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Source: livinghistories.newcastle.edu.au/nodes/view/33356

 

This photograph was taken in August 2007 by Barry Howard at the annual memorial service at the Jim Comerford Miners Memorial Wall in Aberdare, 2007. The service was attended by many dignitaries and families of miners killed in the industry. A bust of the late Jim Comerford was unveiled by then Prime Minister, Kevin Rudd.

 

This photograph is from the collection of Barry Howard, who was an Electrician at local coal mines such as Hebburn No. 2 and Northern (Rhondda) Colliery, and at Saxonvale Colliery, further up the Hunter Valley. Mr Howard has very kindly permitted us to to publish these photographs on this website for the benefit of researchers and for those who served in the mines and their families.

 

If you have any information about the photograph, please contact us or leave a comment. We greatly value your contribution.

 

Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.

Processed with VSCO with a6 preset

Peking Quack pinole sandwich and fries

Timavo (Italian), in Slovene known as Timava or Timav, is a 2-kilometers long river in the Province of Trieste. It has four sources near San Giovanni di Duino and outflows in the Gulf of Panzano (part of the Gulf of Trieste) in between Treviso and Monfalcone, Italy.

 

The river is of karstic nature. The hypothesis that it is solely the continuation of the Reka river (Slovenia) has been refuted in the 20th century. Timavo receives one third of water from Reka and two thirds from the rivers Vipava, Soča and from the meteorite waters from the Kras plateau.

 

The river was mentioned already by the Roman authors Livy, Strabo and Vergilius, but they wrote about ten sources. In the area of the sources was the Roman settlement Fons Timavi.

  

At Dalí museum in Paris

Source: livinghistories.newcastle.edu.au/nodes/view/33282

 

This photograph was taken in August 2007 by Barry Howard at the annual memorial service at the Jim Comerford Miners Memorial Wall in Aberdare, 2007. The service was attended by many dignitaries and families of miners killed in the industry. A bust of the late Jim Comerford was unveiled by then Prime Minister, Kevin Rudd.

 

This photograph is from the collection of Barry Howard, who was an Electrician at local coal mines such as Hebburn No. 2 and Northern (Rhondda) Colliery, and at Saxonvale Colliery, further up the Hunter Valley. Mr Howard has very kindly permitted us to to publish these photographs on this website for the benefit of researchers and for those who served in the mines and their families.

 

If you have any information about the photograph, please contact us or leave a comment. We greatly value your contribution.

 

Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.

Source Images:

_DSC5746.JPG (Av: F3.0; Tv: 1 sec.; ISO: 200; FL: 16.0 mm)

Processing:

Fusion F.3 (HDR; Mode 1)

This is a typical water source in Bungoma district—an open spring, easily contaminated by sewage and other pollutants.

 

Photo: PATH/Hope Randall.

 

This piece was designed to sell child care products to nursery's, childcare centers, hospitals, hotels, and other places of business that require such items.

 

For more work examples and information please visit www.jameskurtz.com. Thank you.

Canon 1000D, Canon EF-S 18-55mm ƒ/4-5.6 kit lens, tripod, Canon 430EX II, bare flash from camera left and just above the face level, on light stand, triggered remotely with RF-602 wireless remote trigger. Room light above my head. Took some shots experimenting with strobe light. This aperture/shutter speed/ISO setting minimize ambient light even though the room light is switched on. Flash positioned very close (about 30cm) from my face and in low power to avoid lighting the background. The direct light in the photo from flash-head removed in post-processing and converted to black & white.

 

Camera Settings Manual Mode: ƒ/4.5 | 1/125sec | ISO100

Flash Settings Manual Mode: power 1/32 | zoom 50mm

Source: livinghistories.newcastle.edu.au/nodes/view/2918

 

This photograph was taken by Brian R Andrews of Killingworth NSW. Brian worked for 20 years as a Draftsman for Coal and Allied Industries Limited. This photograph is part of Brian's private collection. Brian has kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to his collection and allowed us to publish the images.

 

If you wish to reproduce the image, you must obtain permission by contacting Cultural Collections at the University of Newcastle, NSW, Australia.

  

Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.

 

If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia, or leave a comment in the box below.

Source: British Columbia Transit

Students and their tutors during the Catalyst Open Source Academy 2016 in Wellington, New Zealand

 

catalyst.net.nz/academy

Melbourne Grammar School, St Kilda Rd, Melbourne

 

maps.google.com.au/maps?f=q&source=s_q&hl=en&...

 

My twist on the Project 365, this time tracking down the actual numbers to mark the days.

What’s allowed: numbers depicted by figures, ordinals (first, second, 13th etc), roman numerals, words. Photos can be taken at any time, but must have been taken especially for this project.

Restrictions: numbers must be “found” or “natural”, so writing a missing number on a piece of paper and photographing it is not allowed. Times on digital clocks etc may be included, but must have been taken at the actual time (so no setting the time forward or back for convenience).

Added restrictions: pictures must be taken with a 50mm lens, plus use of an extension tube for macro shots. Minimal cropping/enhancement.

 

Source Images:

GOPR0248.JPG (Av: F3.6; Tv: 1/632 sec.; ISO: 100; FL: 5.0 mm)

GOPR0248 (2).jpg ()

GOPR0248 (3).jpg ()

GOPR0248 (4).jpg ()

Processing:

Fusion F.2 (HDR; Mode 1)

Using the source SDK.

1st Source Center, a mixed hotel, retail, restaurant and business complex in downtown South Bend, Indiana

Screenshots van Wikipedia, Google zoekopdrachten en cachegeheugen met bijbehorend commentaar in titel. Copyright Wikipedia, hier beeldcitaat bij het volgende verhaal.

 

OPZET VAN EEN VOORONDERZOEK OP WIKIPEDIA COMMONS (8)

Door Marcel Douwe Dekker, Eerste versie 8 mei 2020.

 

Over Wikipedia Vooronderzoek om te kunnen meepraten op Wikipedia kan een hels karwei zijn als je je echt in de materie wil verdiepen. Nu wordt er hier een demonstratie gegeven van zo'n sessie met zo'n dertig stappen. Het doel hiervan is om enig begrip te kweken voor de complexiteit van de bestuursmatige kant van Wikipedia. Dit wordt gedemonstreerd aan de hand van een actuele zelfs nog lopende zaak.

 

De zaak van de verwijderde file op Wikicommons, de file Ewoldt.jpg. Een afbeelding van een predikant, die werkzaam was bij de Boezemkerk in Ridderkerk eind jaren 1940. Op 22 maart 2020 was deze afbeelding op Wikicommons geupload. Op 31 maart voor verwijdering voorgedragen en op 5 mei 2020 verwijderd. Na een opmerking hierover startte ik m'n vooronderzoek.

 

Nadat de foto was getraceerd en het commentaar van de verwijdering bezien, is naar meer achtergrond informatie gezocht. Dit was te vinden op de overlegpagina van de uploader, zie bovenstaande afbeelding. Daar legt Arie M. den Toom uit wat volgens hem de achtergrond is.

 

Het verhaal zelf is vrij duidelijk. Er was waarschijnlijk een parochie genoot, die maakte de foto, een plaatselijk fotograaf die de foto afdrukte, en hij die nu 70 jaar later als archivaris actief is. Het verhaal is echter allemaal mondelinge overlevering. Het is een reconstructie van een mogelijk verloop van de gebeurtenissen.

 

In de foto meende ik zelf een preekstoel te zien, die in foto's van het huidige interieur van de kerk niet te vinden is. Dat is ook weer een interpretatie met beperkte betekenis. Het contrasteert echter wel met de bewering, dat de foto in de kerk gemaakt is. De aanname dat de foto in 1946 gemaakt is kan waar zijn. Uit het onderschrift is duidelijk, dat die foto toen niet is ingelijst.

 

Zo stapelen de discrepanties zich op. De zoektocht naar antwoorden levert in eerste instantie slechts meer vragen op. Dat krijgt allemaal in het achterhoofd een plaatsje en de zoektocht gaat verder. In dit geval viel nog op, dat het betreffende verwijderingsverzoek aldaar niet het eerste verzoek was. Aan de gang van zaken had ik dat eigenlijk wel verondersteld.

 

Zie ook

- De vorige stap - stap 07

- De volgende stap - stap 09

 

Bronnen:

- Afbeelding van Google afbeeldingen vergroot

 

verdwenen. Herinnert gij U tien jaar geleden den kamp tusschen Jan Gratama en A. W. Weissman over de handvormsteen. Toen werd het tijdperk ingeluid van de prachtige warme — zwaai met Uw linkerhand met uitgestrekte vingers door de lucht — van de diep gloeiende, heerlijk rulle, baksteen — zwaai met Uw rechterhand met uitgestrekte

vingers door de lucht — en de verglaasde steen had afgedaan.

En ziet, na tien jaar in het schijndoodenrijk vertoefd te hebben, herrijst de verglaasde steen weer aan den onderbouw van dit bouwblok en . . . het is een verrassing. Bruin aan de gevels, wit inde portieken, zou het alleen de charme van het nieuwe zijn? De kunstenaars beweren vrij te zijn van mode. Maar is dat wel- zoo?

 

Setz' dir Perücken auf von Millionen Locken

Setz' deinen Fusz auf ellenhohe Socken

Du bleibst doch immer, was du bist.

 

J. P. M.

View Source Conference is the inaugural Mozilla hosted web developer conference held at the Gerding Theater in Portland, OR from November 2-4, 2015. (© Photo by Jakub Mosur Photography)

Source: scan of a picture in our image collection.

Image: DD528

Photographer:

Toll House at the bottom of Coneygar Road on right

 

Repository: Local History Centre, Gundry Lane, Bridport

www.bridportmuseum.co.uk/#!photographs/c22fg

  

Taken on 08 February 2013 in Maroc/Morocco near Ziz-Gorges Aoufous (DSC_5682)

 

freewheely.com: Cycling Africa beyond mountains and deserts until Cape Town

Source: Digital image.

Image: P...

Date: June 30th 2004.

Photographer: J. Williams.

Copyright: © 2004 SBC.

Repository: Local Studies, Swindon Central Library.

www.swindon.gov.uk/localstudies

(Our Example is the Nintendo Wii, but this can be for any other source)

Plug the Component Cables into the Input [IN] on the back of the Receiver.

 

Osamu Kitajima 1984 LP "The Source"

  

Dorothy Ashby played harp on this record.

Source: livinghistories.newcastle.edu.au/nodes/view/41088

 

About this photo: Professor Robert Melchers, Associate Professor John Fryer, Mr Stephen Fityus, Ms Yvonne Cupples and Mr John Robinson, representing Industrial Galvanizers, at the presentation of the prize.

 

This image was scanned from a photograph in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.

 

If you have any information about this photograph, or would like a higher resolution copy, please contact us or leave a comment.

The Source is the blog of the Los Angeles Metro

 

Quite appropriate upload for Star Wars Day... May the Fourth be with you....

View Source Conference is the inaugural Mozilla hosted web developer conference held at the Gerding Theater in Portland, OR from November 2-4, 2015. (© Photo by Jakub Mosur Photography)

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