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Screen shot of random animation created by a Flash engine called Visual Poetry Generator (VPG 0.1), used for VJ sets.

Water soluble stick, tinted in PS

A friend challenged me to live sketch the super bowl... Here's how it happened in real-time: kidethnic.tumblr.com/post/17140743516/i-drew-the-the-supe...

While this is technically the second warm-up sketch of today, it is the first sketch I made after waking up. I've put some of what I've learned into this new sketch, and I think it has much more appeal than yesterday's pencil warm-up sketch.

 

No, this isn't Porky Pig, or even Peter Pig. It's a character I'm developing for an upcoming mini-comic, sans some antennae, an without an attire.

 

Yes, people, animals run around without clothes all the time. Anyway, he has some kind of shirt on.

 

The pencil sketch was on a A5 format paper (14.85 by 21 cm), and cleaned up in Pixelmator after scanning.

sketches for new characters and details

Alejandro A Oliva Alex Oliva

You would think sleeping cats are so easy to draw. However, you need to stay focussed, yet relaxed, because all that hair can be so confusing if you don't keep track of the overall shape.

 

It is drawing and redrawing, until it more or less looks like the real thing. In this case I also needed a new sketch.

Sketch three quarters done by me in the treatment chair during four hours of hemodialysis this morning.

Testing Easy Sketch for its line quality. It has an interesting variable width setting.

 

iTouch, Easy Sketch, Artist's Touch, DXP, and Brushes 2.1 apps, Pogo Stylus.

Squirrels! - rough sketch for a gallery piece I'm showing

Sketch showing program ideas

sketching inspired by Geogia O'Keeffe

Sketched while waiting at the back fence at school. The large bin with palm fronds caught my eye, and then I noticed the groundskeeper about his duties and fit him in as well. I couldn't decide whether to add colour or not, so took a photo "before" and "after" wash.

The Beatty Street Mural which was painted over before the Olympics is being redone. It seems to be historical figures that are being sketched in for this one.

sketch based on Allison Johnson's notebook in Northline (by Willy Vlautin)

Sketch rápido em um dos cadernos artesanais.

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Quick sketch of the handmade notebook.

 

netinhomaia.blogspot.com

netinho_maia@hotmail.com

A sketch of Envy Adams who appears on the back cover of Bryan Lee O'Malley's "Scott Pilgrim vs. the World", the second in the Scott Pilgrim graphic novel series. Check out his graphic novels, I highly recommend them.

 

My sketch makes the character look much more wistful than the original.

(c) 2010 Cian Tormey

 

About time there was a group sketch up here

I draw poodles to learn the Wacom.

Jen and I made some super sweet faces for this camera.

Sketch for an upcoming God colab with the mighty Ahab

Do you have a persistant itch that is just geting under your skin? Visit this website for details. [blog post]

A very small sketch, a doodle dreamland, I would like to work it into a giant painting

Sketch book novo! Baseado nas patterns africanas que andei vendo nas apresentações de cultura...

Ink sketch of Stacy as a rough for the Page of Wands, as part of the Tarot deck I've worked on intermittently for a long time

from sketch to photoshop.

sketch artist is Rhianna Charko

medium is pencil and Sharpie marker

Albacete. Sentado en un banco del Parque de Abelardo Sánchez. El 23 de febrero de hace 100 años se inició su construcción, plantando 12.000 pinos y muchas otros arboles. Se llamó Parque de Canalejas, en honor del presidente del gobierno, asesinado en 1912. Hoy toma el nombre del alcalde que tuvo la visión de crear ese parque en lo que hoy ha quedado como una zona céntrica de la ciudad.

Cuando lo he dibujado, esta mañana, hacía un día excelente, después de una temporada larga de frío y lluvias.

Está pintado con una pluma Osmiroid, plumilla Sketch pen medium hard, en un journal de PaperBlanks.

Using a shot from a lipstick ad as a guide - trying to get some light and shade in my sketching

After I finish something big, I always end up looking at it and wondering what (if anything) shows an improvement to my style. After working on the last one, I took a look at some hyperrealist painters and got very curious about the way they achieve such smoothness to their work. Sketching stuff out on paper and being able to let it go unfinished lets me play with things. I realized the sort of airbrushed smoothness wouldn't be my thing but I wanted to play with the layering of oils. Too often I try to work like a digital printer: single pass, final color. I've come to realize oils aren't that way. It's best results come when you work with the medium's translucence to build up volumes.

 

So here I focused on the face and just let the rest go do as it wants (it was also a chance to use some new paints to see how they played). For that reason there's a lot of little things I liked that came out mostly because I wasn't trying to force things (the flower on her head and her back right shoulder). Pleasant unexpected surprises that build organically. The incompleteness also gives you a sense of how it was "made" (which actually helps when trying to recreate effects that cropped up).

 

Sketch

2011

Oil on Paper

9" x 12"

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