View allAll Photos Tagged soa
This is my girl's first day home. I love her so much!!! She arrived only two weeks after I ordered her so we were totally unprepared for her arrival! I love everything about her...well, everything except that she can't wear any of the jeans that I have.
She looks so realistic! I love that about her!
Wig: Monique Gold Jojo
Top: Tonner
She wanted to enjoy the first cool day after a brutally hot summer. She tried on a pair of sweatpants that were made by the wonderful Ban Sidhe. They fit her perfectly and she won't take them off. Said her clubbing clothing is too tight and this feels great!
Wig: Monique Gold Jojo (styled by me)
Top: Friends 2B Made
Sweatpants: Ban Sidhe
She wanted to enjoy the first cool day after a brutally hot summer. She tried on a pair of sweatpants that were made by the wonderful Ban Sidhe. They fit her perfectly and she won't take them off. Said her clubbing clothing is too tight and this feels great!
Wig: Monique Gold Jojo (styled by me)
Top: Friends 2B Made
Sweatpants: Ban Sidhe
These two couldn't be more perfect for each other. They make me squee when I see them together.
Minhyun is very protective of Soa and will do anything for her. He has a hard time admitting how much he loves her.
TOO FAST TOO SLOW
11 Architectural Moves
April 5–26, 2019
Opening reception: April 5, 6–8pm
40 Wooster Street
New York, NY 10013
+1 (646) 470-7552
Architecture works hard to keep up to speed. In environments that are quickly changing, on borders that are stealthily shifting, and among publics that are increasingly more than human, the discipline swings between representation and agency until it becomes hard to see. A quick look around suggests that its oscillation has either sped up beyond useful limits or ceased altogether. In other words, architecture is somehow both too fast and too slow.
To help architecture find its rhythm again, AWP* asks 11 designers: can architecture be made to move lithely with the present in an effort to remain an agile and relevant agent of social and cultural production? In the search for agency, the projects respond to this question by slipping between visual and material contexts, synced to their pace and situated in unusual places—in the middle, along the edge, over water, out there, in the shadows, through the air, amidst data, on unstable ground—in a critical display of architecture's versatility. In the search for representation, the work moves between image and material, circulating through time-consuming genres and formats to slow down—or speed up—architecture's incorporation into visual culture at large.
Following these themes, the exhibition is organized in two parts: Environments and Apparatuses. Environments bring exterior worlds into the gallery, simulating the effects and affects of sites and atmospheres. They are built up and take you places. Apparatuses sample, mediate, and image materials to demonstrate that the difference between architecture and environment is not a thin line, but a space held wide open for interaction. In a field with differences too uncoordinated to make a difference, AWP asks "when" rather than "how" in the search for shared criteria.
*AWP (Agency for Work and Play) is the platform through which the Princeton School of Architecture Post-Professional M.Arch class explores issues relating to architecture through an interdisciplinary lens.
TOO FAST TOO SLOW
Indefinite Boundaries: Projections of Immaterial Space
Kenny Chao
Advisors: Stan Allen + Cameron Wu
Watermelons and Walls: Building Infrastructure in Sur
E. Ece Emanetoğlu
Advisor: Paul Lewis
THERE IS NO MIDDLE
Deborah Garcia
Advisors: Michael Meredith + Stan Allen
Uncertain Grounds: Rethinking Settlement in the Anthropocene
José Ibarra
Advisors: Hayley Eber + Spyros Papapetros
this tower was reconstructed on the Green Line
Rami Kanafani
Advisor: Mónica Ponce de León
Turning the Last Page: Knowledge Exchange and Political Crossings in Hong Kong 2046
Jessica Leung
Advisor: Mario Gandelsonas
Visual Guide to A House, Museum
Erik Tsurumaki
Advisor: Paul Lewis
Climate as a Medium
Zherui Wang
Advisor: Elizabeth Diller
Balancing Act / Social Piling
Ece Yetim
Advisor: Hayley Eber
A Floating Urbanism
Sophia Zhu
Advisor: Stan Allen
Clip-on Urbanism: A Maker’s Survival Guide to Shenzhen
Zhonghui Zhu
Advisor: Mario Gandelsonas
Princeton School of Architecture 2019 Post-Professional Master of Architecture Thesis is coordinated by Professor Jesse Reiser.
School of Oriental and African Studies in Akkadian.
Bit Tuppum ba-a KUR.KUR.AN ud-ud du-a
means: house of tablets (school) ... KUR.KUR is "all the lands" I'll keep working on this.
These two couldn't be more perfect for each other. They make me squee when I see them together.
Minhyun is very protective of Soa and will do anything for her. He has a hard time admitting how much he loves her.
She wanted to enjoy the first cool day after a brutally hot summer. She tried on a pair of sweatpants that were made by the wonderful Ban Sidhe. They fit her perfectly and she won't take them off. Said her clubbing clothing is too tight and this feels great!
Wig: Monique Gold Jojo (styled by me)
Top: Friends 2B Made
Sweatpants: Ban Sidhe
"Those are the things that'll keep you whole. Those are the things to hold on to when you're broken."
She wanted to enjoy the first cool day after a brutally hot summer. She tried on a pair of sweatpants that were made by the wonderful Ban Sidhe. They fit her perfectly and she won't take them off. Said her clubbing clothing is too tight and this feels great!
Wig: Monique Gold Jojo (styled by me)
Top: Friends 2B Made
Sweatpants: Ban Sidhe
Rosa Cedrón y Cristina Pato. SOAS, en concerto no Pazo da peregrina de Bertamiráns.
Sugerencia audiovisual:
Rosa Cedrón en un reportaje de la TVG
Sugerencia musical:
TOO FAST TOO SLOW
11 Architectural Moves
April 5–26, 2019
Opening reception: April 5, 6–8pm
40 Wooster Street
New York, NY 10013
+1 (646) 470-7552
Architecture works hard to keep up to speed. In environments that are quickly changing, on borders that are stealthily shifting, and among publics that are increasingly more than human, the discipline swings between representation and agency until it becomes hard to see. A quick look around suggests that its oscillation has either sped up beyond useful limits or ceased altogether. In other words, architecture is somehow both too fast and too slow.
To help architecture find its rhythm again, AWP* asks 11 designers: can architecture be made to move lithely with the present in an effort to remain an agile and relevant agent of social and cultural production? In the search for agency, the projects respond to this question by slipping between visual and material contexts, synced to their pace and situated in unusual places—in the middle, along the edge, over water, out there, in the shadows, through the air, amidst data, on unstable ground—in a critical display of architecture's versatility. In the search for representation, the work moves between image and material, circulating through time-consuming genres and formats to slow down—or speed up—architecture's incorporation into visual culture at large.
Following these themes, the exhibition is organized in two parts: Environments and Apparatuses. Environments bring exterior worlds into the gallery, simulating the effects and affects of sites and atmospheres. They are built up and take you places. Apparatuses sample, mediate, and image materials to demonstrate that the difference between architecture and environment is not a thin line, but a space held wide open for interaction. In a field with differences too uncoordinated to make a difference, AWP asks "when" rather than "how" in the search for shared criteria.
*AWP (Agency for Work and Play) is the platform through which the Princeton School of Architecture Post-Professional M.Arch class explores issues relating to architecture through an interdisciplinary lens.
TOO FAST TOO SLOW
Indefinite Boundaries: Projections of Immaterial Space
Kenny Chao
Advisors: Stan Allen + Cameron Wu
Watermelons and Walls: Building Infrastructure in Sur
E. Ece Emanetoğlu
Advisor: Paul Lewis
THERE IS NO MIDDLE
Deborah Garcia
Advisors: Michael Meredith + Stan Allen
Uncertain Grounds: Rethinking Settlement in the Anthropocene
José Ibarra
Advisors: Hayley Eber + Spyros Papapetros
this tower was reconstructed on the Green Line
Rami Kanafani
Advisor: Mónica Ponce de León
Turning the Last Page: Knowledge Exchange and Political Crossings in Hong Kong 2046
Jessica Leung
Advisor: Mario Gandelsonas
Visual Guide to A House, Museum
Erik Tsurumaki
Advisor: Paul Lewis
Climate as a Medium
Zherui Wang
Advisor: Elizabeth Diller
Balancing Act / Social Piling
Ece Yetim
Advisor: Hayley Eber
A Floating Urbanism
Sophia Zhu
Advisor: Stan Allen
Clip-on Urbanism: A Maker’s Survival Guide to Shenzhen
Zhonghui Zhu
Advisor: Mario Gandelsonas
Princeton School of Architecture 2019 Post-Professional Master of Architecture Thesis is coordinated by Professor Jesse Reiser.
This is Lee Soa. She's my first and only ball jointed doll. I love her so much. She is an Iplehouse JID Soa in normal skin. I know her name isn't very creative but I thought it fit her character perfectly. Soa is wearing a hand sewn dress made by me. It was my first attempt sewing for a bjd >.> Well sewing anything really. I'm very happy with it..just don't peek at the inside.
My 2nd timelapse compilation of SOAS Mosque, but this time its sunrise. Thanks to Airbiscuit for the company and idea of creating this compilation.
9000 jpegs, 4 days creating this 1 minute time lapse.
These two couldn't be more perfect for each other. They make me squee when I see them together.
Minhyun is very protective of Soa and will do anything for her. He has a hard time admitting how much he loves her.