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Tropical Paradise Scenes
Serie Birds in the Beautiful Landscape
In this image I try to show the environment in which the bird was photographed, placing a photo of the local landscape as a background.
Illustration/Art
Image-editing
Digital Art - Photo Art
High Quality (HQ)
Double Exposure
Effects Mix: Texture, Painterly, Watercolor, Collage
Software: Pixlr; PicsArt Photo Studio; Windows Paint 3D;
Snapseed
Edits made to my original photos
Edições feitas em minhas fotos originais
Maçarico-de-costas-brancas ou
Short-billed Dowitchers
Jericoacoara
Ceará, Brasil
Cantador
Sabiá-laranjeira
Rufous-bellied Thrush (nome em inglês)
Turdus rufiventris (nome científico)
Turdidae (Família)
Passeriformes (Ordem)
FREE BIRD
Big Click
Arte Digital - Digital Art
Image-editing
Effects - Texture
Effect Paint
Software: Pixlr; Windows, PicsArt Photo Studio
Brasília, Brasil
Brasília, Brasil
Falcão-de-coleira
Aplomado Falcon
Arte Digital - Digital Art
Image-editing
Texture - Collage
Double Exposure
Software: Pixlr; Windows 3 D.
Brasília, Brasil
This image is Generated using Midjourney V8.1 software then i process in photoshop.
Thank you for your visit and faves and comment.
Prompt..
Moonshiners
A dense, endless pine forest in 1950s rural America, far from highways and city lights. Deep in the shadows sits an old shack - grimy windows, cracked glass, a crooked flickering lantern by the door. Nearby, a moonshine still bubbles over an open pine log fire, copper pipes glowing orange, condensation dripping into mason jars on a makeshift wooden table. The handmade, decades patched setup is illegal but the only trade these men know. Two weathered old timers sit on wooden crates in the muddy clearing, smoking hand rolled cigarettes, sharing slow words and long silences. One has a thick gray beard, the other skin like old leather. They laugh quietly at memories - running moonshine on dark mountain roads, outrunning sheriffs, hiding barrels in barns - laughter tinged with tired sadness. Beside them sits a rusted, barely blue old Ford pickup: eaten bodywork, dented chrome grille, cracked headlight, rotted wooden bed rails. The bed holds rope, rusted tools, feed sacks, and mason jar crates. A shotgun hides under a plaid blanket in the cab. Dusk settles. Fireflies flicker at the tree line. Still smoke drifts through branches. Firelight casts dancing shadows. Rough, worn down, and real - survival built from calloused hands, old machines, and hard lived trust.
--ar 2:1
--raw
--v 8.1
--hd
Camera: Sony A 350
Software: Photoshop CS4 and Nikon Capture NX2, for MAC
Lens: AF Sigma 10-20
antoni targarona, amateur photographer
www.flickriver.com/photos/targagibert/ - MY PHOTOS
www.flickr.com/photos/targagibert/galleries/ - EXHIBITIONS: FOTOGRAF@S FLICKR, DEL BAGES (Barcelona). + GRANDES FOTOGRAF@S
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reservats.
Taken couple years back this one was never edited pulled it from old hard drive and use Lightroom and photoshop on it
Pulling a lot of older images and redoing them with better editing software
D'origine européenne , espèce invasive au Canada
Darktable free software
Au Parc Omega Montebello,
La Petite Nation
Outaouais Québec Canada
Location : SULTAN IBRAHIM STADIUM ,home ground for Johor Darul Takzim FC.
Filter : 16 stop fire crest filter
FL : 35mm
f : 10
Iso : 100
131 s exposure
Gear : 6d Mark II + 16-35 F4L
Processing Software:
Lightroom CC + Photoshop CC
Hey team how are we all doing?
It be throwback Thursday today and I've finally finished processing a photo taken 2 weeks ago from my trip to Sydney and the Blue Mountains.
Renown for its unique architecture this crazy critter being the Sydney Opera House continues to fascinate and inspire architects all around the world, or so I'm led to believe. This photo was shot from the Milson's Point side with a 70-300mm telephoto lens on a dodgy tripod.
The processing was done like this; firstly the photo was taken into Lightroom where the massively blinding highlights and whites were dulled down. The shadows were raised up a tad too as some parts of the photo were too dark. Then I played around with the colours using the HSL panel until I got the feel that I liked. I aimed to contrast the bluish sky with the orangey/yellow lights inside the building. I cropped the image and fixed up the horizon to make it straight. I then brought the photo into Photoshop and did some noise reduction using Imagenomic's Noiseware Professional software. Finally I cleaned off the image by using a combination of the clone stamp tool, spot healing brush and the brush tool. The most challenging part of this process was to get the image right in camera with the nasty gale forced winds of that night.
Hope you enjoy this one, and as always feel free to use this image in your videos, your website, you blog, print it out, remix it or do whatever you wish with it as per the CC licence.
All the best my people, don't stop shooting.
Playing around with Tierazon fractal software. Such a fun and easy software tool. Creating fractals is really addictive !
This is my first attempt at combining Ha data with LRGB. I would like to add five more hours of luminance and 30 minutes each for G and B channels.
Equipment
Tele Vue NP101is/LCF
ZWO ASI6200MM-P/EFW 2" x 7 (HaLRGB)
Losmandy G11
Software
Planned and captured with NINA
Autoguiding with PHD2
Processing with PixInsight
Composition
Ha: 25 subs at 420s each
L: 24 subs at 90s each
R: 64 subs at 120s each
G: 48 subs at 120s each
B: 48 subs at 120s each
Total Integration time: 8:51
I upgraded one of my editing software's AI sharpening tools aimed at wildlife images. At this time, I'm not sure I like it. This image was sharpened by the AI tool and to me it looks a bit too harsh, not a natural look.
10 stop md filter along with sony a7-3 i tried my best to get the rock in the foreground to draw ur eyes towards the water fall bridge in trees. we don't have any major falls in philly so this little did well edit with Exposure 4 software
Aan het experimenteren met macro, licht en pse. Kijk daar is m'n opstellinkje :-) Als het niet duidelijk genoeg is kan dat komen door: -het niet al te goede point en shoot cameraatje -beetje te donker op de zolderkamer - de fotograaf of ..................................................het is bewust en je komt bij de volgende foto weer kijken of er meer details komen :-) LOL
The Rosette nebula is one of my favorite targets. The shape and detail make it one of the most interesting deep sky objects in the northern hemisphere. Located in the constellation Monoceros, it also contain the open cluster NGC 2244. This cluster provides the solar radiation that is exciting the surrounding gas and causing the striking glow.
Takahashi FSQ-106
Software Bisque MyT
QSI 683WSG-8
Ha 18x30min
Sii 11x30min
Oiii 8x30min
Total Integration Time = 18.5hrs
Data from Deepskywest Remote Observatory
PI Workflow (each light):
Bias/Darks/Flats Cal
CC S2.5 / Star Alignment
LocalNormalization
Drizzle Integration
DBE
MMT Noise Reduction (Jon Rista method)
Deconvolution
Delinearize
LocalHistogramEqualization (150/1.5/0.5)
Curves (Sii and Oiii) to boost contrast
Pixel Math Medium Adjustment to Ha
SHO Combination
Invert/SCNR/Invert to remove Magenta
Luminance - Ha with only LocalHistogramEqualization and Curves (to preserve detail)
LRGBCombination (Lum / Chrominance NR)
Photoshop Workflow:
Selective Color - Tone Mapping
ColorEfex Pro (Detail Enhancer)
Burn tool (midtones) to darken edges
StarSpikes Pro (lightly to cleanup stars' shape)
Second shot from this location this time its a landscape shot rather then icm. The clouds worked perfect for me at dusk as created some beautiful light for this mono shot.
Hope you like :)
Nicht nur Fische, auch Insekten, kleine Wasserratten und Mäuse stehen auf seinem Speiseplan. "Der Hunger treibt's rein!"
I first shot the Pinwheel Galaxy last year using my One-Shot-Color Camera. I wanted to try it again and see what I could get using a mono camera and L,R,G,B & Ha filters with a longer set of exposures.
So I recently imaged this target over the span of 5 nights, starting on May13. I collected the normal LRGB filter data and I also collected some narrowband images through my Hydrogen-Alpha Filter. The equipment is pretty automated now so I could get things running and then try to sleep on the sofa - still keeping a general eye on things during the night.
At the same time I was capturing this image, I was also capturing the data for the M63 image I shared in the past few days. So I have not had a chance to go through the data set for this image until yesterday. I really had high hopes for this image - but what you don't always get what you hope for! I considered not even posting this image - but this is a journey and like any other trip - you have good days and you have bad days. I decided to show he bad with the good.
As part of the normal processing of astro image, you take the time to look over all of the image data with software that acts like a blink comparator. Each image should look pretty much the same as others in a sequence, unless a plane goes through the frame or a wondering cloud comes through, or something else goes wrong. The first thing I found was that I had many thin wandering clouds messing up a substantial number of frames that I had collected. These had to be culled. I lost over 5 hours of data and most of my Ha filter data due to this! Ouch.
Then I processed the data - doing calibrations and alignments and stacking operations. This takes hours and hours for my 12 core/24 thread Ryzen CPU to work through - at the end you can't wait to look at the resulting image masters! Then you can see what you actually got. And when I looked I found something called "Pattern Noise". You never want to see this - but - oh yes - I had it in this image. It looks like diagonal smears of rainbow colors….and this is VERY Hard to fix after the fact. What causes this? The most common causes are flexure of the telescope mount (something loosen up?) or Failure to dither exposures. Dithering is a process were the scope change its position slightly for every exposure. This moves the image around on the sensor a tiny bit and the stacking software lines everything back up in the end. This eliminates many sources of noise including pattern noise. It is possible that something in the setup failed during this exercise - thus causing the problem? I'm still not sure what happened here.
So now I have image artifacts and a LOT less data that I planned. OKAY…
Long story, short…. I used every processing trick in the book to salvage the data and the result is attached to this posting. It's….. OK - but to me it’s a disappointing failure. At best it is a lackluster example of the Art (unlike my last image - that one came out *great*). Some have said that still came out alright, but all I see are the problems…
But here it is for your perusal. …..
A little about M101- from Wikipedia:
The Pinwheel Galaxy (also known as Messier 101, M101 or NGC 5457) is a face-on spiral galaxy 21 million light-years (6.4 megaparsecs)[3] away from Earth in the constellation Ursa Major. It was discovered by Pierre Méchain in 1781[a] and was communicated that year to Charles Messier, who verified its position for inclusion in the Messier Catalogue as one of its final entries.
On February 28, 2006, NASA and the European Space Agency released a very detailed image of the Pinwheel Galaxy, which was the largest and most-detailed image of a galaxy by Hubble Space Telescope at the time.[8] The image was composed of 51 individual exposures, plus some extra ground-based photos.
On August 24, 2011, a Type Ia supernova, SN 2011fe, was discovered in M101[9].
Thanks for looking!
Pat
========
Here are the details for this image:
*Number of frames is after bad or questionable frames were culled (an many were regrettable removed):
76 x 120 seconds, bin 1x1 @ -15C, unity gain, ZWO Gen II L Filter
100 x 120 seconds, bin 1x1 @ -15C,unity gain, ZWO Gen II R Filter
96 x 120 seconds, bin 1x1 @ -15C, unity gain, ZWO Gen II G Filter
78 x 120 seconds, bin 1x1 @ -15C, unity gain, ZWO Gen II B Filter
Total of 11.6 hours
100 Dark exposures
45 Flat Darks
40 L Flats
40 R Flats
40 G Flats
40 B Flats
Capture Hardware:
Scope: Astrophysics 130mm Starfire F/8.35 APO refractor
Guide Scope: Televue 76mm Doublet
Camera: ZWO ASI1600mm-pro with ZWO Filter wheel with ZWO LRGB filter set,
and Astronomiks 6nm Narrowband filter set
Guide Camera: ZWO ASI290Mini
Focus Motor: Pegasus Astro Focus Cube 2
Camera Rotator: Pegasus Astro Falcon
Mount: Ioptron CEM60
Polar Alignment: Ipolar camera
Software:
Capture Software: PHD2 Guider, Sequence Generator Pro controller
Image Processing: Pixinsight, Photoshop - assisted by Coffee, extensive processing indecision and second guessing, editor regret and much swearing….. Given the problems on this image, more than the usual whining….
The analogue photographs show the "Due Laghi" region between Lago Maggiore and Lago di Orta in Italy/Piedmont..
Die analogen Fotografien zeigen die Region "Due Laghi" zwischen Lago Maggiore und Lago di Orta in Italien/Piemont.
# Camera: Olympus OM2n
# Film: Ilford XP2
# Scanner: Nikon Coolscan 5000ED with VueScan Software
# Edited with Iridient Developer
Location: AL Wafra :D !
Camera: Nikon D2h
Lens: Sigma 18 - 200
Focal Length: 40mm
Aperture: f/7.1
Shutter: 1/500s
ISO: 200
Exposure: AV
EV: 0.00 EV
Software: PhotoShop CS3
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© Soud_q8
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Copyright for all photos belongs to Soud_q8
Images may not be copied, downloaded, or used in any way without the expressed, written permission of the photographer
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© Hervé DAPREMONT
Ne pas utiliser sans mon autorisation écrite. Ne le faites pas ! Merci
Don't use without my written permission. Do not ! Thanks
Your comments and favorites are greatly appreciated, but NO awards, banners & graphics please. Thanks a lot ! :-)
Technical info :
Camera : Pentax K20D
Lens : Tamron SP AF 10-24mm f/3.5-4.5 Di II LD Asperical IF
Exposure : 0,04s (1/25)
Aperture : f/10
Focal Length : 10 mm
Sensibility : ISO 100
Filter : None
Software :
Lightroom 3.0 | Photoshop CS5
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[Explore / 22 Dec 2010]
Explore highest position : 170 on Thuesday, December 23, 2010 ! Thanks everybody !!!
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Telescopio: Celestron C11 XLT Fastar
Montatura: Skywatcher NEQ-6 Pro Synscan
CCD: ZWO ASI120MM-S USB 3.0
Software: Pleiades Astrophoto PixInsight 1.8, Firecapture 2.4 beta, Astra Image 4 SI, Avistack 2.0
Filtro Baader Planetarium IR-Pass 685nm
Moonlite CF 2,5" focuser with high resolution stepper DRO
Pose: 1000 a 69 fps
Lunghezza focale: 2800 mm
Seeing: 3 Trasparenza: 8