View allAll Photos Tagged sky_captures_

Piombino, Toscana, Italia

Summer in Middle Germany, near Weimar. What a feeling to stay between blooming fields and the endless sky...

Captured with Olympus OM-D • m.Zuiko 12/2 • Formatt-Hitech

You can also find my work here: Instagram & Facebook

Shattered Life by Seventh Day Slumber

www.youtube.com/watch?v=9uT2k6DA-jY

 

Mughal Garden

 

We agree

 

The flowers are yours

The fruit are yours

The blades of lush grass are yours

The sentries are yours too.

 

We agree

 

That sky captured

within the four-sided courtyard is yours.

The wind that comes and knocks against its boundary walls

that’s yours too.

 

But you need to know

 

The roots are ours

The nourishing compost

is ours

 

All the sunlight in that chunk of sky in your courtyard —

that sky is ours

the light is ours.

 

The water flowing down from the hills is ours

The wind carrying seeds is ours

All the rest of the earth

is ours.

 

-Rajee Seth

Port Arlington - Down at the Bellarine on a Sunday morning and decided to go out first thing for a shoot, I came across this canola field on the road to Port Arlington and was lucky enough to get a wonderful sunrise as a bonus.

An idea for something I’d come across recently in reading new features with Photoshop CC. This feature being the option to replace skies captured in an image with a set of blue skies. The image captured here was on the Fayette Station Bridge with a view looking to the south with a hillside of trees. My thinking in composing this image was to capture a portion of the steel structures of the bridge and have the trees as the backdrop to complement the setting. I did some initial post-processing work making adjustments to contrast, brightness and saturation while playing around as I learned how to work with DxO PhotoLab 4. I then exported a TIFF image to Photoshop CC to make the sky replacement. I later worked in Nik Color Efex Pro 4 where I added a Polarization and Foliage filter for that last effect on the image captured.

Blue and pink sky capture on the foot of the Throgs Neck Bridge (Bayside Queens New York City, NY USA)

Happy Blue Monday!

An early autumn evening, before it got dark, I got some pictures of this Corona.

Brodie Castle is a well-preserved Z plan castle located about 3 1⁄2 miles west of Forres, in Moray, Scotland. The castle is a Category A listed building and the grounds are included in the Inventory of Gardens and Designed Landscapes in Scotland.

 

Interesting skies, captured here from the Markinch to Kennoway road. This is a composite of 3 shots stitched together.

 

On the third Sunday of every month, this tiny church building comes alive with people greeting one another, singing together in worship and, no doubt, listening to their minister's sermon. For the remaining days of the year, the weatherboard-construction sanctuary sits idle, a landmark for passing motorists to glimpse as they make their way along the Cooma Road.

 

While visiting the Southern Tablelands region in April this year, I noticed this church and returned to shoot nightscape photos last Friday, 16th June 2023. The cloudless and light-pollution-free skies in the area let the starlight shine brightly, and two Lume Cube LED lamps did a fine job illuminating the one-hundred-and-ten-year-old building for my photo. I set the lens' focus to be on the church, giving a slightly out-of-focus look to the sky.

 

Captured with my Canon EOS 6D Mk II camera and a Sigma 35mm f/1.4 Art lens @ f/13, I exposed this photo for 13 seconds at an ISO setting of 3200.

(Explore) Sept 26,2009

 

Had a great time today!

Shoot with one of the finest graphic artists in Singapore and a photo enthusiast

Reggie Wan and Williamcho One of the "Best" photographers in Singapore and a freelance graphic designer as well! Humble people with such enormous talents.

 

Such a precious time with you guys.

Learned a lot..

 

A Non HDR- adjusted contrast and saturation

 

Piombino, Toscana, Italia

El nivel del agua del embalse de la Sotonera, dramáticamente bajo. Esta a 35% de su capacidad.

Cada uno vemos una realidad.

Los acontecimientos ocurridos en nuestra vida altera la forma de ver el mundo.

Existen tantos mundos como personas.

Piombino, Toscana, Italia

Crecida del Río Ebro a su paso por la Basílica de Nuestra Señora del Pilar de Zaragoza

A serene Finnish forest floor, dotted with mushrooms and blanketed in vibrant green moss. Tall pine trees stretch towards the clear blue sky, capturing the essence of Finland’s natural beauty.

 

Italian Translation: Un tranquillo sottobosco finlandese, punteggiato di funghi e coperto di un muschio verde brillante. Alti pini si protendono verso il cielo azzurro limpido, catturando l’essenza della bellezza naturale della Finlandia.

Tears fall from the sky capturing a drop of sun, their hearts burn bright as if as one...

 

'Tears of the Sun' On Black

SVQ-100 f/5.8

ZWOASI6200MC-Cool

Starizona filter slider

Optolong L-eNhance LPF

AVX

SV70T / ASIZWO174MM / PHD2 Guiding

Capture: ASIStudio (deep sky)

Post Processing: Image Plus 6.5

29 of 30 used Full CalFrames

Focus: Manual / ASIStudio (live stack)/ Bahtinov Mask

SKY:4/5

Capture: 30 @ 600 Sec. gain Low (ASI Deep Sky Capture)

From: Downtown Austin, Texas

 

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sky captured before rain in Lagoa da Conceição, Floripa

A trip to try and capture the Longman of Wilmington chalk carving under star light.

 

The night sky capture was quite sucessful, with Orion clearly visible and the Milky way centre left. Unfortunately lighting the chalk carving was less so!

 

Composite of stacked sky shots and seperate ground capture

 

Sequator v1.1.3 L26 D20 freeze DN + ground

In the stillness of a summer night, the full moon rose like a silver guardian, casting its cold light over the sleeping land.

Through the lens, its rugged surface unfolded — seas of ancient lava, scars from celestial collisions, and shadows dancing along its edge.

No clouds, no haze — just the quiet companionship of our closest neighbour in space, glowing against the deep velvet sky.

 

Captured with my Canon EOS R100 and RF-S 18–150mm lens at full reach, manually focused to preserve every crater and subtle texture. Converted to monochrome to let the raw beauty of light and shadow speak for itself.

This is a Rose of Sharon backlit against the blue sky. Captured on a very hot Thursday afternoon.

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