall in anticipation of an Allied invasion.
The amphibious landings were preceded by extensive aerial and naval bombardment and an airborne assault—the landing of 24,000 US, British, and Canadian airborne troops shortly after midnight. Allied infantry and armoured divisions began landing on the coast of France at 06:30. The target 50-mile (80 km) stretch of the Normandy coast was divided into five sectors: Utah, Omaha, Gold, Juno and Sword. Strong winds blew the landing craft east of their intended positions, particularly at Utah and Omaha. The men landed under heavy fire from gun emplacements overlooking the beaches, and the shore was mined and covered with obstacles such as wooden stakes, metal tripods, and barbed wire, making the work of the beach-clearing teams difficult and dangerous. Casualties were heaviest at Omaha, with its high cliffs. At Gold, Juno, and Sword, several fortified towns were cleared in house-to-house fighting, and two major gun emplacements at Gold were disabled, using specialised tanks.
The Allies failed to achieve any of their goals on the first day. Carentan, St. Lô, and Bayeux remained in German hands, and Caen, a major objective, was not captured until 21 July. Only two of the beaches (Juno and Gold) were linked on the first day, and all five beachheads were not connected until 12 June; however, the operation gained a foothold which the Allies gradually expanded over the coming months. German casualties on D-Day have been estimated at 4,000 to 9,000 men. Allied casualties were at least 10,000, with 4,414 confirmed dead.
Museums, memorials, and war cemeteries in the area now host many visitors each year.
Source: wallboat.com/drawing-pencils/
This is a free image you can use it.More free Images @ wallboat.com All images are Public Domain/Free and you can use any where for any purpose without any permission.Even you can use for commercial purpose.
#animal #wallpaper #freephotos #freeimages #business #education #beauty #fashion #architecture #cars #food #drink #landscapes #nature #people #religion #travel #vacation #science #technology #communication #love #relation #beach
Source: New Beauty for Basements and Basementless Houses with Armstrong Floors by Armstrong Cork Co, 1956.
Image from the Mid Century Home Style collection.
Source: en.wikipedia.org/wiki/London
London is the capital and largest city of both England and the United Kingdom. Standing on the River Thames in the south-east of England, at the head of its 50-mile (80 km) estuary leading to the North Sea, London has been a major settlement for two millennia. Londinium was founded by the Romans. The City of London, London's ancient core − an area of just 1.12 square miles (2.9 km2) and colloquially known as the Square Mile − retains boundaries that follow closely its medieval limits. The City of Westminster is also an Inner London borough holding city status. Greater London is governed by the Mayor of London and the London Assembly.
London is considered to be one of the world's most important global cities and has been termed the world's most powerful, most desirable, most influential, most visited, most expensive, innovative, sustainable, most investment friendly, most popular for work, and the most vegetarian friendly city in the world. London exerts a considerable impact upon the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism and transportation. London ranks 26 out of 300 major cities for economic performance. It is one of the largest financial centres and has either the fifth or sixth largest metropolitan area GDP. It is the most-visited city as measured by international arrivals and has the busiest city airport system as measured by passenger traffic. It is the leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. London's universities form the largest concentration of higher education institutes in Europe. In 2012, London became the first city to have hosted three modern Summer Olympic Games.
London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2016 municipal population (corresponding to Greater London) was 8,787,892, the most populous of any city in the European Union and accounting for 13.4% of the UK population. London's urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The population within the London commuter belt is the most populous in the EU with 14,040,163 inhabitants in 2016. London was the world's most populous city from c. 1831 to 1925.
London contains four World Heritage Sites: the Tower of London; Kew Gardens; the site comprising the Palace of Westminster, Westminster Abbey, and St Margaret's Church; and the historic settlement in Greenwich where the Royal Observatory, Greenwich defines the Prime Meridian, 0° longitude, and Greenwich Mean Time. Other landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Paul's Cathedral, Tower Bridge, Trafalgar Square and The Shard. London has numerous museums, galleries, libraries and sporting events. These include the British Museum, National Gallery, Natural History Museum, Tate Modern, British Library and West End theatres. The London Underground is the oldest underground railway network in the world.
Source: en.wikipedia.org/wiki/River_Thames
The River Thames, known alternatively in parts as the Isis, is a river that flows through southern England including London. At 215 miles (346 km), it is the longest river entirely in England and the second longest in the United Kingdom, after the River Severn.
It flows through Oxford (where it is called the Isis), Reading, Henley-on-Thames and Windsor. The lower reaches of the river are called the Tideway, derived from its long tidal reach up to Teddington Lock. It rises at Thames Head in Gloucestershire, and flows into the North Sea via the Thames Estuary. The Thames drains the whole of Greater London.
Its tidal section, reaching up to Teddington Lock, includes most of its London stretch and has a rise and fall of 23 feet (7 m). Running through some of the driest parts of mainland Britain and heavily abstracted for drinking water, the Thames' discharge is low considering its length and breadth: the Severn has a discharge almost twice as large on average despite having a smaller drainage basin. In Scotland, the Tay achieves more than double the Thames' average discharge from a drainage basin that is 60% smaller.
Along its course are 45 navigation locks with accompanying weirs. Its catchment area covers a large part of south-eastern and a small part of western England; the river is fed by at least 50 named tributaries. The river contains over 80 islands. With its waters varying from freshwater to almost seawater, the Thames supports a variety of wildlife and has a number of adjoining Sites of Special Scientific Interest, with the largest being in the remaining parts of the North Kent Marshes and covering 5,449 hectares (13,460 acres).
Source: en.wikipedia.org/wiki/Westminster
Westminster is an area of central London within the City of Westminster, part of the West End, on the north bank of the River Thames. Westminster's concentration of visitor attractions and historic landmarks, one of the highest in London, includes the Palace of Westminster, Buckingham Palace, Westminster Abbey and Westminster Cathedral.
Historically the area lay within St Margaret's parish, City & Liberty of Westminster, Middlesex.
The name Westminster (Old English: Westmynstre) originated from the informal description of the abbey church and royal peculiar of St Peter's (Westminster Abbey), literally West of the City of London (indeed, until the Reformation there was a reference to the 'East Minster' at Minories (Holy Trinity Priory, Aldgate) east of the City). The abbey was part of the royal palace that had been created here by Edward the Confessor. It has been the home of the permanent institutions of England's government continuously since about 1200 (High Middle Ages' Plantagenet times), and from 1707 the British Government — formally titled Her Majesty's Government.
In a government context, Westminster often refers to the Parliament of the United Kingdom, located in the UNESCO World Heritage Palace of Westminster — also known as the Houses of Parliament. The closest tube stations are Westminster and St James's Park, on the Jubilee, Circle, and District lines.
The area is the centre of Her Majesty's Government, with Parliament in the Palace of Westminster and most of the major Government ministries known as Whitehall, itself the site of the royal palace that replaced that at Westminster.
Within the area is Westminster School, a major public school which grew out of the Abbey, and the University of Westminster, attended by over 20,000 students. Bounding Westminster to the north is Green Park, a Royal Park of London.
Source: en.wikipedia.org/wiki/London_Eye
The London Eye is a cantilevered observation wheel on the South Bank of the River Thames in London. It is Europe's tallest cantilevered observation wheel, is the most popular paid tourist attraction in the United Kingdom with over 3.75 million visitors annually, and has made many appearances in popular culture.
The structure is 135 metres (443 ft) tall and the wheel has a diameter of 120 metres (394 ft). When it opened to the public in 2000 it was the world's tallest Ferris wheel. Its height was surpassed by the 525-foot (160 m) Star of Nanchang in 2006, the 165 metres (541 ft) Singapore Flyer in 2008, and the 550-foot tall (167.6 m) High Roller (Las Vegas) in 2014. Supported by an A-frame on one side only, unlike the taller Nanchang and Singapore wheels, the Eye is described by its operators as "the world's tallest cantilevered observation wheel".
The London Eye offered the highest public viewing point in London until it was superseded by the 245-metre (804 ft) high observation deck on the 72nd floor of The Shard, which opened to the public on 1 February 2013.
The London Eye adjoins the western end of Jubilee Gardens (previously the site of the former Dome of Discovery), on the South Bank of the River Thames between Westminster Bridge and Hungerford Bridge beside County Hall, in the London Borough of Lambeth.
Source: en.wikipedia.org/wiki/Budapest
Budapest is the capital and most populous city of Hungary. It is the tenth-largest city in the European Union by population within city limits and the second-largest city on the river Danube. The estimated population of the city in 2025 is 1,782,240. This includes the city's population and surrounding suburban areas, over a land area of about 525 square kilometres (203 square miles). Budapest, which is both a city and municipality, forms the centre of the Budapest metropolitan area, which has an area of 7,626 square kilometres (2,944 square miles) and a population of 3,019,479. It is a primate city, constituting 33% of the population of Hungary.
The history of Budapest began when an early Celtic settlement transformed into the Roman town of Aquincum, the capital of Lower Pannonia. The Hungarians arrived in the territory in the late 9th century, but the area was pillaged by the Mongols in 1241–42. Re-established Buda became one of the centres of Renaissance humanist culture by the 15th century. The Battle of Mohács, in 1526, was followed by nearly 150 years of Ottoman rule. After the reconquest of Buda in 1686, the region entered a new age of prosperity, with Pest-Buda becoming a global city after the unification of Buda, Óbuda and Pest on 17 November 1873, with the name 'Budapest' given to the new capital. Budapest also became the co-capital of the Austro-Hungarian Empire, a great power that dissolved in 1918, following World War I. The city was the focal point of the Hungarian Revolution of 1848 and the Battle of Budapest in 1945, as well as the Hungarian Revolution of 1956.
Budapest is a global city with strengths in commerce, finance, media, art, fashion, research, technology, education, and entertainment. Budapest is Hungary's financial centre. Budapest hosts the headquarters of the European Institute of Innovation and Technology, the European Police College and the first foreign office of the China Investment Promotion Agency. Over 40 colleges and universities are located in Budapest, including Eötvös Loránd University, Corvinus University, Semmelweis University, University of Veterinary Medicine Budapest and the Budapest University of Technology and Economics. Opened in 1896, the city's subway system, the Budapest Metro, serves 1.27 million, while the Budapest Tram Network serves 1.08 million passengers daily.
The central area of Budapest along the Danube is classified as a UNESCO World Heritage Site and has several notable monuments of classical architecture, including the Hungarian Parliament and the Buda Castle. The city also has around 80 geothermal springs, the largest thermal water cave system, second largest synagogue, and third largest Parliament building in the world. Budapest attracts around 12 million international tourists per year, making it a highly popular destination in Europe.
Additional Foreign Language Tags:
(Hungary) "المجر" "匈牙利" "Hongrie" "Ungarn" "הונגריה" "हंगरी" "ハンガリー" "헝가리" "Венгрия" "Hungría"
(Budapest) "بودابست" "布达佩斯" "בודפשט" "बुडापेस्ट" "ブダペスト" "부다페스트" "Будапешт"
(Europe) Europa "European Union" "أوروبا" "欧洲" "אירופה" "यूरोप" "ヨーロッパ" "유럽" "Европа"
Source: en.wikipedia.org/wiki/Disney_California_Adventure
Disney California Adventure Park, commonly referred to as Disney California Adventure, California Adventure, or DCA, is a theme park located in Anaheim, California. It is owned and operated by The Walt Disney Company through its Parks, Experiences and Consumer Products division. The 72-acre (29 ha) park is themed after the history and culture of California, which celebrates the fun and adventure of the state through the use of various Disney, Pixar and Marvel properties. The park opened on February 8, 2001 as Disney's California Adventure Park, and it is the second of two theme parks built at the Disneyland Resort complex, after Disneyland Park.
The concept of a theme park dedicated to California arose from a meeting of Disney executives in 1995, following the cancellation of the WestCOT project. Construction of the park began in 1998 and was completed by early 2001. Disney initially projected high attendance rates at the new park, however, a series of preview openings held in January 2001 led to negative reviews, and after the park officially opened to the public on February 8, 2001, the company's attendance projections were never met. Disney spent the next several years incrementally adding new rides, shows, and attractions, and implementing other promotions aimed at boosting attendance. In 2007, Disney announced a major expansion of the park as well as a major overhaul of a significant portion of the park. Construction lasted for five years and was completed in stages, culminating with the opening of Buena Vista Street and Cars Land in June 2012.
According to the Themed Entertainment Association, the park hosted approximately 9.6 million guests in 2017, making it the 13th-most visited theme park in the world that year.
T203 - Ceres in a car drawn by two dragons receiving from Bacchus a restorative cup - Gnaios
Source:
Beazley gem database
Source: Scan of a postcard from our collection.
Image: P50313.
Date: 16th January 1910.
Postmark: 31st January 1910.
Repository: Local Studies, at Swindon Central Library.
The flower images that I have posted over the past few weeks have come from the beautiful borders displayed in this image. Thanks to all those who commented and added the images as favourites. I have made a lot of new contacts as a result and have learnt a lot from viewing the images on other peoples photostreams. I have a few more images to post over the next week or so but it is an area of photography that I would like to develop in the future.
Philip Guston American, born Canada. 1913 – 1980
Source , 1976
Oil on Canvas
Gift of Edward R. Broida in honor of Uncle Sidney Feldman, 2005
From the Placard: MoMA Museum of Modern Art, New York, NY
Philip Guston
“When the 1960s came along I was feeling split, schizophrenic,” Philip Guston recalled in 1977. “The war, what was happening in America, the brutality of the world. What kind of man am I, sitting at home, reading magazines, going into frustrated fury about everything—and then going into my studio to adjust a red to blue.” After nearly two decades spend painting abstractly, alongside artists such as Jackson Pollock and Barnett Newman, in 1968 Guston emphatically embraced figuration. His new paintings were scathing and satirical, often implicitly addressing current events. Although this new body of work received a cool reception, the critic Harold Rosenberg praised Guston as “the first to have risked a fully developed career on the possibility of engaging his art in the political reality. His current exhibition may have given the cue to the art of the 1970s.” Indeed, Guston’s switchover has served as an inspiration and a touchstone for generations of artists in the years since. He died unexpectedly in 1980, shortly before his sixty-seventh birthday.
From the Placard: MoMA Museum of Modern Art, New York, NY
Welcome to the Irrlicht Engine
The Irrlicht Engine is an open source realtime 3D engine written in C++. It is cross-platform, using D3D, OpenGL and its own software renderers. OpenGL-ES2 and WebGL renderers are also in development. It is a stable library which has been worked on for nearly 2 decades. We've got a huge community and Irrlicht is used by hobbyists and professional companies alike. You can find enhancements for it all over the web, like alternative terrain renderers, portal renderers, exporters, world layers, tutorials, editors, language bindings and so on. And best of all: It's completely free.
Irrlichtelieren (Will-o’-the-wisping-around)
Jane K. Brown
UNIVERSITY OF WASHINGTON
The lexeme Irrlichtelieren (will-o’-the-wisping-around, i.e. thinking outside the box) is Goethe’s neologism for a heterodox line of thought that displaces traditional methods of philosophy and science. Although the term occurs only once, in the student scene of Faust, Part One (FA 1.7:83.1917), the shifting value of will-o’-the-wisps in Faust and other works corresponds to the theories of scientific method Goethe advanced in essays of the 1790s and especially to the methodology of his Zur Farbenlehre (Theory of Color) of 1810. While in Goethe’s letters and in the devil’s language in Faust, will-o’-the-wisps betoken illusion, they develop in the course of Faust into symbols of the ineffable truth that Kantian metaphysics had effectively substituted for God. The ironic dialectic of the will-o’-the-wisps shapes Goethe’s views of pedagogy and scientific epistemology and his positions on the idealist subject/object dichotomy, on the relationships of nature and truth, on representation and knowledge, and on knowledge and community.
Introduction
Etymological Implications
Learning as Flitting Around
Subject-Object Relations
The Relationship of Nature and Truth
Representation as Knowledge
Knowledge and Community
Notes
Related Entries
Works Cited and Further Reading
Introduction
The neologism irrlichtelieren can be defined as: “An innovative and eccentric line of thought, [. . .] a lexical innovation [. . .] that configures the ‘improper’ imperative of Goethean thought [. . .] to displace the ‘proper’ way of doing philosophy (including logic, rationalist metaphysics, and transcendental idealism) by repurposing its traditional instruments of torture.”1 Goethe invented the word and used it only once, in the student scene of Faust I. Derived from the noun Irrlicht (will-o’-the-wisp, or ignis fatuus), it initially identifies the confused thinking of the student who has yet to learn logic,
Daß er bedächtiger so fortan
Hinschleiche die Gedankenbahn,
Und nicht etwa, die Kreuz und Quer,
Irrlichteliere hin und her. (FA 1.7:83.1914–17)2
So that he creep more circumspectly
along the train of thought
and not go will-o’-the-wisping
back and forth and here and there.
However, the use of will-o’-the-wisp in Faust transforms this apparent praise of logic into its opposite, so that “will-o’-the-wisping back and forth” comes to represent the epistemology actually promoted not only in Faust but also in Goethe’s essays on scientific methodology and optics from the 1790s and in his massive Zur Farbenlehre (Theory of Colors) of 1810. Derived from irren (erring), the central theme of Faust, where the Lord says “Es irrt der Mensch, so lang er strebt” (FA 1.7:27.317; man errs as long as he strives) and Licht (light), used consistently as an image for knowledge or truth in Goethe, as so often in the period, irrlichtelieren becomes a useful term for Goethe’s process of learning truth by trial and error. It engages a series of epistemological issues typical of the period: thinking outside the box, subject/object, the relation of nature and truth, the role of representation in knowledge, and the epistemology of community formation. Irrlichtelieren not only exemplifies Goethe’s tendency to heuristic rather than systematic thought (unlike that of his Romantic colleagues), but indeed embodies its own meaning—for will-o’-the-wisps and similar figures appear as characters in his (arguably) most characteristic works: Faust and the Märchen (Fairy Tale) of 1795. Furthermore, the word irrlichtelieren appears in Faust in the context of philosophical discourse when Mephistopheles is holding forth on the place of logic in the curriculum; similarly, in Faust II, a will-o’-wisp-like creature named Homunculus, seeking to become, is introduced in the context of implied questions of becoming in idealist philosophy as well as the philosophical-scientific discourse of classical antiquity invoked by the two pre-Socratics Anaxagoras and Thales. Yet because, unlike most of the terms in this lexicon, irrlichtelieren begins in Goethe’s poetic works as a metaphor that then becomes a personification, it emerges as a philosophical concept only in the metadiscourse of scholarly analysis.
Etymological Implications
The addition of “-ieren” to the word “Irrlicht” turns it into a verb, so that it means “to wisp around.” The combination of “will-o’-the-wisp” with the formal French suffix is intentionally frivolous, as is often the case with Goethe at his most ironic and most profound moments. In Goethe’s day, an Irrlicht was a still mysterious natural phenomenon (now understood as a natural fluorescence originating in the spontaneous combustion of gases from rotting matter in marshy places). Its entry into folklore, specifically as a mischievous nature spirit, is documented in Germany only beginning in the sixteenth century, when the Latin term ignis fatuus (silly flame) was invented by a German humanist to lend the long-existing German word intellectual credibility.3 Although Goethe was familiar with explanations for Irrlichter extending back to Paracelsus (1493–1541) and, beyond him, to the pre-Socratics, he used it as a scientific term only once, in a reference to two essays by his friend, the botanist and Romantic natural philosopher Christian Gottfried Nees von Esenbeck (1776–1858).4 Esenbeck considered both will-o’-the-wisps and falling stars to be entirely natural phenomena connected to a slime (Schleim), but in a tension typical of Romantic Naturphilosophie remained uncertain as to whether its effects were natural or supernatural. Sly allusions to Esenbeck are to be found in Faust via the presence of falling stars in the “Walpurgis Night’s Dream” and the sticky roses that torment Mephistopheles in act five of Faust II. Otherwise, Goethe used Irrlicht in his poetic works, essays, and correspondence always negatively, to refer to delusions.5 Thus, in Faust, “will-o’-the-wisp” emerges primarily from the mouth of Mephistopheles, the skeptical conjuror of illusions, and its ultimate significance as the best way to learn about truth arises from the fundamental irony inherent in the devil’s role in the play.
Learning as Flitting Around
Irrlichter are delusive because they constantly move around and because their light leads travelers astray. And yet, for the author of innumerable works about characters who wander aimlessly, wandering is a primary mode of being. Examples of such characters include Faust, for whom erring is the only path to salvation; the hero of Wilhelm Meisters Lehrjahre (1795/96; Wilhelm Meister’s Apprenticeship) and almost everyone in Wilhelm Meisters Wanderjahre (1829; Wilhelm Meister’s Journeyman Years); the indecisive traveler of Briefe aus der Schweiz (1808; Letters from Switzerland), who worries whether he should climb the Furka in winter; and the traveler in Italienische Reise (1816/17; Italian Journey), who hesitates to go to Sicily and decides not to go to Greece. In his autobiography, Dichtung und Wahrheit (1833; Poetry and Truth), Goethe regularly defines epochs of his life in terms of place and consistently features his own lack of agency in his choice of places. He, too, was a constant wanderer, even after he was more or less settled in Weimar.
Wandering is also the primary mode of scientific experimentation in the essays of the 1790s, where a “good experiment” (Goethe’s word is “Erfahrung [. . .] einer höhern Art”; FA 1.25:34) requires multiple observations of the same object from many different points of view (see, especially, “Der Versuch als Vermittler zwischen Objekt und Subjekt” of 1793). Indeed, the word Erfahrung contains the verb fahren (to travel). In this respect, Goethe was already ahead of Hegel, whose Phänomenologie was originally called “Die Wissenschaft der Erfahrung des Bewußtseins” (The Science of the Experience of Consciousness) and who emphasizes the notion of “dialektische Bewegung” (dialectical movement) at the heart of Erfahrung. Similarly, Part 1 of the Farbenlehre calls upon the reader to engage in several long series of observations, each of which ends with analogical amplifications of central observation rather than with a theoretical conclusion. Indeed, at the end of a Goethean experiment, the phenomenon “kann niemals isoliert werden” (FA 1.25:126; can never be isolated), the truth is to remain untouched in the unarticulated center of all the different observations. The same is still true in the Wanderjahre of the late 1820s, a text that both celebrates wandering and delights in the juxtaposition of seemingly contradictory points of view in its narratives and aphorisms. Indeed, Goethe’s cultivation of aphorism, as also his history of the science of color in the form of separate descriptions of scientists without an overarching narrative, reflect this same method of what, at first, seems to be random flitting. Irrlichterlieren is the freedom to attend to each detail carefully in itself before connecting it to others.
Subject-Object Relations
The experimental method Goethe described in the 1790s, when he was doing research in botany, anatomy, geology, and optics, when he was also absorbed in Kant’s Kritik der Urteilskraft (Critique of Judgment) and bringing scientists and philosophers (like Hegel) of the new idealist movement to the university at Jena had, as its explicit purpose, the mediation between subject and object. The multiperspectivism of “Der Versuch als Vermittler” (The Experiment as Mediator) arises from the need to keep scientific knowledge from imposing the subject on the object, the basic problem of idealism. Too much subjectivity causes the investigator to draw arbitrary and often unwarranted connections among phenomena and to become too attached to hypotheses, while too much objectivity reduces scientific knowledge to a mere collection of isolated facts (FA 1.25:31–33). Goethe resolves the problem with the term “Entäußerung,” renunciation, or, literally, withdrawal of one’s self to the outside. Goethe’s “experiment” escapes subjectivity but connects facts by multiplying and varying the conditions of observation. The quality of wandering now becomes flitting around outside of the box—that is, behaving like an Irrlicht flitting around outdoors. Similarly, Faust removes himself to the outside of his study and his identity with the aid of Mephistopheles, the invoker of will-o’-the-wisps in the play, while the world of the Märchen transcends itself through the mediation of actual will-o’-the-wisps visiting from abroad. Such is the model for Goethe’s epistemology.
The Relationship of Nature and Truth
In the Farbenlehre and repeatedly in the Wanderjahre Goethe asserts that the truth, the phenomenon (and later Urphänomen, or sometimes das Absolute), remains unknowable. Ringed about by observations, it is incommensurable, a secret to be respected, in some contexts to be reverenced, but to remain unviolated. Especially the Farbenlehre makes generous use of the terms “higher” and “highest” to rank insights and phenomena and does not hesitate to address transition points from the material to the spiritual/intellectual realm. Above all, the volume communicates the profound respect the scientist owes to the purity and essential impenetrability of the natural phenomenon. Just as in the earlier methodological essays, the phenomenon proper, which Goethe calls the “Urphänomen,” remains, to the end, a riddle at the center of all the scientist’s observations. Esenbeck’s theory of the mysterious slime that characterizes will-o’-the-wisps and falling stars is a similar mystery at the heart of a scientific explanation, leaving an opening to the realm of Geist (spirit/mind). The Irrlicht is Goethe’s image for this essential part of his epistemology. The Irrlicht can never be grasped, like the rainbow in the first scene of Faust II or the jewels scattered by Knabe Lenker (Boy Charioteer) in act two that turn to insects in the hand. In its inconstant motion, it escapes the control even of Mephistopheles in the Walpurgis Night of Faust I and it is repeatedly imagined in evanescent lights in Faust I and in a series of mysterious attractive figures in Faust II, such as Knabe Lenker, Homunculus, the angels of the burning roses in act five, and, finally, the rising Mater Gloriosa, always just out of reach at the very end of the play. In the Märchen the will-o’-the-wisps, having transubstantiated the green snake, restore the world to order and harmony and end by scattering gold, always in Goethe a symbol of the vital force of life, natura naturans. As folklore figures, will-o’-the-wisps are Goethe’s ideal image of Romantic natural supernaturalism, of the permeable, ungraspable boundary between nature and spirit, between the real and the ideal.
Representation as Knowledge
While the Absolute cannot be grasped directly, it can nevertheless be known through representations the mind stages for itself. The essay “Physik überhaupt” (1798; Physics in general) already introduces aesthetic terminology: the goal of Goethe’s series of observations is not to pin down the phenomenon but to understand it in a sequence or in a series of episodes. To present it, then, requires the condensing activity of the subject to represent aspects of the object “in einer stetigen Folge der Erscheinungen” (FA 1.25:126; in a regular series of appearances). “Aesthetic” is the appropriate term here, because all of Goethe’s poetic writing of the 1790s has episodic plots consisting of a series of experiences repeated from varied perspectives. The tripartite structure of the Farbenlehre similarly reflects Goethe’s basic principle of examining any phenomenon from several different points of view, both between and within parts, and his corresponding stylistic tendency toward episodic organization.
Yet, aesthetic terminology plays an even greater role in the epistemology of the Farbenlehre. Part 1 discusses the subject-object tension, for example, by focusing on “Begrenzung” (limitation) as the essential cause of color rather than Newton’s refraction. Color, like any other phenomenon, can only be recognized as such through its boundaries. Defining the edges of color or of light, then, transforms it into an image, a Bild (“Anzeige und Übersicht des goetheschen Werkes zur Farbenlehre,” FA 1.23.1:1045). Such framing equates to looking at the phenomenon from outside, a single perspective at a time, followed by connecting single observations into patterns in order to transform attentive looking into theorizing (FA 1.23.1:14), as already in the essays of the 1790s. But the consistent focus on the word Bild for what Goethe calls “theorizing” dominates this work (see also FA 1.23.1:12, 120). The foreword to the Farbenlehre compares understanding people’s inner (hidden) character through their deeds to understanding the nature of light through color: “Die Farben sind Taten des Lichts, Taten und Leiden” (FA 1.23.1:12; Colors are the deeds of light, what it does and what it endures). The comparison of human character to light has suddenly morphed into personification when colors become the deeds and sufferings of humanity. Colors have become actors, and indeed, given the Aristotelian atmosphere evoked by “Taten und Leiden,” tragic actors. Actors are images, personifications, representations, and not essences, but these “actors” are the realia of empirical observations. Reality is now something staged. Indeed, the first part of the Farbenlehre provides illustrations to enable the reader to repeat, to reenact, the “experiments” described in the text, and Goethe justifies this move by comparing his illustrations to a play performance, which requires spectacle, sound, and motion to be realized (FA 1.23.1:18–19). Theorizing is transformed into interpretation as observation of nature is equated to observation of a play on stage.
This dramatizing personification underpins Goethe’s understanding of light. The human eye, he asserts, does not see forms, but only light, dark, and color. He continues, “Das Auge hat sein Dasein dem Licht zu danken. Aus gleichgültigen thierischen Hülfsorganen ruft sich das Licht ein Organ hervor, das seines Gleichen werde; und so bildet sich das Auge am Lichte für’s Licht, damit das innere Licht dem äußeren entgegentrete” (FA 1.23.1:24; The eye owes its existence to light. From among the lesser ancillary organs of the animals, light calls forth one organ to be its like, and thus the eye is formed by the light and for the light so that the inner light may emerge to meet the outer light).6 Now light is the creator god calling forth the human eye, made in the god’s own image. From here it is but a step back to Faust, with its little erring lights, the will-o’-the-wisps, and Faust as, in effect, the erring human eye, looking at and wanting to experience the entire creation, a notion of experience as viewing already adumbrated at the end of the Vorspiel auf dem Theater (Prelude on the Stage) and in the final line of the first scene in Faust II, “Am farbigen Abglanz haben wir das Leben” (FA 1.7.206:4727; Life is ours in the colorful reflection). Indeed, the Irrlichter in Faust actually anticipate the trajectory of color and light in the Farbenlehre. They enter the play in Mephistopheles’ frivolous neologism, irrlichtelieren, and appear on stage as speaking actors in the Walpurgis Night and in the Walpurgis Night’s Dream, then as Knabe Lenker, Homunculus, and the impish angels in Faust II. Seeming at first to be delusions leading into error, they become images, then actors, who mirror for Faust and for us the presence in the world of the invisible and incommensurable truth that gives it meaning. The whole drama is nothing but plays within the play, and, in the end, it turns out that is all anyone can expect. In the final scene, Faust floats upward and onward apparently into the infinite, but in order to know that, to perceive the infinites, images are still necessary. Hence the baroque Catholic imagery that is obviously and uncomfortably not “real.” The final “chorus mysticus” (FA 1.7:464.12104–11) speaks of “Gleichnis” (parable), an extreme form of image, and then of dramatic action (“getan” [done], “Ereignis” [event]), exactly the way the Farbenlehre describes the representation of light in color. “Das Unzulängliche” (what is inadequate/unachievable) itself is transformed in the process. In Goethe’s day, this adjective meant “inadequate” but, in Goethe’s usage, becomes “unachievable”—a category of the object becomes a category of subjective striving. The play ends with the impossible riddle, “das ewig-Weibliche” (the eternal feminine). It is the Urphänomen, the phenomenon that underlies all our observations but remains alone as a riddle in the center.
Knowledge and Community
As Irrlichter are promoted from metaphor to personification in Faust, they become mediators, agents of cooperation. They take on bodies, and in the course of Faust II appear in the bodies of poetry, the vital spirit of life, in effect as Beauty in the form of Helen, and eventually as the angelic messengers of Divine Love. In the course of the play, they represent everything up a great chain of being from delusive nature to higher truth, to pure spirit. In the Märchen their ontological status engages the same totality, but not in such a clearly ordered hierarchy. In that tale, they become brighter and apparently more solid after substantial meals of gold, and as they scatter their energy in showers of gold coins they lose substance and even visibility. But the fact that they generously spend their golden substance is crucial. In both their getting and spending they enable the troubled inhabitants of the fairytale world to work together as a community and to restore their golden age of unity, peace, and prosperity. Their arrival signals the beginning of the restoration, and their departure its completion. They are the circulators of gold, of the vitality of nature and spirit; they are the light of this particular world, its erring light. As the mediators between spirit and nature, they also enable the establishment of human community, the injection of ideal order into an otherwise imperfect real world. Cooperation is also an essential element of Goethe’s scientific epistemology: scientific knowledge is built up one small piece at a time, whether as the process of repeated observations by a single individual or, at least as importantly, as the accumulation of observations by many individuals over long periods. The historical section of the Farbenlehre is longer than its theoretical section and polemic against Newton put together. Irrlichtelieren, as a unique mode of engagement with others, inspires a different kind of cooperative knowledge from the chains of tradition.
Nevertheless, it would be naive and most un-Goethean to regard this view as simple optimistic progressivism. Irrlichter are transient, evanescent phenomena. They may inspire social cohesion for the moment, as in the Märchen, but they are eternal wanderers, succeeded in the tale, to be sure, by other wanderers, but hardly guarantors of a permanent future outside of a fairy tale. Similarly, Faust’s utopian draining of swamps does not last forever in the real world of Faust, and Faust’s own vision of the future foresees them constantly recreated in a permanent struggle with the sea. And the sea is not only a force of destruction, but is also, in itself, a life-giving force. It, too, is a wanderer. It takes wanderers, the force of constant change, to promote social community but, like the visitors to the New World in the Wanderjahre, they always leave again.
Goethe’s early political ideal was Justus Möser’s federalism of small states. While he read political thinkers like Jean-Jacques Rousseau, Gaetano Filangieri, and Cesare Beccaria, he never favored large permanent systems. He loved Rome, center of the world, for the personal relationships and development it afforded him, but not as the great political center. Not the Aeneid, the great epic of the founding of the Roman Empire, excited him, but the Odyssey, in which the hero’s struggles increasingly have to do with escaping the lures of women to return to his small island home, when he must yet again depart on another journey to plant an oar in a place where journeying by sea and epic heroism are unknown. Goethe admired but did not celebrate Napoleon, and he juxtaposed to his demonic hero Faust the passive, bourgeois heroes Wilhelm Meister and the Hermann of Hermann und Dorothea (1797; Hermann and Dorothea). His politics favored the small-scale operations that allowed for variation, change, indeed the “frivolity” of will-o’-wisps. In a common cliché, Goethe is the last Renaissance man, the last universalist, which is another way of saying that his scientific and poetic epistemologies, or his epistemology and his poetology, are essentially linked, as in this anything but frivolous term irrlichtelieren.
Clark Muenzer, personal communication. See also Muenzer’s “Begriff” entry in this volume. ↩
All references to Faust are cited parenthetically by line number. All translations are my own unless otherwise indicated. ↩
See the entry “Irrlicht” in Handwörterbuch des deutschen Aberglaubens, ed. Hanns Bächtold-Stäubli and Eduard Hoffmann-Krayer (Berlin: de Gruyter, 1931-32). ↩
G. Schmid, “Irrlicht und Sternschnuppe,” Goethe 13 (1951): 268-89. ↩
See the entries “Irrlicht,” “irrlichtartig,” and “irrlichtelieren” in the Goethe-Wörterbuch, ed. Berlin-Brandenburgische Akademie der Wissenschaften, Deutsche Akademie der Wissenschaften zu Berlin, Akademie der Wissenschaften in Göttingen, and the Heidelberger Akademie der Wissenschaften (Stuttgart: Kohlhammer, 1978), 2:235-43. woerterbuchnetz.de/?sigle=GWB#0. ↩
Johann Wolfgang Goethe. Scientific Studies, trans. Douglas Miller (Suhrkamp: New York, 1988), 164. First sentence altered by JKB. ↩