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Flowering of the Ipe Rosa
and the little birds
Illustration/Art
Digital Art - Photo Art
High Quality (HQ) - HDR
Mix Effects - Texture, Light, Collage, Vivid Color
Double Exposure
Software: Pixlr; Snapseed; Windows Paint 3D; PicsArt Photo Studio
Edits made to my original photos
Edições feitas em minhas fotos originais
João-de-barro - Rufous Hornero
Furnarius rufus
Floração do Ipê-rosa
Handroanthus heptaphyllus
Parque da Cidade de Brasília
Brasília, Brasil
Digital Art - Image-editing
Double Exposure
Effects - Color - Texture
Software: Windows Paint 3D; Pixlr; PicsArt Photo Studio
Edits made to my original photos.
Edições feitas em minhas fotos originais com
uso de adesivos públicos
Image specially created for
Art Week Gallery Group
29 May to 4 June our theme is:
~~~ Recreating Asia ~~~
Brasília, Brasil
This image is Generated using Midjourney V8 software then i process in photoshop.
Thank you for your visit and faves and comment.
Prompt..
elderly woman with soft lined face and silver windblown hair standing in foreground, slow moving mechanical castle towering behind her on massive iron legs, intricate steampunk design with pipes, gears, and chimneys, warm orange firelight glowing from windows, eccentric wizard with flowing blond hair and dark ornate coat standing in doorway, subtle enigmatic expression, interior glimpse of a sentient fire demon flickering in hearth, sparks drifting into air, windswept moorland under heavy overcast sky, distant war machines barely visible on horizon, dramatic atmosphere shot on ARRI Alexa 65, 50mm anamorphic lens, shallow depth of field, f/2.0, natural film grain, cinematic color grading, teal and orange contrast, soft highlight bloom, realistic motion blur, volumetric lighting, backlit haze, rim lighting on subject, rule of thirds composition, low angle shot, epic scale, hyperrealistic textures, 8K, Unreal Engine 5 render
--chaos 8
--ar 2:1
--raw
--v 8
--stylize 120
--hd
Teleskop oder Objektiv (Aufnahme): Skywatcher 150/750 PDS
Aufnahmekamera: ZWO ASI 2600 MC Pro
Montierung: SkyWatcher EQ6 R Pro
Teleskop oder Objektiv (Nachführung): Skywatcher 150/750 PDS
Nachführkamera: ZWO ASI 120MM
Software: Pleiades Astrophoto S.L. PixInsight 1.8.8 Ripley · Adobe Photoshop 2020 · AstroPixel Processor
Filter: Optolong L-eXtreme 2"
Zubehör: ZWO EAF Electronic Auto Focuser · ZWO ASIAir Pro · ZWO OAG · Baader Coma Corrector
Datum:6. Juli 2021
Frames: 24x600" (4h)
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
FOLLOW ME on Instagram for my latest updates www.instragram.com/davidrosenphotography
EXPLORE AND SUBSCRIBE to my new website 'OFF THE GRID' www.davidrosenphotography.com for creative ideas, imaging techniques, kit and software reviews and planned workshops.
The Volcano-like Sugarloaf mountain in the far centre of the image, just as the sun was starting to set.
Offshore Software Development Outsourcing www.kremsoft.com
Quality offshore software development with a difference! Native english speakers provide smooth IT solutions for any western business. Web design, Web development, Programming. Kremsoft
Edited using GIMP free software.
Sitting in hotel quarantine, with limited photo opportunities, I decided to explore some photoshop/GIMP editing ideas.
This shot starts out as a photo on the left. Using feathered layer masks and some 'dodge' and 'desaturation', I've transitioned to a colour "sketch look" in the middle of the photo, then faded out the colour to black & white in the bottom right corner.
It's my first time trying something like this. I'm sure the professionals would make it look a thousand time better, but I'm pretty happy with the result.
Playing around with Tierazon fractal software. Such a fun and easy software tool. Creating fractals is really addictive !
Nome: Nebulosa da Águia, NGC 6611, Messier 16
Tipo: Aglomerado aberto estelar com nebulosidade
Distância: aprox. 7.000 anos-luz
Magnitude Aparente: 6,4
Constelação: Serpente (Cauda) [1]
A Nebulosa da Águia é uma notável região ativa de formação estelar localizada na constelação da Serpente (cauda). A nebulosa, uma nuvem gigante de gás interestelar e poeira, já criou um considerável aglomerado de estrelas jovens. O aglomerado é também chamado de NGC 6611 e a nebulosa como IC 4703. O aglomerado foi descoberto em 1745 por Philippe Loys de Chéseaux. Em 1764, Charles Messier catalogou novamente o aglomerado como M16 mas descreveu a presença de uma tênue névoa, provavelmente indicações da nebulosa. [1]
Este enxame estelar tem somente 5,5 milhôes de anos (de acordo com Sky Catalog 2000 e Gotz) com uma formação estelar ainda ativa na nebulosa; isto resulta na presença de muitas estrelas quentes do tipo espectral O6. Estima-se que o aglomerado tenha uma extensão de 15 anos-luz e a nebulosa tenha uma extensão aproximada de 70 x 55 anos-luz. [1]
Os destaques desta nebulosa não param por aí. Ainda temos nesta nebulosa os famosos "Pilares da Criação", estruturas com formato similar à estalagmites localizadas no centro da imagem. Essa região já foi alvo do telescópio espacial Hubble em 1995 criando imagens que encantaram o mundo. As colunas dos pilares são compostas de hidrogênio e poeira, que agem como incubadoras de novas estrelas. Dentro das colunas e na superfície, os astrônomos encontraram nós, ou glóbulos, de gás mais denso, chamados EGG (Evaporating Gaseous Globules - Glóbulos Gasosos em Evaporação). Várias estrelas estão sendo formadas no interior destes glóbulos. [2]
Fonte:
[1] messier.seds.org/m/m016.html
[2] wikipedia
Registrei esta imagem em duas sessões: 24 de junho de 2017 em Munhoz - Minas Gerais - Brasil e outra em 27 de julho de 2017 na zona rural de Campo Belo - Minas Gerais - Brasil.
Dados técnicos:
Gain: 0, Offset: 10, temperatura da câmera: -15°C, exposição total de 7h08m, darks, flats e bias aplicados.
O canal de luminância foi composto pela junção da banda H-Alpha e da luminância extraída do canal RGB.
Filtros
H-Alpha: 54 x 300s / Bin 1x1
R: 22 x 150s / Bin 2x2
G: 21 x 150s / Bin 2x2
B: 20 x 150s / Bin 2x2
Equipamento:
- Montagem Equatorial Orion Atlas EQ-G
- Telescópio Ritchey-Chretien 8" F8 Fibra de Carbono GSO
- Câmera ZWO ASI1600MM Cooled
- Redutor focal Astro-Physics 67 CCDT
- Auto guiagem com câmera ZWO ASI120MM em OAG
- Roda de Filtros ZWO 5 posições
- Filtro Optolong 1,25" H-Alpha 7nm
- Filtro Optolong 1,25" R
- Filtro Optolong 1,25" G
- Filtro Optolong 1,25" B
Softwares
- Captura: APT - Astro Photography Tool 3.50
- Processamento: PixInsight 1.8 e Adobe Photoshop CS5
- Guiagem: PHD2
- Controle: EQMOD e SkyTechX
--------------------------------------------------------------------------------
Name: Eagle Nebula, NGC 6611, Messier 16
Type: Open cluster with nebulosity
Distance: near 7,000 light-years
Apparent magnitude: 6.4
Constellation: Serpens Cauda [1]
The Eagle Nebula Messier 16 (M16) is a conspicuous region of active star formation, situated in Serpens Cauda. The starforming nebula, a giant cloud of interstellar gas and dust, has already created a considerable cluster of young stars. The cluster is also referred to as NGC 6611, the nebula as IC 4703. The discoverer, Philippe Loys de Chéseaux, describes only the cluster when recording his 1745-1746 discovery. Charles Messier, on his independent rediscovery of June 3, 1764, mentions that these stars appeared "enmeshed in a faint glow", probably suggestions of the nebula.[1]
This stellar swarm is only about 5.5 million years old (according to the Sky Catalog 2000 and Götz) with star formation still active in the Eagle Nebula; this results in the presence of very hot young stars of spectral type O6. The cluster has a linear extension of about 15 light years. The nebula extends much farther out, to a diameter of over 30', corresponding to a linear size of about 70x55 light years. [1]
The highlights of this nebula don't stop here. We found in this nebula the famous "Pillars of Creation", structures similar to stalagmites situated in center of image. This region was target of Hubble Space Telescope in 1995 that made incredible images. The columns of pillars are composed of hidrogen and dust, that act like incubator of new stars. Inside of columns and surface of this structures, the astronomers found nodes, or globules, of dense gas, known as EGG (Evaporating Gaseous Globules). Various stars are being formed inside this globules.[2]
Sources:
[1] messier.seds.org/m/m016.html
[2] wikipedia
I registered this picture in two sessions: June, 24th 2017 in Munhoz - Minas Gerais - Brazil and other session at July, 27rd 2017 in rural zone of Campo Belo - Minas Gerais - Brazil.
Technical data:
Gain: 0, Offset: 10, camera's temperature: -15°C, 7h08m of exposition, darks, flats and bias applied.
The luminance channel was composed by H-Alpha narrowband and luminance extracted from RGB channel.
Filters
H-Alpha: 54 x 300s / Bin 1x1
R: 22 x 150s / Bin 2x2
G: 21 x 150s / Bin 2x2
B: 20 x 150s / Bin 2x2
Equipments:
- Equatorial Mount Orion Atlas EQ-G
- GSO Ritchey-Chretien Telescope 8" F8
- ZWO ASI1600MM Cooled
- Focal reducer Astro-Physics 67 CCDT
- Guided with ASI120MM ZWO using OAG
- ZWO EFWmini (5 x 1.25")
- Filter Optolong 1.25" H-Alpha 7nm
- Filter Optolong 1.25" R
- Filter Optolong 1.25" G
- Filter Optolong 1.25" B
Softwares
- Capture: APT - Astro Photography Tool 3.50
- Processing: PixInsight 1.8 and Adobe Photoshop CS5
- Guiding: PHD2
- Control: EQMOD and SkyTechX
A race track leading to a musical fresco.
Arvieu/France.
My own photo.
Using Gimp software
to remove stains from my lens
Using DarkTable software
to desaturate colors and focus the glance on the red track and lead to the painting.
(Copyright © 2017 K Harwin)
How I set up for a long Exposure.
I set my tripod up, connect the camera and get my view and composition.
Turn the setting to B mode on the camera and set the ISO to 100.
I tend to use f/13 if its bright with cloud and sometimes f/22 if no clouds and the sun is still high.
Sometimes f/4 to f/8 is used when its just before Sunrise or after sunset or if its extremely cloudy.
I then turn off the auto focus and manual focus for my shot and then screw my 110 or ten stop filter on. Turn on your Mirror lock-up as this will reduce vibration.
Using a remote, I press and hold the shutter release. This could be a second to a couple of mins depending on your light. I always use the camera's histogram to see if it needs to be a shorter or longer exposure. I hope this helps anyone who is going to try it out.
Tip
If you are using a screw in filter and cant be bothered to keep taking it off to focus, use the live view if you have it and really over expose it, once you can see enough, you can then manual focus.
Tip
If you have bright light behind the camera, block your viewfinder with your hand or if using a Canon use the piece of rubber you get on your neck strap to cover the viewfinder.
Equipment & Settings Used.
Camera: Canon EOS 70D
Lens: Sigma 10-20mm F/4-5.6 EX DC HSM
Filter: ND 110
Exposure: 43 Seconds
Aperture: f/13
Focal Length: 10 mm
ISO Speed: 100
Software: Adobe Lighroom CC
Tripod: MeFOTO Road Trip A1350
Tripod Head: MeFOTO Q1 Ball Head
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Please do not download, copy, edit, reproduce or publish any of my images. They are all my own work and are not for use without my express written permission
This is the rear entrance to an old office building on 6th street here in Austin, Texas. Probably built around 1860 or so. I took it this last weekend while down at the Pecan street festival. There weren't any really great shots from the festival but I was able to get some cool shot from town.
Phew! Here we are, already humpday..;))
www.jorgeciscar.com | Instagram | Facebook
EN | ES
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🇬🇧 La Union y el Fenix Español building in Valencia (Spain).
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🇪🇸 Edificio La Unión y el Fénix Español en Valencia (España).
Suscríbete totalmente gratis a mi blog para recibir los nuevos post en tu e-mail: localizaciones fotográficas, técnicas de procesado, reviews y mucho más.
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DESCUENTOS de mis colaboradores:
Mochilas, trípodes y accesorios Vanguard (-20% con el código “CISCPRO2023”)
Software Luminar (-10€ con el código “CISCAR”)
Star tracker MSM Move-Shoot-Move rotator (-5% con el código “CISCAR”)
K&F Concept (-5% con el código “ESFILTERS05”)
Sunwayfoto (-5% con el código “CISCAR”)
Sepia treatment plus the full colour original. (Nikon pocket camera using the tilt screen to hold the camera way above my head.)
Filename - Mono Buds Fork.jpg
ImageWidth - 4608
ImageLength - 3456
BitsPerSample - 8 8 8
PhotometricInterpretation - 2
Make - NIKON
Model - COOLPIX S9900
Orientation - Top left
SamplesPerPixel - 3
XResolution - 300.00
YResolution - 300.00
ResolutionUnit - Inch
Software - Adobe Photoshop CC 2015 (Windows)
DateTime - 2016:05:13 14:37:41
YCbCrPositioning - Centered
ExifOffset - 292
ExposureTime - 1/1000 seconds
FNumber - 3.70
ExposureProgram - Normal program
ISOSpeedRatings - 125
ExifVersion - 0230
DateTimeOriginal - 2016:05:04 09:18:43
DateTimeDigitized - 2016:05:04 09:18:43
ComponentsConfiguration - YCbCr
CompressedBitsPerPixel - 4 (bits/pixel)
ShutterSpeedValue - 1/1000 seconds
ApertureValue - F 3.70
ExposureBiasValue - 0.00
MaxApertureValue - F 3.73
MeteringMode - Multi-segment
LightSource - Auto
Flash - Flash not fired, compulsory flash mode
FocalLength - 4.50 mm
UserComment -
FlashPixVersion - 0100
ColorSpace - sRGB
ExifImageWidth - 4608
ExifImageHeight - 3456
InteroperabilityOffset - 984
FileSource - DSC - Digital still camera
SceneType - A directly photographed image
CustomRendered - Normal process
ExposureMode - Auto
White Balance - Auto
DigitalZoomRatio - 0.00 x
FocalLengthIn35mmFilm - 25 mm
SceneCaptureType - Standard
GainControl - None
Contrast - Normal
Saturation - Normal
Sharpness - Normal
SubjectDistanceRange - 20cm
Thumbnail: -
Compression - 6 (JPG)
XResolution - 72
YResolution - 72
ResolutionUnit - Inch
JpegIFOffset - 1110
JpegIFByteCount - 4168
The image above is a 2000 X 1250 pixel scan from an original Kodachrome™ slide. Anything that is not from an original Kodachrome™ is noted as such, including later digital images and a limited number of scanned prints. The vast majority of Kodachrome™ shots were scanned during the period 2007-2014. As of 2022, there remains thousands of scanned, and unscanned images yet to go.
Early uploads were done in a 1024 X 683 pixel size. Since then, technology and software has improved, so I am beginning to re-upload in the much larger 2000 X 1250 pixel size, with the eventual goal of having only that format.
The images in the various galleries come mostly from my slide collection, gathered over the past 40+ years. They are a combination of my own photographs and others acquired over those years through trading, purchasing, and attending conventions.
This photostream was created in 2017 for the sole purpose of holding my slide collection as an archive, and has had over 10 million image views (to 2022)
REG’N: N17325
MFR/TYPE/SERIES: Boeing 707-324C
MSN: 19177
OPERATOR: Continental Airlines
LOCATION (if known): Los Angeles LAX
PHOTOGRAPHER (if known):
DATE (if known): Nov-1968
REMARKS:
From last April in Pt. Defiance Park, Tacoma, WA, where there are amazing flower gardens. I don't know what kind of flower it is though... anyone?
I was playing with some new software called Luminar 2018 which has a lot of creative edits and has been called "Nik on steroids". I was surprised to find out it makes a very good raw converter also and can be a lot faster than always using Lr like I had been.
Thank you for you warm and kind visits my friends! Wishing everyone a very Happy Thanksgiving! :)
Facebook: www.facebook.com/ernie.misner
Explore #65
The Cloisters at Gloucester Cathedral converted to mono with Nik Silver Efex Pro Software to bring out the Gothic architecture.
One of the main filming locations for the Harry Potter films.
Me with my Fujica GW690
Aboard the Horizon
San Diego, San Diego County, California
camera: Olympus E-520 DSLR
lens: Olympus Zuiko ED 50mm f/2
filter: Hoya HMC UV
strobe: none
software: ACDSee Pro 7 (64 bit)
©2015 Kathryn Cody, all rights reserved
We spotted some very cute mushrooms high up in a tree - but it was getting dark and my 300mm doesn't have IS. Still, I managed to get a couple of shots that were passably sharp.
This one has been edited in Silver Efex Pro 2.
Better on black.
Using Topaz Noise Adjust 6 for the first time.
This shot of a Beach Staggerwing Replica was very noise on the underside of the aircraft. Not a very good capture but a great candidate for the test.
Photographed during Cyce Tour in Austrian Alps, Summer 1986.
Contax 139 Quartz and Carl Zeiss Planar 1,7/50 T*.
The 35mm negative was scanned with a Fujifilm X-T4 and Laowa 65mm f/2.8 macro lens, converted to positive using FilmLab software and edited in Lightroom 9.
"Economics is on the side of humanity now."
– Isaac Asimov, in "The Currents of Space" (1952).
"Many readers judge of the power of a book by the shock it gives their feelings."
– Henry Wadsworth Longfellow, "Kavanagh: A Tale"(1849), Chapter XIII.
"The measure of your quality as a public person, as a citizen, is the gap between what you do and what you say."
– Ramsey Clark
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Google these days declared a different acquisition that will help the corporation strengthen how it competes against Amazon’s AWS, Salesforce and Microsoft in the spot of company providers, and precisely selling company providers in the cloud: it has obtained Orbitera, a startup that cre...
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