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Sometimes I see potential in a photo for these effects. Sometimes I just go willy nilly and see what happens. Sometimes I just put the photo in the trash and start over.
This is done using a layer mask and blur effect in Photoshop Elements.
Happy Slider Sunday
..HFF!!
..lol..You had to know I took more than one drive by fence shot..;).However, I think this is the last one I'll post. They others don't do as much for me. This one didn't either until I ran it through Topaz Studio.
Wildflower, bush flower;
Tropical Paradise Scenes
Illustration/Art
Image-editing
Digital Art - Photo Art
High Quality (HQ) - 3D
Double Exposure
Painterly Effect
Software: Windows Paint 3D; Pixlr;
Edits made to my original photos
Edições feitas em minhas fotos originais
Flor da trepadeira
Saritéia Rosa
Saritaea magnífica
Cereus jamacaru (nome científico)
Praia de Jericoacoara
Ceará, Brasil
Art Week Gallery Theme
- 14 May to 20 May our theme is:
~~~~ Flower Art ~~~~
So it's the 'Alexander' catamaran on its way to McMahons Point Wharf, Balmain East Wharf and then across Darling Harbour to Barangaroo.
If you catch this ferry, you will be just in time for an amazing dinner at 'The Malaya' restaurant in Lime Street, right near King Street Wharf, at Barangaroo.
This is one of the coolest restaurants in Sydney. Here's the info AND the latest menu:
kingstreetwharf.com.au/eat-drink/the-malaya/
themalaya.com.au/wp-content/uploads/2024/11/Menu-NOV-24-F...
After dinner catch a night ferry back across the harbour, under the bridge, and on to Circular Quay. OR, get off at Luna Park (aka Milsons Point) and take the super fast, brand new, Metro driverless train back to the Hills District. Too easy, lol.
My Canon EOS 5D Mk IV with the Canon EF 24-100mm f/4L IS II USM lens.
Processed in Adobe Lightoom and PhotoPad Pro by NCH software.
Optics : Takahashi FSQ106 + ZWO EAF + Televue Barlow 1,25" 3x + Televue Barlow 1,25" 2x
Mount : Ioptron CEM70G & Ioptron TriPier;
Camera : ZWO ASI 174 MM;
Focal lenght : 2650 mm.
Software : FireCapture, AutoStakkert3, Adobe Photoshop
Casalecchio di Reno - Italia
44° 29’ 29” N
11° 14’ 58” E
A 35mm slide image, originally shared almost a decade ago, that has brushed up nicely courtesy of the improved digital darkroom skills (and software packages) I've managed to pick up over the last few years.
In this shot an Eastern Region Rail Rover and an overnight train from London Kings Cross provided for a dawn arrival in Newcastle Central, where first light catches a class 03 shunter at the eastern end of the station ready for the day's action. The Keep, a must-do destination for rail snappers visiting Newcastle back then, stands imposingly in the background.
As ever, exposure was a bit finger in the air with the Zodel F Lightmeter (a 60's vintage hand-me-down from my Dad), but two or three bracketed shots for safety managed to yield a result.
I had a couple of these ERRR's over the years and they provided superb rail photography opportunities for this East Midlander who had rarely ventured further east than Grantham.
This version should go to full-screen quite well. The original has been deleted.
Nikkormat FT2, Agfa CT18, exposure 3secs @ F8
Dawn, 6th September 1976
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
A proud pelican (Pelecanus conspicillatus) at Russell Hinz Park, Gold Coast, Queensland, Australia.
Captured with a Niklon D810 with Nikkor 200-500mm f/5.6E ED AF-S VR lens.
Many thanks to all my Flickr photostream followers I have now more than 1.7 million views, thank you. Thanks for viewing my photos and for any favourites and comments, it is very much appreciated.
My Blog: www.alldigi.com
TO EVERYONE OUT THERE, PLEASE TAKE CARE AND BE SAFE.
(Copyright © 2017 K Harwin)
Long exposure of the Whitstable Oyster Beds
Equipment & Settings Used.
Camera: Canon EOS M3
Mount: Canon EF-EOS M Adaptor
Lens: Sigma 10-20mm F/4-5.6 EX DC HSM
Filter: ND 110
Exposure: 55 Seconds
Aperture: f/16
Focal Length: 10 mm
ISO Speed: 100
Software: Adobe Lighroom CC
Tripod: MeFOTO Road Trip A1350
Tripod Head: MeFOTO Q1 Ball Head
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Please do not download, copy, edit, reproduce or publish any of my images. They are all my own work and are not for use without my express written permission
National Trust Properties
Waddesdon Manor, Aylesbury, HP18 0LH, Buckinghamshire
Waddesdon Manor
Built between 1874 – 1889 in the Neo-renaissance style for Baron Ferdinand de Rothschild. Waddesdon Manor stayed within the family until 1957.
When the last owner died (James de Rothschild), it was passed over to the National Trust, the Manor and its contents and is now managed by the Rothschild Foundation.
Ferdinand de Rothschild wanted a beautiful building and had in mind a chateau familiar with those built in the Loire Valley. He chose the French architect Gabriel-Hippolyte Destailleur to do the work. Destailleur was already familiar with the type of work, as he had overseen many projects, including the Chateau de Mouchy. He also worked for another member of the De Rothschild family, namely Baron Albert de Rothschild on his Palais Rothschild in Vienna.
The wine cellars are interesting in that it contains the best of 15,000 bottles, some over 150 years old and come from the Chateau Lafite Rothschild and Chateau Mouton Rothschild estates. It is the largest collection in the world of Rothschild wines, it also has some very important labels created by artists such as Salvador Dali and Andy Warhol.
The works of art inside the house of the very best quality, artists such as, Gainsborough, Reynolds, Boucher, Cuyp, Van Dyck, Titan and many others. Sevres ceramics, Beauvais Tapestries, first quality English Silver, carpets, books the list unending.
the French Landscape Gardiner Elie Laine. Extensive levelling of the hill was carried out, the Gardens and parks were laid out and an attempt was made to grow full length trees using chloroform to decrease the shock of moving the trees and planting them, however there are many trees in the parks and gardens that were successfully planted. Trees such as Yews, cedar, redwoods and other conifers, chestnuts, limes and maples are all successfully well bedded in.
During the reign of James de Rothschild the gardens were not the most spectacular however from the 1990’s a more up to date, using computer software for many of the colour combinations and in the gardens are many lovely statues by such sculptors as, Italian Sculptors Giuliano Mozani and Filippo Parodi, French sculptor, Jean Raon, to name but a few.
In my opinion, a great House and Garden to visit, teas and a scone well worth the wait.
Finally there have been many films made there. Here are a few examples:
Never Say Never Again
Carry On “Don’t Lose Your Head”
Ladies in Lavender
The Mummy: Tomb of the Dragon
Sherlock Holmes: A Game of Shadows
In 2018 there were approx. 465,000 visitors to the Manor, and was the largest visitor attraction anywhere in all of the National Trust Properties.
From an APOD text summary
This pretty cosmic cloud lies some 1,500 light-years away, nested securely within the boundaries of the southern constellation Fornax. Recognized as a planetary nebula, it spans about 3 light-years with its shape and colour being reminiscent of a blue robin's egg. NGC 1360 doesn't represent a beginning though. Instead it corresponds to a brief and final phase in the evolution of an aging star. In fact, visible in this image is the central star of NGC 1360 is known to be a binary star system likely consisting of two evolved white dwarf stars, less massive but much hotter than the Sun. Their intense and otherwise invisible ultraviolet radiation has stripped away electrons from the atoms in the surrounding gaseous shroud. The predominant blue-green hue of NGC 1360 seen here is the strong emission produced as electrons recombine with doubly ionized oxygen atoms.
Thanks for looking.
Hi res link:
live.staticflickr.com/65535/50809300462_232b0e597a_o.jpg
Information about the image:
Center (RA, Dec):(53.306, -25.872)
Center (RA, hms):03h 33m 13.458s
Center (Dec, dms):-25° 52' 19.140"
Size:43.4 x 28.5 arcmin
Radius:0.433 deg
Pixel scale:0.732 arcsec/pixel
Orientation:Up is 307 degrees E of N
Instrument: Planewave CDK 12.5 | Focal Ratio: F8
Camera: STXL-11000 + AOX | Mount: AP900GTO
Camera Sensitivity: Lum, Red, Green, Blue, Ha, OIII: BIN 1x1
Exposure Details: Total: 62.33 hours | Lum: 36 x 900 sec [hr], Ha: 59 x 1200 sec [hr], OIII: 65 x1200 [hr], RGB 16 x 900sec each [hrs]
Viewing Location: Central Victoria, Australia.
Observatory: ScopeDome 3m
Date: July-December 2020
Software Enhancements: CCDStack2, CCDBand-Aid, PS, Pixinsight
Author: Steven Mohr
6/8/1962
Day 9 - Copenhagen to Roskilde on my second continental cycling tour, through Denmark, Sweden and Schleswig Holstein, Germany.
Film: Kodachrome transparency.
Camera: Edixa-Mat Flex S
Scanner: Epson V800/Epson Scan software.
Dramatic weather - a summer evening spent chasing a thunderstorm across Angus, rewarded with fantastic colourful sunset.
Prints and things are available from the website: www.shinyphoto.co.uk/photo/Storm-Clouds-538bba74276431b16...
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
Used hardware / software:
Panasonic Lumix G7 / 70
M42 Auto Revuenon 55mm/1.4
Fast Stone
Thanks very much for your interest, fav or time to comment !!
I saw the sun coming up and tried to shoot this. Every image was badly underexposed. Not having the good sense to throw them out, I scanned them and struggled to get something out of editing software that looked like the original scene. What're you going to do with an empty slide carousel anyway?
Mmmm. Apples. My favorite kind of apples are apples in a pie.
Refrigeration requires a lot of electricity. I thought it was cool they have two sets of primary power lines on these poles. Many of you know, when a big electric motor initially starts, it looks like a short circuit for a few moments. That's why your lights dim when your, or a neighbor's, air conditioner kicks on. Some power meters capture these incidents and the user gets billed extra for them. Some places call it a "demand charge." The utility has to install bigger wiring and transformers for places that use high current such as big motors. In modern times, people add variable-frequency drives to flatten out electric draw of big motors. These are electronic devices that reduce electricity use of big motors. The varying pitch coming from older BART cars beginning to roll away from a station is the sound of a variable frequency drive.
The chief aim of technology will now be to eradicate the lamentable results of previous technologies.
— Aleksandr I. Solzhenitsyn, (circa 1974)
Journalism grade image.
Source: damaged, believed to be unknown-type color infrared transparency film scanned to a 5,200x3,200 16-bit TIF file.
Please do not copy this image for any purpose.
287 at 30 seconds each Gain 200
ZWO ASI183 mono non cooled
Orion 8" astrograph
iOptron iEQ45 PRO
NINA software
QHY5Lii guide camera
Thank you for commenting and faving my photos :-)
My Website: www.zeitfaenger.at
Creative Commons License: Attribution 3.0 Unported
Affinity by Canva: First Impressions
Credit: Giuseppe Donatiello
I spent half an hour learning/evaluating Affinity by Canva.
It's not an intuitive software, especially for those who aren't very experienced with editing, but it quickly makes you realize it's not one of those toy apps. Affinity is powerful, however, and includes a wealth of editing and graphics tools on par with more well-known and very expensive software.
It's not a product for astrophotography, so its value can be best demonstrated by its performance on non-ordinary images.
I limited myself to the Pixel section, i.e., photo editing, and after some testing, I ventured into processing a raw TIFF image of M42 (box 1), a subject rich in nuances, tones, and a myriad of details.
Even with the basic settings (box 2), the result is very satisfying. However, it's by exploring the advanced tools that I discover extremely useful applications for astrophotography, such as generating false-color images (box 3) and applying powerful and incredibly simple deconvolutional algorithms.
The use of deep learning in many tools is all too evident, and it's important/recommended not to get too carried away. The experienced user will know how much to use and, above all, when to stop to avoid entering the minefield of overprocessing, which is unfortunately widespread, where artifacts are considered objective details.
For software that has become free, can you expect more?
M42 taken with 127EDmm f/9
Exif data auto added by theGOOD Uploadr
File Size : 0.3 mb
Camera Make : Canon
Camera Model : Canon EOS 5D Mark II
Software : Adobe Photoshop CS5 Macintosh
Winner of Nature's Carousel group 7th MAMMALS GALLERY
Front page at Amazing Nature October 2013
52 Legacy
Art created using Ultra Fractal software.
Thanks for all views, comments and fave adds. Very much appreciated.
This image has been generated and enhanced with digital imaging software, including Topaz Photo AI, Snapseed, Midjourney AI, and Photoshop.
Imaging telescope: Skywatcher Esprit 80ED
Imaging camera: ZWO ASI294MC Pro
Mount: SkyWatcher NEQ6 Pro Goto
Guiding telescope: Guiderscope 53mm
Guiding camera: ZWO ASI120MM
Software: Incanus Astro Photography Tool, PHD2, Pixinsight 1.8
Filter: IDAS LPS D1
Dates: Oct. 12, 2018
Frames: 100x300s
My escape is at Big Bear Lake, CA. A big contrast from the hustle and bustle of downtown San Diego. Big Bear Lake is about a two and a half hour drive from SD and is 7500 feet
above sea level. Originally from the south, I miss the seasons and Big Bear Lake takes me back there. Just yesterday we had snow up here while back on the coast it was in the upper 60's.