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Image source: www.archivessearch.qld.gov.au/items/ITM299143
Australia was approaching its bicentennial celebrations, and after Brisbane’s success hosting the 1982 Commonwealth Games, Brisbane City Council and the Queensland State Government were confident they could win the bid to hold the next World Exhibition.
Brisbane won the right to hold the event and Expo 88 was officially opened by Her Majesty Queen Elizabeth II on 30 April 1988. By the time it closed, it had changed the way the world saw Brisbane and helped shaped the city as we know it today.
Starting with an estimated budget of $645 million, the Queensland State Government developed a World Expo that would recoup and support its own costs and promote international investment in Queensland, both during and after the event. South Bank, badly damaged in the 1973–74 floods, was chosen and the site acquired for $150 million. Developers completed construction on time and within budget. The targets set for ticket sales were reached 11 weeks before Expo 88 had even opened. It was off to a smashing start.
Celebrating ‘Leisure in the age of technology’, there was an incredible range of pavilions, performances, parades, comedy and artwork on show. Guests could experience over 50 restaurants filled with flavours from around the globe. Hosted over six months, it drew more than 18 million people to the renewed South Bank parklands district. An average of 100,000 people a day entered the gates.
An influx of royalty, celebrities and international visitors came to Brisbane for the exhibition, but it was Queensland residents who attended the most often, purchasing 500,000 season tickets. Expo 88 provided something the city needed: an easy-to-access recreational facility with exciting things to do, see and experience. Brisbanites returned again and again to socialise and enjoy the festival atmosphere.
The monorail was one of the most popular attractions. Giving travellers a view of the entertainments from above, it operated along a 2.3-kilometre track during Expo 88, taking up to 44,000 visitors a day from one side of Expo to the other, along the Brisbane River. Built by Swedish manufacturer Von Roll, the monorail cost $12 million and comprised four MkII trains with nine carriages each. The idea of keeping the monorail operating after Expo and extending it into the Brisbane CBD was discussed. Ultimately, the existing monorail wasn’t a feasible long-term people-moving solution and it was disbursed. Three trains were sold back to Von Roll and were used in Germany’s Europa-Park. The remaining train and some tracks were incorporated into the Sea World theme park on the Gold Coast.
Some of the most significant installations, exhibitions and artworks from Expo 88 were relocated and continue to be enjoyed today. Ken Done AM, a prominent Australian artist and designer, was commissioned to produce the entry and exit statement art pieces for the Australia Pavilion. Using the word ‘Australia’, Done produced a sign nearly six metres tall that could not be missed by anyone who attended Expo 88. The letters have since been restored and are on display at the Caboolture Heritage Village. The Nepal Peace Pagoda was the only international pavilion that remained on-site, after a petition asking that it remain attracted about 70,000 signatures. The Japan Garden and Pond were gifted to the city of Brisbane and moved to the Botanic Gardens at Mt Coot-Tha.
The buzz of activity, the investment in South Bank’s infrastructure and the spotlight on Brisbane transformed the city. The physical legacy left by Expo 88 turned South Bank into a thriving social space and prominent cultural hotspot: 42 hectares was dedicated to the construction of the South Bank Parklands.
blogs.archives.qld.gov.au/2021/10/29/when-the-world-comes...
Source: Scan of an original photograph.
Image: RSR30.
Date: April 15th 1972.
Repository: Local Studies, Swindon Central Library (R.S. Radway Collection)
Source: Scan of a photograph.
Date: 7th December 2001.
Copyright: ©2001 SBC
Repository: Local Studies, Swindon Central Library.
Source: Digital image.
Album: SHE01.
Date: c.1982.
Photographer: © Mr D. Sheppard.
Local Studies at Swindon Central Library.
Source: Scan of an original photograph.
Image: P...
Date: September 1961.
Donated in April 2018 by Mrs Glasby.
Repository: Local Studies at Swindon Central Library.
Source: Digital image.
Set: RIC01.
Date: 1970s.
Photographer: © Mr R. Richens.
Local Studies at Swindon Central Library.
Source: Cropped scan of a AMWAS photograph.
Grid: SU1583.
Date: January 1953.
Copyright: Ordnance Survey.
Used by permission.
Repository: Local Studies, Swindon Central Library.
Cathédrale de l'Incarnation (Grenade)
source WIKIPEDIA
La cathédrale de l'Incarnation de Grenade est un édifice de la Renaissance, bâti à partir du xvie siècle dans la ville espagnole de Grenade, en Andalousie. Cette cathédrale, considérée comme la toute première église construite en style Renaissance en Espagne1, fut envisagée dès le règne des Rois catholiques, et sa construction fut commencée sous Charles Ier, pour s’achever en 1704, sous le règne de Philippe V.
Dédiée au mystère de l'Incarnation, elle est le siège de la province ecclésiastique de Grenade, dont l'archevêque étend son autorité sur les diocèses d'Almería, Carthagène, Guadix, Jaén et Malaga. La cathédrale est classée Monument national depuis 1929.
Suite à la reconquête de la ville en 1492, les Rois Catholiques envisagent la construction d'une cathédrale sur le site de l'ancienne grande mosquée nasride de Grenade. Dès le 21 mai 1492 est fondée l'église cathédrale de Grenade, siège du nouveau diocèse. En 1505, la construction est projetée, et sa conception est confiée à Juan Gil de Hontañón et à Enrique Egas, qui travaillent déjà sur la Chapelle royale de la ville. Les travaux commencent en 1518. Les deux architectes prévoient la construction d'un édifice gothique, sur le modèle de la Cathédrale de Tolède, comme cela est encore le cas en de nombreux endroits d'Espagne (Ségovie, Salamanque...). Leur projet est néanmoins abandonné en 1523, peu après le début du chantier.
On adopte alors les plans de l'architecte Diego de Siloé, qui travaille déjà sur le monastère de San Jerónimo à Grenade4. Diego de Siloé prévoit de reprendre les bases du dessein antérieur, et d'élever à parptir de celui-ci un édifice pleinement renaissance. Il va mener les travaux de 1528 jusqu'à sa mort, en 1563. Divers architectes se succèdent pour diriger le chantier, selon les plans maniéristes élaborés par leur prédécesseur : Juan de Maeda, Alonso Cano et Teodoro Ardemans.
En 1590, une première modification importante du plan initial intervient. En raison des fondations trop fragiles, le projet d'élever deux hautes tours de 80 mètres pour encadrer la façade, est abandonné en 1590 sur ordre de Philippe II. Seule une tour a été bâtie ; elle est arasée, sa hauteur se limitant à 51 mètres. En 1665, Alonso Cano parvient à convaincre le chapitre de modifier le projet initial. La construction prend alors une allure plus baroque. Suite au décès de Cano en 1667, la direction du chantier est confiée à Melchior de Aguirre, qui achève l’œuvre en juillet 1703.
La cathédrale de Grenade prend place au cœur du centre historique de la ville, entre la Gran vía Colón et la Calle Reyes Católicos. Entourée par des édifices d'importance comme la Chapelle royale (Capilla Real), la bourse de commerce (Lonja) ou l'ancien marché de la soie (Alcaicería), elle trône sur la place de las Pasiegas, qui offre bien peu de recul pour contempler la grandiose façade de l'édifice. Diego de Siloé a conçu un vaste édifice de 115 mètres sur 67, qui constitue : « "(…)un ensemble alliant pureté, élégance des formes, et blancheur immaculée de la pierre." »
Le monument représente un des sommets de l'architecture de la Renaissance en Espagne, tout en intégrant des éléments décoratifs puisés dans l'art gothique (plan et voûtes) et l'art baroque (façade), témoignant de la longueur du chantier, qui s'est étalé sur près de deux-cents ans. Son influence fut très importante dans les constructions de ce type postérieures en Andalousie.
ENGLISH
Granada Cathedral
From Wikipedia, the free encyclopedia
The cathedral of Granada.
Granada Cathedral, or the Cathedral of the Incarnation (Spanish: Catedral de Granada, Catedral de la Anunciación) is the cathedral in the city of Granada, capital of the province of the same name in the Autonomous Region of Andalusia, Spain. The cathedral is the seat of the Archdiocese of Granada.
Unlike most cathedrals in Spain, construction of this cathedral had to await the acquisition of the Nasrid kingdom of Granada from its Muslim rulers in 1492; while its very early plans had Gothic designs, such as are evident in the Royal Chapel of Granada by Enrique Egas, the construction of the church in the main occurred at a time when Spanish Renaissance designs were supplanting the Gothic regnant in Spanish architecture of prior centuries. Foundations for the church were laid by the architect Egas starting from 1518 to 1523 atop the site of the city's main mosque; by 1529, Egas was replaced by Diego de Siloé who labored for nearly four decades on the structure from ground to cornice, planning the triforium and five naves instead of the usual three. Most unusually, he created a circular capilla mayor rather than a semicircular apse, perhaps inspired by Italian ideas for circular 'perfect buildings' (e.g. in Alberti's works). Within its structure the cathedral combines other orders of architecture. It took 181 years for the cathedral to be built.
Subsequent architects included Juan de Maena (1563-1571), followed by Juan de Orea (1571-1590), and Ambrosio de Vico (1590-?). In 1667 Alonso Cano, working with Gaspar de la Peña, altered the initial plan for the main façade, introducing Baroque elements. The magnificence of the building would be even greater, if the two large 81 meter towers foreseen in the plans had been built; however the project remained incomplete for various reasons, among them, financial.
The Cathedral had been intended to become the royal mausoleum by Charles I of Spain of Spain, but Philip II of Spain moved the site for his father and subsequent kings to El Escorial outside of Madrid.
The main chapel contains two kneeling effigies of the Catholic King and Queen, Isabel and Ferdinand by Pedro de Mena y Medrano. The busts of Adam and Eve were made by Alonso Cano. The Chapel of the Trinity has a marvelous retablo with paintings by El Greco, Jusepe de Ribera and Alonso Cano.
ESPANOL
La Santa Iglesia Catedral Metropolitana de la Anunciación de Granada es un templo católico de la ciudad española de Granada, comunidad autónoma de Andalucía, sede de la archidiócesis de la ciudad. El templo es una de las obras cumbres del Renacimiento español.
Nave central, capilla mayor y bóvedas de la catedral de Granada.
Durante el renacimiento, el Reino de Granada, al igual que Galicia, conformó un centro artístico independiente del estilo predominante en el resto de la península, el herrerianismo.
Con el reinado de Carlos I de España se llevarán a cabo numerosas construcciones en la ciudad de Granada, dada la intención del monarca en convertir a la urbe en el modelo de ciudad del siglo XVI. Así la construcción de la catedral de Granada será coetánea a las de el palacio cristiano de la Alhambra, la Universidad y la chancillería (actual sede del Tribunal Superior de Justicia de Andalucía - TSJA).
Columnas y bóvedas de la catedral de Granada.
El primer proyecto fue encomendado en 1506 a Enrique Egas que concibió un templo de estilo gótico, tomando como modelo la Catedral de Toledo. Las obras comenzaron, bajo la dirección del propio Egas, con la colocación solemne de la primera piedra el 25 de marzo de 1523. Sin embargo, fue Diego de Siloé quien, en 1529, se encargó de las obras, que se concluirán en 1563, presentando un nuevo proyecto mucho más ambicioso. El autor trazó las líneas renacentistas de todo el edificio sobre los cimientos góticos, con girola y cinco naves en lugar de las tres habituales, combinando en su estructura elementos de otros órdenes arquitectónicos.
Con la llegada de la política centralista de Felipe II y, especialmente, con la expulsión de los moriscos de 1609, la región perdió gran parte de su fuerza económica y quedó relegada frente a otros centros locales. Sin embargo, sí se continuó desarrollando proyectos artísticos de importancia. Es el caso de la reforma de la fachada principal emprendida por Alonso Cano (1601 – 1667) en 1664 en la que se introdujeron elementos barrocos.
La magnificencia del proyecto hubiese sido aún mayor si se hubieran erigido las dos grandes torres de ochenta y un metros de altura previstas en los planos. El proyecto no fue terminado por diversos problemas, entre ellos la muerte de Alonso Cano en 1667, y otros económicos, por lo que finalmente, en 1684, la Catedral quedó con una torre, formada solo por tres cuerpos en lugar de los seis previstos y con un total de cincuenta y siete metros de altura.
Interior de la catedral de Granada antes de que se suprimiera el coro. Fotografía de J. Laurent, ca. 1881.
En 1706 Francisco de Hurtado Izquierdo y posteriormente su colaborador José Bada construyeron el actual sagrario de la catedral. En él, el autor rompió su tendencia rococó, respetando la sobriedad de líneas y la estructura clásica del resto del conjunto.
La catedral de Granada es de planta rectangular debido a que sus cinco naves cubren por completo el crucero, que no llega a destacar sobre la planta. Las cinco naves están escalonadas en alturas, siendo mayor la central. En los pies de la catedral, se sitúan las dos torres, siendo la del lado izquierdo, llamada torre de san Miguel, un contrafuerte que sustituyó a la torre prevista en ese lado.
La capilla mayor está compuesta por una serie de columnas corintias sobre cuyo capitel se encuentra el entablamento y sobre éste, la bóveda, que alberga, al igual que los espacios inferiores sobre las columnas, una serie de ventanales con delicadas vidrieras.
La fachada está constituida por una estructura encuadrada en forma de arco del triunfo con portadas y lienzos de empotrados. Está formada por tres ejes coronados por arcos de medio punto sostenidos sobre pilastras, de forma similar a San Andrés de Mantua de Leon Battista Alberti. Las pilastras no tienen capiteles sino resaltes esculpidos en la pared, así como medallones de mármol adosados. Encima de la puerta principal se ubica un tondo en mármol de José Risueño sobre la Anunciación. Destaca también la presencia en la parte superior de un jarrón con azucenas, aludiendo al carácter virginal y puro de la madre de Dios.
El sagrario, elevado entre 1706 y 1759, sigue las proporciones clásicas del conjunto, manteniendo las columnas múltiples del crucero las formas del orden compuesto de Siloé.
¿ may-SEW-ah ? -- named after Mesue, father-son, Arabian physicians and botanists ... A Pocket Botanical Dictionary by Sir Joseph Paxton, John Lindley
FER-ee-uh -- of iron ... Dave's Botanary
commonly known as: Ceylon ironwood, cobra's saffron, Indian rose chestnut, poached egg tree • Abor: ingi-asing • Assamese: নাগেশ্বৰ nageswor, নাগকেশৰ nagkexor, নাহৰ nahor, নোক্তে nokte • Bengali: নাগেশ্বর nageshwar, নাগকেশর nagkeshar • Dogri: नाग चम्बा naag chamba • Garo: karai, khimdi • Gujarati: નાગચંપો nagchampo, નાગકેસર nagkesar, થોરલા ચંપા thorla champa • Hindi: दलाढक daladhak, द्विप dvipa, नागचंपा nagchampa, नागेसर nagesar, नागकेसर nagkesar, फलक phalak, फणिकेशर phani-keshar, पुष्परोचन pushp-rochan, वज्रकाठ vajrakat • Kachari: khung-khari-baphang • Kannada: ನಾಗಕೇಸರ naagakesara, ನಾಗಸಂಪಿಗೆ naagasampige • Karbi: micharne, phik charnearong • Kashmiri: नागकीसर् nagkisar • Khasi: dieng-ngai • Konkani: नागचाम्फो nagchamfo, व्हडलो चाम्पो vhadlo champo • Kuki: kherser • Malayalam: ചുരുളി churuli, നാഗചമ്പകം naagachampakam, നാഗകേസരം naagakesaram, നാഗപ്പൂ naagappu, നാങ്ക് naanku, വയനാവ് vayanaav • Manipuri: ꯅꯥꯒꯦꯁꯣꯔ nagesor, ꯅꯥꯒꯦꯁ꯭ꯋꯔ nageswar, ꯎꯊꯧ uthou • Marathi: नागचाफा nag chafa, नागकेशर nagkeshar • Mech: nasser-bippang • Mishing: নাহৰ nahor • Mizo: herh-sê • Naga: ngai-ching • Nepali: नागकेशर naagakeshar, नागेश्वरी naageshwaree, रुख् केशर rukh keshar • Nyishi: nahar • Odia: ଦଳାଢ଼କ dalardhaka, ଦେବ ବଲ୍ଲଭ deba ballabha, ଦେବ କେଶର deba kesara, ଦ୍ବିପ dwipa, ହେମ ପୁଷ୍ପ hema pushpa, ନାଗ କେଶର naga keshara, ନମେରୁ nameru, ପାଟଳ patala, ଫଳକ phalaka, ଫଣି କେଶର phani kesara, ପୁନ୍ନାଗ punnaga, ରାଜ ପୁଷ୍ପ raja pushpa, ରକ୍ତପୁଷ୍ପ raktapushpa, ରକ୍ତ ରେଣୁ rakta renu, ରକ୍ତ ଶେଖର rakta sekhara, ରୁକ୍ମ rukhma, ସ୍ୱର୍ଣ୍ଣ sarnna, ସର୍ପାଖ୍ୟ sarpakhya, ଷଟ୍ପଦ ପ୍ରିୟ shatpada priya, ସୁଗନ୍ଧିକ sugandhika, ସୁପର୍ଣ୍ଣ suparnna, ସୁରପନ୍ନାଗ surapannaga • Pali: नाग रुक्ख naga rukkha • Punjabi: ਨਾਗਕੇਸਰ nagkesar • Sanskrit: अहिपुष्प ahipuspa, भुजङ्गाख्य bhujangakhya, चाम्पेय champeya, दलाढक daladhaka, द्विप dvipa, हेमन् heman, हेमपुष्प hemapuspa, हीन hina, इभकेशर ibhakeshara, इभाख्य ibhakhya, जनकाह्वय janakahvaya, कनक kanaka, कनकाह्व kanakahva, कारुज karuja, केसर kesara, खरघातन kharaghatana, किञ्ज kinja, नागाह्वा nagahva, नागकेसर nagakesara, नागाख्य nagakhya, नागनामक naganamaka, नागपुष्प nagapushpa, नागीज nagija, पन्नगकेसर pannagakesara, फलक phalaka, फणिकेसर phanikesara, पिञ्जर pinjara, पुष्परोचन pushparochana, राजपुष्प rajapushpa, रुक्म rukma, सर्प sarpa, सर्पाख्य sarpakhya, षट्पदप्रिय satpadapriya, सुपर्णाख्य suparnakhya, सुवर्ण suvarna, सुवर्णाख्य suvarnakhya, वारणकेसर varanakesara, वराटकरजस् varatakarajas • Tamil: ஐசிலம் aicilam, சிறுநாகம் ciru-nakam, சிறுநாகப்பூ ciru-nakappu, சுருளி curuli, இராசயுகம் iraca-yukam, நாகமரம் nakamaram, நாங்கு nanku, பாலை palai • Telugu: చీకటి మాను cheekatimaanu, గజపుష్పము gaja-pushpamu, కేసరము kesaramu, కింజల్కము kinjalkamu, నాగచంపకము naagachampakamu, నాగకేసరము naga-kesaramu, సువర్ణము suvarnamu • Tibetan: ཀེ་ས་ར། ke sa ra, ཀླུ་ཤིང་གི་མེ་ཏོག klu shing gi me tog, ན་ག་གེ་སར། na ga ge sar • Tippera: khershei • Tulu: ಬೈನಾವು bainavu, ಕೇಶರ keshara • Urdu: ناگيسر nagesar, پهلك phalak, پهنکيشر phani-keshar, پشپ روچن pushp-rochan
botanical names: Mesua ferrea L. ... accepted infraspecifics: Mesua ferrea var. ferrea ... heterotypic synonyms: Calophyllum nagassarium Burm.f. • Mesua nagassarium (Burm.f.) Kosterm. • Mesua pedunculata Wight • Mesua roxburghii Wight ... POWO
Source: Scan of the original item.
Date: July 30th 1881.
Published by the North Wilts Herald.
Repository: Local Studies at Swindon Central Library.
Cirque des 25 sources ; Levada das 25 fontes. Calheta, Madère, Portugal, juin 2011.
Nikon D7000, 16.0-85.0 mm f/3.5-5.6 | 16 mm eq. 24 mm, 2.0s à f/11, 100 ISO | Filtre ND8.
La levada das Vinte e Cinco Fontes, aussi appelée levada Nova do Rabaçal, fait partie des levadas de Rabaçal qui recueillent les eaux des affluents de la Ribeira Grande (ou da Janela) pour alimenter la centrale hydroélectrique de Calheta puis irriguer les terrains agricoles de la côte sud par la levada Nova. La construction de cette levada commença en 1835 pour se terminer en 1855, offrant alors la possibilité d’utiliser, dans la commune de Calheta, de nombreux terrains encore incultes. Cette levada se situe vers 950m d'altitude. Elle prend sa source à la Ribeira dos Cedros et capte également l'eau "des 25 sources" (site formés par les eaux descendant de Paul da Serra pour surgir de la paroi rocheuse en 25 cascades) et aussi le surplus de la Levada do Risco.
Source: Scan of original plate from the Illustrated London News.
Image: P50453.
Date: September 4th 1852.
Repository: Local Studies at Swindon Central Library.
Source: Scan of the GWR Staff Magazine.
Ref: Vol.XLVIII (No.1) : January 1936, p.12.
Copyright: GWR - BRWR - Crown.
Repository: Local Studies, Swindon Central Library.
Source: Scan of the original item.
Date: May 28th 1955.
Repository: Local Studies at Swindon Central Library.
Source: Scan of original item.
Date: April 22nd 1932.
Repository: Local Studies at Swindon Central Library.
An old transport container for radioactive material recovered during an IAEA assisted mission. (Georgia, 2002).
Photo Credit: IAEA
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Caucasian Fir (Pinaceae) - Alice Holt, Farnham, Surrey.
The Genus Abies Abies (commonly known as Silver-firs) has single, flattish leaves (needle) attached to twigs by sucker-like projections. The underside are more or less silver in colour.
The leaves (needles) of A. nordmanniana are more or less obscure the twig and are not so strongly curved at the base, as in A. procera.
Source: Joost de Damhoudere (1507-1581), PRACTYCKE IN CIVILE SAECKEN (Rotterdam: Pieter van Waesberge, 1649), call # FLG D184pr 1649.
On the trail of Gamma rays: scenes from an international radiation measurement excercise held in Wiener Neustadt, Austria on 16-20 April 2007. During the exercise, the teams used a wide range of equipment and monitoring methods, reflecting the different tasks they faced. Hand-held counters, such as those shown here, were used to determine the presence of a source and locate its position in the field. The exercise was organized by the Austrian Research Centres in cooperation with the IAEA and the Austrian NBC Defense School of the Austrian Army. (16-20 April 2007, Tritolwerk site, Wiener Neustadt, Austria)
Photo Credit: Dean Calma / IAEA
Cascade de la Ribeira Lajeado ; source de la Levada do Alecrim. Calheta, Madère, Portugal, jui 2011.
Nikon D7000, 16.0-85.0 mm f/3.5-5.6 | 20 mm eq. 30 mm, 1.0s à f/22, 100 ISO | Filtre ND8.
La levada do Alecrim (ou Levada Grande, ou aussi Levada do Paúl I) fait partie des levadas de Rabaçal qui recueillent les eaux des affluents de la Ribeira Grande (ou da Janela) pour alimenter la centrale hydroélectrique de Calheta puis irriguer les terrains agricoles de la côte sud par la levada Nova. Elle a été constuite en 1961 et reprend le tracé de l'ancienne levada dos Moinhos. Elle se situe vers 1300m d'altitude et récolte son eau depuis la Ribeira Lajeado (ou da Janela).
Source: Scan of an original photograph.
Image: RSR265.
Date: 1921.
Photographer: Unknown.
Repository: Swindon Central Library (R.S. Radway Collection).
Source: Scan of a photographic print.
Image: P32122.
Date: 1943.
Copyright: © 1943 SBC.
Repository: Local Studies at Swindon Central Library.
Source: Scan from a Swindon Advertiser supplement celebrating the coronation of King George VI.
Date: May 1937.
Donated in May 2018.
Repository: Local Studies at Swindon Central Library.
Payless Shoe Source, Wethersfield, CT, Shoes, Pics by Mike Mozart of instagram instagram.com/MikeMozart
I dreamed about a human being is is part of a project exploring the use of artificial intelligence as applied to photography by using online open source code and data.
More information at fransimo.info/?p=1100
ID:338d8a144e3b0323ce33ca3408879cfd
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Source: en.wikipedia.org/wiki/Monument_Valley
Monument Valley (Navajo: Tsé Biiʼ Ndzisgaii, pronounced [tsʰépìːʔ ǹtsɪ̀skɑ̀ìː], meaning "valley of the rocks") is a region of the Colorado Plateau characterized by a cluster of sandstone buttes, with the largest reaching 1,000 ft (300 m) above the valley floor. The most famous butte formations are located in northeastern Arizona along the Utah–Arizona state line. The valley is considered sacred by the Navajo Nation, the Native American people within whose reservation it lies.
Monument Valley has been featured in many forms of media since the 1930s. Famed director John Ford used the location for a number of his Westerns. Film critic Keith Phipps wrote that "its five square miles [13 km2] have defined what decades of moviegoers think of when they imagine the American West".
Sourc: navajonationparks.org/navajo-tribal-parks/monument-valley/
History
Before human existence, the Park was once a lowland basin. For hundreds of millions of years, materials that eroded from the early Rock Mountains deposited layer upon layer of sediment which cemented a slow and gentle uplift, generated by ceaseless pressure from below the surface, elevating these horizontal strata quite uniformly one to three miles above sea level. What was once a basin became a plateau.
Natural forces of wind and water that eroded the land spent the last 50 million years cutting into and peeling away at the surface of the plateau. The simple wearing down of altering layers of soft and hard rock slowly revealed the natural wonders of Monument Valley today.
From the visitor center, you see the world-famous panorama of the Mitten Buttes and Merrick Butte. You can also purchase guided tours from Navajo tour operators, who take you down into the valley in Jeeps for a narrated cruise through these mythical formations. Places such as Ear of the Wind and other landmarks can only be accessed via guided tours. During the summer months, the visitor center also features Haskenneini Restaurant, which specializes in both native Navajo and American cuisines, and a film/snack/souvenir shop. There are year-round restroom facilities. One mile before the center, numerous Navajo vendors sell arts, crafts, native food, and souvenirs at roadside stands.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "米国" "美国" "미국" "Estados Unidos" "États-Unis" "ארצות הברית" "संयुक्त राज्य" "США"
(Arizona) "أريزونا" "亚利桑那州" "אריזונה" "एरिजोना" "アリゾナ州" "애리조나" "Аризона"
(Utah) "يوتا" "犹他州" "יוטה" "यूटा" "ユタ州" "유타" "Юта"
(Monument Valley) "وادي النصب التذكاري" "纪念碑谷" "Vallée des monuments" "מוניומנט ואלי" "स्मारक घाटी" "モニュメントバレー" "모뉴먼트 밸리" "Долина Монументов" "Valle de los Monumentos"